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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB1AD it is the complementary color #C54E52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB1AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB1AD shade: #3FB1A8, #50C3BB, #61D5CE, #72E7E1 and #83F9F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB1AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB1AD shade: #3AB1AD, #299F9A, #188D87, #077B74 and #006961

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB1AD shade: #39B1AD, #39B18C, #39B16C, #39B14C and #46B139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB1AD shade: #39B1AD, #3994B1, #3974B1, #3954B1 and #3939B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB1AD shade matches the following richer shades: #39B1AD, #26C4BE, #13D7D0 and #00EAE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB1AD shade: #39B1AD, #4C9E9B, #5F8B89, #727877 and #856566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB1AD shade: #39B16B, #39B18B, #39B1AB, #3997B1 and #3977B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB1AD shade: #257270, #2F918E, #39B1AD, #4EC5C1 and #6DCFCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB1AD shade: #3AB1AD, #4B39B1 and #B17B39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB1AD shade: #3AB1AD, #AB39B1 and #B1AB39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB1AD shade: #3AB1AD, #4B39B1, #B1393F and #9FB139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB1AD shade: #3AB1AD, #6F39B1, #B1393F and #7BB139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 2 / 31

HEX #3AB1AD

RGB 58 177 173

HSL 177.98, 0.51%, 0.46%

LAB 66.03, -33.17, -7.59

 

Complementary color

CMYK 0 / 60 / 58 / 23

HEX #C54E52

RGB 197 78 82

HSL 357.98, 0.51%, 0.54%

LAB 49.41, 47.85, 22.52

 

CMYK 64 / 0 / 5 / 31

HEX #3FB1A8

RGB 63 177 168

HSL 175.26, 0.48%, 0.47%

LAB 66, -33.79, -4.84

 

CMYK 59 / 0 / 4 / 24

HEX #50C3BB

RGB 80 195 187

HSL 175.83, 0.49%, 0.54%

LAB 72.44, -34.14, -5.72

 

CMYK 54 / 0 / 3 / 16

HEX #61D5CE

RGB 97 213 206

HSL 176.38, 0.58%, 0.61%

LAB 78.8, -34.36, -6.51

 

CMYK 51 / 0 / 3 / 9

HEX #72E7E1

RGB 114 231 225

HSL 176.92, 0.71%, 0.68%

LAB 85.08, -34.49, -7.25

 

CMYK 47 / 0 / 2 / 2

HEX #83F9F4

RGB 131 249 244

HSL 177.46, 0.91%, 0.75%

LAB 91.28, -34.55, -7.94

 

CMYK 67 / 0 / 2 / 31

HEX #3AB1AD

RGB 58 177 173

HSL 177.98, 0.51%, 0.46%

LAB 66.03, -33.17, -7.59

 

CMYK 74 / 0 / 3 / 38

HEX #299F9A

RGB 41 159 154

HSL 177.46, 0.59%, 0.39%

LAB 59.53, -32.45, -6.64

 

CMYK 83 / 0 / 4 / 45

HEX #188D87

RGB 24 141 135

HSL 176.92, 0.71%, 0.32%

LAB 52.94, -31.39, -5.57

 

CMYK 94 / 0 / 6 / 52

HEX #077B74

RGB 7 123 116

HSL 176.38, 0.89%, 0.25%

LAB 46.27, -29.87, -4.32

 

CMYK 100 / 0 / 8 / 59

HEX #006961

RGB 0 105 97

HSL 175.43, 1%, 0.21%

LAB 39.52, -27.67, -2.87

 

CMYK 68 / 0 / 2 / 31

HEX #39B1AD

RGB 57 177 173

HSL 178, 0.51%, 0.46%

LAB 66.01, -33.32, -7.63

 

CMYK 68 / 0 / 21 / 31

HEX #39B18C

RGB 57 177 140

HSL 161.5, 0.51%, 0.46%

LAB 65.13, -42.03, 9.38

 

CMYK 68 / 0 / 39 / 31

HEX #39B16C

RGB 57 177 108

HSL 145.5, 0.51%, 0.46%

LAB 64.48, -48.93, 25.89

 

