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Color name
HEX #3AE278

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE278 it is the complementary color #C51D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE278 shade: #3FE273, #50F486, #61FF99, #72FFAC and #83FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE278 shade: #3AE278, #29D065, #18BE52, #07AC3F and #009A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE278 shade: #3BE179, #3BE14C, #58E13B, #84E13B and #B1E13B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE278 shade: #3BE179, #3BE1A5, #3BE1D2, #3BC4E1 and #3B97E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE278 shade matches the following richer shades: #3BE179 and #29F374

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE278 shade: #3BE179, #4DCF7D, #60BD82, #72AB87 and #84998C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE278 shade: #57E13B, #3BE14C, #3BE178, #3BE1A4 and #3BE1D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE278 shade: #1AB051, #1FD462, #3BE179, #5FE791 and #83ECAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE278 shade: #3AE278, #3B83E1 and #E13B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE278 shade: #3AE278, #783BE1 and #E1783B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE278 shade: #3AE278, #3B83E1, #E13BA4 and #E1993B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE278 shade: #3AE278, #3B51E1, #E13BA4 and #E1CB3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 47 / 11

HEX #3AE278

RGB 58 226 120

HSL 142.14, 0.74%, 0.56%

LAB 79.98, -64.68, 39.84

 

Complementary color

CMYK 0 / 85 / 31 / 23

HEX #C51D87

RGB 197 29 135

HSL 322.14, 0.74%, 0.44%

LAB 44.94, 69.38, -16.17

 

CMYK 72 / 0 / 49 / 11

HEX #3FE273

RGB 63 226 115

HSL 139.14, 0.74%, 0.57%

LAB 80, -64.74, 42.31

 

CMYK 67 / 0 / 45 / 4

HEX #50F486

RGB 80 244 134

HSL 139.76, 0.88%, 0.64%

LAB 86.07, -65.38, 40.83

 

CMYK 62 / 0 / 40 / 0

HEX #61FF99

RGB 97 255 153

HSL 141.27, 1%, 0.69%

LAB 90.03, -63.2, 36.72

 

CMYK 55 / 0 / 33 / 0

HEX #72FFAC

RGB 114 255 172

HSL 144.68, 1%, 0.72%

LAB 90.81, -56.39, 28.38

 

CMYK 49 / 0 / 25 / 0

HEX #83FFBF

RGB 131 255 191

HSL 149.03, 1%, 0.76%

LAB 91.73, -48.91, 20.08

 

CMYK 74 / 0 / 47 / 11

HEX #3AE278

RGB 58 226 120

HSL 142.14, 0.74%, 0.56%

LAB 79.98, -64.68, 39.84

 

CMYK 80 / 0 / 51 / 18

HEX #29D065

RGB 41 208 101

HSL 141.56, 0.67%, 0.49%

LAB 73.88, -63.61, 41.41

 

CMYK 87 / 0 / 57 / 25

HEX #18BE52

RGB 24 190 82

HSL 140.96, 0.78%, 0.42%

LAB 67.75, -62.04, 43.03

 

CMYK 96 / 0 / 63 / 33

HEX #07AC3F

RGB 7 172 63

HSL 140.36, 0.92%, 0.35%

LAB 61.58, -59.82, 44.59

 

CMYK 100 / 0 / 71 / 40

HEX #009A2C

RGB 0 154 44

HSL 137.14, 1%, 0.3%

LAB 55.37, -56.74, 45.92

 

CMYK 74 / 0 / 46 / 12

HEX #3BE179

RGB 59 225 121

HSL 142.41, 0.73%, 0.56%

LAB 79.71, -64.04, 39

 

CMYK 74 / 0 / 66 / 12

HEX #3BE14C

RGB 59 225 76

HSL 126.14, 0.73%, 0.56%

LAB 79.21, -69.85, 58.78

 

