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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF4F7 it is the complementary color #C50B08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF4F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF4F7 shade: #3FF4F2, #50FFFF, #61FFFF, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF4F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF4F7 shade: #3AF4F7, #29E2E4, #18D0D1, #07BEBE and #00ACAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF4F7 shade: #3BF3F6, #3BC1F6, #3B8EF6, #3B5CF6 and #4C3BF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF4F7 shade: #3BF3F6, #3BC1F6, #3B8EF6, #3B5CF6 and #3B3BF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF4F7 shade matches the following richer shades: #3BF3F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF4F7 shade: #3BF3F6, #4BE3E6, #5CD3D5, #6CC3C5 and #7DB3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF4F7 shade: #3BF692, #3BF6C4, #3BF6F6, #3BC4F6 and #3B92F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF4F7 shade: #08D3D6, #13F1F5, #3BF3F6, #62F6F8 and #8AF8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF4F7 shade: #3AF4F7, #603BF6 and #F6AB3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF4F7 shade: #3AF4F7, #F63BF6 and #F6F63B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF4F7 shade: #3AF4F7, #603BF6, #F63B3B and #D1F63B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF4F7 shade: #3AF4F7, #993BF6, #F63B3B and #99F63B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 1 / 0 / 3

HEX #3AF4F7

RGB 58 244 247

HSL 180.95, 0.92%, 0.6%

LAB 88.12, -42.8, -14.42

 

Complementary color

CMYK 0 / 94 / 96 / 23

HEX #C50B08

RGB 197 11 8

HSL 0.95, 0.92%, 0.4%

LAB 41.42, 64.94, 52.73

 

CMYK 74 / 0 / 1 / 4

HEX #3FF4F2

RGB 63 244 242

HSL 179.34, 0.89%, 0.6%

LAB 88.05, -43.72, -11.9

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 77 / 1 / 0 / 3

HEX #3AF4F7

RGB 58 244 247

HSL 180.95, 0.92%, 0.6%

LAB 88.12, -42.8, -14.42

 

CMYK 82 / 1 / 0 / 11

HEX #29E2E4

RGB 41 226 228

HSL 180.64, 0.78%, 0.53%

LAB 82.09, -41.62, -13.47

 

CMYK 89 / 0 / 0 / 18

HEX #18D0D1

RGB 24 208 209

HSL 180.32, 0.79%, 0.46%

LAB 76.01, -40.15, -12.43

 

CMYK 96 / 0 / 0 / 25

HEX #07BEBE

RGB 7 190 190

HSL 180, 0.93%, 0.39%

LAB 69.89, -38.32, -11.28

 

CMYK 100 / 0 / 1 / 33

HEX #00ACAB

RGB 0 172 171

HSL 179.65, 1%, 0.34%

LAB 63.71, -36.1, -10.01

 

CMYK 76 / 1 / 0 / 4

HEX #3BF3F6

RGB 59 243 246

HSL 180.96, 0.91%, 0.6%

LAB 87.82, -42.55, -14.35

 

CMYK 76 / 22 / 0 / 4

HEX #3BC1F6

RGB 59 193 246

HSL 197.01, 0.91%, 0.6%

LAB 73.37, -18.45, -36.38

 

CMYK 76 / 42 / 0 / 4

HEX #3B8EF6

RGB 59 142 246

HSL 213.37, 0.91%, 0.6%

LAB 58.91, 10.25, -59.17

 

CMYK 76 / 63 / 0 / 4

HEX #3B5CF6

RGB 59 92 246

HSL 229.41, 0.91%, 0.6%

LAB 45.96, 41.16, -80.14

 

CMYK 69 / 76 / 0 / 4

HEX #4C3BF6

RGB 76 59 246

HSL 245.45, 0.91%, 0.6%

LAB 40.11, 61.27, -89.73

 

CMYK 76 / 1 / 0 / 4

HEX #3BF3F6

RGB 59 243 246

HSL 180.96, 0.91%, 0.6%

LAB 87.82, -42.55, -14.35

 

CMYK 76 / 22 / 0 / 4

HEX #3BC1F6

RGB 59 193 246

HSL 197.01, 0.91%, 0.6%

LAB 73.37, -18.45, -36.38

 

CMYK 76 / 42 / 0 / 4

HEX #3B8EF6

RGB 59 142 246

HSL 213.37, 0.91%, 0.6%

LAB 58.91, 10.25, -59.17

 

CMYK 76 / 63 / 0 / 4

HEX #3B5CF6

RGB 59 92 246

HSL 229.41, 0.91%, 0.6%

LAB 45.96, 41.16, -80.14

 

CMYK 76 / 76 / 0 / 4

HEX #3B3BF6

RGB 59 59 246

HSL 240, 0.91%, 0.6%

LAB 39.09, 59.95, -91.46

 

CMYK 76 / 1 / 0 / 4

HEX #3BF3F6

RGB 59 243 246

HSL 180.96, 0.91%, 0.6%

LAB 87.82, -42.55, -14.35

 

CMYK 76 / 1 / 0 / 4

HEX #3BF3F6

RGB 59 243 246

HSL 180.96, 0.91%, 0.6%

LAB 87.82, -42.55, -14.35

 

CMYK 67 / 1 / 0 / 10

HEX #4BE3E6

RGB 75 227 230

HSL 181.16, 0.76%, 0.6%

LAB 82.99, -37.99, -13.12

 

