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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA7CA it is the complementary color #C55835. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA7CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA7CA shade: #3FA7C5, #50B9D8, #61CBEB, #72DDFE and #83EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA7CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA7CA shade: #3AA7CA, #2995B7, #1883A4, #077191 and #005F7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA7CA shade: #39A7CA, #3980CA, #3959CA, #4139CA and #6839CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA7CA shade: #39A7CA, #3980CA, #3959CA and #3939CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA7CA shade matches the following richer shades: #39A7CA, #25B1DE and #11BCF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA7CA shade: #39A7CA, #4D9CB6, #6292A2, #76888D and #8A7D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA7CA shade: #39CA9F, #39CAC5, #39A8CA, #3982CA and #395BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA7CA shade: #25738C, #2D8EAC, #39A7CA, #5AB5D3 and #7AC4DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA7CA shade: #3AA7CA, #7839CA and #CAB239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA7CA shade: #3AA7CA, #CA39A8 and #A8CA39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA7CA shade: #3AA7CA, #7839CA, #CA5B39 and #8BCA39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA7CA shade: #3AA7CA, #A339CA, #CA5B39 and #60CA39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 17 / 0 / 21

HEX #3AA7CA

RGB 58 167 202

HSL 194.58, 0.58%, 0.51%

LAB 64, -19.32, -26.79

 

Complementary color

CMYK 0 / 55 / 73 / 23

HEX #C55835

RGB 197 88 53

HSL 14.58, 0.58%, 0.49%

LAB 50.81, 41.34, 40.71

 

CMYK 68 / 15 / 0 / 23

HEX #3FA7C5

RGB 63 167 197

HSL 193.43, 0.54%, 0.51%

LAB 63.94, -20.21, -24.09

 

CMYK 63 / 14 / 0 / 15

HEX #50B9D8

RGB 80 185 216

HSL 193.68, 0.64%, 0.58%

LAB 70.43, -20.93, -24.59

 

CMYK 59 / 14 / 0 / 8

HEX #61CBEB

RGB 97 203 235

HSL 193.91, 0.78%, 0.65%

LAB 76.83, -21.48, -25.05

 

CMYK 55 / 13 / 0 / 0

HEX #72DDFE

RGB 114 221 254

HSL 194.14, 0.99%, 0.72%

LAB 83.15, -21.91, -25.48

 

CMYK 49 / 6 / 0 / 0

HEX #83EFFF

RGB 131 239 255

HSL 187.74, 1%, 0.76%

LAB 88.82, -27.03, -17.36

 

CMYK 71 / 17 / 0 / 21

HEX #3AA7CA

RGB 58 167 202

HSL 194.58, 0.58%, 0.51%

LAB 64, -19.32, -26.79

 

CMYK 78 / 19 / 0 / 28

HEX #2995B7

RGB 41 149 183

HSL 194.37, 0.63%, 0.44%

LAB 57.45, -18.16, -26.25

 

CMYK 85 / 20 / 0 / 36

HEX #1883A4

RGB 24 131 164

HSL 194.14, 0.74%, 0.37%

LAB 50.81, -16.62, -25.63

 

CMYK 95 / 22 / 0 / 43

HEX #077191

RGB 7 113 145

HSL 193.91, 0.91%, 0.3%

LAB 44.09, -14.58, -24.91

 

CMYK 100 / 25 / 0 / 51

HEX #005F7E

RGB 0 95 126

HSL 194.76, 1%, 0.25%

LAB 37.28, -11.84, -24.05

 

CMYK 72 / 17 / 0 / 21

HEX #39A7CA

RGB 57 167 202

HSL 194.48, 0.58%, 0.51%

LAB 63.98, -19.45, -26.83

 

CMYK 72 / 37 / 0 / 21

HEX #3980CA

RGB 57 128 202

HSL 210.62, 0.58%, 0.51%

LAB 52.48, 2.56, -44.79

 

