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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA13D it is the complementary color #C55EC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA13D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA13D shade: #3FA138, #50B34B, #61C55E, #72D771 and #83E984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA13D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA13D shade: #3AA13D, #298F2A, #187D17, #076B04 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA13D shade: #3AA13D, #52A13A, #6EA13A, #8AA13A and #A19C3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA13D shade: #3AA13D, #3AA158, #3AA174, #3AA190 and #3A96A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA13D shade matches the following richer shades: #3AA13D, #28B22C, #16C41B and #04D60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA13D shade: #3AA13D, #4B8F4D, #5D7D5E, #6F6B6F and #815A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA13D shade: #6FA13A, #53A13A, #3AA13B, #3AA157 and #3AA172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA13D shade: #246426, #2F8231, #3AA13D, #47BC4B and #65C768

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA13D shade: #3AA13D, #3A8AA1 and #A13A61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA13D shade: #3AA13D, #3B3AA1 and #A13B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA13D shade: #3AA13D, #3A8AA1, #A13A9F and #A1503A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA13D shade: #3AA13D, #3A6BA1, #A13A9F and #A16F3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

Complementary color

CMYK 0 / 52 / 2 / 23

HEX #C55EC2

RGB 197 94 194

HSL 301.75, 0.47%, 0.57%

LAB 55.86, 54.58, -34.11

 

CMYK 61 / 0 / 65 / 37

HEX #3FA138

RGB 63 161 56

HSL 116, 0.48%, 0.43%

LAB 58.82, -49.27, 44.87

 

CMYK 55 / 0 / 58 / 30

HEX #50B34B

RGB 80 179 75

HSL 117.12, 0.41%, 0.5%

LAB 65.32, -49.7, 43.75

 

CMYK 51 / 0 / 52 / 23

HEX #61C55E

RGB 97 197 94

HSL 118.25, 0.47%, 0.57%

LAB 71.75, -49.87, 42.49

 

CMYK 47 / 0 / 47 / 16

HEX #72D771

RGB 114 215 113

HSL 119.41, 0.56%, 0.64%

LAB 78.09, -49.87, 41.21

 

CMYK 44 / 0 / 43 / 9

HEX #83E984

RGB 131 233 132

HSL 120.59, 0.7%, 0.71%

LAB 84.36, -49.77, 39.96

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 71 / 0 / 71 / 44

HEX #298F2A

RGB 41 143 42

HSL 120.59, 0.55%, 0.36%

LAB 52.16, -48.98, 43.5

 

CMYK 81 / 0 / 82 / 51

HEX #187D17

RGB 24 125 23

HSL 119.41, 0.69%, 0.29%

LAB 45.53, -47.33, 43.88

 

CMYK 93 / 0 / 96 / 58

HEX #076B04

RGB 7 107 4

HSL 118.25, 0.93%, 0.22%

LAB 38.85, -44.58, 42.94

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 49 / 0 / 64 / 37

HEX #52A13A

RGB 82 161 58

HSL 106.02, 0.47%, 0.43%

LAB 59.52, -43.85, 44.95

 

CMYK 32 / 0 / 64 / 37

HEX #6EA13A

RGB 110 161 58

HSL 89.71, 0.47%, 0.43%

LAB 60.88, -34.28, 46.84

 

CMYK 14 / 0 / 64 / 37

HEX #8AA13A

RGB 138 161 58

HSL 73.4, 0.47%, 0.43%

LAB 62.67, -23.13, 49.3

 

CMYK 0 / 3 / 64 / 37

HEX #A19C3A

RGB 161 156 58

HSL 57.09, 0.47%, 0.43%

LAB 63.06, -10.68, 50.26

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 64 / 0 / 45 / 37

HEX #3AA158

RGB 58 161 88

HSL 137.48, 0.47%, 0.43%

LAB 59.06, -46.02, 29.43

 

CMYK 64 / 0 / 28 / 37

HEX #3AA174

RGB 58 161 116

HSL 153.79, 0.47%, 0.43%

LAB 59.57, -40.52, 14.87

 

CMYK 64 / 0 / 11 / 37

HEX #3AA190

RGB 58 161 144

HSL 170.1, 0.47%, 0.43%

LAB 60.25, -33.65, 0.12

 

CMYK 64 / 7 / 0 / 37

HEX #3A96A1

RGB 58 150 161

HSL 186.41, 0.47%, 0.43%

LAB 57.35, -23.39, -13.84

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 78 / 0 / 75 / 30

HEX #28B22C

RGB 40 178 44

HSL 121.74, 0.63%, 0.43%

LAB 63.73, -60.59, 54.61

 

CMYK 89 / 0 / 86 / 23

HEX #16C41B

RGB 22 196 27

HSL 121.72, 0.8%, 0.43%

LAB 69.28, -68.85, 64.55

 

