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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A5056 it is the complementary color #C5AFA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A5056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A5056 shade: #3F5051, #506264, #617477, #72868A and #83989D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A5056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A5056 shade: #3A5056, #293E43, #182C30, #071A1D and #00080A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A5056 shade: #394F54, #394754, #394054, #3A3954 and #413954

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A5056 shade: #394F54, #394754, #394054 and #393954

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A5056 shade matches the following richer shades: #394F54, #2E5560, #225C6C, #176277 and #0B6983

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A5056 shade: #394F54, #454849, #50413D, #5C3B32 and #683426

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A5056 shade: #39544B, #395453, #394F54, #394854 and #394154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A5056 shade: #182123, #29383C, #394F54, #4A666D and #5B7C86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A5056 shade: #3A5056, #443954 and #544F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A5056 shade: #3A5056, #54394F and #4F5439

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A5056 shade: #3A5056, #443954, #543F39 and #4A5439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A5056 shade: #3A5056, #4C3954, #543F39 and #415439

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 7 / 0 / 66

HEX #3A5056

RGB 58 80 86

HSL 192.86, 0.19%, 0.28%

LAB 32.5, -6.77, -6.26

 

Complementary color

CMYK 0 / 11 / 14 / 23

HEX #C5AFA9

RGB 197 175 169

HSL 12.86, 0.19%, 0.72%

LAB 73.15, 6.91, 5.96

 

CMYK 22 / 1 / 0 / 68

HEX #3F5051

RGB 63 80 81

HSL 183.33, 0.13%, 0.28%

LAB 32.67, -6.35, -2.79

 

CMYK 20 / 2 / 0 / 61

HEX #506264

RGB 80 98 100

HSL 186, 0.11%, 0.35%

LAB 40.18, -6.31, -3.41

 

CMYK 18 / 3 / 0 / 53

HEX #617477

RGB 97 116 119

HSL 188.18, 0.1%, 0.42%

LAB 47.45, -6.29, -4

 

CMYK 17 / 3 / 0 / 46

HEX #72868A

RGB 114 134 138

HSL 190, 0.1%, 0.49%

LAB 54.51, -6.29, -4.57

 

CMYK 17 / 3 / 0 / 38

HEX #83989D

RGB 131 152 157

HSL 191.54, 0.12%, 0.56%

LAB 61.41, -6.3, -5.13

 

CMYK 33 / 7 / 0 / 66

HEX #3A5056

RGB 58 80 86

HSL 192.86, 0.19%, 0.28%

LAB 32.5, -6.77, -6.26

 

CMYK 39 / 7 / 0 / 74

HEX #293E43

RGB 41 62 67

HSL 191.54, 0.24%, 0.21%

LAB 24.71, -6.77, -5.72

 

CMYK 50 / 8 / 0 / 81

HEX #182C30

RGB 24 44 48

HSL 190, 0.33%, 0.14%

LAB 16.55, -6.75, -5.13

 

CMYK 76 / 10 / 0 / 89

HEX #071A1D

RGB 7 26 29

HSL 188.18, 0.61%, 0.07%

LAB 7.88, -6.17, -4.48

 

CMYK 100 / 20 / 0 / 96

HEX #00080A

RGB 0 8 10

HSL 192, 1%, 0.02%

LAB 1.77, -1.81, -1.49

 

CMYK 32 / 6 / 0 / 67

HEX #394F54

RGB 57 79 84

HSL 191.11, 0.19%, 0.28%

LAB 32.04, -7.05, -5.69

 

CMYK 32 / 15 / 0 / 67

HEX #394754

RGB 57 71 84

HSL 208.89, 0.19%, 0.28%

LAB 29.45, -2.05, -9.57

 

CMYK 32 / 24 / 0 / 67

HEX #394054

RGB 57 64 84

HSL 224.44, 0.19%, 0.28%

LAB 27.23, 2.5, -12.96

 

