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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AC22A it is the complementary color #C53DD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AC22A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AC22A shade: #3FC225, #50D438, #61E64B, #72F85E and #83FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AC22A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AC22A shade: #3AC22A, #29B017, #189E04, #078C00 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AC22A shade: #3AC02A, #62C02A, #8BC02A, #B3C02A and #C0A42A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AC22A shade: #3AC02A, #2AC042, #2AC06B, #2AC093 and #2AC0BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AC22A shade matches the following richer shades: #3AC02A, #2BD317 and #1CE604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AC22A shade: #3AC02A, #49AD3D, #589A50, #668763 and #757476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AC22A shade: #8BC02A, #63C02A, #3BC02A, #2AC040 and #2AC068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AC22A shade: #257C1B, #2F9E22, #3AC02A, #4ED43F and #6DDC60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AC22A shade: #3AC22A, #2AB3C0 and #C02A77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AC22A shade: #3AC22A, #2A3BC0 and #C02A3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AC22A shade: #3AC22A, #2AB3C0, #AE2AC0 and #C0362A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AC22A shade: #3AC22A, #2A86C0, #AE2AC0 and #C0632A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 78 / 24

HEX #3AC22A

RGB 58 194 42

HSL 113.68, 0.64%, 0.46%

LAB 69.22, -62.89, 60.75

 

Complementary color

CMYK 8 / 71 / 0 / 16

HEX #C53DD5

RGB 197 61 213

HSL 293.68, 0.64%, 0.54%

LAB 51.85, 71.65, -51.31

 

CMYK 68 / 0 / 81 / 24

HEX #3FC225

RGB 63 194 37

HSL 110.06, 0.68%, 0.45%

LAB 69.31, -62.23, 62.33

 

CMYK 62 / 0 / 74 / 17

HEX #50D438

RGB 80 212 56

HSL 110.77, 0.64%, 0.53%

LAB 75.5, -63.43, 62.51

 

CMYK 58 / 0 / 67 / 10

HEX #61E64B

RGB 97 230 75

HSL 111.48, 0.76%, 0.6%

LAB 81.64, -64.22, 62.05

 

CMYK 54 / 0 / 62 / 3

HEX #72F85E

RGB 114 248 94

HSL 112.21, 0.92%, 0.67%

LAB 87.74, -64.72, 61.23

 

CMYK 49 / 0 / 56 / 0

HEX #83FF71

RGB 131 255 113

HSL 112.39, 1%, 0.72%

LAB 90.57, -60.9, 56.47

 

CMYK 70 / 0 / 78 / 24

HEX #3AC22A

RGB 58 194 42

HSL 113.68, 0.64%, 0.46%

LAB 69.22, -62.89, 60.75

 

CMYK 77 / 0 / 87 / 31

HEX #29B017

RGB 41 176 23

HSL 112.94, 0.77%, 0.39%

LAB 63, -61.05, 59.96

 

CMYK 85 / 0 / 97 / 38

HEX #189E04

RGB 24 158 4

HSL 112.21, 0.95%, 0.32%

LAB 56.74, -58.41, 57.79

 

CMYK 95 / 0 / 100 / 45

HEX #078C00

RGB 7 140 0

HSL 117, 1%, 0.27%

LAB 50.45, -54.68, 53.31

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 70 / 0 / 78 / 25

HEX #3AC02A

RGB 58 192 42

HSL 113.6, 0.64%, 0.46%

LAB 68.58, -62.24, 60.13

 

CMYK 49 / 0 / 78 / 25

HEX #62C02A

RGB 98 192 42

HSL 97.6, 0.64%, 0.46%

LAB 69.8, -52.46, 61.72

 

CMYK 28 / 0 / 78 / 25

HEX #8BC02A

RGB 139 192 42

HSL 81.2, 0.64%, 0.46%

LAB 71.8, -38.32, 64.31

 

