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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6F7F it is the complementary color #C59080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6F7F shade: #3F6F7A, #50818D, #6193A0, #72A5B3 and #83B7C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6F7F shade: #3A6F7F, #295D6C, #184B59, #073946 and #002733

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6F7F shade: #396E7D, #395B7D, #39497D, #3C397D and #4E397D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6F7F shade: #396E7D, #395B7D, #39497D and #39397D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6F7F shade matches the following richer shades: #396E7D, #2A758C, #1C7D9B and #0D85AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6F7F shade: #396E7D, #48666E, #575E60, #665651 and #754E42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6F7F shade: #397D68, #397D7A, #396F7D, #395C7D and #394A7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6F7F shade: #1F3C45, #2C5561, #396E7D, #46869A and #579DB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6F7F shade: #3A6F7F, #56397D and #7D7139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6F7F shade: #3A6F7F, #7D396F and #6F7D39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6F7F shade: #3A6F7F, #56397D, #7D4839 and #617D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6F7F shade: #3A6F7F, #6A397D, #7D4839 and #4D7D39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 13 / 0 / 50

HEX #3A6F7F

RGB 58 111 127

HSL 193.91, 0.37%, 0.36%

LAB 43.95, -12.82, -14.27

 

Complementary color

CMYK 0 / 27 / 35 / 23

HEX #C59080

RGB 197 144 128

HSL 13.91, 0.37%, 0.64%

LAB 64.46, 17.91, 16.39

 

CMYK 48 / 9 / 0 / 52

HEX #3F6F7A

RGB 63 111 122

HSL 191.19, 0.32%, 0.36%

LAB 43.99, -13.1, -11.18

 

CMYK 43 / 9 / 0 / 45

HEX #50818D

RGB 80 129 141

HSL 191.8, 0.28%, 0.43%

LAB 51.07, -13.21, -11.68

 

CMYK 39 / 8 / 0 / 37

HEX #6193A0

RGB 97 147 160

HSL 192.38, 0.25%, 0.5%

LAB 57.99, -13.27, -12.16

 

CMYK 36 / 8 / 0 / 30

HEX #72A5B3

RGB 114 165 179

HSL 192.92, 0.3%, 0.57%

LAB 64.76, -13.31, -12.61

 

CMYK 34 / 8 / 0 / 22

HEX #83B7C6

RGB 131 183 198

HSL 193.43, 0.37%, 0.65%

LAB 71.4, -13.33, -13.06

 

CMYK 54 / 13 / 0 / 50

HEX #3A6F7F

RGB 58 111 127

HSL 193.91, 0.37%, 0.36%

LAB 43.95, -12.82, -14.27

 

CMYK 62 / 14 / 0 / 58

HEX #295D6C

RGB 41 93 108

HSL 193.43, 0.45%, 0.29%

LAB 36.71, -12.41, -13.77

 

CMYK 73 / 16 / 0 / 65

HEX #184B59

RGB 24 75 89

HSL 192.92, 0.58%, 0.22%

LAB 29.28, -11.7, -13.21

 

CMYK 90 / 19 / 0 / 73

HEX #073946

RGB 7 57 70

HSL 192.38, 0.82%, 0.15%

LAB 21.63, -10.46, -12.53

 

CMYK 100 / 24 / 0 / 80

HEX #002733

RGB 0 39 51

HSL 194.12, 1%, 0.1%

LAB 13.77, -8.04, -11.58

 

CMYK 54 / 12 / 0 / 51

HEX #396E7D

RGB 57 110 125

HSL 193.24, 0.37%, 0.36%

LAB 43.51, -13.11, -13.73

 

CMYK 54 / 27 / 0 / 51

HEX #395B7D

RGB 57 91 125

HSL 210, 0.37%, 0.36%

LAB 37.54, -1.79, -22.91

 

CMYK 54 / 42 / 0 / 51

HEX #39497D

RGB 57 73 125

HSL 225.88, 0.37%, 0.36%

LAB 32.07, 9.82, -31.5

 