CMYK 61 / 0 / 74 / 12

HEX #58E13B

RGB 88 225 59

HSL 109.52, 0.73%, 0.56%

LAB 79.75, -65.83, 65.8

 

CMYK 41 / 0 / 74 / 12

HEX #84E13B

RGB 132 225 59

HSL 93.61, 0.73%, 0.56%

LAB 81.33, -53.69, 67.89

 

CMYK 21 / 0 / 74 / 12

HEX #B1E13B

RGB 177 225 59

HSL 77.35, 0.73%, 0.56%

LAB 83.71, -37.67, 71.02

 

CMYK 74 / 0 / 46 / 12

HEX #3BE179

RGB 59 225 121

HSL 142.41, 0.73%, 0.56%

LAB 79.71, -64.04, 39

 

CMYK 74 / 0 / 27 / 12

HEX #3BE1A5

RGB 59 225 165

HSL 158.31, 0.73%, 0.56%

LAB 80.46, -55.62, 17.53

 

CMYK 74 / 0 / 7 / 12

HEX #3BE1D2

RGB 59 225 210

HSL 174.58, 0.73%, 0.56%

LAB 81.53, -44.56, -4.72

 

CMYK 74 / 13 / 0 / 12

HEX #3BC4E1

RGB 59 196 225

HSL 190.48, 0.73%, 0.56%

LAB 73.45, -26.7, -24.91

 

CMYK 74 / 33 / 0 / 12

HEX #3B97E1

RGB 59 151 225

HSL 206.75, 0.73%, 0.56%

LAB 60.34, -2.56, -45.28

 

CMYK 74 / 0 / 46 / 12

HEX #3BE179

RGB 59 225 121

HSL 142.41, 0.73%, 0.56%

LAB 79.71, -64.04, 39

 

CMYK 83 / 0 / 52 / 5

HEX #29F374

RGB 41 243 116

HSL 142.28, 0.89%, 0.56%

LAB 84.91, -72.81, 47.83

 

CMYK 74 / 0 / 46 / 12

HEX #3BE179

RGB 59 225 121

HSL 142.41, 0.73%, 0.56%

LAB 79.71, -64.04, 39

 

CMYK 63 / 0 / 40 / 19

HEX #4DCF7D

RGB 77 207 125

HSL 142.15, 0.58%, 0.56%

LAB 74.63, -53.73, 30.49

 

CMYK 49 / 0 / 31 / 26

HEX #60BD82

RGB 96 189 130

HSL 141.94, 0.41%, 0.56%

LAB 69.82, -41.02, 21.53

 

CMYK 33 / 0 / 21 / 33

HEX #72AB87

RGB 114 171 135

HSL 142.11, 0.25%, 0.56%

LAB 65.32, -26.46, 12.71

 

CMYK 14 / 0 / 8 / 40

HEX #84998C

RGB 132 153 140

HSL 142.86, 0.09%, 0.56%

LAB 61.29, -10.08, 4.33

 

CMYK 61 / 0 / 74 / 12

HEX #57E13B

RGB 87 225 59

HSL 109.88, 0.73%, 0.56%

LAB 79.72, -66.06, 65.77

 

CMYK 74 / 0 / 66 / 12

HEX #3BE14C

RGB 59 225 76

HSL 126.14, 0.73%, 0.56%

LAB 79.21, -69.85, 58.78

 

CMYK 74 / 0 / 47 / 12

HEX #3BE178

RGB 59 225 120

HSL 142.05, 0.73%, 0.56%

LAB 79.69, -64.2, 39.47

 

CMYK 74 / 0 / 27 / 12

HEX #3BE1A4

RGB 59 225 164

HSL 157.95, 0.73%, 0.56%

LAB 80.44, -55.84, 18.02

 

CMYK 74 / 0 / 7 / 12

HEX #3BE1D1

RGB 59 225 209

HSL 174.22, 0.73%, 0.56%

LAB 81.5, -44.83, -4.23

 