CMYK 57 / 1 / 0 / 16

HEX #5CD3D5

RGB 92 211 213

HSL 180.99, 0.59%, 0.6%

LAB 78.27, -32.51, -11.08

 

CMYK 45 / 1 / 0 / 23

HEX #6CC3C5

RGB 108 195 197

HSL 181.35, 0.43%, 0.6%

LAB 73.71, -25.65, -9.18

 

CMYK 31 / 1 / 0 / 29

HEX #7DB3B4

RGB 125 179 180

HSL 181.09, 0.27%, 0.6%

LAB 69.4, -17.32, -6.19

 

CMYK 76 / 0 / 41 / 4

HEX #3BF692

RGB 59 246 146

HSL 147.91, 0.91%, 0.6%

LAB 86.46, -67.12, 35.37

 

CMYK 76 / 0 / 20 / 4

HEX #3BF6C4

RGB 59 246 196

HSL 163.96, 0.91%, 0.6%

LAB 87.4, -56.8, 11.15

 

CMYK 76 / 0 / 0 / 4

HEX #3BF6F6

RGB 59 246 246

HSL 180, 0.91%, 0.6%

LAB 88.68, -43.88, -13.05

 

CMYK 76 / 20 / 0 / 4

HEX #3BC4F6

RGB 59 196 246

HSL 196.04, 0.91%, 0.6%

LAB 74.23, -20.01, -35.04

 

CMYK 76 / 41 / 0 / 4

HEX #3B92F6

RGB 59 146 246

HSL 212.09, 0.91%, 0.6%

LAB 60.02, 7.85, -57.4

 

CMYK 96 / 1 / 0 / 16

HEX #08D3D6

RGB 8 211 214

HSL 180.87, 0.93%, 0.44%

LAB 76.98, -40.58, -13.68

 

CMYK 92 / 2 / 0 / 4

HEX #13F1F5

RGB 19 241 245

HSL 181.06, 0.92%, 0.52%

LAB 86.82, -44.45, -15.36

 

CMYK 76 / 1 / 0 / 4

HEX #3BF3F6

RGB 59 243 246

HSL 180.96, 0.91%, 0.6%

LAB 87.82, -42.55, -14.35

 

CMYK 60 / 1 / 0 / 3

HEX #62F6F8

RGB 98 246 248

HSL 180.8, 0.91%, 0.68%

LAB 89.53, -38.36, -12.75

 

CMYK 45 / 1 / 0 / 2

HEX #8AF8FA

RGB 138 248 250

HSL 181.07, 0.92%, 0.76%

LAB 91.43, -31.07, -10.81

 

CMYK 77 / 1 / 0 / 3

HEX #3AF4F7

RGB 58 244 247

HSL 180.95, 0.92%, 0.6%

LAB 88.12, -42.8, -14.42

 

CMYK 61 / 76 / 0 / 4

HEX #603BF6

RGB 96 59 246

HSL 251.87, 0.91%, 0.6%

LAB 41.64, 63.23, -87.16

 

CMYK 0 / 30 / 76 / 4

HEX #F6AB3B

RGB 246 171 59

HSL 35.94, 0.91%, 0.6%

LAB 75.47, 18.19, 65.16

 

CMYK 77 / 1 / 0 / 3

HEX #3AF4F7

RGB 58 244 247

HSL 180.95, 0.92%, 0.6%

LAB 88.12, -42.8, -14.42

 

CMYK 0 / 76 / 0 / 4

HEX #F63BF6

RGB 246 59 246

HSL 300, 0.91%, 0.6%

LAB 61.11, 87.3, -54.68

 

CMYK 0 / 0 / 76 / 4

HEX #F6F63B

RGB 246 246 59

HSL 60, 0.91%, 0.6%

LAB 94.24, -19.88, 82.53

 

CMYK 77 / 1 / 0 / 3

HEX #3AF4F7

RGB 58 244 247

HSL 180.95, 0.92%, 0.6%

LAB 88.12, -42.8, -14.42

 

CMYK 61 / 76 / 0 / 4

HEX #603BF6

RGB 96 59 246

HSL 251.87, 0.91%, 0.6%

LAB 41.64, 63.23, -87.16

 

CMYK 0 / 76 / 76 / 4

HEX #F63B3B

RGB 246 59 59

HSL 0, 0.91%, 0.6%

LAB 55.11, 69.3, 44.61

 

CMYK 15 / 0 / 76 / 4

HEX #D1F63B

RGB 209 246 59

HSL 71.87, 0.91%, 0.6%

LAB 91.59, -34.73, 79.14

 

CMYK 77 / 1 / 0 / 3

HEX #3AF4F7

RGB 58 244 247

HSL 180.95, 0.92%, 0.6%

LAB 88.12, -42.8, -14.42

 

CMYK 38 / 76 / 0 / 4

HEX #993BF6

RGB 153 59 246

HSL 270.16, 0.91%, 0.6%

LAB 47.69, 70.87, -77

 

CMYK 0 / 76 / 76 / 4

HEX #F63B3B

RGB 246 59 59

HSL 0, 0.91%, 0.6%

LAB 55.11, 69.3, 44.61

 

CMYK 38 / 0 / 76 / 4

HEX #99F63B

RGB 153 246 59

HSL 89.84, 0.91%, 0.6%

LAB 88.45, -55.15, 75.08

 

Description

Color code: HEX #3AF4F7 | qconv.com Color code: HEX #3AF4F7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 244 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 244 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 1 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 1% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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