CMYK 31 / 32 / 0 / 67

HEX #3A3954

RGB 58 57 84

HSL 242.22, 0.19%, 0.28%

LAB 25.16, 7.53, -16.15

 

CMYK 23 / 32 / 0 / 67

HEX #413954

RGB 65 57 84

HSL 257.78, 0.19%, 0.28%

LAB 25.83, 10.02, -15.05

 

CMYK 32 / 6 / 0 / 67

HEX #394F54

RGB 57 79 84

HSL 191.11, 0.19%, 0.28%

LAB 32.04, -7.05, -5.69

 

CMYK 32 / 15 / 0 / 67

HEX #394754

RGB 57 71 84

HSL 208.89, 0.19%, 0.28%

LAB 29.45, -2.05, -9.57

 

CMYK 32 / 24 / 0 / 67

HEX #394054

RGB 57 64 84

HSL 224.44, 0.19%, 0.28%

LAB 27.23, 2.5, -12.96

 

CMYK 32 / 32 / 0 / 67

HEX #393954

RGB 57 57 84

HSL 240, 0.19%, 0.28%

LAB 25.06, 7.18, -16.3

 

CMYK 32 / 6 / 0 / 67

HEX #394F54

RGB 57 79 84

HSL 191.11, 0.19%, 0.28%

LAB 32.04, -7.05, -5.69

 

CMYK 52 / 11 / 0 / 62

HEX #2E5560

RGB 46 85 96

HSL 193.2, 0.35%, 0.28%

LAB 33.82, -10.42, -10.66

 

CMYK 69 / 15 / 0 / 58

HEX #225C6C

RGB 34 92 108

HSL 192.97, 0.52%, 0.28%

LAB 36.13, -13.21, -14.68

 

CMYK 81 / 18 / 0 / 53

HEX #176277

RGB 23 98 119

HSL 193.13, 0.68%, 0.28%

LAB 38.29, -14.41, -18.18

 

CMYK 92 / 20 / 0 / 49

HEX #0B6983

RGB 11 105 131

HSL 193, 0.85%, 0.28%

LAB 40.92, -15.05, -21.43

 

CMYK 32 / 6 / 0 / 67

HEX #394F54

RGB 57 79 84

HSL 191.11, 0.19%, 0.28%

LAB 32.04, -7.05, -5.69

 

CMYK 5 / 1 / 0 / 71

HEX #454849

RGB 69 72 73

HSL 195, 0.03%, 0.28%

LAB 30.35, -1, -1.03

 

CMYK 0 / 19 / 24 / 69

HEX #50413D

RGB 80 65 61

HSL 12.63, 0.13%, 0.28%

LAB 28.96, 5.74, 4.86

 

CMYK 0 / 36 / 46 / 64

HEX #5C3B32

RGB 92 59 50

HSL 12.86, 0.3%, 0.28%

LAB 28.47, 13.35, 11.54

 

CMYK 0 / 50 / 63 / 59

HEX #683426

RGB 104 52 38

HSL 12.73, 0.46%, 0.28%

LAB 28.22, 21.81, 19.25

 

CMYK 32 / 0 / 11 / 67

HEX #39544B

RGB 57 84 75

HSL 160, 0.19%, 0.28%

LAB 33.39, -12.4, 2.01

 

CMYK 32 / 0 / 1 / 67

HEX #395453

RGB 57 84 83

HSL 177.78, 0.19%, 0.28%

LAB 33.64, -10.34, -2.68

 

CMYK 32 / 6 / 0 / 67

HEX #394F54

RGB 57 79 84

HSL 191.11, 0.19%, 0.28%

LAB 32.04, -7.05, -5.69

 

CMYK 32 / 14 / 0 / 67

HEX #394854

RGB 57 72 84

HSL 206.67, 0.19%, 0.28%

LAB 29.77, -2.69, -9.09

 

CMYK 32 / 23 / 0 / 67

HEX #394154

RGB 57 65 84

HSL 222.22, 0.19%, 0.28%

LAB 27.55, 1.84, -12.48

 

