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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6F8B it is the complementary color #C59074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6F8B shade: #3F6F86, #508199, #6193AC, #72A5BF and #83B7D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6F8B shade: #3A6F8B, #295D78, #184B65, #073952 and #00273F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6F8B shade: #3A708C, #3A5A8C, #3A448C, #473A8C and #5D3A8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6F8B shade: #3A708C, #3A5A8C, #3A448C and #3A3A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6F8B shade matches the following richer shades: #3A708C, #2A759C, #1A79AC and #0A7EBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6F8B shade: #3A708C, #4A6B7C, #5A666C, #6A615B and #7B5C4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6F8B shade: #3A8C7B, #3A868C, #3A718C, #3A5B8C and #3A458C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6F8B shade: #224152, #2E586F, #3A708C, #4687A9 and #5D9BBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6F8B shade: #3A6F8B, #663A8C and #8C863A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6F8B shade: #3A6F8B, #8C3A71 and #718C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6F8B shade: #3A6F8B, #663A8C, #8C553A and #608C3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6F8B shade: #3A6F8B, #7E3A8C, #8C553A and #488C3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 20 / 0 / 45

HEX #3A6F8B

RGB 58 111 139

HSL 200.74, 0.41%, 0.39%

LAB 44.42, -8.99, -20.72

 

Complementary color

CMYK 0 / 27 / 41 / 23

HEX #C59074

RGB 197 144 116

HSL 20.74, 0.41%, 0.61%

LAB 64.22, 16.48, 22.76

 

CMYK 53 / 17 / 0 / 47

HEX #3F6F86

RGB 63 111 134

HSL 199.44, 0.36%, 0.39%

LAB 44.44, -9.44, -17.68

 

CMYK 48 / 16 / 0 / 40

HEX #508199

RGB 80 129 153

HSL 199.73, 0.31%, 0.46%

LAB 51.5, -9.76, -18.03

 

CMYK 44 / 15 / 0 / 33

HEX #6193AC

RGB 97 147 172

HSL 200, 0.31%, 0.53%

LAB 58.4, -9.99, -18.36

 

CMYK 40 / 14 / 0 / 25

HEX #72A5BF

RGB 114 165 191

HSL 200.26, 0.38%, 0.6%

LAB 65.16, -10.16, -18.7

 

CMYK 38 / 13 / 0 / 18

HEX #83B7D2

RGB 131 183 210

HSL 200.51, 0.47%, 0.67%

LAB 71.79, -10.3, -19.04

 

CMYK 58 / 20 / 0 / 45

HEX #3A6F8B

RGB 58 111 139

HSL 200.74, 0.41%, 0.39%

LAB 44.42, -8.99, -20.72

 

CMYK 66 / 23 / 0 / 53

HEX #295D78

RGB 41 93 120

HSL 200.51, 0.49%, 0.32%

LAB 37.22, -8.28, -20.4

 

CMYK 76 / 26 / 0 / 60

HEX #184B65

RGB 24 75 101

HSL 200.26, 0.62%, 0.25%

LAB 29.83, -7.21, -20.04

 

CMYK 91 / 30 / 0 / 68

HEX #073952

RGB 7 57 82

HSL 200, 0.84%, 0.17%

LAB 22.23, -5.5, -19.6

 

CMYK 100 / 38 / 0 / 75

HEX #00273F

RGB 0 39 63

HSL 202.86, 1%, 0.12%

LAB 14.46, -2.53, -18.95

 

CMYK 59 / 20 / 0 / 45

HEX #3A708C

RGB 58 112 140

HSL 200.49, 0.41%, 0.39%

LAB 44.77, -9.24, -20.77

 

CMYK 59 / 36 / 0 / 45

HEX #3A5A8C

RGB 58 90 140

HSL 216.59, 0.41%, 0.39%

LAB 38.03, 4.21, -31.28

 

CMYK 59 / 51 / 0 / 45

HEX #3A448C

RGB 58 68 140

HSL 232.68, 0.41%, 0.39%

LAB 31.64, 18.65, -41.46

 

