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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CFFC7 it is the complementary color #C30038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CFFC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CFFC7 shade: #41FFC2, #52FFD5, #63FFE8, #74FFFB and #85FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CFFC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CFFC7 shade: #3CFFC7, #2BEDB4, #1ADBA1, #09C98E and #00B77B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CFFC7 shade: #3DFFC7, #3DFF93, #3DFF5E, #4FFF3D and #84FF3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CFFC7 shade: #3DFFC7, #3DFFFB, #3DCEFF, #3D99FF and #3D65FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CFFC7 shade matches the following richer shades: #3DFFC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CFFC7 shade: #3DFFC7, #4CEFC0, #5CDFB9, #6CCFB3 and #7BC0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CFFC7 shade: #3DFF5D, #3DFF91, #3DFFC4, #3DFFF8 and #3DD1FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CFFC7 shade: #00E9A6, #13FFBB, #3DFFC7, #66FFD3 and #8FFFDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CFFC7 shade: #3CFFC7, #3D50FF and #FF773D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CFFC7 shade: #3CFFC7, #C43DFF and #FFC43D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CFFC7 shade: #3CFFC7, #3D50FF, #FF3D77 and #FFEB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CFFC7 shade: #3CFFC7, #633DFF, #FF3D77 and #D8FF3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 22 / 0

HEX #3CFFC7

RGB 60 255 199

HSL 162.77, 1%, 0.62%

LAB 90.14, -59.51, 13.49

 

Complementary color

CMYK 0 / 100 / 71 / 24

HEX #C30038

RGB 195 0 56

HSL 342.77, 1%, 0.38%

LAB 41.04, 66.72, 27.63

 

CMYK 75 / 0 / 24 / 0

HEX #41FFC2

RGB 65 255 194

HSL 160.74, 1%, 0.63%

LAB 90.11, -60.09, 16.03

 

CMYK 68 / 0 / 16 / 0

HEX #52FFD5

RGB 82 255 213

HSL 165.43, 1%, 0.66%

LAB 90.83, -53.53, 7.31

 

CMYK 61 / 0 / 9 / 0

HEX #63FFE8

RGB 99 255 232

HSL 171.15, 1%, 0.69%

LAB 91.68, -46.31, -1.24

 

CMYK 55 / 0 / 2 / 0

HEX #74FFFB

RGB 116 255 251

HSL 178.27, 1%, 0.73%

LAB 92.66, -38.56, -9.58

 

CMYK 48 / 0 / 0 / 0

HEX #85FFFF

RGB 133 255 255

HSL 180, 1%, 0.76%

LAB 93.33, -34.2, -10.6

 

CMYK 76 / 0 / 22 / 0

HEX #3CFFC7

RGB 60 255 199

HSL 162.77, 1%, 0.62%

LAB 90.14, -59.51, 13.49

 

CMYK 82 / 0 / 24 / 7

HEX #2BEDB4

RGB 43 237 180

HSL 162.37, 0.84%, 0.55%

LAB 84.16, -58.55, 14.85

 

CMYK 88 / 0 / 26 / 14

HEX #1ADBA1

RGB 26 219 161

HSL 161.97, 0.79%, 0.48%

LAB 78.14, -57.27, 16.34

 

CMYK 96 / 0 / 29 / 21

HEX #09C98E

RGB 9 201 142

HSL 161.56, 0.91%, 0.41%

LAB 72.08, -55.59, 17.96

 

CMYK 100 / 0 / 33 / 28

HEX #00B77B

RGB 0 183 123

HSL 160.33, 1%, 0.36%

LAB 65.98, -53.46, 19.75

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC7

RGB 61 255 199

HSL 162.68, 1%, 0.62%

LAB 90.15, -59.41, 13.51

 

CMYK 76 / 0 / 42 / 0

HEX #3DFF93

RGB 61 255 147

HSL 146.6, 1%, 0.62%

LAB 89.21, -69.82, 38.47

 

CMYK 76 / 0 / 63 / 0

HEX #3DFF5E

RGB 61 255 94

HSL 130.21, 1%, 0.62%

LAB 88.6, -77.09, 61.84

 

CMYK 69 / 0 / 76 / 0

HEX #4FFF3D

RGB 79 255 61

HSL 114.43, 1%, 0.62%

LAB 88.69, -77.12, 73.87

 

CMYK 48 / 0 / 76 / 0

HEX #84FF3D

RGB 132 255 61

HSL 98.04, 1%, 0.62%

LAB 90.21, -64.91, 75.85

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC7

RGB 61 255 199

HSL 162.68, 1%, 0.62%

LAB 90.15, -59.41, 13.51

 

CMYK 76 / 0 / 2 / 0

HEX #3DFFFB

RGB 61 255 251

HSL 178.76, 1%, 0.62%

LAB 91.45, -46.24, -11.52

 

CMYK 76 / 19 / 0 / 0

HEX #3DCEFF

RGB 61 206 255

HSL 195.15, 1%, 0.62%

LAB 77.49, -22.01, -34.82

 

CMYK 76 / 40 / 0 / 0

HEX #3D99FF

RGB 61 153 255

HSL 211.55, 1%, 0.62%

LAB 62.5, 7.15, -58.36

 

CMYK 76 / 60 / 0 / 0

HEX #3D65FF

RGB 61 101 255

HSL 227.63, 1%, 0.62%

LAB 48.91, 38.99, -80.33

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC7

RGB 61 255 199

HSL 162.68, 1%, 0.62%

LAB 90.15, -59.41, 13.51

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC7

RGB 61 255 199

HSL 162.68, 1%, 0.62%

LAB 90.15, -59.41, 13.51

 