CMYK 31 / 6 / 0 / 86

HEX #182123

RGB 24 33 35

HSL 190.91, 0.19%, 0.12%

LAB 11.98, -3.41, -2.68

 

CMYK 32 / 7 / 0 / 76

HEX #29383C

RGB 41 56 60

HSL 192.63, 0.19%, 0.2%

LAB 22.39, -4.99, -4.5

 

CMYK 32 / 6 / 0 / 67

HEX #394F54

RGB 57 79 84

HSL 191.11, 0.19%, 0.28%

LAB 32.04, -7.05, -5.69

 

CMYK 32 / 6 / 0 / 57

HEX #4A666D

RGB 74 102 109

HSL 192, 0.19%, 0.36%

LAB 41.32, -8.39, -7.27

 

CMYK 32 / 7 / 0 / 47

HEX #5B7C86

RGB 91 124 134

HSL 193.95, 0.19%, 0.44%

LAB 49.93, -9.12, -9.22

 

CMYK 33 / 7 / 0 / 66

HEX #3A5056

RGB 58 80 86

HSL 192.86, 0.19%, 0.28%

LAB 32.5, -6.77, -6.26

 

CMYK 19 / 32 / 0 / 67

HEX #443954

RGB 68 57 84

HSL 264.44, 0.19%, 0.28%

LAB 26.14, 11.12, -14.54

 

CMYK 0 / 6 / 32 / 67

HEX #544F39

RGB 84 79 57

HSL 48.89, 0.19%, 0.28%

LAB 33.5, -1.91, 13.77

 

CMYK 33 / 7 / 0 / 66

HEX #3A5056

RGB 58 80 86

HSL 192.86, 0.19%, 0.28%

LAB 32.5, -6.77, -6.26

 

CMYK 0 / 32 / 6 / 67

HEX #54394F

RGB 84 57 79

HSL 311.11, 0.19%, 0.28%

LAB 27.78, 16.09, -8.6

 

CMYK 6 / 0 / 32 / 67

HEX #4F5439

RGB 79 84 57

HSL 71.11, 0.19%, 0.28%

LAB 34.6, -7.18, 15.16

 

CMYK 33 / 7 / 0 / 66

HEX #3A5056

RGB 58 80 86

HSL 192.86, 0.19%, 0.28%

LAB 32.5, -6.77, -6.26

 

CMYK 19 / 32 / 0 / 67

HEX #443954

RGB 68 57 84

HSL 264.44, 0.19%, 0.28%

LAB 26.14, 11.12, -14.54

 

CMYK 0 / 25 / 32 / 67

HEX #543F39

RGB 84 63 57

HSL 13.33, 0.19%, 0.28%

LAB 28.73, 8.15, 7.21

 

CMYK 12 / 0 / 32 / 67

HEX #4A5439

RGB 74 84 57

HSL 82.22, 0.19%, 0.28%

LAB 34.17, -9.38, 14.52

 

CMYK 33 / 7 / 0 / 66

HEX #3A5056

RGB 58 80 86

HSL 192.86, 0.19%, 0.28%

LAB 32.5, -6.77, -6.26

 

CMYK 10 / 32 / 0 / 67

HEX #4C3954

RGB 76 57 84

HSL 282.22, 0.19%, 0.28%

LAB 27.03, 14.11, -13.11

 

CMYK 0 / 25 / 32 / 67

HEX #543F39

RGB 84 63 57

HSL 13.33, 0.19%, 0.28%

LAB 28.73, 8.15, 7.21

 

CMYK 23 / 0 / 32 / 67

HEX #415439

RGB 65 84 57

HSL 102.22, 0.19%, 0.28%

LAB 33.48, -13.2, 13.46

 

Description

Color code: HEX #3A5056 | qconv.com Color code: HEX #3A5056 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 80 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 80 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 7 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 7% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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