CMYK 49 / 59 / 0 / 45

HEX #473A8C

RGB 71 58 140

HSL 249.51, 0.41%, 0.39%

LAB 30.06, 28.06, -43.96

 

CMYK 34 / 59 / 0 / 45

HEX #5D3A8C

RGB 93 58 140

HSL 265.61, 0.41%, 0.39%

LAB 32.36, 33.43, -40.13

 

CMYK 59 / 20 / 0 / 45

HEX #3A708C

RGB 58 112 140

HSL 200.49, 0.41%, 0.39%

LAB 44.77, -9.24, -20.77

 

CMYK 59 / 36 / 0 / 45

HEX #3A5A8C

RGB 58 90 140

HSL 216.59, 0.41%, 0.39%

LAB 38.03, 4.21, -31.28

 

CMYK 59 / 51 / 0 / 45

HEX #3A448C

RGB 58 68 140

HSL 232.68, 0.41%, 0.39%

LAB 31.64, 18.65, -41.46

 

CMYK 59 / 59 / 0 / 45

HEX #3A3A8C

RGB 58 58 140

HSL 240, 0.41%, 0.39%

LAB 28.95, 25.29, -45.8

 

CMYK 59 / 20 / 0 / 45

HEX #3A708C

RGB 58 112 140

HSL 200.49, 0.41%, 0.39%

LAB 44.77, -9.24, -20.77

 

CMYK 73 / 25 / 0 / 39

HEX #2A759C

RGB 42 117 156

HSL 200.53, 0.58%, 0.39%

LAB 46.47, -9.56, -27.67

 

CMYK 85 / 30 / 0 / 33

HEX #1A79AC

RGB 26 121 172

HSL 200.96, 0.74%, 0.39%

LAB 48.1, -7.84, -34.5

 

CMYK 95 / 33 / 0 / 26

HEX #0A7EBC

RGB 10 126 188

HSL 200.9, 0.9%, 0.39%

LAB 50.24, -5.66, -40.4

 

CMYK 59 / 20 / 0 / 45

HEX #3A708C

RGB 58 112 140

HSL 200.49, 0.41%, 0.39%

LAB 44.77, -9.24, -20.77

 

CMYK 40 / 14 / 0 / 51

HEX #4A6B7C

RGB 74 107 124

HSL 200.4, 0.25%, 0.39%

LAB 43.4, -7.16, -13.22

 

CMYK 17 / 6 / 0 / 58

HEX #5A666C

RGB 90 102 108

HSL 200, 0.09%, 0.39%

LAB 42.4, -3.17, -4.93

 

CMYK 0 / 8 / 14 / 58

HEX #6A615B

RGB 106 97 91

HSL 24, 0.08%, 0.39%

LAB 41.8, 2.45, 4.71

 

CMYK 0 / 25 / 39 / 52

HEX #7B5C4B

RGB 123 92 75

HSL 21.25, 0.24%, 0.39%

LAB 41.8, 10.21, 14.7

 

CMYK 59 / 0 / 12 / 45

HEX #3A8C7B

RGB 58 140 123

HSL 167.56, 0.41%, 0.39%

LAB 53.04, -29.22, 1.62

 

CMYK 59 / 4 / 0 / 45

HEX #3A868C

RGB 58 134 140

HSL 184.39, 0.41%, 0.39%

LAB 51.66, -21.41, -10.3

 

CMYK 59 / 19 / 0 / 45

HEX #3A718C

RGB 58 113 140

HSL 199.76, 0.41%, 0.39%

LAB 45.09, -9.82, -20.29

 

CMYK 59 / 35 / 0 / 45

HEX #3A5B8C

RGB 58 91 140

HSL 215.85, 0.41%, 0.39%

LAB 38.33, 3.57, -30.81

 

CMYK 59 / 51 / 0 / 45

HEX #3A458C

RGB 58 69 140

HSL 231.95, 0.41%, 0.39%

LAB 31.92, 17.98, -41.01

 

