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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A3161 it is the complementary color #C5CE9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A3161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A3161 shade: #3F315C, #50436F, #615582, #726795 and #8379A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A3161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A3161 shade: #3A3161, #291F4E, #180D3B, #070028 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A3161 shade: #3A3162, #473162, #553162, #623162 and #623155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A3161 shade: #3A3162 and #313162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A3161 shade matches the following richer shades: #3A3162, #33256E, #2B197A, #240D86 and #1C0192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A3161 shade: #3A3162, #423D56, #49494A, #51553E and #586132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A3161 shade: #314262, #313562, #3A3162, #473162 and #543162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A3161 shade: #19152B, #2A2346, #3A3162, #4B3F7D and #5B4D99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A3161 shade: #3A3161, #62314F and #3C6231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A3161 shade: #3A3161, #623A31 and #31623A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A3161 shade: #3A3161, #62314F, #596231 and #316244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A3161 shade: #3A3161, #623141, #596231 and #316252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 49 / 0 / 62

HEX #3A3161

RGB 58 49 97

HSL 251.25, 0.33%, 0.29%

LAB 23.54, 16.94, -27.21

 

Complementary color

CMYK 4 / 0 / 23 / 19

HEX #C5CE9E

RGB 197 206 158

HSL 71.25, 0.33%, 0.71%

LAB 81.01, -11.12, 22.91

 

CMYK 32 / 47 / 0 / 64

HEX #3F315C

RGB 63 49 92

HSL 259.53, 0.3%, 0.28%

LAB 23.76, 16.97, -23.56

 

CMYK 28 / 40 / 0 / 56

HEX #50436F

RGB 80 67 111

HSL 257.73, 0.25%, 0.35%

LAB 31.5, 16.04, -23.49

 

CMYK 25 / 35 / 0 / 49

HEX #615582

RGB 97 85 130

HSL 256, 0.21%, 0.42%

LAB 38.98, 15.27, -23.5

 

CMYK 23 / 31 / 0 / 42

HEX #726795

RGB 114 103 149

HSL 254.35, 0.18%, 0.49%

LAB 46.24, 14.61, -23.56

 

CMYK 22 / 28 / 0 / 34

HEX #8379A8

RGB 131 121 168

HSL 252.77, 0.21%, 0.57%

LAB 53.31, 14.04, -23.67

 

CMYK 40 / 49 / 0 / 62

HEX #3A3161

RGB 58 49 97

HSL 251.25, 0.33%, 0.29%

LAB 23.54, 16.94, -27.21

 

CMYK 47 / 60 / 0 / 69

HEX #291F4E

RGB 41 31 78

HSL 252.77, 0.43%, 0.21%

LAB 15.49, 18.29, -27.49

 

CMYK 59 / 78 / 0 / 77

HEX #180D3B

RGB 24 13 59

HSL 254.35, 0.64%, 0.14%

LAB 7.21, 19.85, -27.69

 

CMYK 83 / 100 / 0 / 84

HEX #070028

RGB 7 0 40

HSL 250.5, 1%, 0.08%

LAB 1.79, 11.56, -22.28

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 41 / 50 / 0 / 62

HEX #3A3162

RGB 58 49 98

HSL 251.02, 0.33%, 0.29%

LAB 23.6, 17.26, -27.77

 

CMYK 28 / 50 / 0 / 62

HEX #473162

RGB 71 49 98

HSL 266.94, 0.33%, 0.29%

LAB 25.01, 21.23, -25.44

 

CMYK 13 / 50 / 0 / 62

HEX #553162

RGB 85 49 98

HSL 284.08, 0.33%, 0.29%

LAB 26.76, 25.75, -22.56

 

CMYK 0 / 50 / 0 / 62

HEX #623162

RGB 98 49 98

HSL 300, 0.33%, 0.29%

LAB 28.58, 30.04, -19.59

 

CMYK 0 / 50 / 13 / 62

HEX #623155

RGB 98 49 85

HSL 315.92, 0.33%, 0.29%

LAB 27.98, 27.49, -12.05

 

CMYK 41 / 50 / 0 / 62

HEX #3A3162

RGB 58 49 98

HSL 251.02, 0.33%, 0.29%

LAB 23.6, 17.26, -27.77

 

CMYK 50 / 50 / 0 / 62

HEX #313162

RGB 49 49 98

HSL 240, 0.33%, 0.29%

LAB 22.76, 14.73, -29.15

 

CMYK 41 / 50 / 0 / 62

HEX #3A3162

RGB 58 49 98

HSL 251.02, 0.33%, 0.29%

LAB 23.6, 17.26, -27.77

 

CMYK 54 / 66 / 0 / 57

HEX #33256E

RGB 51 37 110

HSL 251.51, 0.5%, 0.29%

LAB 20.65, 27.39, -40.35

 

CMYK 65 / 80 / 0 / 52

HEX #2B197A

RGB 43 25 122

HSL 251.13, 0.66%, 0.29%

LAB 18.43, 37.15, -51.74

 

CMYK 73 / 90 / 0 / 47

HEX #240D86

RGB 36 13 134

HSL 251.4, 0.82%, 0.29%

LAB 17.39, 45.6, -61.1

 

CMYK 81 / 99 / 0 / 43

HEX #1C0192

RGB 28 1 146

HSL 251.17, 0.99%, 0.29%

LAB 17.2, 52.37, -68.95

 

CMYK 41 / 50 / 0 / 62

HEX #3A3162

RGB 58 49 98

HSL 251.02, 0.33%, 0.29%

LAB 23.6, 17.26, -27.77

 

