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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A43E3 it is the complementary color #C5BC1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A43E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A43E3 shade: #3F43DE, #5055F1, #6167FF, #7279FF and #838BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A43E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A43E3 shade: #3A43E3, #2931D0, #181FBD, #070DAA and #000097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A43E3 shade: #3A43E2, #5F3AE2, #8C3AE2, #B93AE2 and #E23ADE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A43E3 shade: #3A43E2 and #3A3AE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A43E3 shade matches the following richer shades: #3A43E2 and #2833F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A43E3 shade: #3A43E2, #4C53D0, #5E64BE, #7174AC and #83849A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A43E3 shade: #3A9FE2, #3A72E2, #3A45E2, #5C3AE2 and #893AE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A43E3 shade: #1921B1, #1E28D5, #3A43E2, #5E66E8 and #8288ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A43E3 shade: #3A43E3, #E23ACC and #89E23A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A43E3 shade: #3A43E3, #E23A45 and #45E23A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A43E3 shade: #3A43E3, #E23ACC, #E2D73A and #3AE251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A43E3 shade: #3A43E3, #E23A9A, #E2D73A and #3AE283

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 70 / 0 / 11

HEX #3A43E3

RGB 58 67 227

HSL 236.8, 0.75%, 0.56%

LAB 38.66, 49.5, -81.42

 

Complementary color

CMYK 0 / 5 / 86 / 23

HEX #C5BC1C

RGB 197 188 28

HSL 56.8, 0.75%, 0.44%

LAB 74.77, -12.81, 72.13

 

CMYK 72 / 70 / 0 / 13

HEX #3F43DE

RGB 63 67 222

HSL 238.49, 0.71%, 0.56%

LAB 38.45, 48.32, -78.89

 

CMYK 67 / 65 / 0 / 5

HEX #5055F1

RGB 80 85 241

HSL 238.14, 0.85%, 0.63%

LAB 45.02, 46, -78.84

 

CMYK 62 / 60 / 0 / 0

HEX #6167FF

RGB 97 103 255

HSL 237.72, 1%, 0.69%

LAB 51.22, 42.26, -76.47

 

CMYK 55 / 53 / 0 / 0

HEX #7279FF

RGB 114 121 255

HSL 237.02, 1%, 0.72%

LAB 56.56, 34.46, -67.77

 

CMYK 49 / 45 / 0 / 0

HEX #838BFF

RGB 131 139 255

HSL 236.13, 1%, 0.76%

LAB 62.09, 27.3, -58.83

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E3

RGB 58 67 227

HSL 236.8, 0.75%, 0.56%

LAB 38.66, 49.5, -81.42

 

CMYK 80 / 76 / 0 / 18

HEX #2931D0

RGB 41 49 208

HSL 237.13, 0.67%, 0.49%

LAB 32.31, 52, -81.01

 

CMYK 87 / 84 / 0 / 26

HEX #181FBD

RGB 24 31 189

HSL 237.45, 0.77%, 0.42%

LAB 26.3, 54.13, -79.87

 

CMYK 96 / 92 / 0 / 33

HEX #070DAA

RGB 7 13 170

HSL 237.79, 0.92%, 0.35%

LAB 20.96, 55.02, -77.4

 

CMYK 100 / 100 / 0 / 41

HEX #000097

RGB 0 0 151

HSL 240, 1%, 0.3%

LAB 16.67, 53.57, -72.96

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 58 / 74 / 0 / 11

HEX #5F3AE2

RGB 95 58 226

HSL 253.21, 0.74%, 0.56%

LAB 39.5, 57.99, -79.37

 

CMYK 38 / 74 / 0 / 11

HEX #8C3AE2

RGB 140 58 226

HSL 269.29, 0.74%, 0.56%

LAB 44.37, 64.61, -71.21

 

CMYK 18 / 74 / 0 / 11

HEX #B93AE2

RGB 185 58 226

HSL 285.36, 0.74%, 0.56%

LAB 50.49, 72.64, -60.99

 

CMYK 0 / 74 / 2 / 11

HEX #E23ADE

RGB 226 58 222

HSL 301.43, 0.74%, 0.56%

LAB 56.55, 80.01, -48.67

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 74 / 74 / 0 / 11

HEX #3A3AE2

RGB 58 58 226

HSL 240, 0.74%, 0.56%

LAB 36.77, 54.16, -83.95

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 84 / 79 / 0 / 4

HEX #2833F5

RGB 40 51 245

HSL 236.78, 0.91%, 0.56%

LAB 36.76, 62.54, -94.77

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 63 / 60 / 0 / 18

HEX #4C53D0

RGB 76 83 208

HSL 236.82, 0.58%, 0.56%

LAB 41.65, 35.72, -65.58

 