CMYK 52 / 54 / 0 / 51

HEX #3C397D

RGB 60 57 125

HSL 242.65, 0.37%, 0.36%

LAB 27.76, 21.26, -38.37

 

CMYK 38 / 54 / 0 / 51

HEX #4E397D

RGB 78 57 125

HSL 258.53, 0.37%, 0.36%

LAB 29.48, 25.86, -35.52

 

CMYK 54 / 12 / 0 / 51

HEX #396E7D

RGB 57 110 125

HSL 193.24, 0.37%, 0.36%

LAB 43.51, -13.11, -13.73

 

CMYK 54 / 27 / 0 / 51

HEX #395B7D

RGB 57 91 125

HSL 210, 0.37%, 0.36%

LAB 37.54, -1.79, -22.91

 

CMYK 54 / 42 / 0 / 51

HEX #39497D

RGB 57 73 125

HSL 225.88, 0.37%, 0.36%

LAB 32.07, 9.82, -31.5

 

CMYK 54 / 54 / 0 / 51

HEX #39397D

RGB 57 57 125

HSL 240, 0.37%, 0.36%

LAB 27.51, 20.56, -38.79

 

CMYK 54 / 12 / 0 / 51

HEX #396E7D

RGB 57 110 125

HSL 193.24, 0.37%, 0.36%

LAB 43.51, -13.11, -13.73

 

CMYK 70 / 16 / 0 / 45

HEX #2A758C

RGB 42 117 140

HSL 194.08, 0.54%, 0.36%

LAB 45.78, -15.12, -19.27

 

CMYK 82 / 19 / 0 / 39

HEX #1C7D9B

RGB 28 125 155

HSL 194.17, 0.69%, 0.36%

LAB 48.61, -16.16, -23.78

 

CMYK 92 / 22 / 0 / 33

HEX #0D85AA

RGB 13 133 170

HSL 194.14, 0.86%, 0.36%

LAB 51.57, -16.27, -27.94

 

CMYK 54 / 12 / 0 / 51

HEX #396E7D

RGB 57 110 125

HSL 193.24, 0.37%, 0.36%

LAB 43.51, -13.11, -13.73

 

CMYK 35 / 7 / 0 / 57

HEX #48666E

RGB 72 102 110

HSL 192.63, 0.21%, 0.36%

LAB 41.23, -8.76, -8.03

 

CMYK 9 / 2 / 0 / 62

HEX #575E60

RGB 87 94 96

HSL 193.33, 0.05%, 0.36%

LAB 39.37, -2.28, -2.09

 

CMYK 0 / 16 / 21 / 60

HEX #665651

RGB 102 86 81

HSL 14.29, 0.11%, 0.36%

LAB 37.98, 5.67, 5.34

 

CMYK 0 / 33 / 44 / 54

HEX #754E42

RGB 117 78 66

HSL 14.12, 0.28%, 0.36%

LAB 37.16, 14.85, 13.77

 

CMYK 54 / 0 / 17 / 51

HEX #397D68

RGB 57 125 104

HSL 161.47, 0.37%, 0.36%

LAB 47.67, -27, 4.94

 

CMYK 54 / 0 / 2 / 51

HEX #397D7A

RGB 57 125 122

HSL 177.35, 0.37%, 0.36%

LAB 48.19, -22.17, -4.93

 

CMYK 54 / 11 / 0 / 51

HEX #396F7D

RGB 57 111 125

HSL 192.35, 0.37%, 0.36%

LAB 43.83, -13.68, -13.25

 

CMYK 54 / 26 / 0 / 51

HEX #395C7D

RGB 57 92 125

HSL 209.12, 0.37%, 0.36%

LAB 37.85, -2.41, -22.43

 

CMYK 54 / 41 / 0 / 51

HEX #394A7D

RGB 57 74 125

HSL 225, 0.37%, 0.36%

LAB 32.37, 9.16, -31.03

 

