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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AC951 it is the complementary color #C536AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AC951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AC951 shade: #3FC94C, #50DB5F, #61ED72, #72FF85 and #83FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AC951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AC951 shade: #3AC951, #29B73E, #18A52B, #079318 and #008105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AC951 shade: #3AC951, #4AC93A, #70C93A, #97C93A and #BDC93A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AC951 shade: #3AC951, #3AC978, #3AC99E, #3AC9C4 and #3AA7C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AC951 shade matches the following richer shades: #3AC951, #26DD44 and #12F136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AC951 shade: #3AC951, #4FB55F, #63A06D, #778C7A and #8B7888

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AC951 shade: #71C93A, #4BC93A, #3AC950, #3AC976 and #3AC99C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AC951 shade: #268B36, #2FAB43, #3AC951, #5BD26E and #7BDB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AC951 shade: #3AC951, #3A97C9 and #C93A5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AC951 shade: #3AC951, #503AC9 and #C9503A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AC951 shade: #3AC951, #3A97C9, #C93AB3 and #C96C3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AC951 shade: #3AC951, #3A6CC9, #C93AB3 and #C9973A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

Complementary color

CMYK 0 / 73 / 12 / 23

HEX #C536AE

RGB 197 54 174

HSL 309.65, 0.57%, 0.49%

LAB 48.96, 67.77, -33.29

 

CMYK 69 / 0 / 62 / 21

HEX #3FC94C

RGB 63 201 76

HSL 125.65, 0.56%, 0.52%

LAB 71.79, -61.33, 50.6

 

CMYK 63 / 0 / 57 / 14

HEX #50DB5F

RGB 80 219 95

HSL 126.47, 0.66%, 0.59%

LAB 77.99, -62.05, 49.36

 

CMYK 59 / 0 / 52 / 7

HEX #61ED72

RGB 97 237 114

HSL 127.29, 0.8%, 0.65%

LAB 84.13, -62.46, 48.06

 

CMYK 55 / 0 / 48 / 0

HEX #72FF85

RGB 114 255 133

HSL 128.09, 1%, 0.72%

LAB 90.23, -62.67, 46.75

 

CMYK 49 / 0 / 40 / 0

HEX #83FF98

RGB 131 255 152

HSL 130.16, 1%, 0.76%

LAB 91.06, -55.72, 38.76

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 78 / 0 / 66 / 28

HEX #29B73E

RGB 41 183 62

HSL 128.87, 0.63%, 0.44%

LAB 65.5, -60.41, 49.49

 

CMYK 85 / 0 / 74 / 35

HEX #18A52B

RGB 24 165 43

HSL 128.09, 0.75%, 0.37%

LAB 59.23, -58.54, 50.36

 

CMYK 95 / 0 / 84 / 42

HEX #079318

RGB 7 147 24

HSL 127.29, 0.91%, 0.3%

LAB 52.93, -55.77, 50.47

 

CMYK 100 / 0 / 96 / 49

HEX #008105

RGB 0 129 5

HSL 122.33, 1%, 0.25%

LAB 46.59, -51.8, 49.16

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 63 / 0 / 71 / 21

HEX #4AC93A

RGB 74 201 58

HSL 113.29, 0.57%, 0.51%

LAB 71.92, -60.85, 58.11

 

CMYK 44 / 0 / 71 / 21

HEX #70C93A

RGB 112 201 58

HSL 97.34, 0.57%, 0.51%

LAB 73.24, -50.63, 59.88

 

CMYK 25 / 0 / 71 / 21

HEX #97C93A

RGB 151 201 58

HSL 80.98, 0.57%, 0.51%

LAB 75.24, -36.9, 62.55

 

CMYK 6 / 0 / 71 / 21

HEX #BDC93A

RGB 189 201 58

HSL 65.03, 0.57%, 0.51%

LAB 77.81, -21.62, 65.95

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 71 / 0 / 40 / 21

HEX #3AC978

RGB 58 201 120

HSL 146.01, 0.57%, 0.51%

LAB 72.25, -55.71, 29.85

 

CMYK 71 / 0 / 21 / 21

HEX #3AC99E

RGB 58 201 158

HSL 161.96, 0.57%, 0.51%

LAB 72.98, -47.71, 10.73

 

CMYK 71 / 0 / 2 / 21

HEX #3AC9C4

RGB 58 201 196

HSL 177.9, 0.57%, 0.51%

LAB 73.97, -37.83, -8.4

 

CMYK 71 / 17 / 0 / 21

HEX #3AA7C9

RGB 58 167 201

HSL 194.27, 0.57%, 0.51%

LAB 63.96, -19.64, -26.29

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 83 / 0 / 69 / 13

HEX #26DD44

RGB 38 221 68

HSL 129.84, 0.73%, 0.51%

LAB 77.6, -71.97, 60.08

 

