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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3F76 it is the complementary color #C5C089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3F76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3F76 shade: #3F3F71, #505184, #616397, #7275AA and #8387BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3F76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3F76 shade: #3A3F76, #292D63, #181B50, #07093D and #00002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3F76 shade: #3A3F77, #463A77, #563A77, #663A77 and #773A77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3F76 shade: #3A3F77 and #3A3A77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3F76 shade matches the following richer shades: #3A3F77, #2C3386, #1E2794, #0F1BA2 and #010FB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3F76 shade: #3A3F77, #494B69, #57585A, #66644C and #74703D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3F76 shade: #3A6077, #3A5077, #3A3F77, #463A77 and #563A77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3F76 shade: #1F2240, #2D315B, #3A3F77, #484E93 and #585FAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3F76 shade: #3A3F76, #773A70 and #58773A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3F76 shade: #3A3F76, #773A3F and #3F773A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3F76 shade: #3A3F76, #773A70, #77723A and #3A7741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3F76 shade: #3A3F76, #773A5E, #77723A and #3A7754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 47 / 0 / 54

HEX #3A3F76

RGB 58 63 118

HSL 235, 0.34%, 0.35%

LAB 28.81, 14.36, -32.3

 

Complementary color

CMYK 0 / 3 / 30 / 23

HEX #C5C089

RGB 197 192 137

HSL 55, 0.34%, 0.65%

LAB 76.91, -6.78, 28.42

 

CMYK 44 / 44 / 0 / 56

HEX #3F3F71

RGB 63 63 113

HSL 240, 0.28%, 0.35%

LAB 28.91, 14.06, -28.94

 

CMYK 39 / 39 / 0 / 48

HEX #505184

RGB 80 81 132

HSL 238.85, 0.25%, 0.42%

LAB 36.47, 13.09, -28.76

 

CMYK 36 / 34 / 0 / 41

HEX #616397

RGB 97 99 151

HSL 237.78, 0.22%, 0.49%

LAB 43.8, 12.31, -28.66

 

CMYK 33 / 31 / 0 / 33

HEX #7275AA

RGB 114 117 170

HSL 236.79, 0.25%, 0.56%

LAB 50.92, 11.67, -28.63

 

CMYK 31 / 29 / 0 / 26

HEX #8387BD

RGB 131 135 189

HSL 235.86, 0.31%, 0.63%

LAB 57.87, 11.11, -28.66

 

CMYK 51 / 47 / 0 / 54

HEX #3A3F76

RGB 58 63 118

HSL 235, 0.34%, 0.35%

LAB 28.81, 14.36, -32.3

 

CMYK 59 / 55 / 0 / 61

HEX #292D63

RGB 41 45 99

HSL 235.86, 0.41%, 0.27%

LAB 21.01, 15.88, -32.64

 

CMYK 70 / 66 / 0 / 69

HEX #181B50

RGB 24 27 80

HSL 236.79, 0.54%, 0.2%

LAB 12.97, 17.99, -33.02

 

CMYK 89 / 85 / 0 / 76

HEX #07093D

RGB 7 9 61

HSL 237.78, 0.79%, 0.13%

LAB 5.22, 19.11, -32.43

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 51 / 47 / 0 / 53

HEX #3A3F77

RGB 58 63 119

HSL 235.08, 0.34%, 0.35%

LAB 28.87, 14.7, -32.83

 

CMYK 41 / 51 / 0 / 53

HEX #463A77

RGB 70 58 119

HSL 251.8, 0.34%, 0.35%

LAB 28.54, 21.22, -33.29

 

CMYK 28 / 51 / 0 / 53

HEX #563A77

RGB 86 58 119

HSL 267.54, 0.34%, 0.35%

LAB 30.25, 25.83, -30.47

 

CMYK 14 / 51 / 0 / 53

HEX #663A77

RGB 102 58 119

HSL 283.28, 0.34%, 0.35%

LAB 32.22, 30.71, -27.23

 

CMYK 0 / 51 / 0 / 53

HEX #773A77

RGB 119 58 119

HSL 300, 0.34%, 0.35%

LAB 34.56, 36.01, -23.39

 

CMYK 51 / 47 / 0 / 53

HEX #3A3F77

RGB 58 63 119

HSL 235.08, 0.34%, 0.35%

LAB 28.87, 14.7, -32.83

 

CMYK 51 / 51 / 0 / 53

HEX #3A3A77

RGB 58 58 119

HSL 240, 0.34%, 0.35%

LAB 27.46, 18.07, -35.09

 

CMYK 51 / 47 / 0 / 53

HEX #3A3F77

RGB 58 63 119

HSL 235.08, 0.34%, 0.35%

LAB 28.87, 14.7, -32.83

 

CMYK 67 / 62 / 0 / 47

HEX #2C3386

RGB 44 51 134

HSL 235.33, 0.51%, 0.35%

LAB 25.64, 25.27, -47.5

 

CMYK 80 / 74 / 0 / 42

HEX #1E2794

RGB 30 39 148

HSL 235.42, 0.66%, 0.35%

LAB 23.22, 36.52, -60.19

 

CMYK 91 / 83 / 0 / 36

HEX #0F1BA2

RGB 15 27 162

HSL 235.1, 0.83%, 0.35%

LAB 21.92, 47.22, -70.94

 

CMYK 99 / 92 / 0 / 31

HEX #010FB1

RGB 1 15 177

HSL 235.23, 0.99%, 0.35%

LAB 22.03, 56.3, -79.85

 

CMYK 51 / 47 / 0 / 53

HEX #3A3F77

RGB 58 63 119

HSL 235.08, 0.34%, 0.35%

LAB 28.87, 14.7, -32.83

 