CMYK 68 / 0 / 57 / 31

HEX #39B14C

RGB 57 177 76

HSL 129.5, 0.51%, 0.46%

LAB 64.03, -54.07, 41.59

 

CMYK 60 / 0 / 68 / 31

HEX #46B139

RGB 70 177 57

HSL 113.5, 0.51%, 0.46%

LAB 64.19, -53.38, 50.35

 

CMYK 68 / 0 / 2 / 31

HEX #39B1AD

RGB 57 177 173

HSL 178, 0.51%, 0.46%

LAB 66.01, -33.32, -7.63

 

CMYK 68 / 16 / 0 / 31

HEX #3994B1

RGB 57 148 177

HSL 194.5, 0.51%, 0.46%

LAB 57.29, -17.47, -23.05

 

CMYK 68 / 34 / 0 / 31

HEX #3974B1

RGB 57 116 177

HSL 210.5, 0.51%, 0.46%

LAB 47.67, 0.89, -38.03

 

CMYK 68 / 53 / 0 / 31

HEX #3954B1

RGB 57 84 177

HSL 226.5, 0.51%, 0.46%

LAB 38.52, 21.22, -52.64

 

CMYK 68 / 68 / 0 / 31

HEX #3939B1

RGB 57 57 177

HSL 240, 0.51%, 0.46%

LAB 31.74, 38.52, -63.69

 

CMYK 68 / 0 / 2 / 31

HEX #39B1AD

RGB 57 177 173

HSL 178, 0.51%, 0.46%

LAB 66.01, -33.32, -7.63

 

CMYK 81 / 0 / 3 / 23

HEX #26C4BE

RGB 38 196 190

HSL 177.72, 0.68%, 0.46%

LAB 71.97, -39.37, -8.15

 

CMYK 91 / 0 / 3 / 16

HEX #13D7D0

RGB 19 215 208

HSL 177.86, 0.84%, 0.46%

LAB 78.05, -43.77, -8.86

 

CMYK 100 / 0 / 3 / 8

HEX #00EAE2

RGB 0 234 226

HSL 177.95, 1%, 0.46%

LAB 84.14, -47.36, -9.38

 

CMYK 68 / 0 / 2 / 31

HEX #39B1AD

RGB 57 177 173

HSL 178, 0.51%, 0.46%

LAB 66.01, -33.32, -7.63

 

CMYK 52 / 0 / 2 / 38

HEX #4C9E9B

RGB 76 158 155

HSL 177.8, 0.35%, 0.46%

LAB 60.21, -25.63, -6.09

 

CMYK 32 / 0 / 1 / 45

HEX #5F8B89

RGB 95 139 137

HSL 177.27, 0.19%, 0.46%

LAB 54.77, -15.43, -3.76

 

CMYK 5 / 0 / 1 / 53

HEX #727877

RGB 114 120 119

HSL 170, 0.03%, 0.46%

LAB 49.91, -2.46, -0.24

 

CMYK 0 / 24 / 23 / 48

HEX #856566

RGB 133 101 102

HSL 358.13, 0.14%, 0.46%

LAB 45.98, 13.03, 4.42

 

CMYK 68 / 0 / 40 / 31

HEX #39B16B

RGB 57 177 107

HSL 145, 0.51%, 0.46%

LAB 64.46, -49.12, 26.39

 

CMYK 68 / 0 / 21 / 31

HEX #39B18B

RGB 57 177 139

HSL 161, 0.51%, 0.46%

LAB 65.1, -42.27, 9.9

 

CMYK 68 / 0 / 3 / 31

HEX #39B1AB

RGB 57 177 171

HSL 177, 0.51%, 0.46%

LAB 65.95, -33.89, -6.61

 

CMYK 68 / 15 / 0 / 31

HEX #3997B1

RGB 57 151 177

HSL 193, 0.51%, 0.46%

LAB 58.21, -19.07, -21.65

 