CMYK 93 / 0 / 78 / 5

HEX #12F136

RGB 18 241 54

HSL 129.69, 0.89%, 0.51%

LAB 83.6, -80.15, 70.78

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 56 / 0 / 48 / 29

HEX #4FB55F

RGB 79 181 95

HSL 129.41, 0.41%, 0.51%

LAB 66.16, -48.03, 34.96

 

CMYK 38 / 0 / 32 / 37

HEX #63A06D

RGB 99 160 109

HSL 129.84, 0.24%, 0.51%

LAB 60.69, -30.83, 20.53

 

CMYK 15 / 0 / 13 / 45

HEX #778C7A

RGB 119 140 122

HSL 128.57, 0.08%, 0.51%

LAB 56.17, -11.24, 7.11

 

CMYK 0 / 14 / 2 / 45

HEX #8B7888

RGB 139 120 136

HSL 309.47, 0.08%, 0.51%

LAB 52.62, 10.33, -5.99

 

CMYK 44 / 0 / 71 / 21

HEX #71C93A

RGB 113 201 58

HSL 96.92, 0.57%, 0.51%

LAB 73.28, -50.31, 59.93

 

CMYK 63 / 0 / 71 / 21

HEX #4BC93A

RGB 75 201 58

HSL 112.87, 0.57%, 0.51%

LAB 71.94, -60.63, 58.14

 

CMYK 71 / 0 / 60 / 21

HEX #3AC950

RGB 58 201 80

HSL 129.23, 0.57%, 0.51%

LAB 71.73, -61.75, 48.72

 

CMYK 71 / 0 / 41 / 21

HEX #3AC976

RGB 58 201 118

HSL 145.17, 0.57%, 0.51%

LAB 72.22, -56.08, 30.84

 

CMYK 71 / 0 / 22 / 21

HEX #3AC99C

RGB 58 201 156

HSL 161.12, 0.57%, 0.51%

LAB 72.94, -48.18, 11.74

 

CMYK 73 / 0 / 61 / 45

HEX #268B36

RGB 38 139 54

HSL 129.5, 0.57%, 0.35%

LAB 50.85, -46.76, 36.62

 

CMYK 73 / 0 / 61 / 33

HEX #2FAB43

RGB 47 171 67

HSL 129.68, 0.57%, 0.43%

LAB 61.77, -54.9, 43.12

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 57 / 0 / 48 / 18

HEX #5BD26E

RGB 91 210 110

HSL 129.58, 0.57%, 0.59%

LAB 75.73, -54.28, 39.55

 

CMYK 44 / 0 / 37 / 14

HEX #7BDB8A

RGB 123 219 138

HSL 129.38, 0.57%, 0.67%

LAB 80.02, -45.24, 31.22

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 71 / 25 / 0 / 21

HEX #3A97C9

RGB 58 151 201

HSL 200.98, 0.57%, 0.51%

LAB 59.2, -10.99, -33.65

 

CMYK 0 / 71 / 53 / 21

HEX #C93A5E

RGB 201 58 94

HSL 344.9, 0.57%, 0.51%

LAB 47.3, 58.33, 12.54

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 60 / 71 / 0 / 21

HEX #503AC9

RGB 80 58 201

HSL 249.23, 0.57%, 0.51%

LAB 35.89, 48.73, -70.95

 

CMYK 0 / 60 / 71 / 21

HEX #C9503A

RGB 201 80 58

HSL 9.23, 0.57%, 0.51%

LAB 50.05, 46.88, 37.33

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 71 / 25 / 0 / 21

HEX #3A97C9

RGB 58 151 201

HSL 200.98, 0.57%, 0.51%

LAB 59.2, -10.99, -33.65

 

CMYK 0 / 71 / 11 / 21

HEX #C93AB3

RGB 201 58 179

HSL 309.23, 0.57%, 0.51%

LAB 50.33, 68.1, -34.03

 

CMYK 0 / 46 / 71 / 21

HEX #C96C3A

RGB 201 108 58

HSL 20.98, 0.57%, 0.51%

LAB 55.53, 32.92, 43.45

 

CMYK 71 / 0 / 60 / 21

HEX #3AC951

RGB 58 201 81

HSL 129.65, 0.57%, 0.51%

LAB 71.74, -61.63, 48.29

 

CMYK 71 / 46 / 0 / 21

HEX #3A6CC9

RGB 58 108 201

HSL 219.02, 0.57%, 0.51%

LAB 46.77, 14.72, -53.33

 

CMYK 0 / 71 / 11 / 21

HEX #C93AB3

RGB 201 58 179

HSL 309.23, 0.57%, 0.51%

LAB 50.33, 68.1, -34.03

 

CMYK 0 / 25 / 71 / 21

HEX #C9973A

RGB 201 151 58

HSL 39.02, 0.57%, 0.51%

LAB 65.64, 9.61, 54.16

 

Description

Color code: HEX #3AC951 | qconv.com Color code: HEX #3AC951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 201 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 201 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 60 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 60% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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