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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A863A it is the complementary color #C579C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A863A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A863A shade: #3F8635, #509848, #61AA5B, #72BC6E and #83CE81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A863A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A863A shade: #3A863A, #297427, #186214, #075001 and #003E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A863A shade: #3A873A, #4F873A, #63873A, #78873A and #87813A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A863A shade: #3A873A, #3A874F, #3A8763, #3A8778 and #3A8187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A863A shade matches the following richer shades: #3A873A, #2A972A, #1AA71A and #0BB60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A863A shade: #3A873A, #497749, #596859, #695869 and #784878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A863A shade: #63873A, #4E873A, #3A873A, #3A874E and #3A8763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A863A shade: #214D21, #2D6A2D, #3A873A, #46A446 and #5BB85B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A863A shade: #3A863A, #3A7887 and #873A59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A863A shade: #3A863A, #3A3A87 and #873A3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A863A shade: #3A863A, #3A7887, #873A87 and #87493A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A863A shade: #3A863A, #3A6087, #873A87 and #87603A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 57 / 47

HEX #3A863A

RGB 58 134 58

HSL 120, 0.4%, 0.38%

LAB 49.8, -39.73, 33.55

 

Complementary color

CMYK 0 / 39 / 0 / 23

HEX #C579C5

RGB 197 121 197

HSL 300, 0.4%, 0.62%

LAB 61.29, 41.38, -27.39

 

CMYK 53 / 0 / 60 / 47

HEX #3F8635

RGB 63 134 53

HSL 112.59, 0.43%, 0.37%

LAB 49.93, -38.94, 36.24

 

CMYK 47 / 0 / 53 / 40

HEX #509848

RGB 80 152 72

HSL 114, 0.36%, 0.44%

LAB 56.71, -39.04, 34.96

 

CMYK 43 / 0 / 46 / 33

HEX #61AA5B

RGB 97 170 91

HSL 115.44, 0.32%, 0.51%

LAB 63.38, -38.97, 33.65

 

CMYK 39 / 0 / 41 / 26

HEX #72BC6E

RGB 114 188 110

HSL 116.92, 0.37%, 0.58%

LAB 69.94, -38.8, 32.37

 

CMYK 36 / 0 / 37 / 19

HEX #83CE81

RGB 131 206 129

HSL 118.44, 0.44%, 0.66%

LAB 76.41, -38.59, 31.15

 

CMYK 57 / 0 / 57 / 47

HEX #3A863A

RGB 58 134 58

HSL 120, 0.4%, 0.38%

LAB 49.8, -39.73, 33.55

 

CMYK 65 / 0 / 66 / 55

HEX #297427

RGB 41 116 39

HSL 118.44, 0.5%, 0.3%

LAB 42.93, -39.29, 34.82

 

CMYK 76 / 0 / 80 / 62

HEX #186214

RGB 24 98 20

HSL 116.92, 0.66%, 0.23%

LAB 35.95, -38.19, 35.6

 

CMYK 91 / 0 / 99 / 69

HEX #075001

RGB 7 80 1

HSL 115.44, 0.98%, 0.16%

LAB 28.86, -36.03, 35.62

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 57 / 0 / 57 / 47

HEX #3A873A

RGB 58 135 58

HSL 120, 0.4%, 0.38%

LAB 50.14, -40.14, 33.94

 

CMYK 41 / 0 / 57 / 47

HEX #4F873A

RGB 79 135 58

HSL 103.64, 0.4%, 0.38%

LAB 51.03, -33.63, 35.22

 

CMYK 27 / 0 / 57 / 47

HEX #63873A

RGB 99 135 58

HSL 88.05, 0.4%, 0.38%

LAB 52.16, -26.17, 36.83

 

CMYK 11 / 0 / 57 / 47

HEX #78873A

RGB 120 135 58

HSL 71.69, 0.4%, 0.38%

LAB 53.63, -17.45, 38.9

 

CMYK 0 / 4 / 57 / 47

HEX #87813A

RGB 135 129 58

HSL 55.32, 0.4%, 0.38%

LAB 53.12, -7.62, 38.65

 

CMYK 57 / 0 / 57 / 47

HEX #3A873A

RGB 58 135 58

HSL 120, 0.4%, 0.38%

LAB 50.14, -40.14, 33.94

 

CMYK 57 / 0 / 41 / 47

HEX #3A874F

RGB 58 135 79

HSL 136.36, 0.4%, 0.38%

LAB 50.44, -36.82, 23.13

 

CMYK 57 / 0 / 27 / 47

HEX #3A8763

RGB 58 135 99

HSL 151.95, 0.4%, 0.38%

LAB 50.84, -32.73, 12.34

 

CMYK 57 / 0 / 11 / 47

HEX #3A8778

RGB 58 135 120

HSL 168.31, 0.4%, 0.38%

LAB 51.36, -27.57, 0.92

 

CMYK 57 / 4 / 0 / 47

HEX #3A8187

RGB 58 129 135

HSL 184.68, 0.4%, 0.38%

LAB 49.92, -20.27, -9.99

 

CMYK 57 / 0 / 57 / 47

HEX #3A873A

RGB 58 135 58

HSL 120, 0.4%, 0.38%

LAB 50.14, -40.14, 33.94

 

CMYK 72 / 0 / 72 / 41

HEX #2A972A

RGB 42 151 42

HSL 120, 0.56%, 0.38%

LAB 54.86, -51.57, 46.34

 

CMYK 84 / 0 / 84 / 35

HEX #1AA71A

RGB 26 167 26

HSL 120, 0.73%, 0.38%

LAB 59.83, -60.1, 56.32

 

CMYK 94 / 0 / 94 / 29

HEX #0BB60B

RGB 11 182 11

HSL 120, 0.89%, 0.38%

LAB 64.6, -66.13, 63.29

 

