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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ACA5B it is the complementary color #C535A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ACA5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ACA5B shade: #3FCA56, #50DC69, #61EE7C, #72FF8F and #83FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ACA5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ACA5B shade: #3ACA5B, #29B848, #18A635, #079422 and #00820F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ACA5B shade: #39CA5A, #3FCA39, #66CA39, #8DCA39 and #B4CA39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ACA5B shade: #39CA5A, #39CA81, #39CAA8, #39C4CA and #399DCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ACA5B shade matches the following richer shades: #39CA5A, #25DE4F and #11F244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ACA5B shade: #39CA5A, #4DB665, #62A270, #768D7B and #8A7986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ACA5B shade: #67CA39, #40CA39, #39CA58, #39CA7F and #39CAA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ACA5B shade: #258C3C, #2DAC4B, #39CA5A, #5AD375 and #7ADB91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ACA5B shade: #3ACA5B, #398ECA and #CA3954

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ACA5B shade: #3ACA5B, #5839CA and #CA5839

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ACA5B shade: #3ACA5B, #398ECA, #CA39AB and #CA7539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ACA5B shade: #3ACA5B, #3962CA, #CA39AB and #CAA139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 55 / 21

HEX #3ACA5B

RGB 58 202 91

HSL 133.75, 0.58%, 0.51%

LAB 72.16, -60.69, 44.17

 

Complementary color

CMYK 0 / 73 / 17 / 23

HEX #C535A4

RGB 197 53 164

HSL 313.75, 0.58%, 0.49%

LAB 48.38, 66.67, -28.3

 

CMYK 69 / 0 / 57 / 21

HEX #3FCA56

RGB 63 202 86

HSL 129.93, 0.57%, 0.52%

LAB 72.21, -60.49, 46.58

 

CMYK 64 / 0 / 52 / 14

HEX #50DC69

RGB 80 220 105

HSL 130.71, 0.67%, 0.59%

LAB 78.41, -61.11, 45.22

 

CMYK 59 / 0 / 48 / 7

HEX #61EE7C

RGB 97 238 124

HSL 131.49, 0.81%, 0.66%

LAB 84.56, -61.45, 43.85

 

CMYK 55 / 0 / 44 / 0

HEX #72FF8F

RGB 114 255 143

HSL 132.34, 1%, 0.72%

LAB 90.36, -61.22, 42.13

 

CMYK 49 / 0 / 36 / 0

HEX #83FFA2

RGB 131 255 162

HSL 135, 1%, 0.76%

LAB 91.21, -54.13, 34.02

 

CMYK 71 / 0 / 55 / 21

HEX #3ACA5B

RGB 58 202 91

HSL 133.75, 0.58%, 0.51%

LAB 72.16, -60.69, 44.17

 

CMYK 78 / 0 / 61 / 28

HEX #29B848

RGB 41 184 72

HSL 133.01, 0.64%, 0.44%

LAB 65.92, -59.6, 45.58

 

CMYK 86 / 0 / 68 / 35

HEX #18A635

RGB 24 166 53

HSL 132.25, 0.75%, 0.37%

LAB 59.64, -57.91, 46.83

 

CMYK 95 / 0 / 77 / 42

HEX #079422

RGB 7 148 34

HSL 131.49, 0.91%, 0.3%

LAB 53.32, -55.38, 47.64

 

CMYK 100 / 0 / 88 / 49

HEX #00820F

RGB 0 130 15

HSL 126.92, 1%, 0.25%

LAB 46.97, -51.69, 47.41

 

CMYK 72 / 0 / 55 / 21

HEX #39CA5A

RGB 57 202 90

HSL 133.66, 0.58%, 0.51%

LAB 72.13, -60.99, 44.59

 

CMYK 69 / 0 / 72 / 21

HEX #3FCA39

RGB 63 202 57

HSL 117.52, 0.58%, 0.51%

LAB 71.96, -63.49, 58.43

 

