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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AC319 it is the complementary color #C53CE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AC319. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AC319 shade: #3FC314, #50D527, #61E73A, #72F94D and #83FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AC319. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AC319 shade: #3AC319, #29B106, #189F00, #078D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AC319 shade: #3AC219, #67C219, #95C219, #C2C119 and #C29419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AC319 shade: #3AC219, #19C225, #19C253, #19C281 and #19C2AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AC319 shade matches the following richer shades: #3AC219 and #2FD307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AC319 shade: #3AC219, #44B02A, #4F9E3C, #5A8C4E and #657B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AC319 shade: #95C219, #68C219, #3AC219, #19C224 and #19C251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AC319 shade: #24790F, #2F9D14, #3AC219, #47E222 and #65E746

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AC319 shade: #3AC319, #19C2C2 and #C2197E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AC319 shade: #3AC319, #193AC2 and #C2193A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AC319 shade: #3AC319, #19C2C2, #A019C2 and #C21919

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AC319 shade: #3AC319, #198FC2, #A019C2 and #C24B19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 87 / 24

HEX #3AC319

RGB 58 195 25

HSL 108.35, 0.77%, 0.43%

LAB 69.47, -64.06, 65.34

 

Complementary color

CMYK 14 / 74 / 0 / 10

HEX #C53CE6

RGB 197 60 230

HSL 288.35, 0.77%, 0.57%

LAB 52.75, 74.98, -59.53

 

CMYK 68 / 0 / 90 / 24

HEX #3FC314

RGB 63 195 20

HSL 105.26, 0.81%, 0.42%

LAB 69.57, -63.27, 66.41

 

CMYK 62 / 0 / 82 / 16

HEX #50D527

RGB 80 213 39

HSL 105.86, 0.69%, 0.49%

LAB 75.72, -64.79, 67.87

 

CMYK 58 / 0 / 75 / 9

HEX #61E73A

RGB 97 231 58

HSL 106.47, 0.78%, 0.57%

LAB 81.84, -65.84, 68.28

 

CMYK 54 / 0 / 69 / 2

HEX #72F94D

RGB 114 249 77

HSL 107.09, 0.93%, 0.64%

LAB 87.9, -66.55, 68.03

 

CMYK 49 / 0 / 62 / 0

HEX #83FF60

RGB 131 255 96

HSL 106.79, 1%, 0.69%

LAB 90.41, -62.62, 63.54

 

CMYK 70 / 0 / 87 / 24

HEX #3AC319

RGB 58 195 25

HSL 108.35, 0.77%, 0.43%

LAB 69.47, -64.06, 65.34

 

CMYK 77 / 0 / 97 / 31

HEX #29B106

RGB 41 177 6

HSL 107.72, 0.93%, 0.36%

LAB 63.28, -61.87, 62.96

 

CMYK 85 / 0 / 100 / 38

HEX #189F00

RGB 24 159 0

HSL 110.94, 1%, 0.31%

LAB 57.07, -58.82, 58.67

 

CMYK 95 / 0 / 100 / 45

HEX #078D00

RGB 7 141 0

HSL 117.02, 1%, 0.28%

LAB 50.8, -54.97, 53.58

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 70 / 0 / 87 / 24

HEX #3AC219

RGB 58 194 25

HSL 108.28, 0.77%, 0.43%

LAB 69.15, -63.74, 65.06

 

CMYK 47 / 0 / 87 / 24

HEX #67C219

RGB 103 194 25

HSL 92.31, 0.77%, 0.43%

LAB 70.55, -52.44, 66.82

 

CMYK 23 / 0 / 87 / 24

HEX #95C219

RGB 149 194 25

HSL 75.98, 0.77%, 0.43%

LAB 72.92, -35.94, 69.77

 

CMYK 0 / 1 / 87 / 24

HEX #C2C119

RGB 194 193 25

HSL 59.64, 0.77%, 0.43%

LAB 75.87, -16.7, 73.52

 

CMYK 0 / 24 / 87 / 24

HEX #C29419

RGB 194 148 25

HSL 43.67, 0.77%, 0.43%

LAB 63.93, 6.93, 63.91

 

CMYK 70 / 0 / 87 / 24

HEX #3AC219

RGB 58 194 25

HSL 108.28, 0.77%, 0.43%

LAB 69.15, -63.74, 65.06

 

CMYK 87 / 0 / 81 / 24

HEX #19C225

RGB 25 194 37

HSL 124.26, 0.77%, 0.43%

LAB 68.7, -67.54, 61.54

 

CMYK 87 / 0 / 57 / 24

HEX #19C253

RGB 25 194 83

HSL 140.59, 0.77%, 0.43%

LAB 69.05, -63.11, 44.11

 

CMYK 87 / 0 / 34 / 24

HEX #19C281

RGB 25 194 129

HSL 156.92, 0.77%, 0.43%

LAB 69.74, -55.04, 21.68

 

CMYK 87 / 0 / 10 / 24

HEX #19C2AE

RGB 25 194 174

HSL 172.9, 0.77%, 0.43%

LAB 70.76, -43.96, -1.21

 

CMYK 70 / 0 / 87 / 24

HEX #3AC219

RGB 58 194 25

HSL 108.28, 0.77%, 0.43%

LAB 69.15, -63.74, 65.06

 

CMYK 78 / 0 / 97 / 17

HEX #2FD307

RGB 47 211 7

HSL 108.24, 0.94%, 0.43%

LAB 74.32, -71.09, 71.89

 