CMYK 23 / 29 / 0 / 66

HEX #423D56

RGB 66 61 86

HSL 252, 0.17%, 0.29%

LAB 27.21, 8.27, -14.23

 

CMYK 1 / 1 / 0 / 71

HEX #49494A

RGB 73 73 74

HSL 240, 0.01%, 0.29%

LAB 31.06, 0.22, -0.6

 

CMYK 5 / 0 / 27 / 67

HEX #51553E

RGB 81 85 62

HSL 70.43, 0.16%, 0.29%

LAB 35.19, -6.08, 12.92

 

CMYK 9 / 0 / 48 / 62

HEX #586132

RGB 88 97 50

HSL 71.49, 0.32%, 0.29%

LAB 39.33, -11.67, 25.52

 

CMYK 50 / 33 / 0 / 62

HEX #314262

RGB 49 66 98

HSL 219.18, 0.33%, 0.29%

LAB 27.93, 3.09, -20.99

 

CMYK 50 / 46 / 0 / 62

HEX #313562

RGB 49 53 98

HSL 235.1, 0.33%, 0.29%

LAB 23.94, 11.95, -27.28

 

CMYK 41 / 50 / 0 / 62

HEX #3A3162

RGB 58 49 98

HSL 251.02, 0.33%, 0.29%

LAB 23.6, 17.26, -27.77

 

CMYK 28 / 50 / 0 / 62

HEX #473162

RGB 71 49 98

HSL 266.94, 0.33%, 0.29%

LAB 25.01, 21.23, -25.44

 

CMYK 14 / 50 / 0 / 62

HEX #543162

RGB 84 49 98

HSL 282.86, 0.33%, 0.29%

LAB 26.63, 25.42, -22.78

 

CMYK 42 / 51 / 0 / 83

HEX #19152B

RGB 25 21 43

HSL 250.91, 0.34%, 0.13%

LAB 8.28, 8.6, -14.24

 

CMYK 40 / 50 / 0 / 73

HEX #2A2346

RGB 42 35 70

HSL 252, 0.33%, 0.21%

LAB 16.19, 13.09, -20.89

 

CMYK 41 / 50 / 0 / 62

HEX #3A3162

RGB 58 49 98

HSL 251.02, 0.33%, 0.29%

LAB 23.6, 17.26, -27.77

 

CMYK 40 / 50 / 0 / 51

HEX #4B3F7D

RGB 75 63 125

HSL 251.61, 0.33%, 0.37%

LAB 30.72, 21.18, -33.56

 

CMYK 41 / 50 / 0 / 40

HEX #5B4D99

RGB 91 77 153

HSL 251.05, 0.33%, 0.45%

LAB 37.54, 24.97, -39.78

 

CMYK 40 / 49 / 0 / 62

HEX #3A3161

RGB 58 49 97

HSL 251.25, 0.33%, 0.29%

LAB 23.54, 16.94, -27.21

 

CMYK 0 / 50 / 19 / 62

HEX #62314F

RGB 98 49 79

HSL 323.27, 0.33%, 0.29%

LAB 27.73, 26.41, -8.49

 

CMYK 39 / 0 / 50 / 62

HEX #3C6231

RGB 60 98 49

HSL 106.53, 0.33%, 0.29%

LAB 37.69, -24.02, 23.62

 

CMYK 40 / 49 / 0 / 62

HEX #3A3161

RGB 58 49 97

HSL 251.25, 0.33%, 0.29%

LAB 23.54, 16.94, -27.21

 

CMYK 0 / 41 / 50 / 62

HEX #623A31

RGB 98 58 49

HSL 11.02, 0.33%, 0.29%

LAB 29.02, 16.58, 13.07

 

CMYK 50 / 0 / 41 / 62

HEX #31623A

RGB 49 98 58

HSL 131.02, 0.33%, 0.29%

LAB 37.29, -26.29, 17.78

 

CMYK 40 / 49 / 0 / 62

HEX #3A3161

RGB 58 49 97

HSL 251.25, 0.33%, 0.29%

LAB 23.54, 16.94, -27.21

 

CMYK 0 / 50 / 19 / 62

HEX #62314F

RGB 98 49 79

HSL 323.27, 0.33%, 0.29%

LAB 27.73, 26.41, -8.49

 

CMYK 9 / 0 / 50 / 62

HEX #596231

RGB 89 98 49

HSL 71.02, 0.33%, 0.29%

LAB 39.72, -11.91, 26.57

 

CMYK 50 / 0 / 31 / 62

HEX #316244

RGB 49 98 68

HSL 143.27, 0.33%, 0.29%

LAB 37.49, -24.25, 12.07

 

CMYK 40 / 49 / 0 / 62

HEX #3A3161

RGB 58 49 97

HSL 251.25, 0.33%, 0.29%

LAB 23.54, 16.94, -27.21

 

CMYK 0 / 50 / 34 / 62

HEX #623141

RGB 98 49 65

HSL 340.41, 0.33%, 0.29%

LAB 27.23, 24.15, 0.04

 

CMYK 9 / 0 / 50 / 62

HEX #596231

RGB 89 98 49

HSL 71.02, 0.33%, 0.29%

LAB 39.72, -11.91, 26.57

 

CMYK 50 / 0 / 16 / 62

HEX #316252

RGB 49 98 82

HSL 160.41, 0.33%, 0.29%

LAB 37.84, -20.92, 4.01

 

Description

Color code: HEX #3A3161 | qconv.com Color code: HEX #3A3161 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 49 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 49 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 49 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 49% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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