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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A6406 it is the complementary color #C59BF9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A6406. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A6406 shade: #3F6401, #507614, #618827, #729A3A and #83AC4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A6406. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A6406 shade: #3A6406, #295200, #184000, #072E00 and #001C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A6406 shade: #3A6505, #546505, #655C05, #654205 and #652805

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A6406 shade: #3A6505, #206505, #076505, #05651E and #056537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A6406 shade matches the following richer shades: #3A6505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A6406 shade: #3A6505, #395C0E, #385317, #374B1F and #364228

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A6406 shade: #655B05, #556505, #3B6505, #226505 and #096505

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A6406 shade: #0D1701, #243E03, #3A6505, #518C08 and #67B30A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A6406 shade: #3A6406, #056542 and #650562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A6406 shade: #3A6406, #053B65 and #65053B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A6406 shade: #3A6406, #056542, #2F0565 and #650528

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A6406 shade: #3A6406, #05655E, #2F0565 and #65050C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 94 / 61

HEX #3A6406

RGB 58 100 6

HSL 86.81, 0.89%, 0.21%

LAB 37.89, -29.56, 42.21

 

Complementary color

CMYK 21 / 38 / 0 / 2

HEX #C59BF9

RGB 197 155 249

HSL 266.81, 0.89%, 0.79%

LAB 70.98, 33.64, -41.17

 

CMYK 37 / 0 / 99 / 61

HEX #3F6401

RGB 63 100 1

HSL 82.42, 0.98%, 0.2%

LAB 38.15, -27.77, 43.93

 

CMYK 32 / 0 / 83 / 54

HEX #507614

RGB 80 118 20

HSL 83.27, 0.71%, 0.27%

LAB 45.24, -28.6, 45.32

 

CMYK 29 / 0 / 71 / 47

HEX #618827

RGB 97 136 39

HSL 84.12, 0.55%, 0.34%

LAB 52.17, -29.15, 45.47

 

CMYK 26 / 0 / 62 / 40

HEX #729A3A

RGB 114 154 58

HSL 85, 0.45%, 0.42%

LAB 58.97, -29.47, 44.8

 

CMYK 24 / 0 / 55 / 33

HEX #83AC4D

RGB 131 172 77

HSL 85.89, 0.38%, 0.49%

LAB 65.64, -29.64, 43.8

 

CMYK 42 / 0 / 94 / 61

HEX #3A6406

RGB 58 100 6

HSL 86.81, 0.89%, 0.21%

LAB 37.89, -29.56, 42.21

 

CMYK 50 / 0 / 100 / 68

HEX #295200

RGB 41 82 0

HSL 90, 1%, 0.16%

LAB 30.65, -28.18, 37.89

 

CMYK 63 / 0 / 100 / 75

HEX #184000

RGB 24 64 0

HSL 97.5, 1%, 0.13%

LAB 23.21, -26.28, 31.02

 

CMYK 85 / 0 / 100 / 82

HEX #072E00

RGB 7 46 0

HSL 110.87, 1%, 0.09%

LAB 15.48, -23.83, 21.98

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 43 / 0 / 95 / 60

HEX #3A6505

RGB 58 101 5

HSL 86.88, 0.91%, 0.21%

LAB 38.23, -30.06, 42.77

 

CMYK 17 / 0 / 95 / 60

HEX #546505

RGB 84 101 5

HSL 70.63, 0.91%, 0.21%

LAB 39.92, -18.88, 44.85

 

CMYK 0 / 9 / 95 / 60

HEX #655C05

RGB 101 92 5

HSL 54.38, 0.91%, 0.21%

LAB 38.61, -5.62, 44.45

 

CMYK 0 / 35 / 95 / 60

HEX #654205

RGB 101 66 5

HSL 38.13, 0.91%, 0.21%

LAB 31.05, 10.13, 38.63

 

CMYK 0 / 60 / 95 / 60

HEX #652805

RGB 101 40 5

HSL 21.88, 0.91%, 0.21%

LAB 24.62, 25.66, 33.18

 

CMYK 43 / 0 / 95 / 60

HEX #3A6505

RGB 58 101 5

HSL 86.88, 0.91%, 0.21%

LAB 38.23, -30.06, 42.77

 

CMYK 68 / 0 / 95 / 60

HEX #206505

RGB 32 101 5

HSL 103.13, 0.91%, 0.21%

LAB 37.16, -38.4, 41.44

 

CMYK 93 / 0 / 95 / 60

HEX #076505

RGB 7 101 5

HSL 118.75, 0.91%, 0.21%

LAB 36.67, -42.63, 40.84

 

CMYK 95 / 0 / 70 / 60

HEX #05651E

RGB 5 101 30

HSL 135.63, 0.91%, 0.21%

LAB 36.81, -40.88, 32.09

 

CMYK 95 / 0 / 46 / 60

HEX #056537

RGB 5 101 55

HSL 151.25, 0.91%, 0.21%

LAB 37.14, -36.78, 19.13

 

CMYK 43 / 0 / 95 / 60

HEX #3A6505

RGB 58 101 5

HSL 86.88, 0.91%, 0.21%

LAB 38.23, -30.06, 42.77

 

CMYK 43 / 0 / 95 / 60

HEX #3A6505

RGB 58 101 5

HSL 86.88, 0.91%, 0.21%

LAB 38.23, -30.06, 42.77

 

