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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AD9CE it is the complementary color #C52631. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AD9CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AD9CE shade: #3FD9C9, #50EBDC, #61FDEF, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AD9CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AD9CE shade: #3AD9CE, #29C7BB, #18B5A8, #07A395 and #009182

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AD9CE shade: #39D9CE, #39D9A3, #39D978, #39D94D and #51D939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AD9CE shade: #39D9CE, #39B9D9, #398ED9, #3963D9 and #3939D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AD9CE shade matches the following richer shades: #39D9CE and #26ECDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AD9CE shade: #39D9CE, #4CC6BE, #5FB3AD, #72A09D and #858D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AD9CE shade: #39D977, #39D9A1, #39D9CC, #39BCD9 and #3991D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AD9CE shade: #1EA298, #25C4B9, #39D9CE, #5CE0D6 and #7FE6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AD9CE shade: #3AD9CE, #4C39D9 and #D98C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AD9CE shade: #3AD9CE, #CC39D9 and #D9CC39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AD9CE shade: #3AD9CE, #4C39D9, #D93947 and #C6D939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AD9CE shade: #3AD9CE, #7C39D9, #D93947 and #96D939

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 5 / 15

HEX #3AD9CE

RGB 58 217 206

HSL 175.85, 0.68%, 0.54%

LAB 79.03, -42.25, -6.28

 

Complementary color

CMYK 0 / 81 / 75 / 23

HEX #C52631

RGB 197 38 49

HSL 355.85, 0.68%, 0.46%

LAB 43.48, 60.87, 34.82

 

CMYK 71 / 0 / 7 / 15

HEX #3FD9C9

RGB 63 217 201

HSL 173.77, 0.67%, 0.55%

LAB 78.98, -43, -3.67

 

CMYK 66 / 0 / 6 / 8

HEX #50EBDC

RGB 80 235 220

HSL 174.19, 0.79%, 0.62%

LAB 85.14, -43.59, -4.63

 

CMYK 62 / 0 / 6 / 1

HEX #61FDEF

RGB 97 253 239

HSL 174.62, 0.98%, 0.69%

LAB 91.25, -44.01, -5.52

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 73 / 0 / 5 / 15

HEX #3AD9CE

RGB 58 217 206

HSL 175.85, 0.68%, 0.54%

LAB 79.03, -42.25, -6.28

 

CMYK 79 / 0 / 6 / 22

HEX #29C7BB

RGB 41 199 187

HSL 175.44, 0.66%, 0.47%

LAB 72.83, -41.3, -5.24

 

CMYK 87 / 0 / 7 / 29

HEX #18B5A8

RGB 24 181 168

HSL 175.03, 0.77%, 0.4%

LAB 66.57, -40.03, -4.08

 

CMYK 96 / 0 / 9 / 36

HEX #07A395

RGB 7 163 149

HSL 174.62, 0.92%, 0.33%

LAB 60.26, -38.36, -2.78

 

CMYK 100 / 0 / 10 / 43

HEX #009182

RGB 0 145 130

HSL 173.79, 1%, 0.28%

LAB 53.88, -36.18, -1.32

 

CMYK 74 / 0 / 5 / 15

HEX #39D9CE

RGB 57 217 206

HSL 175.88, 0.68%, 0.54%

LAB 79.01, -42.36, -6.31

 

CMYK 74 / 0 / 25 / 15

HEX #39D9A3

RGB 57 217 163

HSL 159.75, 0.68%, 0.54%

LAB 77.96, -53.17, 15.08

 

CMYK 74 / 0 / 45 / 15

HEX #39D978

RGB 57 217 120

HSL 143.63, 0.68%, 0.54%

LAB 77.19, -61.67, 36.28

 

CMYK 74 / 0 / 65 / 15

HEX #39D94D

RGB 57 217 77

HSL 127.5, 0.68%, 0.54%

LAB 76.7, -67.5, 55.61

 

CMYK 63 / 0 / 74 / 15

HEX #51D939

RGB 81 217 57

HSL 111, 0.68%, 0.54%

LAB 77.08, -64.83, 63.76

 

CMYK 74 / 0 / 5 / 15

HEX #39D9CE

RGB 57 217 206

HSL 175.88, 0.68%, 0.54%

LAB 79.01, -42.36, -6.31

 

CMYK 74 / 15 / 0 / 15

HEX #39B9D9

RGB 57 185 217

HSL 192, 0.68%, 0.54%

LAB 69.88, -23.93, -26.03

 

CMYK 74 / 35 / 0 / 15

HEX #398ED9

RGB 57 142 217

HSL 208.13, 0.68%, 0.54%

LAB 57.29, -0.4, -45.63

 

CMYK 74 / 54 / 0 / 15

HEX #3963D9

RGB 57 99 217

HSL 224.25, 0.68%, 0.54%

LAB 45.36, 26.17, -64.75

 

CMYK 74 / 74 / 0 / 15

HEX #3939D9

RGB 57 57 217

HSL 240, 0.68%, 0.54%

LAB 35.61, 51.75, -80.73

 

CMYK 74 / 0 / 5 / 15

HEX #39D9CE

RGB 57 217 206

HSL 175.88, 0.68%, 0.54%

LAB 79.01, -42.36, -6.31

 

CMYK 84 / 0 / 6 / 7

HEX #26ECDE

RGB 38 236 222

HSL 175.76, 0.84%, 0.54%

LAB 84.83, -47.89, -6.22

 

CMYK 74 / 0 / 5 / 15

HEX #39D9CE

RGB 57 217 206

HSL 175.88, 0.68%, 0.54%

LAB 79.01, -42.36, -6.31

 