CMYK 70 / 0 / 87 / 24

HEX #3AC219

RGB 58 194 25

HSL 108.28, 0.77%, 0.43%

LAB 69.15, -63.74, 65.06

 

CMYK 61 / 0 / 76 / 31

HEX #44B02A

RGB 68 176 42

HSL 108.36, 0.61%, 0.43%

LAB 63.71, -54.72, 55.49

 

CMYK 50 / 0 / 62 / 38

HEX #4F9E3C

RGB 79 158 60

HSL 108.37, 0.45%, 0.43%

LAB 58.45, -43.32, 42.82

 

CMYK 36 / 0 / 44 / 45

HEX #5A8C4E

RGB 90 140 78

HSL 108.39, 0.28%, 0.43%

LAB 53.47, -29.42, 27.87

 

CMYK 18 / 0 / 22 / 52

HEX #657B60

RGB 101 123 96

HSL 108.89, 0.12%, 0.43%

LAB 49.22, -13.6, 12.16

 

CMYK 23 / 0 / 87 / 24

HEX #95C219

RGB 149 194 25

HSL 75.98, 0.77%, 0.43%

LAB 72.92, -35.94, 69.77

 

CMYK 46 / 0 / 87 / 24

HEX #68C219

RGB 104 194 25

HSL 91.95, 0.77%, 0.43%

LAB 70.59, -52.13, 66.87

 

CMYK 70 / 0 / 87 / 24

HEX #3AC219

RGB 58 194 25

HSL 108.28, 0.77%, 0.43%

LAB 69.15, -63.74, 65.06

 

CMYK 87 / 0 / 81 / 24

HEX #19C224

RGB 25 194 36

HSL 123.91, 0.77%, 0.43%

LAB 68.69, -67.6, 61.81

 

CMYK 87 / 0 / 58 / 24

HEX #19C251

RGB 25 194 81

HSL 139.88, 0.77%, 0.43%

LAB 69.03, -63.38, 45.01

 

CMYK 70 / 0 / 88 / 53

HEX #24790F

RGB 36 121 15

HSL 108.11, 0.78%, 0.27%

LAB 44.35, -44.25, 45.26

 

CMYK 70 / 0 / 87 / 38

HEX #2F9D14

RGB 47 157 20

HSL 108.18, 0.77%, 0.35%

LAB 56.85, -54.06, 55.25

 

CMYK 70 / 0 / 87 / 24

HEX #3AC219

RGB 58 194 25

HSL 108.28, 0.77%, 0.43%

LAB 69.15, -63.74, 65.06

 

CMYK 69 / 0 / 85 / 11

HEX #47E222

RGB 71 226 34

HSL 108.44, 0.77%, 0.51%

LAB 79.53, -71.01, 72.39

 

CMYK 56 / 0 / 70 / 9

HEX #65E746

RGB 101 231 70

HSL 108.45, 0.77%, 0.59%

LAB 82.03, -64.01, 64.38

 

CMYK 70 / 0 / 87 / 24

HEX #3AC319

RGB 58 195 25

HSL 108.35, 0.77%, 0.43%

LAB 69.47, -64.06, 65.34

 

CMYK 87 / 0 / 0 / 24

HEX #19C2C2

RGB 25 194 194

HSL 180, 0.77%, 0.43%

LAB 71.34, -38.21, -11.28

 

CMYK 0 / 87 / 35 / 24

HEX #C2197E

RGB 194 25 126

HSL 324.14, 0.77%, 0.43%

LAB 43.76, 68.5, -12.5

 

CMYK 70 / 0 / 87 / 24

HEX #3AC319

RGB 58 195 25

HSL 108.35, 0.77%, 0.43%

LAB 69.47, -64.06, 65.34

 

CMYK 87 / 70 / 0 / 24

HEX #193AC2

RGB 25 58 194

HSL 228.28, 0.77%, 0.43%

LAB 32.1, 41.07, -73.21

 

CMYK 0 / 87 / 70 / 24

HEX #C2193A

RGB 194 25 58

HSL 348.28, 0.77%, 0.43%

LAB 41.95, 63.39, 27.46

 

CMYK 70 / 0 / 87 / 24

HEX #3AC319

RGB 58 195 25

HSL 108.35, 0.77%, 0.43%

LAB 69.47, -64.06, 65.34

 

CMYK 87 / 0 / 0 / 24

HEX #19C2C2

RGB 25 194 194

HSL 180, 0.77%, 0.43%

LAB 71.34, -38.21, -11.28

 

CMYK 18 / 87 / 0 / 24

HEX #A019C2

RGB 160 25 194

HSL 287.93, 0.77%, 0.43%

LAB 41.32, 71.51, -57.58

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 70 / 0 / 87 / 24

HEX #3AC319

RGB 58 195 25

HSL 108.35, 0.77%, 0.43%

LAB 69.47, -64.06, 65.34

 

CMYK 87 / 26 / 0 / 24

HEX #198FC2

RGB 25 143 194

HSL 198.11, 0.77%, 0.43%

LAB 55.83, -12.42, -35.01

 

CMYK 18 / 87 / 0 / 24

HEX #A019C2

RGB 160 25 194

HSL 287.93, 0.77%, 0.43%

LAB 41.32, 71.51, -57.58

 

CMYK 0 / 61 / 87 / 24

HEX #C24B19

RGB 194 75 25

HSL 17.75, 0.77%, 0.43%

LAB 47.72, 45.46, 50.79

 

Description

Color code: HEX #3AC319 | qconv.com Color code: HEX #3AC319 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 195 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 195 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 87 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 87% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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