CMYK 38 / 0 / 85 / 64

HEX #395C0E

RGB 57 92 14

HSL 86.92, 0.74%, 0.21%

LAB 35.11, -25.83, 37.44

 

CMYK 33 / 0 / 72 / 67

HEX #385317

RGB 56 83 23

HSL 87, 0.57%, 0.21%

LAB 32.01, -21.11, 30.7

 

CMYK 27 / 0 / 59 / 71

HEX #374B1F

RGB 55 75 31

HSL 87.27, 0.42%, 0.21%

LAB 29.27, -16.43, 23.45

 

CMYK 18 / 0 / 39 / 74

HEX #364228

RGB 54 66 40

HSL 87.69, 0.25%, 0.21%

LAB 26.26, -10.39, 14.27

 

CMYK 0 / 10 / 95 / 60

HEX #655B05

RGB 101 91 5

HSL 53.75, 0.91%, 0.21%

LAB 38.3, -5.04, 44.21

 

CMYK 16 / 0 / 95 / 60

HEX #556505

RGB 85 101 5

HSL 70, 0.91%, 0.21%

LAB 40, -18.41, 44.94

 

CMYK 42 / 0 / 95 / 60

HEX #3B6505

RGB 59 101 5

HSL 86.25, 0.91%, 0.21%

LAB 38.28, -29.67, 42.83

 

CMYK 66 / 0 / 95 / 60

HEX #226505

RGB 34 101 5

HSL 101.88, 0.91%, 0.21%

LAB 37.22, -37.9, 41.52

 

CMYK 91 / 0 / 95 / 60

HEX #096505

RGB 9 101 5

HSL 117.5, 0.91%, 0.21%

LAB 36.7, -42.42, 40.87

 

CMYK 43 / 0 / 96 / 91

HEX #0D1701

RGB 13 23 1

HSL 87.27, 0.92%, 0.05%

LAB 6.33, -7.7, 8.93

 

CMYK 42 / 0 / 95 / 76

HEX #243E03

RGB 36 62 3

HSL 86.44, 0.91%, 0.13%

LAB 23.09, -20.46, 29.87

 

CMYK 43 / 0 / 95 / 60

HEX #3A6505

RGB 58 101 5

HSL 86.88, 0.91%, 0.21%

LAB 38.23, -30.06, 42.77

 

CMYK 42 / 0 / 94 / 45

HEX #518C08

RGB 81 140 8

HSL 86.82, 0.89%, 0.29%

LAB 52.42, -38.54, 54.29

 

CMYK 42 / 0 / 94 / 30

HEX #67B30A

RGB 103 179 10

HSL 86.98, 0.89%, 0.37%

LAB 65.86, -46.94, 65.36

 

CMYK 42 / 0 / 94 / 61

HEX #3A6406

RGB 58 100 6

HSL 86.81, 0.89%, 0.21%

LAB 37.89, -29.56, 42.21

 

CMYK 95 / 0 / 35 / 60

HEX #056542

RGB 5 101 66

HSL 158.13, 0.91%, 0.21%

LAB 37.36, -34.29, 12.91

 

CMYK 0 / 95 / 3 / 60

HEX #650562

RGB 101 5 98

HSL 301.88, 0.91%, 0.21%

LAB 22.85, 48.19, -28.58

 

CMYK 42 / 0 / 94 / 61

HEX #3A6406

RGB 58 100 6

HSL 86.81, 0.89%, 0.21%

LAB 37.89, -29.56, 42.21

 

CMYK 95 / 42 / 0 / 60

HEX #053B65

RGB 5 59 101

HSL 206.25, 0.91%, 0.21%

LAB 24, 1.15, -29.25

 

CMYK 0 / 95 / 42 / 60

HEX #65053B

RGB 101 5 59

HSL 326.25, 0.91%, 0.21%

LAB 20.79, 42.8, -5.33

 

CMYK 42 / 0 / 94 / 61

HEX #3A6406

RGB 58 100 6

HSL 86.81, 0.89%, 0.21%

LAB 37.89, -29.56, 42.21

 

CMYK 95 / 0 / 35 / 60

HEX #056542

RGB 5 101 66

HSL 158.13, 0.91%, 0.21%

LAB 37.36, -34.29, 12.91

 

CMYK 53 / 95 / 0 / 60

HEX #2F0565

RGB 47 5 101

HSL 266.25, 0.91%, 0.21%

LAB 13.55, 40.18, -46.11

 

CMYK 0 / 95 / 60 / 60

HEX #650528

RGB 101 5 40

HSL 338.13, 0.91%, 0.21%

LAB 20.16, 41.04, 7.17

 

CMYK 42 / 0 / 94 / 61

HEX #3A6406

RGB 58 100 6

HSL 86.81, 0.89%, 0.21%

LAB 37.89, -29.56, 42.21

 

CMYK 95 / 0 / 7 / 60

HEX #05655E

RGB 5 101 94

HSL 175.63, 0.91%, 0.21%

LAB 38.11, -26.3, -3.11

 

CMYK 53 / 95 / 0 / 60

HEX #2F0565

RGB 47 5 101

HSL 266.25, 0.91%, 0.21%

LAB 13.55, 40.18, -46.11

 

CMYK 0 / 95 / 88 / 60

HEX #65050C

RGB 101 5 12

HSL 355.63, 0.91%, 0.21%

LAB 19.65, 39.6, 25.02

 

Description

Color code: HEX #3A6406 | qconv.com Color code: HEX #3A6406 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 100 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 100 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 94 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 94% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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