CMYK 68 / 0 / 20 / 6

HEX #4CEFC0

RGB 76 239 192

HSL 162.7, 0.84%, 0.62%

LAB 85.54, -52.77, 10.62

 

CMYK 59 / 0 / 17 / 13

HEX #5CDFB9

RGB 92 223 185

HSL 162.6, 0.67%, 0.62%

LAB 81.05, -44.99, 7.93

 

CMYK 48 / 0 / 14 / 19

HEX #6CCFB3

RGB 108 207 179

HSL 163.03, 0.51%, 0.62%

LAB 76.72, -35.78, 4.97

 

CMYK 36 / 0 / 10 / 25

HEX #7BC0AC

RGB 123 192 172

HSL 162.61, 0.35%, 0.62%

LAB 72.82, -26.29, 3.2

 

CMYK 76 / 0 / 64 / 0

HEX #3DFF5D

RGB 61 255 93

HSL 129.9, 1%, 0.62%

LAB 88.59, -77.2, 62.24

 

CMYK 76 / 0 / 43 / 0

HEX #3DFF91

RGB 61 255 145

HSL 145.98, 1%, 0.62%

LAB 89.18, -70.16, 39.41

 

CMYK 76 / 0 / 23 / 0

HEX #3DFFC4

RGB 61 255 196

HSL 161.75, 1%, 0.62%

LAB 90.09, -60.09, 14.96

 

CMYK 76 / 0 / 3 / 0

HEX #3DFFF8

RGB 61 255 248

HSL 177.84, 1%, 0.62%

LAB 91.37, -47.07, -10.09

 

CMYK 76 / 18 / 0 / 0

HEX #3DD1FF

RGB 61 209 255

HSL 194.23, 1%, 0.62%

LAB 78.35, -23.53, -33.49

 

CMYK 100 / 0 / 29 / 9

HEX #00E9A6

RGB 0 233 166

HSL 162.75, 1%, 0.46%

LAB 82.4, -62.28, 19.62

 

CMYK 93 / 0 / 27 / 0

HEX #13FFBB

RGB 19 255 187

HSL 162.71, 1%, 0.54%

LAB 89.51, -65.08, 18.71

 

CMYK 76 / 0 / 22 / 0

HEX #3DFFC7

RGB 61 255 199

HSL 162.68, 1%, 0.62%

LAB 90.15, -59.41, 13.51

 

CMYK 60 / 0 / 17 / 0

HEX #66FFD3

RGB 102 255 211

HSL 162.75, 1%, 0.7%

LAB 91.26, -50.77, 9.01

 

CMYK 44 / 0 / 13 / 0

HEX #8FFFDF

RGB 143 255 223

HSL 162.86, 1%, 0.78%

LAB 92.88, -39.41, 5.32

 

CMYK 76 / 0 / 22 / 0

HEX #3CFFC7

RGB 60 255 199

HSL 162.77, 1%, 0.62%

LAB 90.14, -59.51, 13.49

 

CMYK 76 / 69 / 0 / 0

HEX #3D50FF

RGB 61 80 255

HSL 234.12, 1%, 0.62%

LAB 44.16, 51.56, -88.12

 

CMYK 0 / 53 / 76 / 0

HEX #FF773D

RGB 255 119 61

HSL 17.94, 1%, 0.62%

LAB 65.59, 48.38, 54.97

 

CMYK 76 / 0 / 22 / 0

HEX #3CFFC7

RGB 60 255 199

HSL 162.77, 1%, 0.62%

LAB 90.14, -59.51, 13.49

 

CMYK 23 / 76 / 0 / 0

HEX #C43DFF

RGB 196 61 255

HSL 281.75, 1%, 0.62%

LAB 54.34, 79.12, -70.95

 

CMYK 0 / 23 / 76 / 0

HEX #FFC43D

RGB 255 196 61

HSL 41.75, 1%, 0.62%

LAB 82.42, 8.99, 71.35

 

CMYK 76 / 0 / 22 / 0

HEX #3CFFC7

RGB 60 255 199

HSL 162.77, 1%, 0.62%

LAB 90.14, -59.51, 13.49

 

CMYK 76 / 69 / 0 / 0

HEX #3D50FF

RGB 61 80 255

HSL 234.12, 1%, 0.62%

LAB 44.16, 51.56, -88.12

 

CMYK 0 / 76 / 53 / 0

HEX #FF3D77

RGB 255 61 119

HSL 342.06, 1%, 0.62%

LAB 57.97, 74.4, 13.81

 

CMYK 0 / 8 / 76 / 0

HEX #FFEB3D

RGB 255 235 61

HSL 53.81, 1%, 0.62%

LAB 92.14, -10.76, 80.32

 

CMYK 76 / 0 / 22 / 0

HEX #3CFFC7

RGB 60 255 199

HSL 162.77, 1%, 0.62%

LAB 90.14, -59.51, 13.49

 

CMYK 61 / 76 / 0 / 0

HEX #633DFF

RGB 99 61 255

HSL 251.75, 1%, 0.62%

LAB 43.08, 65.13, -89.82

 

CMYK 0 / 76 / 53 / 0

HEX #FF3D77

RGB 255 61 119

HSL 342.06, 1%, 0.62%

LAB 57.97, 74.4, 13.81

 

CMYK 15 / 0 / 76 / 0

HEX #D8FF3D

RGB 216 255 61

HSL 72.06, 1%, 0.62%

LAB 94.51, -35.99, 81.42

 

Description

Color code: HEX #3CFFC7 | qconv.com Color code: HEX #3CFFC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 255 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 255 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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