CMYK 85 / 0 / 54 / 31

HEX #1AB051

RGB 26 176 81

HSL 142, 0.74%, 0.4%

LAB 63.23, -57.41, 38.08

 

CMYK 85 / 0 / 54 / 17

HEX #1FD462

RGB 31 212 98

HSL 142.21, 0.74%, 0.48%

LAB 74.99, -66.32, 44.17

 

CMYK 74 / 0 / 46 / 12

HEX #3BE179

RGB 59 225 121

HSL 142.41, 0.73%, 0.56%

LAB 79.71, -64.04, 39

 

CMYK 59 / 0 / 37 / 9

HEX #5FE791

RGB 95 231 145

HSL 142.06, 0.74%, 0.64%

LAB 82.72, -55.85, 31.06

 

CMYK 44 / 0 / 28 / 7

HEX #83ECAA

RGB 131 236 170

HSL 142.29, 0.73%, 0.72%

LAB 85.87, -44.78, 22.74

 

CMYK 74 / 0 / 47 / 11

HEX #3AE278

RGB 58 226 120

HSL 142.14, 0.74%, 0.56%

LAB 79.98, -64.68, 39.84

 

CMYK 74 / 42 / 0 / 12

HEX #3B83E1

RGB 59 131 225

HSL 213.98, 0.73%, 0.56%

LAB 54.66, 9.31, -54.3

 

CMYK 0 / 74 / 71 / 12

HEX #E13B41

RGB 225 59 65

HSL 357.83, 0.73%, 0.56%

LAB 51.29, 63.4, 35.9

 

CMYK 74 / 0 / 47 / 11

HEX #3AE278

RGB 58 226 120

HSL 142.14, 0.74%, 0.56%

LAB 79.98, -64.68, 39.84

 

CMYK 47 / 74 / 0 / 12

HEX #783BE1

RGB 120 59 225

HSL 262.05, 0.73%, 0.56%

LAB 42.09, 60.75, -74.45

 

CMYK 0 / 47 / 74 / 12

HEX #E1783B

RGB 225 120 59

HSL 22.05, 0.73%, 0.56%

LAB 61.44, 36.33, 50.29

 

CMYK 74 / 0 / 47 / 11

HEX #3AE278

RGB 58 226 120

HSL 142.14, 0.74%, 0.56%

LAB 79.98, -64.68, 39.84

 

CMYK 74 / 42 / 0 / 12

HEX #3B83E1

RGB 59 131 225

HSL 213.98, 0.73%, 0.56%

LAB 54.66, 9.31, -54.3

 

CMYK 0 / 74 / 27 / 12

HEX #E13BA4

RGB 225 59 164

HSL 322.05, 0.73%, 0.56%

LAB 53.83, 71.55, -19.49

 

CMYK 0 / 32 / 74 / 12

HEX #E1993B

RGB 225 153 59

HSL 33.98, 0.73%, 0.56%

LAB 68.83, 18.89, 57.84

 

CMYK 74 / 0 / 47 / 11

HEX #3AE278

RGB 58 226 120

HSL 142.14, 0.74%, 0.56%

LAB 79.98, -64.68, 39.84

 

CMYK 74 / 64 / 0 / 12

HEX #3B51E1

RGB 59 81 225

HSL 232.05, 0.73%, 0.56%

LAB 41.61, 40.58, -75.42

 

CMYK 0 / 74 / 27 / 12

HEX #E13BA4

RGB 225 59 164

HSL 322.05, 0.73%, 0.56%

LAB 53.83, 71.55, -19.49

 

CMYK 0 / 10 / 74 / 12

HEX #E1CB3B

RGB 225 203 59

HSL 52.05, 0.73%, 0.56%

LAB 81.31, -7.39, 69.98

 

Description

Color code: HEX #3AE278 | qconv.com Color code: HEX #3AE278 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 226 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 226 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 47 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 47% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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