CMYK 50 / 0 / 72 / 21

HEX #66CA39

RGB 102 202 57

HSL 101.38, 0.58%, 0.51%

LAB 73.13, -54.13, 60

 

CMYK 30 / 0 / 72 / 21

HEX #8DCA39

RGB 141 202 57

HSL 85.24, 0.58%, 0.51%

LAB 74.95, -41.16, 62.43

 

CMYK 11 / 0 / 72 / 21

HEX #B4CA39

RGB 180 202 57

HSL 69.1, 0.58%, 0.51%

LAB 77.42, -25.88, 65.7

 

CMYK 72 / 0 / 55 / 21

HEX #39CA5A

RGB 57 202 90

HSL 133.66, 0.58%, 0.51%

LAB 72.13, -60.99, 44.59

 

CMYK 72 / 0 / 36 / 21

HEX #39CA81

RGB 57 202 129

HSL 149.79, 0.58%, 0.51%

LAB 72.69, -54.54, 25.76

 

CMYK 72 / 0 / 17 / 21

HEX #39CAA8

RGB 57 202 168

HSL 165.93, 0.58%, 0.51%

LAB 73.51, -45.84, 6.08

 

CMYK 72 / 3 / 0 / 21

HEX #39C4CA

RGB 57 196 202

HSL 182.48, 0.58%, 0.51%

LAB 72.64, -33.9, -13.66

 

CMYK 72 / 22 / 0 / 21

HEX #399DCA

RGB 57 157 202

HSL 198.62, 0.58%, 0.51%

LAB 61, -14.1, -31.42

 

CMYK 72 / 0 / 55 / 21

HEX #39CA5A

RGB 57 202 90

HSL 133.66, 0.58%, 0.51%

LAB 72.13, -60.99, 44.59

 

CMYK 83 / 0 / 64 / 13

HEX #25DE4F

RGB 37 222 79

HSL 133.62, 0.74%, 0.51%

LAB 77.99, -71.28, 56.13

 

CMYK 93 / 0 / 72 / 5

HEX #11F244

RGB 17 242 68

HSL 133.6, 0.9%, 0.51%

LAB 83.99, -79.46, 66.66

 

CMYK 72 / 0 / 55 / 21

HEX #39CA5A

RGB 57 202 90

HSL 133.66, 0.58%, 0.51%

LAB 72.13, -60.99, 44.59

 

CMYK 58 / 0 / 45 / 29

HEX #4DB665

RGB 77 182 101

HSL 133.71, 0.42%, 0.51%

LAB 66.5, -47.97, 32.29

 

CMYK 40 / 0 / 31 / 36

HEX #62A270

RGB 98 162 112

HSL 133.13, 0.26%, 0.51%

LAB 61.31, -31.55, 19.72

 

CMYK 16 / 0 / 13 / 45

HEX #768D7B

RGB 118 141 123

HSL 133.04, 0.09%, 0.51%

LAB 56.42, -11.95, 6.88

 

CMYK 0 / 12 / 3 / 46

HEX #8A7986

RGB 138 121 134

HSL 314.12, 0.07%, 0.51%

LAB 52.73, 8.98, -4.67

 

CMYK 49 / 0 / 72 / 21

HEX #67CA39

RGB 103 202 57

HSL 100.97, 0.58%, 0.51%

LAB 73.17, -53.83, 60.05

 

CMYK 68 / 0 / 72 / 21

HEX #40CA39

RGB 64 202 57

HSL 117.1, 0.58%, 0.51%

LAB 71.98, -63.3, 58.46

 

CMYK 72 / 0 / 56 / 21

HEX #39CA58

RGB 57 202 88

HSL 132.83, 0.58%, 0.51%

LAB 72.11, -61.25, 45.5

 

CMYK 72 / 0 / 37 / 21

HEX #39CA7F

RGB 57 202 127

HSL 148.97, 0.58%, 0.51%

LAB 72.66, -54.93, 26.75

 

CMYK 72 / 0 / 18 / 21

HEX #39CAA6

RGB 57 202 166

HSL 165.1, 0.58%, 0.51%

LAB 73.46, -46.33, 7.09

 