CMYK 72 / 56 / 0 / 21

HEX #3959CA

RGB 57 89 202

HSL 226.76, 0.58%, 0.51%

LAB 41.66, 27.1, -62.17

 

CMYK 68 / 72 / 0 / 21

HEX #4139CA

RGB 65 57 202

HSL 243.31, 0.58%, 0.51%

LAB 34.63, 47.73, -73.64

 

CMYK 49 / 72 / 0 / 21

HEX #6839CA

RGB 104 57 202

HSL 259.45, 0.58%, 0.51%

LAB 38.08, 53.13, -67.84

 

CMYK 72 / 17 / 0 / 21

HEX #39A7CA

RGB 57 167 202

HSL 194.48, 0.58%, 0.51%

LAB 63.98, -19.45, -26.83

 

CMYK 72 / 37 / 0 / 21

HEX #3980CA

RGB 57 128 202

HSL 210.62, 0.58%, 0.51%

LAB 52.48, 2.56, -44.79

 

CMYK 72 / 56 / 0 / 21

HEX #3959CA

RGB 57 89 202

HSL 226.76, 0.58%, 0.51%

LAB 41.66, 27.1, -62.17

 

CMYK 72 / 72 / 0 / 21

HEX #3939CA

RGB 57 57 202

HSL 240, 0.58%, 0.51%

LAB 34.11, 46.88, -74.52

 

CMYK 72 / 17 / 0 / 21

HEX #39A7CA

RGB 57 167 202

HSL 194.48, 0.58%, 0.51%

LAB 63.98, -19.45, -26.83

 

CMYK 83 / 20 / 0 / 13

HEX #25B1DE

RGB 37 177 222

HSL 194.59, 0.74%, 0.51%

LAB 67.36, -20.13, -32.67

 

CMYK 93 / 22 / 0 / 5

HEX #11BCF2

RGB 17 188 242

HSL 194.4, 0.9%, 0.51%

LAB 71.21, -20.14, -37.61

 

CMYK 72 / 17 / 0 / 21

HEX #39A7CA

RGB 57 167 202

HSL 194.48, 0.58%, 0.51%

LAB 63.98, -19.45, -26.83

 

CMYK 58 / 14 / 0 / 29

HEX #4D9CB6

RGB 77 156 182

HSL 194.86, 0.42%, 0.51%

LAB 60.54, -16.59, -20.84

 

CMYK 40 / 10 / 0 / 36

HEX #6292A2

RGB 98 146 162

HSL 195, 0.26%, 0.51%

LAB 57.81, -11.92, -13.56

 

CMYK 16 / 4 / 0 / 45

HEX #76888D

RGB 118 136 141

HSL 193.04, 0.09%, 0.51%

LAB 55.46, -5.37, -4.87

 

CMYK 0 / 9 / 12 / 46

HEX #8A7D79

RGB 138 125 121

HSL 14.12, 0.07%, 0.51%

LAB 53.44, 4.23, 3.97

 

CMYK 72 / 0 / 21 / 21

HEX #39CA9F

RGB 57 202 159

HSL 162.21, 0.58%, 0.51%

LAB 73.29, -48.03, 10.63

 

CMYK 72 / 0 / 2 / 21

HEX #39CAC5

RGB 57 202 197

HSL 177.93, 0.58%, 0.51%

LAB 74.28, -38.12, -8.48

 

CMYK 72 / 17 / 0 / 21

HEX #39A8CA

RGB 57 168 202

HSL 194.07, 0.58%, 0.51%

LAB 64.27, -19.98, -26.37

 

CMYK 72 / 36 / 0 / 21

HEX #3982CA

RGB 57 130 202

HSL 209.79, 0.58%, 0.51%

LAB 53.06, 1.36, -43.87

 

CMYK 72 / 55 / 0 / 21

HEX #395BCA

RGB 57 91 202

HSL 225.93, 0.58%, 0.51%

LAB 42.18, 25.82, -61.32

 