CMYK 55 / 13 / 0 / 73

HEX #1F3C45

RGB 31 60 69

HSL 194.21, 0.38%, 0.2%

LAB 23.51, -7.95, -8.9

 

CMYK 55 / 12 / 0 / 62

HEX #2C5561

RGB 44 85 97

HSL 193.58, 0.38%, 0.28%

LAB 33.76, -10.61, -11.39

 

CMYK 54 / 12 / 0 / 51

HEX #396E7D

RGB 57 110 125

HSL 193.24, 0.37%, 0.36%

LAB 43.51, -13.11, -13.73

 

CMYK 55 / 13 / 0 / 40

HEX #46869A

RGB 70 134 154

HSL 194.29, 0.38%, 0.44%

LAB 52.6, -14.64, -16.97

 

CMYK 51 / 12 / 0 / 30

HEX #579DB2

RGB 87 157 178

HSL 193.85, 0.37%, 0.52%

LAB 61.09, -16.17, -17.71

 

CMYK 54 / 13 / 0 / 50

HEX #3A6F7F

RGB 58 111 127

HSL 193.91, 0.37%, 0.36%

LAB 43.95, -12.82, -14.27

 

CMYK 31 / 54 / 0 / 51

HEX #56397D

RGB 86 57 125

HSL 265.59, 0.37%, 0.36%

LAB 30.36, 28.07, -34.05

 

CMYK 0 / 10 / 54 / 51

HEX #7D7139

RGB 125 113 57

HSL 49.41, 0.37%, 0.36%

LAB 47.58, -3.24, 32.46

 

CMYK 54 / 13 / 0 / 50

HEX #3A6F7F

RGB 58 111 127

HSL 193.91, 0.37%, 0.36%

LAB 43.95, -12.82, -14.27

 

CMYK 0 / 54 / 11 / 51

HEX #7D396F

RGB 125 57 111

HSL 312.35, 0.37%, 0.36%

LAB 34.87, 36.95, -17.82

 

CMYK 11 / 0 / 54 / 51

HEX #6F7D39

RGB 111 125 57

HSL 72.35, 0.37%, 0.36%

LAB 49.91, -16.14, 34.91

 

CMYK 54 / 13 / 0 / 50

HEX #3A6F7F

RGB 58 111 127

HSL 193.91, 0.37%, 0.36%

LAB 43.95, -12.82, -14.27

 

CMYK 31 / 54 / 0 / 51

HEX #56397D

RGB 86 57 125

HSL 265.59, 0.37%, 0.36%

LAB 30.36, 28.07, -34.05

 

CMYK 0 / 42 / 54 / 51

HEX #7D4839

RGB 125 72 57

HSL 13.24, 0.37%, 0.36%

LAB 36.54, 20.94, 18.69

 

CMYK 22 / 0 / 54 / 51

HEX #617D39

RGB 97 125 57

HSL 84.71, 0.37%, 0.36%

LAB 48.89, -22.07, 33.46

 

CMYK 54 / 13 / 0 / 50

HEX #3A6F7F

RGB 58 111 127

HSL 193.91, 0.37%, 0.36%

LAB 43.95, -12.82, -14.27

 

CMYK 15 / 54 / 0 / 51

HEX #6A397D

RGB 106 57 125

HSL 283.24, 0.37%, 0.36%

LAB 32.86, 33.87, -29.94

 

CMYK 0 / 42 / 54 / 51

HEX #7D4839

RGB 125 72 57

HSL 13.24, 0.37%, 0.36%

LAB 36.54, 20.94, 18.69

 

CMYK 38 / 0 / 54 / 51

HEX #4D7D39

RGB 77 125 57

HSL 102.35, 0.37%, 0.36%

LAB 47.68, -29.83, 31.71

 

Description

Color code: HEX #3A6F7F | qconv.com Color code: HEX #3A6F7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 111 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 111 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 13 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 13% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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