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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A53A9 it is the complementary color #C5AC56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A53A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A53A9 shade: #3F53A4, #5065B7, #6177CA, #7289DD and #839BF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A53A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A53A9 shade: #3A53A9, #294196, #182F83, #071D70 and #000B5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A53A9 shade: #3A53AA, #3F3AAA, #5D3AAA, #7C3AAA and #9A3AAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A53A9 shade: #3A53AA and #3A3AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A53A9 shade matches the following richer shades: #3A53AA, #2749BD, #153FD0 and #0235E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A53A9 shade: #3A53AA, #4D5E98, #5F6885, #727273 and #847C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A53A9 shade: #3A90AA, #3A72AA, #3A54AA, #3E3AAA and #5C3AAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A53A9 shade: #25356D, #30448C, #3A53AA, #4C67C1 and #6B81CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A53A9 shade: #3A53A9, #A73AAA and #81AA3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A53A9 shade: #3A53A9, #AA3A54 and #54AA3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A53A9 shade: #3A53A9, #A73AAA, #AA903A and #3EAA3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A53A9 shade: #3A53A9, #AA3A8C, #AA903A and #3AAA58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 51 / 0 / 34

HEX #3A53A9

RGB 58 83 169

HSL 226.49, 0.49%, 0.45%

LAB 37.75, 19.13, -49.14

 

Complementary color

CMYK 0 / 13 / 56 / 23

HEX #C5AC56

RGB 197 172 86

HSL 46.49, 0.49%, 0.55%

LAB 70.9, -1.59, 46.91

 

CMYK 62 / 49 / 0 / 36

HEX #3F53A4

RGB 63 83 164

HSL 228.12, 0.44%, 0.45%

LAB 37.7, 18.25, -46.23

 

CMYK 56 / 45 / 0 / 28

HEX #5065B7

RGB 80 101 183

HSL 227.77, 0.42%, 0.52%

LAB 44.85, 16.71, -45.94

 

CMYK 52 / 41 / 0 / 21

HEX #6177CA

RGB 97 119 202

HSL 227.43, 0.5%, 0.59%

LAB 51.84, 15.47, -45.69

 

CMYK 48 / 38 / 0 / 13

HEX #7289DD

RGB 114 137 221

HSL 227.1, 0.61%, 0.66%

LAB 58.69, 14.44, -45.5

 

CMYK 45 / 35 / 0 / 6

HEX #839BF0

RGB 131 155 240

HSL 226.79, 0.78%, 0.73%

LAB 65.4, 13.58, -45.36

 

CMYK 66 / 51 / 0 / 34

HEX #3A53A9

RGB 58 83 169

HSL 226.49, 0.49%, 0.45%

LAB 37.75, 19.13, -49.14

 

CMYK 73 / 57 / 0 / 41

HEX #294196

RGB 41 65 150

HSL 226.79, 0.57%, 0.37%

LAB 30.53, 21.35, -49.43

 

CMYK 82 / 64 / 0 / 49

HEX #182F83

RGB 24 47 131

HSL 227.1, 0.69%, 0.3%

LAB 23.22, 24.21, -49.61

 

CMYK 94 / 74 / 0 / 56

HEX #071D70

RGB 7 29 112

HSL 227.43, 0.88%, 0.23%

LAB 15.97, 27.77, -49.42

 

CMYK 100 / 88 / 0 / 64

HEX #000B5D

RGB 0 11 93

HSL 232.9, 1%, 0.18%

LAB 9.24, 31.42, -48.04

 

CMYK 66 / 51 / 0 / 33

HEX #3A53AA

RGB 58 83 170

HSL 226.61, 0.49%, 0.45%

LAB 37.82, 19.5, -49.63

 

CMYK 63 / 66 / 0 / 33

HEX #3F3AAA

RGB 63 58 170

HSL 242.68, 0.49%, 0.45%

LAB 31.77, 36.4, -59.44

 

CMYK 45 / 66 / 0 / 33

HEX #5D3AAA

RGB 93 58 170

HSL 258.75, 0.49%, 0.45%

LAB 34.51, 41.76, -54.86

 

CMYK 27 / 66 / 0 / 33

HEX #7C3AAA

RGB 124 58 170

HSL 275.36, 0.49%, 0.45%

LAB 38.22, 48.44, -48.67

 

CMYK 9 / 66 / 0 / 33

HEX #9A3AAA

RGB 154 58 170

HSL 291.43, 0.49%, 0.45%

LAB 42.46, 55.46, -41.65

 

CMYK 66 / 51 / 0 / 33

HEX #3A53AA

RGB 58 83 170

HSL 226.61, 0.49%, 0.45%

LAB 37.82, 19.5, -49.63

 

CMYK 66 / 66 / 0 / 33

HEX #3A3AAA

RGB 58 58 170

HSL 240, 0.49%, 0.45%

LAB 31.41, 35.66, -60.04

 

CMYK 66 / 51 / 0 / 33

HEX #3A53AA

RGB 58 83 170

HSL 226.61, 0.49%, 0.45%

LAB 37.82, 19.5, -49.63

 

CMYK 79 / 61 / 0 / 26

HEX #2749BD

RGB 39 73 189

HSL 226.4, 0.66%, 0.45%

LAB 35.73, 30.63, -64.28

 

CMYK 90 / 70 / 0 / 18

HEX #153FD0

RGB 21 63 208

HSL 226.52, 0.82%, 0.45%

LAB 34.54, 42.87, -77.35

 

CMYK 99 / 77 / 0 / 11

HEX #0235E2

RGB 2 53 226

HSL 226.34, 0.98%, 0.45%

LAB 34.09, 54.46, -88.46

 