CMYK 74 / 18 / 0 / 45

HEX #25738C

RGB 37 115 140

HSL 194.56, 0.58%, 0.35%

LAB 45.01, -14.76, -20.47

 

CMYK 74 / 17 / 0 / 33

HEX #2D8EAC

RGB 45 142 172

HSL 194.17, 0.59%, 0.43%

LAB 54.95, -17.62, -23.82

 

CMYK 72 / 17 / 0 / 21

HEX #39A7CA

RGB 57 167 202

HSL 194.48, 0.58%, 0.51%

LAB 63.98, -19.45, -26.83

 

CMYK 57 / 14 / 0 / 17

HEX #5AB5D3

RGB 90 181 211

HSL 194.88, 0.58%, 0.59%

LAB 69.42, -18.54, -23.37

 

CMYK 44 / 11 / 0 / 14

HEX #7AC4DB

RGB 122 196 219

HSL 194.23, 0.57%, 0.67%

LAB 75.28, -17.06, -18.68

 

CMYK 71 / 17 / 0 / 21

HEX #3AA7CA

RGB 58 167 202

HSL 194.58, 0.58%, 0.51%

LAB 64, -19.32, -26.79

 

CMYK 41 / 72 / 0 / 21

HEX #7839CA

RGB 120 57 202

HSL 266.07, 0.58%, 0.51%

LAB 39.89, 55.85, -64.82

 

CMYK 0 / 12 / 72 / 21

HEX #CAB239

RGB 202 178 57

HSL 50.07, 0.58%, 0.51%

LAB 72.69, -4.44, 61.68

 

CMYK 71 / 17 / 0 / 21

HEX #3AA7CA

RGB 58 167 202

HSL 194.58, 0.58%, 0.51%

LAB 64, -19.32, -26.79

 

CMYK 0 / 72 / 17 / 21

HEX #CA39A8

RGB 202 57 168

HSL 314.07, 0.58%, 0.51%

LAB 49.87, 67.1, -28.28

 

CMYK 17 / 0 / 72 / 21

HEX #A8CA39

RGB 168 202 57

HSL 74.07, 0.58%, 0.51%

LAB 76.59, -30.75, 64.6

 

CMYK 71 / 17 / 0 / 21

HEX #3AA7CA

RGB 58 167 202

HSL 194.58, 0.58%, 0.51%

LAB 64, -19.32, -26.79

 

CMYK 41 / 72 / 0 / 21

HEX #7839CA

RGB 120 57 202

HSL 266.07, 0.58%, 0.51%

LAB 39.89, 55.85, -64.82

 

CMYK 0 / 55 / 72 / 21

HEX #CA5B39

RGB 202 91 57

HSL 14.07, 0.58%, 0.51%

LAB 52.21, 41.95, 40.35

 

CMYK 31 / 0 / 72 / 21

HEX #8BCA39

RGB 139 202 57

HSL 86.07, 0.58%, 0.51%

LAB 74.84, -41.89, 62.28

 

CMYK 71 / 17 / 0 / 21

HEX #3AA7CA

RGB 58 167 202

HSL 194.58, 0.58%, 0.51%

LAB 64, -19.32, -26.79

 

CMYK 19 / 72 / 0 / 21

HEX #A339CA

RGB 163 57 202

HSL 283.86, 0.58%, 0.51%

LAB 45.6, 64.08, -55.29

 

CMYK 0 / 55 / 72 / 21

HEX #CA5B39

RGB 202 91 57

HSL 14.07, 0.58%, 0.51%

LAB 52.21, 41.95, 40.35

 

CMYK 52 / 0 / 72 / 21

HEX #60CA39

RGB 96 202 57

HSL 103.86, 0.58%, 0.51%

LAB 72.91, -55.83, 59.7

 

Description

Color code: HEX #3AA7CA | qconv.com Color code: HEX #3AA7CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 167 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 167 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 17 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 17% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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