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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3F59 it is the complementary color #C5C0A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3F59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3F59 shade: #3F3F54, #505167, #61637A, #72758D and #8387A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3F59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3F59 shade: #3A3F59, #292D46, #181B33, #070920 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3F59 shade: #3A3F59, #3D3A59, #463A59, #4E3A59 and #563A59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3F59 shade: #3A3F59 and #3A3A59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3F59 shade matches the following richer shades: #3A3F59, #2E3765, #222F71, #16277D and #0A1F89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3F59 shade: #3A3F59, #46474D, #524F41, #5E5735 and #6A5F29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3F59 shade: #3A5059, #3A4759, #3A3F59, #3D3A59 and #453A59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3F59 shade: #191C27, #2A2D40, #3A3F59, #4A5172 and #5B628B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3F59 shade: #3A3F59, #593A58 and #4C593A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3F59 shade: #3A3F59, #593A3F and #3F593A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3F59 shade: #3A3F59, #593A58, #59543A and #3A593B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3F59 shade: #3A3F59, #593A4F, #59543A and #3A5944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

Complementary color

CMYK 0 / 3 / 16 / 23

HEX #C5C0A6

RGB 197 192 166

HSL 50.32, 0.21%, 0.71%

LAB 77.47, -2.64, 13.74

 

CMYK 25 / 25 / 0 / 67

HEX #3F3F54

RGB 63 63 84

HSL 240, 0.14%, 0.29%

LAB 27.44, 5.3, -12.59

 

CMYK 22 / 21 / 0 / 60

HEX #505167

RGB 80 81 103

HSL 237.39, 0.13%, 0.36%

LAB 35.14, 4.89, -12.84

 

CMYK 20 / 19 / 0 / 52

HEX #61637A

RGB 97 99 122

HSL 235.2, 0.11%, 0.43%

LAB 42.57, 4.54, -13.12

 

CMYK 19 / 17 / 0 / 45

HEX #72758D

RGB 114 117 141

HSL 233.33, 0.11%, 0.5%

LAB 49.77, 4.24, -13.43

 

CMYK 18 / 16 / 0 / 37

HEX #8387A0

RGB 131 135 160

HSL 231.72, 0.13%, 0.57%

LAB 56.77, 3.96, -13.77

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 41 / 36 / 0 / 73

HEX #292D46

RGB 41 45 70

HSL 231.72, 0.26%, 0.22%

LAB 19.18, 5.62, -16.19

 

CMYK 53 / 47 / 0 / 80

HEX #181B33

RGB 24 27 51

HSL 233.33, 0.36%, 0.15%

LAB 10.68, 6.56, -16.32

 

CMYK 78 / 72 / 0 / 87

HEX #070920

RGB 7 9 32

HSL 235.2, 0.64%, 0.08%

LAB 3.11, 4.84, -14

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 31 / 35 / 0 / 65

HEX #3D3A59

RGB 61 58 89

HSL 245.81, 0.21%, 0.29%

LAB 25.98, 9.36, -18.13

 

CMYK 21 / 35 / 0 / 65

HEX #463A59

RGB 70 58 89

HSL 263.23, 0.21%, 0.29%

LAB 26.88, 12.52, -16.67

 

CMYK 12 / 35 / 0 / 65

HEX #4E3A59

RGB 78 58 89

HSL 278.71, 0.21%, 0.29%

LAB 27.76, 15.43, -15.23

 

CMYK 3 / 35 / 0 / 65

HEX #563A59

RGB 86 58 89

HSL 294.19, 0.21%, 0.29%

LAB 28.71, 18.39, -13.69

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 35 / 35 / 0 / 65

HEX #3A3A59

RGB 58 58 89

HSL 240, 0.21%, 0.29%

LAB 25.7, 8.35, -18.58

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 54 / 46 / 0 / 60

HEX #2E3765

RGB 46 55 101

HSL 230.18, 0.37%, 0.29%

LAB 24.49, 10.82, -28.36

 

CMYK 70 / 58 / 0 / 56

HEX #222F71

RGB 34 47 113

HSL 230.13, 0.54%, 0.29%

LAB 22.18, 18.39, -39.86

 

CMYK 82 / 69 / 0 / 51

HEX #16277D

RGB 22 39 125

HSL 230.1, 0.7%, 0.29%

LAB 20.45, 27.17, -50.37

 

CMYK 93 / 77 / 0 / 46

HEX #0A1F89

RGB 10 31 137

HSL 230.08, 0.86%, 0.29%

LAB 19.44, 36.22, -59.63

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 9 / 8 / 0 / 70

HEX #46474D

RGB 70 71 77

HSL 231.43, 0.05%, 0.29%

LAB 30.27, 0.97, -3.73

 