CMYK 66 / 51 / 0 / 33

HEX #3A53AA

RGB 58 83 170

HSL 226.61, 0.49%, 0.45%

LAB 37.82, 19.5, -49.63

 

CMYK 49 / 38 / 0 / 40

HEX #4D5E98

RGB 77 94 152

HSL 226.4, 0.33%, 0.45%

LAB 40.98, 10.23, -33.79

 

CMYK 29 / 22 / 0 / 48

HEX #5F6885

RGB 95 104 133

HSL 225.79, 0.17%, 0.45%

LAB 44.27, 3.66, -17.17

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 0 / 6 / 27 / 48

HEX #847C60

RGB 132 124 96

HSL 46.67, 0.16%, 0.45%

LAB 52.02, -1.7, 16.42

 

CMYK 66 / 15 / 0 / 33

HEX #3A90AA

RGB 58 144 170

HSL 193.93, 0.49%, 0.45%

LAB 55.83, -17.41, -21.29

 

CMYK 66 / 33 / 0 / 33

HEX #3A72AA

RGB 58 114 170

HSL 210, 0.49%, 0.45%

LAB 46.76, -0.2, -35.39

 

CMYK 66 / 51 / 0 / 33

HEX #3A54AA

RGB 58 84 170

HSL 226.07, 0.49%, 0.45%

LAB 38.1, 18.84, -49.18

 

CMYK 64 / 66 / 0 / 33

HEX #3E3AAA

RGB 62 58 170

HSL 242.14, 0.49%, 0.45%

LAB 31.7, 36.24, -59.56

 

CMYK 46 / 66 / 0 / 33

HEX #5C3AAA

RGB 92 58 170

HSL 258.21, 0.49%, 0.45%

LAB 34.4, 41.56, -55.03

 

CMYK 66 / 51 / 0 / 57

HEX #25356D

RGB 37 53 109

HSL 226.67, 0.49%, 0.29%

LAB 23.82, 13.15, -34.64

 

CMYK 66 / 51 / 0 / 45

HEX #30448C

RGB 48 68 140

HSL 226.96, 0.49%, 0.37%

LAB 31.01, 16.67, -42.5

 

CMYK 66 / 51 / 0 / 33

HEX #3A53AA

RGB 58 83 170

HSL 226.61, 0.49%, 0.45%

LAB 37.82, 19.5, -49.63

 

CMYK 61 / 47 / 0 / 24

HEX #4C67C1

RGB 76 103 193

HSL 226.15, 0.49%, 0.53%

LAB 45.75, 18.03, -50.3

 

CMYK 48 / 37 / 0 / 20

HEX #6B81CC

RGB 107 129 204

HSL 226.39, 0.49%, 0.61%

LAB 55.26, 12.39, -41.37

 

CMYK 66 / 51 / 0 / 34

HEX #3A53A9

RGB 58 83 169

HSL 226.49, 0.49%, 0.45%

LAB 37.75, 19.13, -49.14

 

CMYK 2 / 66 / 0 / 33

HEX #A73AAA

RGB 167 58 170

HSL 298.39, 0.49%, 0.45%

LAB 44.44, 58.58, -38.39

 

CMYK 24 / 0 / 66 / 33

HEX #81AA3A

RGB 129 170 58

HSL 81.96, 0.49%, 0.45%

LAB 64.74, -31.15, 51.33

 

CMYK 66 / 51 / 0 / 34

HEX #3A53A9

RGB 58 83 169

HSL 226.49, 0.49%, 0.45%

LAB 37.75, 19.13, -49.14

 

CMYK 0 / 66 / 51 / 33

HEX #AA3A54

RGB 170 58 84

HSL 346.07, 0.49%, 0.45%

LAB 41.55, 47.79, 9.88

 

CMYK 51 / 0 / 66 / 33

HEX #54AA3A

RGB 84 170 58

HSL 106.07, 0.49%, 0.45%

LAB 62.46, -46.88, 48.2

 

CMYK 66 / 51 / 0 / 34

HEX #3A53A9

RGB 58 83 169

HSL 226.49, 0.49%, 0.45%

LAB 37.75, 19.13, -49.14

 

CMYK 2 / 66 / 0 / 33

HEX #A73AAA

RGB 167 58 170

HSL 298.39, 0.49%, 0.45%

LAB 44.44, 58.58, -38.39

 

CMYK 0 / 15 / 66 / 33

HEX #AA903A

RGB 170 144 58

HSL 46.07, 0.49%, 0.45%

LAB 60.6, -0.23, 47.88

 

CMYK 64 / 0 / 66 / 33

HEX #3EAA3A

RGB 62 170 58

HSL 117.86, 0.49%, 0.45%

LAB 61.72, -52.61, 47.19

 

CMYK 66 / 51 / 0 / 34

HEX #3A53A9

RGB 58 83 169

HSL 226.49, 0.49%, 0.45%

LAB 37.75, 19.13, -49.14

 

CMYK 0 / 66 / 18 / 33

HEX #AA3A8C

RGB 170 58 140

HSL 316.07, 0.49%, 0.45%

LAB 43.46, 54.5, -21.9

 

CMYK 0 / 15 / 66 / 33

HEX #AA903A

RGB 170 144 58

HSL 46.07, 0.49%, 0.45%

LAB 60.6, -0.23, 47.88

 

CMYK 66 / 0 / 48 / 33

HEX #3AAA58

RGB 58 170 88

HSL 136.07, 0.49%, 0.45%

LAB 61.96, -49.53, 33.11

 

Description

Color code: HEX #3A53A9 | qconv.com Color code: HEX #3A53A9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 83 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 83 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 51 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 51% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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