CMYK 7 / 0 / 78 / 25

HEX #B3C02A

RGB 179 192 42

HSL 65.2, 0.64%, 0.46%

LAB 74.48, -22.1, 67.75

 

CMYK 0 / 15 / 78 / 25

HEX #C0A42A

RGB 192 164 42

HSL 48.8, 0.64%, 0.46%

LAB 67.96, -2.07, 62.26

 

CMYK 70 / 0 / 78 / 25

HEX #3AC02A

RGB 58 192 42

HSL 113.6, 0.64%, 0.46%

LAB 68.58, -62.24, 60.13

 

CMYK 78 / 0 / 66 / 25

HEX #2AC042

RGB 42 192 66

HSL 129.6, 0.64%, 0.46%

LAB 68.45, -62.76, 51.05

 

CMYK 78 / 0 / 44 / 25

HEX #2AC06B

RGB 42 192 107

HSL 146, 0.64%, 0.46%

LAB 68.93, -56.98, 32.18

 

CMYK 78 / 0 / 23 / 25

HEX #2AC093

RGB 42 192 147

HSL 162, 0.64%, 0.46%

LAB 69.68, -48.65, 11.96

 

CMYK 78 / 0 / 2 / 25

HEX #2AC0BC

RGB 42 192 188

HSL 178.4, 0.64%, 0.46%

LAB 70.75, -37.77, -8.87

 

CMYK 70 / 0 / 78 / 25

HEX #3AC02A

RGB 58 192 42

HSL 113.6, 0.64%, 0.46%

LAB 68.58, -62.24, 60.13

 

CMYK 80 / 0 / 89 / 17

HEX #2BD317

RGB 43 211 23

HSL 113.62, 0.8%, 0.46%

LAB 74.29, -71.23, 69.78

 

CMYK 88 / 0 / 98 / 10

HEX #1CE604

RGB 28 230 4

HSL 113.63, 0.97%, 0.46%

LAB 80.09, -78.38, 76.76

 

CMYK 70 / 0 / 78 / 25

HEX #3AC02A

RGB 58 192 42

HSL 113.6, 0.64%, 0.46%

LAB 68.58, -62.24, 60.13

 

CMYK 58 / 0 / 65 / 32

HEX #49AD3D

RGB 73 173 61

HSL 113.57, 0.48%, 0.46%

LAB 63.04, -50.77, 47.44

 

CMYK 43 / 0 / 48 / 40

HEX #589A50

RGB 88 154 80

HSL 113.51, 0.32%, 0.46%

LAB 57.81, -36.29, 32.28

 

CMYK 24 / 0 / 27 / 47

HEX #668763

RGB 102 135 99

HSL 115, 0.15%, 0.46%

LAB 53.01, -19.11, 15.68

 

CMYK 1 / 2 / 0 / 54

HEX #757476

RGB 117 116 118

HSL 270, 0.01%, 0.46%

LAB 48.98, 0.79, -0.97

 

CMYK 28 / 0 / 78 / 25

HEX #8BC02A

RGB 139 192 42

HSL 81.2, 0.64%, 0.46%

LAB 71.8, -38.32, 64.31

 

CMYK 48 / 0 / 78 / 25

HEX #63C02A

RGB 99 192 42

HSL 97.2, 0.64%, 0.46%

LAB 69.84, -52.16, 61.77

 

CMYK 69 / 0 / 78 / 25

HEX #3BC02A

RGB 59 192 42

HSL 113.2, 0.64%, 0.46%

LAB 68.6, -62.06, 60.16

 

CMYK 78 / 0 / 67 / 25

HEX #2AC040

RGB 42 192 64

HSL 128.8, 0.64%, 0.46%

LAB 68.43, -62.96, 51.86

 

CMYK 78 / 0 / 46 / 25

HEX #2AC068

RGB 42 192 104

HSL 144.8, 0.64%, 0.46%

LAB 68.89, -57.5, 33.65

 