CMYK 98 / 0 / 95 / 16

HEX #04D60B

RGB 4 214 11

HSL 122, 0.96%, 0.43%

LAB 74.92, -75.16, 71.83

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 48 / 0 / 46 / 44

HEX #4B8F4D

RGB 75 143 77

HSL 121.76, 0.31%, 0.43%

LAB 53.68, -35.9, 28.53

 

CMYK 26 / 0 / 25 / 51

HEX #5D7D5E

RGB 93 125 94

HSL 121.88, 0.15%, 0.43%

LAB 49.26, -18.05, 13.29

 

CMYK 0 / 4 / 0 / 56

HEX #6F6B6F

RGB 111 107 111

HSL 300, 0.02%, 0.43%

LAB 45.69, 2.37, -1.68

 

CMYK 0 / 30 / 2 / 49

HEX #815A7F

RGB 129 90 127

HSL 303.08, 0.18%, 0.43%

LAB 43.52, 22.58, -14.4

 

CMYK 31 / 0 / 64 / 37

HEX #6FA13A

RGB 111 161 58

HSL 89.13, 0.47%, 0.43%

LAB 60.94, -33.91, 46.91

 

CMYK 48 / 0 / 64 / 37

HEX #53A13A

RGB 83 161 58

HSL 105.44, 0.47%, 0.43%

LAB 59.56, -43.54, 45.01

 

CMYK 64 / 0 / 63 / 37

HEX #3AA13B

RGB 58 161 59

HSL 120.58, 0.47%, 0.43%

LAB 58.7, -50.12, 43.36

 

CMYK 64 / 0 / 46 / 37

HEX #3AA157

RGB 58 161 87

HSL 136.89, 0.47%, 0.43%

LAB 59.05, -46.19, 29.93

 

CMYK 64 / 0 / 29 / 37

HEX #3AA172

RGB 58 161 114

HSL 152.62, 0.47%, 0.43%

LAB 59.53, -40.96, 15.92

 

CMYK 64 / 0 / 62 / 61

HEX #246426

RGB 36 100 38

HSL 121.88, 0.47%, 0.27%

LAB 37.17, -34.22, 28.72

 

CMYK 64 / 0 / 62 / 49

HEX #2F8231

RGB 47 130 49

HSL 121.45, 0.47%, 0.35%

LAB 48, -42.11, 35.81

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 62 / 0 / 60 / 26

HEX #47BC4B

RGB 71 188 75

HSL 122.05, 0.47%, 0.51%

LAB 67.88, -55.26, 46.64

 

CMYK 49 / 0 / 48 / 22

HEX #65C768

RGB 101 199 104

HSL 121.84, 0.47%, 0.59%

LAB 72.64, -48.22, 38.72

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 64 / 14 / 0 / 37

HEX #3A8AA1

RGB 58 138 161

HSL 193.4, 0.47%, 0.43%

LAB 53.65, -17.05, -19.46

 

CMYK 0 / 64 / 40 / 37

HEX #A13A61

RGB 161 58 97

HSL 337.28, 0.47%, 0.43%

LAB 40.35, 46.17, -0.18

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 63 / 64 / 0 / 37

HEX #3B3AA1

RGB 59 58 161

HSL 240.58, 0.47%, 0.43%

LAB 30.71, 32.72, -55.77

 

CMYK 0 / 63 / 64 / 37

HEX #A13B3A

RGB 161 59 58

HSL 0.58, 0.47%, 0.43%

LAB 39.6, 42.21, 23.15

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 64 / 14 / 0 / 37

HEX #3A8AA1

RGB 58 138 161

HSL 193.4, 0.47%, 0.43%

LAB 53.65, -17.05, -19.46

 

CMYK 0 / 64 / 1 / 37

HEX #A13A9F

RGB 161 58 159

HSL 301.17, 0.47%, 0.43%

LAB 42.92, 55.18, -34.29

 

CMYK 0 / 50 / 64 / 37

HEX #A1503A

RGB 161 80 58

HSL 12.82, 0.47%, 0.43%

LAB 43.68, 31.62, 28.23

 

CMYK 64 / 0 / 62 / 37

HEX #3AA13D

RGB 58 161 61

HSL 121.75, 0.47%, 0.43%

LAB 58.72, -49.89, 42.47

 

CMYK 64 / 34 / 0 / 37

HEX #3A6BA1

RGB 58 107 161

HSL 211.46, 0.47%, 0.43%

LAB 44.22, 0.91, -34.1

 

CMYK 0 / 64 / 1 / 37

HEX #A13A9F

RGB 161 58 159

HSL 301.17, 0.47%, 0.43%

LAB 42.92, 55.18, -34.29

 

CMYK 0 / 31 / 64 / 37

HEX #A16F3A

RGB 161 111 58

HSL 30.87, 0.47%, 0.43%

LAB 50.98, 14.26, 36.9

 

Description

Color code: HEX #3AA13D | qconv.com Color code: HEX #3AA13D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 161 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 161 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 62 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 62% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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