CMYK 62 / 0 / 4 / 22

HEX #4CC6BE

RGB 76 198 190

HSL 176.07, 0.52%, 0.54%

LAB 73.31, -35.44, -6.08

 

CMYK 47 / 0 / 3 / 30

HEX #5FB3AD

RGB 95 179 173

HSL 175.71, 0.36%, 0.54%

LAB 67.79, -26.97, -4.85

 

CMYK 29 / 0 / 2 / 37

HEX #72A09D

RGB 114 160 157

HSL 176.09, 0.19%, 0.54%

LAB 62.64, -16.07, -3.43

 

CMYK 6 / 0 / 0 / 45

HEX #858D8D

RGB 133 141 141

HSL 180, 0.03%, 0.54%

LAB 58, -2.91, -1.01

 

CMYK 74 / 0 / 45 / 15

HEX #39D977

RGB 57 217 119

HSL 143.25, 0.68%, 0.54%

LAB 77.18, -61.84, 36.76

 

CMYK 74 / 0 / 26 / 15

HEX #39D9A1

RGB 57 217 161

HSL 159, 0.68%, 0.54%

LAB 77.92, -53.62, 16.07

 

CMYK 74 / 0 / 6 / 15

HEX #39D9CC

RGB 57 217 204

HSL 175.13, 0.68%, 0.54%

LAB 78.96, -42.91, -5.32

 

CMYK 74 / 13 / 0 / 15

HEX #39BCD9

RGB 57 188 217

HSL 190.88, 0.68%, 0.54%

LAB 70.76, -25.45, -24.67

 

CMYK 74 / 33 / 0 / 15

HEX #3991D9

RGB 57 145 217

HSL 207, 0.68%, 0.54%

LAB 58.16, -2.16, -44.26

 

CMYK 81 / 0 / 6 / 36

HEX #1EA298

RGB 30 162 152

HSL 175.45, 0.69%, 0.38%

LAB 60.23, -35.61, -4.48

 

CMYK 81 / 0 / 6 / 23

HEX #25C4B9

RGB 37 196 185

HSL 175.85, 0.68%, 0.46%

LAB 71.81, -40.88, -5.66

 

CMYK 74 / 0 / 5 / 15

HEX #39D9CE

RGB 57 217 206

HSL 175.88, 0.68%, 0.54%

LAB 79.01, -42.36, -6.31

 

CMYK 59 / 0 / 4 / 12

HEX #5CE0D6

RGB 92 224 214

HSL 175.45, 0.68%, 0.62%

LAB 82.08, -38.3, -5.95

 

CMYK 45 / 0 / 3 / 10

HEX #7FE6DF

RGB 127 230 223

HSL 175.92, 0.67%, 0.7%

LAB 85.22, -31.66, -5.94

 

CMYK 73 / 0 / 5 / 15

HEX #3AD9CE

RGB 58 217 206

HSL 175.85, 0.68%, 0.54%

LAB 79.03, -42.25, -6.28

 

CMYK 65 / 74 / 0 / 15

HEX #4C39D9

RGB 76 57 217

HSL 247.13, 0.68%, 0.54%

LAB 36.88, 53.61, -78.59

 

CMYK 0 / 35 / 74 / 15

HEX #D98C39

RGB 217 140 57

HSL 31.13, 0.68%, 0.54%

LAB 64.81, 22.39, 54.34

 

CMYK 73 / 0 / 5 / 15

HEX #3AD9CE

RGB 58 217 206

HSL 175.85, 0.68%, 0.54%

LAB 79.03, -42.25, -6.28

 

CMYK 6 / 74 / 0 / 15

HEX #CC39D9

RGB 204 57 217

HSL 295.13, 0.68%, 0.54%

LAB 52.7, 75.07, -52.17

 

CMYK 0 / 6 / 74 / 15

HEX #D9CC39

RGB 217 204 57

HSL 55.13, 0.68%, 0.54%

LAB 80.87, -11.38, 70

 

CMYK 73 / 0 / 5 / 15

HEX #3AD9CE

RGB 58 217 206

HSL 175.85, 0.68%, 0.54%

LAB 79.03, -42.25, -6.28

 

CMYK 65 / 74 / 0 / 15

HEX #4C39D9

RGB 76 57 217

HSL 247.13, 0.68%, 0.54%

LAB 36.88, 53.61, -78.59

 

CMYK 0 / 74 / 67 / 15

HEX #D93947

RGB 217 57 71

HSL 354.75, 0.68%, 0.54%

LAB 49.66, 61.97, 30.08

 

CMYK 9 / 0 / 74 / 15

HEX #C6D939

RGB 198 217 57

HSL 67.13, 0.68%, 0.54%

LAB 82.87, -25.7, 71.36

 

CMYK 73 / 0 / 5 / 15

HEX #3AD9CE

RGB 58 217 206

HSL 175.85, 0.68%, 0.54%

LAB 79.03, -42.25, -6.28

 

CMYK 43 / 74 / 0 / 15

HEX #7C39D9

RGB 124 57 217

HSL 265.13, 0.68%, 0.54%

LAB 41.57, 60.26, -70.72

 

CMYK 0 / 74 / 67 / 15

HEX #D93947

RGB 217 57 71

HSL 354.75, 0.68%, 0.54%

LAB 49.66, 61.97, 30.08

 

CMYK 31 / 0 / 74 / 15

HEX #96D939

RGB 150 217 57

HSL 85.13, 0.68%, 0.54%

LAB 79.84, -44.36, 67.4

 

Description

Color code: HEX #3AD9CE | qconv.com Color code: HEX #3AD9CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 217 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 217 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 5 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 5% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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