CMYK 70 / 0 / 78 / 51

HEX #257C1B

RGB 37 124 27

HSL 113.81, 0.64%, 0.3%

LAB 45.48, -44.35, 42.53

 

CMYK 70 / 0 / 78 / 38

HEX #2F9E22

RGB 47 158 34

HSL 113.71, 0.65%, 0.38%

LAB 57.24, -53.63, 51.68

 

CMYK 70 / 0 / 78 / 25

HEX #3AC02A

RGB 58 192 42

HSL 113.6, 0.64%, 0.46%

LAB 68.58, -62.24, 60.13

 

CMYK 63 / 0 / 70 / 17

HEX #4ED43F

RGB 78 212 63

HSL 113.96, 0.63%, 0.54%

LAB 75.49, -63.33, 59.98

 

CMYK 50 / 0 / 56 / 14

HEX #6DDC60

RGB 109 220 96

HSL 113.71, 0.64%, 0.62%

LAB 79.2, -55.38, 50.56

 

CMYK 70 / 0 / 78 / 24

HEX #3AC22A

RGB 58 194 42

HSL 113.68, 0.64%, 0.46%

LAB 69.22, -62.89, 60.75

 

CMYK 78 / 7 / 0 / 25

HEX #2AB3C0

RGB 42 179 192

HSL 185.2, 0.64%, 0.46%

LAB 66.93, -30.44, -16.8

 

CMYK 0 / 78 / 38 / 25

HEX #C02A77

RGB 192 42 119

HSL 329.2, 0.64%, 0.46%

LAB 44.51, 63.32, -7.1

 

CMYK 70 / 0 / 78 / 24

HEX #3AC22A

RGB 58 194 42

HSL 113.68, 0.64%, 0.46%

LAB 69.22, -62.89, 60.75

 

CMYK 78 / 69 / 0 / 25

HEX #2A3BC0

RGB 42 59 192

HSL 233.2, 0.64%, 0.46%

LAB 32.76, 40.9, -70.92

 

CMYK 0 / 78 / 69 / 25

HEX #C02A3B

RGB 192 42 59

HSL 353.2, 0.64%, 0.46%

LAB 43.03, 58.73, 28.07

 

CMYK 70 / 0 / 78 / 24

HEX #3AC22A

RGB 58 194 42

HSL 113.68, 0.64%, 0.46%

LAB 69.22, -62.89, 60.75

 

CMYK 78 / 7 / 0 / 25

HEX #2AB3C0

RGB 42 179 192

HSL 185.2, 0.64%, 0.46%

LAB 66.93, -30.44, -16.8

 

CMYK 9 / 78 / 0 / 25

HEX #AE2AC0

RGB 174 42 192

HSL 292.8, 0.64%, 0.46%

LAB 44.89, 69.45, -50.54

 

CMYK 0 / 72 / 78 / 25

HEX #C0362A

RGB 192 54 42

HSL 4.8, 0.64%, 0.46%

LAB 44.25, 54.01, 39.35

 

CMYK 70 / 0 / 78 / 24

HEX #3AC22A

RGB 58 194 42

HSL 113.68, 0.64%, 0.46%

LAB 69.22, -62.89, 60.75

 

CMYK 78 / 30 / 0 / 25

HEX #2A86C0

RGB 42 134 192

HSL 203.2, 0.64%, 0.46%

LAB 53.33, -6.51, -37.78

 

CMYK 9 / 78 / 0 / 25

HEX #AE2AC0

RGB 174 42 192

HSL 292.8, 0.64%, 0.46%

LAB 44.89, 69.45, -50.54

 

CMYK 0 / 48 / 78 / 25

HEX #C0632A

RGB 192 99 42

HSL 22.8, 0.64%, 0.46%

LAB 52.17, 33.28, 47.35

 

Description

Color code: HEX #3AC22A | qconv.com Color code: HEX #3AC22A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 194 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 194 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 78 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 78% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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