CMYK 68 / 33 / 0 / 31

HEX #3977B1

RGB 57 119 177

HSL 209, 0.51%, 0.46%

LAB 48.56, -0.93, -36.63

 

CMYK 68 / 0 / 2 / 55

HEX #257270

RGB 37 114 112

HSL 178.44, 0.51%, 0.3%

LAB 43.65, -23.42, -5.77

 

CMYK 68 / 0 / 2 / 43

HEX #2F918E

RGB 47 145 142

HSL 178.16, 0.51%, 0.38%

LAB 54.87, -28.38, -6.69

 

CMYK 68 / 0 / 2 / 31

HEX #39B1AD

RGB 57 177 173

HSL 178, 0.51%, 0.46%

LAB 66.01, -33.32, -7.63

 

CMYK 60 / 0 / 2 / 23

HEX #4EC5C1

RGB 78 197 193

HSL 177.98, 0.51%, 0.54%

LAB 73.16, -33.82, -7.93

 

CMYK 47 / 0 / 1 / 19

HEX #6DCFCC

RGB 109 207 204

HSL 178.16, 0.51%, 0.62%

LAB 77.42, -29.5, -7.44

 

CMYK 67 / 0 / 2 / 31

HEX #3AB1AD

RGB 58 177 173

HSL 177.98, 0.51%, 0.46%

LAB 66.03, -33.17, -7.59

 

CMYK 58 / 68 / 0 / 31

HEX #4B39B1

RGB 75 57 177

HSL 249, 0.51%, 0.46%

LAB 33.13, 41.15, -61.36

 

CMYK 0 / 31 / 68 / 31

HEX #B17B39

RGB 177 123 57

HSL 33, 0.51%, 0.46%

LAB 55.9, 14.48, 43.46

 

CMYK 67 / 0 / 2 / 31

HEX #3AB1AD

RGB 58 177 173

HSL 177.98, 0.51%, 0.46%

LAB 66.03, -33.17, -7.59

 

CMYK 3 / 68 / 0 / 31

HEX #AB39B1

RGB 171 57 177

HSL 297, 0.51%, 0.46%

LAB 45.3, 61.15, -41.11

 

CMYK 0 / 3 / 68 / 31

HEX #B1AB39

RGB 177 171 57

HSL 57, 0.51%, 0.46%

LAB 68.58, -11.63, 56.84

 

CMYK 67 / 0 / 2 / 31

HEX #3AB1AD

RGB 58 177 173

HSL 177.98, 0.51%, 0.46%

LAB 66.03, -33.17, -7.59

 

CMYK 58 / 68 / 0 / 31

HEX #4B39B1

RGB 75 57 177

HSL 249, 0.51%, 0.46%

LAB 33.13, 41.15, -61.36

 

CMYK 0 / 68 / 64 / 31

HEX #B1393F

RGB 177 57 63

HSL 357, 0.51%, 0.46%

LAB 42.2, 48.93, 23.99

 

CMYK 10 / 0 / 68 / 31

HEX #9FB139

RGB 159 177 57

HSL 69, 0.51%, 0.46%

LAB 68.83, -22.37, 56.63

 

CMYK 67 / 0 / 2 / 31

HEX #3AB1AD

RGB 58 177 173

HSL 177.98, 0.51%, 0.46%

LAB 66.03, -33.17, -7.59

 

CMYK 37 / 68 / 0 / 31

HEX #6F39B1

RGB 111 57 177

HSL 267, 0.51%, 0.46%

LAB 36.89, 47.83, -55.07

 

CMYK 0 / 68 / 64 / 31

HEX #B1393F

RGB 177 57 63

HSL 357, 0.51%, 0.46%

LAB 42.2, 48.93, 23.99

 

CMYK 31 / 0 / 68 / 31

HEX #7BB139

RGB 123 177 57

HSL 87, 0.51%, 0.46%

LAB 66.48, -36.76, 53.47

 

Description

Color code: HEX #3AB1AD | qconv.com Color code: HEX #3AB1AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 177 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 177 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 2 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 2% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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