CMYK 57 / 0 / 57 / 47

HEX #3A873A

RGB 58 135 58

HSL 120, 0.4%, 0.38%

LAB 50.14, -40.14, 33.94

 

CMYK 39 / 0 / 39 / 53

HEX #497749

RGB 73 119 73

HSL 120, 0.24%, 0.38%

LAB 45.76, -25.93, 20.47

 

CMYK 14 / 0 / 14 / 59

HEX #596859

RGB 89 104 89

HSL 120, 0.08%, 0.38%

LAB 42.38, -8.9, 6.56

 

CMYK 0 / 16 / 0 / 59

HEX #695869

RGB 105 88 105

HSL 300, 0.09%, 0.38%

LAB 39.58, 10.3, -7.14

 

CMYK 0 / 40 / 0 / 53

HEX #784878

RGB 120 72 120

HSL 300, 0.25%, 0.38%

LAB 37.81, 28.62, -18.96

 

CMYK 27 / 0 / 57 / 47

HEX #63873A

RGB 99 135 58

HSL 88.05, 0.4%, 0.38%

LAB 52.16, -26.17, 36.83

 

CMYK 42 / 0 / 57 / 47

HEX #4E873A

RGB 78 135 58

HSL 104.42, 0.4%, 0.38%

LAB 50.98, -33.98, 35.15

 

CMYK 57 / 0 / 57 / 47

HEX #3A873A

RGB 58 135 58

HSL 120, 0.4%, 0.38%

LAB 50.14, -40.14, 33.94

 

CMYK 57 / 0 / 42 / 47

HEX #3A874E

RGB 58 135 78

HSL 135.58, 0.4%, 0.38%

LAB 50.43, -37, 23.66

 

CMYK 57 / 0 / 27 / 47

HEX #3A8763

RGB 58 135 99

HSL 151.95, 0.4%, 0.38%

LAB 50.84, -32.73, 12.34

 

CMYK 57 / 0 / 57 / 70

HEX #214D21

RGB 33 77 33

HSL 120, 0.4%, 0.22%

LAB 28.75, -25.66, 21.39

 

CMYK 58 / 0 / 58 / 58

HEX #2D6A2D

RGB 45 106 45

HSL 120, 0.4%, 0.3%

LAB 39.67, -33.33, 28.08

 

CMYK 57 / 0 / 57 / 47

HEX #3A873A

RGB 58 135 58

HSL 120, 0.4%, 0.38%

LAB 50.14, -40.14, 33.94

 

CMYK 57 / 0 / 57 / 36

HEX #46A446

RGB 70 164 70

HSL 120, 0.4%, 0.46%

LAB 60.15, -47.06, 39.98

 

CMYK 51 / 0 / 51 / 28

HEX #5BB85B

RGB 91 184 91

HSL 120, 0.4%, 0.54%

LAB 67.47, -46.67, 38.69

 

CMYK 57 / 0 / 57 / 47

HEX #3A863A

RGB 58 134 58

HSL 120, 0.4%, 0.38%

LAB 49.8, -39.73, 33.55

 

CMYK 57 / 11 / 0 / 47

HEX #3A7887

RGB 58 120 135

HSL 191.69, 0.4%, 0.38%

LAB 47.08, -15.39, -14.27

 

CMYK 0 / 57 / 34 / 47

HEX #873A59

RGB 135 58 89

HSL 335.84, 0.4%, 0.38%

LAB 35.79, 36.41, -2.33

 

CMYK 57 / 0 / 57 / 47

HEX #3A863A

RGB 58 134 58

HSL 120, 0.4%, 0.38%

LAB 49.8, -39.73, 33.55

 

CMYK 57 / 57 / 0 / 47

HEX #3A3A87

RGB 58 58 135

HSL 240, 0.4%, 0.38%

LAB 28.58, 23.56, -43.31

 

CMYK 0 / 57 / 57 / 47

HEX #873A3A

RGB 135 58 58

HSL 0, 0.4%, 0.38%

LAB 34.97, 33, 16.29

 

CMYK 57 / 0 / 57 / 47

HEX #3A863A

RGB 58 134 58

HSL 120, 0.4%, 0.38%

LAB 49.8, -39.73, 33.55

 

CMYK 57 / 11 / 0 / 47

HEX #3A7887

RGB 58 120 135

HSL 191.69, 0.4%, 0.38%

LAB 47.08, -15.39, -14.27

 

CMYK 0 / 57 / 0 / 47

HEX #873A87

RGB 135 58 135

HSL 300, 0.4%, 0.38%

LAB 37.71, 43.87, -28.21

 

CMYK 0 / 46 / 57 / 47

HEX #87493A

RGB 135 73 58

HSL 11.69, 0.4%, 0.38%

LAB 38.24, 24.74, 20.56

 

CMYK 57 / 0 / 57 / 47

HEX #3A863A

RGB 58 134 58

HSL 120, 0.4%, 0.38%

LAB 49.8, -39.73, 33.55

 

CMYK 57 / 29 / 0 / 47

HEX #3A6087

RGB 58 96 135

HSL 210.39, 0.4%, 0.38%

LAB 39.6, -1.29, -25.78

 

CMYK 0 / 57 / 0 / 47

HEX #873A87

RGB 135 58 135

HSL 300, 0.4%, 0.38%

LAB 37.71, 43.87, -28.21

 

CMYK 0 / 29 / 57 / 47

HEX #87603A

RGB 135 96 58

HSL 29.61, 0.4%, 0.38%

LAB 43.98, 11.31, 27.8

 

Description

Color code: HEX #3A863A | qconv.com Color code: HEX #3A863A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 134 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 134 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 57 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 57% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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