CMYK 74 / 0 / 57 / 45

HEX #258C3C

RGB 37 140 60

HSL 133.4, 0.58%, 0.35%

LAB 51.24, -46.48, 34.1

 

CMYK 74 / 0 / 56 / 33

HEX #2DAC4B

RGB 45 172 75

HSL 134.17, 0.59%, 0.43%

LAB 62.14, -54.54, 39.77

 

CMYK 72 / 0 / 55 / 21

HEX #39CA5A

RGB 57 202 90

HSL 133.66, 0.58%, 0.51%

LAB 72.13, -60.99, 44.59

 

CMYK 57 / 0 / 45 / 17

HEX #5AD375

RGB 90 211 117

HSL 133.39, 0.58%, 0.59%

LAB 76.1, -53.83, 36.53

 

CMYK 44 / 0 / 34 / 14

HEX #7ADB91

RGB 122 219 145

HSL 134.23, 0.57%, 0.67%

LAB 80.09, -44.34, 27.72

 

CMYK 71 / 0 / 55 / 21

HEX #3ACA5B

RGB 58 202 91

HSL 133.75, 0.58%, 0.51%

LAB 72.16, -60.69, 44.17

 

CMYK 72 / 30 / 0 / 21

HEX #398ECA

RGB 57 142 202

HSL 204.83, 0.58%, 0.51%

LAB 56.57, -5.69, -38.35

 

CMYK 0 / 72 / 58 / 21

HEX #CA3954

RGB 202 57 84

HSL 348.83, 0.58%, 0.51%

LAB 47.14, 58.25, 18.46

 

CMYK 71 / 0 / 55 / 21

HEX #3ACA5B

RGB 58 202 91

HSL 133.75, 0.58%, 0.51%

LAB 72.16, -60.69, 44.17

 

CMYK 56 / 72 / 0 / 21

HEX #5839CA

RGB 88 57 202

HSL 252.83, 0.58%, 0.51%

LAB 36.49, 50.68, -70.51

 

CMYK 0 / 56 / 72 / 21

HEX #CA5839

RGB 202 88 57

HSL 12.83, 0.58%, 0.51%

LAB 51.65, 43.42, 39.72

 

CMYK 71 / 0 / 55 / 21

HEX #3ACA5B

RGB 58 202 91

HSL 133.75, 0.58%, 0.51%

LAB 72.16, -60.69, 44.17

 

CMYK 72 / 30 / 0 / 21

HEX #398ECA

RGB 57 142 202

HSL 204.83, 0.58%, 0.51%

LAB 56.57, -5.69, -38.35

 

CMYK 0 / 72 / 15 / 21

HEX #CA39AB

RGB 202 57 171

HSL 312.83, 0.58%, 0.51%

LAB 50.01, 67.52, -29.84

 

CMYK 0 / 42 / 72 / 21

HEX #CA7539

RGB 202 117 57

HSL 24.83, 0.58%, 0.51%

LAB 57.63, 28.48, 46.26

 

CMYK 71 / 0 / 55 / 21

HEX #3ACA5B

RGB 58 202 91

HSL 133.75, 0.58%, 0.51%

LAB 72.16, -60.69, 44.17

 

CMYK 72 / 51 / 0 / 21

HEX #3962CA

RGB 57 98 202

HSL 223.03, 0.58%, 0.51%

LAB 44.05, 21.32, -58.29

 

CMYK 0 / 72 / 15 / 21

HEX #CA39AB

RGB 202 57 171

HSL 312.83, 0.58%, 0.51%

LAB 50.01, 67.52, -29.84

 

CMYK 0 / 20 / 72 / 21

HEX #CAA139

RGB 202 161 57

HSL 43.03, 0.58%, 0.51%

LAB 68.27, 4.59, 57.29

 

Description

Color code: HEX #3ACA5B | qconv.com Color code: HEX #3ACA5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 202 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 202 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 55 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 55% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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