CMYK 59 / 21 / 0 / 68

HEX #224152

RGB 34 65 82

HSL 201.25, 0.41%, 0.23%

LAB 25.95, -5.85, -13.75

 

CMYK 59 / 21 / 0 / 56

HEX #2E586F

RGB 46 88 111

HSL 201.23, 0.41%, 0.31%

LAB 35.42, -7.3, -17.6

 

CMYK 59 / 20 / 0 / 45

HEX #3A708C

RGB 58 112 140

HSL 200.49, 0.41%, 0.39%

LAB 44.77, -9.24, -20.77

 

CMYK 59 / 20 / 0 / 34

HEX #4687A9

RGB 70 135 169

HSL 200.61, 0.41%, 0.47%

LAB 53.49, -10.52, -24.29

 

CMYK 50 / 17 / 0 / 27

HEX #5D9BBB

RGB 93 155 187

HSL 200.43, 0.41%, 0.55%

LAB 61.1, -11.08, -22.75

 

CMYK 58 / 20 / 0 / 45

HEX #3A6F8B

RGB 58 111 139

HSL 200.74, 0.41%, 0.39%

LAB 44.42, -8.99, -20.72

 

CMYK 27 / 59 / 0 / 45

HEX #663A8C

RGB 102 58 140

HSL 272.2, 0.41%, 0.39%

LAB 33.44, 35.79, -38.33

 

CMYK 0 / 4 / 59 / 45

HEX #8C863A

RGB 140 134 58

HSL 55.61, 0.41%, 0.39%

LAB 55, -8.13, 40.91

 

CMYK 58 / 20 / 0 / 45

HEX #3A6F8B

RGB 58 111 139

HSL 200.74, 0.41%, 0.39%

LAB 44.42, -8.99, -20.72

 

CMYK 0 / 59 / 19 / 45

HEX #8C3A71

RGB 140 58 113

HSL 319.76, 0.41%, 0.39%

LAB 37.47, 41.57, -14.88

 

CMYK 19 / 0 / 59 / 45

HEX #718C3A

RGB 113 140 58

HSL 79.76, 0.41%, 0.39%

LAB 54.63, -22.99, 39.91

 

CMYK 58 / 20 / 0 / 45

HEX #3A6F8B

RGB 58 111 139

HSL 200.74, 0.41%, 0.39%

LAB 44.42, -8.99, -20.72

 

CMYK 27 / 59 / 0 / 45

HEX #663A8C

RGB 102 58 140

HSL 272.2, 0.41%, 0.39%

LAB 33.44, 35.79, -38.33

 

CMYK 0 / 39 / 59 / 45

HEX #8C553A

RGB 140 85 58

HSL 19.76, 0.41%, 0.39%

LAB 41.81, 19.98, 25.25

 

CMYK 31 / 0 / 59 / 45

HEX #608C3A

RGB 96 140 58

HSL 92.2, 0.41%, 0.39%

LAB 53.54, -29.77, 38.38

 

CMYK 58 / 20 / 0 / 45

HEX #3A6F8B

RGB 58 111 139

HSL 200.74, 0.41%, 0.39%

LAB 44.42, -8.99, -20.72

 

CMYK 10 / 59 / 0 / 45

HEX #7E3A8C

RGB 126 58 140

HSL 289.76, 0.41%, 0.39%

LAB 36.66, 42.32, -33.02

 

CMYK 0 / 39 / 59 / 45

HEX #8C553A

RGB 140 85 58

HSL 19.76, 0.41%, 0.39%

LAB 41.81, 19.98, 25.25

 

CMYK 49 / 0 / 59 / 45

HEX #488C3A

RGB 72 140 58

HSL 109.76, 0.41%, 0.39%

LAB 52.33, -38.14, 36.66

 

Description

Color code: HEX #3A6F8B | qconv.com Color code: HEX #3A6F8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 111 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 111 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 20 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 20% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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