CMYK 30 / 29 / 0 / 59

HEX #494B69

RGB 73 75 105

HSL 236.25, 0.18%, 0.35%

LAB 32.85, 6.84, -17.66

 

CMYK 3 / 2 / 0 / 65

HEX #57585A

RGB 87 88 90

HSL 220, 0.02%, 0.35%

LAB 37.38, 0.04, -1.3

 

CMYK 0 / 2 / 25 / 60

HEX #66644C

RGB 102 100 76

HSL 55.38, 0.15%, 0.35%

LAB 41.94, -3.58, 13.94

 

CMYK 0 / 3 / 47 / 55

HEX #74703D

RGB 116 112 61

HSL 55.64, 0.31%, 0.35%

LAB 46.5, -6.34, 28.78

 

CMYK 51 / 19 / 0 / 53

HEX #3A6077

RGB 58 96 119

HSL 202.62, 0.34%, 0.35%

LAB 38.89, -6.56, -17.14

 

CMYK 51 / 33 / 0 / 53

HEX #3A5077

RGB 58 80 119

HSL 218.36, 0.34%, 0.35%

LAB 33.92, 3.44, -24.85

 

CMYK 51 / 47 / 0 / 53

HEX #3A3F77

RGB 58 63 119

HSL 235.08, 0.34%, 0.35%

LAB 28.87, 14.7, -32.83

 

CMYK 41 / 51 / 0 / 53

HEX #463A77

RGB 70 58 119

HSL 251.8, 0.34%, 0.35%

LAB 28.54, 21.22, -33.29

 

CMYK 28 / 51 / 0 / 53

HEX #563A77

RGB 86 58 119

HSL 267.54, 0.34%, 0.35%

LAB 30.25, 25.83, -30.47

 

CMYK 52 / 47 / 0 / 75

HEX #1F2240

RGB 31 34 64

HSL 234.55, 0.35%, 0.19%

LAB 14.43, 8.29, -19.58

 

CMYK 51 / 46 / 0 / 64

HEX #2D315B

RGB 45 49 91

HSL 234.78, 0.34%, 0.27%

LAB 21.98, 11.2, -25.82

 

CMYK 51 / 47 / 0 / 53

HEX #3A3F77

RGB 58 63 119

HSL 235.08, 0.34%, 0.35%

LAB 28.87, 14.7, -32.83

 

CMYK 51 / 47 / 0 / 42

HEX #484E93

RGB 72 78 147

HSL 235.2, 0.34%, 0.43%

LAB 35.86, 17.64, -38.93

 

CMYK 49 / 45 / 0 / 33

HEX #585FAC

RGB 88 95 172

HSL 235, 0.34%, 0.51%

LAB 43.12, 18.72, -42.22

 

CMYK 51 / 47 / 0 / 54

HEX #3A3F76

RGB 58 63 118

HSL 235, 0.34%, 0.35%

LAB 28.81, 14.36, -32.3

 

CMYK 0 / 51 / 6 / 53

HEX #773A70

RGB 119 58 112

HSL 306.89, 0.34%, 0.35%

LAB 34.23, 34.65, -19.51

 

CMYK 26 / 0 / 51 / 53

HEX #58773A

RGB 88 119 58

HSL 90.49, 0.34%, 0.35%

LAB 46.41, -22.54, 29.81

 

CMYK 51 / 47 / 0 / 54

HEX #3A3F76

RGB 58 63 118

HSL 235, 0.34%, 0.35%

LAB 28.81, 14.36, -32.3

 

CMYK 0 / 51 / 47 / 53

HEX #773A3F

RGB 119 58 63

HSL 355.08, 0.34%, 0.35%

LAB 32.5, 27.15, 9.3

 

CMYK 47 / 0 / 51 / 53

HEX #3F773A

RGB 63 119 58

HSL 115.08, 0.34%, 0.35%

LAB 45.02, -31.71, 27.78

 

CMYK 51 / 47 / 0 / 54

HEX #3A3F76

RGB 58 63 118

HSL 235, 0.34%, 0.35%

LAB 28.81, 14.36, -32.3

 

CMYK 0 / 51 / 6 / 53

HEX #773A70

RGB 119 58 112

HSL 306.89, 0.34%, 0.35%

LAB 34.23, 34.65, -19.51

 

CMYK 0 / 4 / 51 / 53

HEX #77723A

RGB 119 114 58

HSL 55.08, 0.34%, 0.35%

LAB 47.32, -6.44, 31.47

 

CMYK 51 / 0 / 45 / 53

HEX #3A7741

RGB 58 119 65

HSL 126.89, 0.34%, 0.35%

LAB 44.91, -32.16, 23.74

 

CMYK 51 / 47 / 0 / 54

HEX #3A3F76

RGB 58 63 118

HSL 235, 0.34%, 0.35%

LAB 28.81, 14.36, -32.3

 

CMYK 0 / 51 / 21 / 53

HEX #773A5E

RGB 119 58 94

HSL 324.59, 0.34%, 0.35%

LAB 33.47, 31.47, -9.24

 

CMYK 0 / 4 / 51 / 53

HEX #77723A

RGB 119 114 58

HSL 55.08, 0.34%, 0.35%

LAB 47.32, -6.44, 31.47

 

CMYK 51 / 0 / 29 / 53

HEX #3A7754

RGB 58 119 84

HSL 145.57, 0.34%, 0.35%

LAB 45.27, -28.5, 13.32

 

Description

Color code: HEX #3A3F76 | qconv.com Color code: HEX #3A3F76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 63 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 63 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 47 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 47% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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