CMYK 0 / 4 / 21 / 68

HEX #524F41

RGB 82 79 65

HSL 49.41, 0.12%, 0.29%

LAB 33.49, -1.48, 8.73

 

CMYK 0 / 7 / 44 / 63

HEX #5E5735

RGB 94 87 53

HSL 49.76, 0.28%, 0.29%

LAB 36.84, -2.72, 20.77

 

CMYK 0 / 10 / 61 / 58

HEX #6A5F29

RGB 106 95 41

HSL 49.85, 0.44%, 0.29%

LAB 40.26, -3.08, 31.93

 

CMYK 35 / 10 / 0 / 65

HEX #3A5059

RGB 58 80 89

HSL 197.42, 0.21%, 0.29%

LAB 32.61, -5.93, -8

 

CMYK 35 / 20 / 0 / 65

HEX #3A4759

RGB 58 71 89

HSL 214.84, 0.21%, 0.29%

LAB 29.73, -0.25, -12.36

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 31 / 35 / 0 / 65

HEX #3D3A59

RGB 61 58 89

HSL 245.81, 0.21%, 0.29%

LAB 25.98, 9.36, -18.13

 

CMYK 22 / 35 / 0 / 65

HEX #453A59

RGB 69 58 89

HSL 261.29, 0.21%, 0.29%

LAB 26.77, 12.16, -16.84

 

CMYK 36 / 28 / 0 / 85

HEX #191C27

RGB 25 28 39

HSL 227.14, 0.22%, 0.13%

LAB 10.44, 1.9, -7.93

 

CMYK 34 / 30 / 0 / 75

HEX #2A2D40

RGB 42 45 64

HSL 231.82, 0.21%, 0.21%

LAB 18.97, 4.04, -12.42

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 35 / 29 / 0 / 55

HEX #4A5172

RGB 74 81 114

HSL 229.5, 0.21%, 0.37%

LAB 35.11, 5.91, -19.79

 

CMYK 35 / 29 / 0 / 45

HEX #5B628B

RGB 91 98 139

HSL 231.25, 0.21%, 0.45%

LAB 42.5, 7.72, -23.54

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 0 / 35 / 1 / 65

HEX #593A58

RGB 89 58 88

HSL 301.94, 0.21%, 0.29%

LAB 29.04, 19.3, -12.49

 

CMYK 15 / 0 / 35 / 65

HEX #4C593A

RGB 76 89 58

HSL 85.16, 0.21%, 0.29%

LAB 35.96, -11.26, 16.32

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 0 / 35 / 29 / 65

HEX #593A3F

RGB 89 58 63

HSL 350.32, 0.21%, 0.29%

LAB 28.14, 14.53, 2.52

 

CMYK 29 / 0 / 35 / 65

HEX #3F593A

RGB 63 89 58

HSL 110.32, 0.21%, 0.29%

LAB 35.02, -16.63, 14.9

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 0 / 35 / 1 / 65

HEX #593A58

RGB 89 58 88

HSL 301.94, 0.21%, 0.29%

LAB 29.04, 19.3, -12.49

 

CMYK 0 / 6 / 35 / 65

HEX #59543A

RGB 89 84 58

HSL 50.32, 0.21%, 0.29%

LAB 35.54, -2.53, 15.97

 

CMYK 35 / 0 / 34 / 65

HEX #3A593B

RGB 58 89 59

HSL 121.94, 0.21%, 0.29%

LAB 34.72, -18.37, 13.84

 

CMYK 35 / 29 / 0 / 65

HEX #3A3F59

RGB 58 63 89

HSL 230.32, 0.21%, 0.29%

LAB 27.23, 4.99, -16.21

 

CMYK 0 / 35 / 11 / 65

HEX #593A4F

RGB 89 58 79

HSL 319.35, 0.21%, 0.29%

LAB 28.68, 17.44, -7.18

 

CMYK 0 / 6 / 35 / 65

HEX #59543A

RGB 89 84 58

HSL 50.32, 0.21%, 0.29%

LAB 35.54, -2.53, 15.97

 

CMYK 35 / 0 / 24 / 65

HEX #3A5944

RGB 58 89 68

HSL 139.35, 0.21%, 0.29%

LAB 34.93, -16.51, 8.58

 

Description

Color code: HEX #3A3F59 | qconv.com Color code: HEX #3A3F59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 63 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 63 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 29 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 29% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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