CMYK 51 / 47 / 0 / 25

HEX #5E64BE

RGB 94 100 190

HSL 236.25, 0.42%, 0.56%

LAB 45.92, 22.69, -48.23

 

CMYK 34 / 33 / 0 / 33

HEX #7174AC

RGB 113 116 172

HSL 236.95, 0.26%, 0.56%

LAB 50.66, 12.52, -30.2

 

CMYK 15 / 14 / 0 / 40

HEX #83849A

RGB 131 132 154

HSL 237.39, 0.1%, 0.56%

LAB 55.75, 4.32, -11.86

 

CMYK 74 / 30 / 0 / 11

HEX #3A9FE2

RGB 58 159 226

HSL 203.93, 0.74%, 0.56%

LAB 62.67, -6.89, -42.17

 

CMYK 74 / 50 / 0 / 11

HEX #3A72E2

RGB 58 114 226

HSL 220, 0.74%, 0.56%

LAB 50.01, 20.09, -62.33

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 59 / 74 / 0 / 11

HEX #5C3AE2

RGB 92 58 226

HSL 252.14, 0.74%, 0.56%

LAB 39.23, 57.62, -79.82

 

CMYK 39 / 74 / 0 / 11

HEX #893AE2

RGB 137 58 226

HSL 268.21, 0.74%, 0.56%

LAB 44, 64.12, -71.82

 

CMYK 86 / 81 / 0 / 31

HEX #1921B1

RGB 25 33 177

HSL 236.84, 0.75%, 0.4%

LAB 25.16, 49.45, -74.6

 

CMYK 86 / 81 / 0 / 16

HEX #1E28D5

RGB 30 40 213

HSL 236.72, 0.75%, 0.48%

LAB 30.87, 57.57, -86.3

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 59 / 56 / 0 / 9

HEX #5E66E8

RGB 94 102 232

HSL 236.52, 0.75%, 0.64%

LAB 49.14, 34.96, -67.02

 

CMYK 45 / 43 / 0 / 7

HEX #8288ED

RGB 130 136 237

HSL 236.64, 0.75%, 0.72%

LAB 60.31, 23.55, -51.76

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E3

RGB 58 67 227

HSL 236.8, 0.75%, 0.56%

LAB 38.66, 49.5, -81.42

 

CMYK 0 / 74 / 10 / 11

HEX #E23ACC

RGB 226 58 204

HSL 307.86, 0.74%, 0.56%

LAB 55.64, 77.34, -39.87

 

CMYK 39 / 0 / 74 / 11

HEX #89E23A

RGB 137 226 58

HSL 91.79, 0.74%, 0.56%

LAB 81.85, -52.52, 68.8

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E3

RGB 58 67 227

HSL 236.8, 0.75%, 0.56%

LAB 38.66, 49.5, -81.42

 

CMYK 0 / 74 / 69 / 11

HEX #E23A45

RGB 226 58 69

HSL 356.07, 0.74%, 0.56%

LAB 51.41, 64.21, 33.77

 

CMYK 69 / 0 / 74 / 11

HEX #45E23A

RGB 69 226 58

HSL 116.07, 0.74%, 0.56%

LAB 79.59, -70.05, 65.83

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E3

RGB 58 67 227

HSL 236.8, 0.75%, 0.56%

LAB 38.66, 49.5, -81.42

 

CMYK 0 / 74 / 10 / 11

HEX #E23ACC

RGB 226 58 204

HSL 307.86, 0.74%, 0.56%

LAB 55.64, 77.34, -39.87

 

CMYK 0 / 5 / 74 / 11

HEX #E2D73A

RGB 226 215 58

HSL 56.07, 0.74%, 0.56%

LAB 84.52, -13.05, 73.37

 

CMYK 74 / 0 / 64 / 11

HEX #3AE251

RGB 58 226 81

HSL 128.21, 0.74%, 0.56%

LAB 79.55, -69.81, 57.11

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E3

RGB 58 67 227

HSL 236.8, 0.75%, 0.56%

LAB 38.66, 49.5, -81.42

 

CMYK 0 / 74 / 32 / 11

HEX #E23A9A

RGB 226 58 154

HSL 325.71, 0.74%, 0.56%

LAB 53.52, 70.96, -14.05

 

CMYK 0 / 5 / 74 / 11

HEX #E2D73A

RGB 226 215 58

HSL 56.07, 0.74%, 0.56%

LAB 84.52, -13.05, 73.37

 

CMYK 74 / 0 / 42 / 11

HEX #3AE283

RGB 58 226 131

HSL 146.07, 0.74%, 0.56%

LAB 80.14, -62.84, 34.58

 

Description

Color code: HEX #3A43E3 | qconv.com Color code: HEX #3A43E3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 67 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 67 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 70 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 70% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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