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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CF5A3 it is the complementary color #C30A5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CF5A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CF5A3 shade: #41F59E, #52FFB1, #63FFC4, #74FFD7 and #85FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CF5A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CF5A3 shade: #3CF5A3, #2BE390, #1AD17D, #09BF6A and #00AD57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CF5A3 shade: #3DF4A3, #3DF471, #3DF440, #6BF43D and #9DF43D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CF5A3 shade: #3DF4A3, #3DF4D4, #3DE3F4, #3DB1F4 and #3D80F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CF5A3 shade matches the following richer shades: #3DF4A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CF5A3 shade: #3DF4A3, #4DE4A1, #5ED39F, #6EC39D and #7FB29B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CF5A3 shade: #3DF440, #3DF471, #3DF4A2, #3DF4D3 and #3DE5F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CF5A3 shade: #0BD47B, #16F290, #3DF4A3, #64F6B5 and #8BF8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CF5A3 shade: #3CF5A3, #3D6BF4 and #F4583D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CF5A3 shade: #3CF5A3, #A23DF4 and #F4A23D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CF5A3 shade: #3CF5A3, #3D6BF4, #F43D8F and #F4C63D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CF5A3 shade: #3CF5A3, #463DF4, #F43D8F and #EBF43D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 4

HEX #3CF5A3

RGB 60 245 163

HSL 153.41, 0.9%, 0.6%

LAB 86.46, -63.46, 26.82

 

Complementary color

CMYK 0 / 95 / 53 / 24

HEX #C30A5C

RGB 195 10 92

HSL 333.41, 0.9%, 0.4%

LAB 42.14, 67.8, 6.36

 

CMYK 73 / 0 / 36 / 4

HEX #41F59E

RGB 65 245 158

HSL 151, 0.9%, 0.61%

LAB 86.45, -63.81, 29.36

 

CMYK 68 / 0 / 31 / 0

HEX #52FFB1

RGB 82 255 177

HSL 152.95, 1%, 0.66%

LAB 90.09, -61.39, 24.72

 

CMYK 61 / 0 / 23 / 0

HEX #63FFC4

RGB 99 255 196

HSL 157.31, 1%, 0.69%

LAB 90.85, -54.62, 16.15

 

CMYK 55 / 0 / 16 / 0

HEX #74FFD7

RGB 116 255 215

HSL 162.73, 1%, 0.73%

LAB 91.75, -47.2, 7.7

 

CMYK 48 / 0 / 8 / 0

HEX #85FFEA

RGB 133 255 234

HSL 169.67, 1%, 0.76%

LAB 92.77, -39.25, -0.56

 

CMYK 76 / 0 / 33 / 4

HEX #3CF5A3

RGB 60 245 163

HSL 153.41, 0.9%, 0.6%

LAB 86.46, -63.46, 26.82

 

CMYK 81 / 0 / 37 / 11

HEX #2BE390

RGB 43 227 144

HSL 152.93, 0.77%, 0.53%

LAB 80.44, -62.51, 28.35

 

CMYK 88 / 0 / 40 / 18

HEX #1AD17D

RGB 26 209 125

HSL 152.46, 0.78%, 0.46%

LAB 74.38, -61.19, 30.01

 

CMYK 95 / 0 / 45 / 25

HEX #09BF6A

RGB 9 191 106

HSL 151.98, 0.91%, 0.39%

LAB 68.29, -59.38, 31.79

 

CMYK 100 / 0 / 50 / 32

HEX #00AD57

RGB 0 173 87

HSL 150.17, 1%, 0.34%

LAB 62.15, -57, 33.7

 

CMYK 75 / 0 / 33 / 4

HEX #3DF4A3

RGB 61 244 163

HSL 153.44, 0.89%, 0.6%

LAB 86.18, -62.97, 26.44

 

CMYK 75 / 0 / 54 / 4

HEX #3DF471

RGB 61 244 113

HSL 137.05, 0.89%, 0.6%

LAB 85.45, -71.35, 49.93

 

CMYK 75 / 0 / 74 / 4

HEX #3DF440

RGB 61 244 64

HSL 120.98, 0.89%, 0.6%

LAB 85.03, -76.4, 69.21

 

CMYK 56 / 0 / 75 / 4

HEX #6BF43D

RGB 107 244 61

HSL 104.92, 0.89%, 0.6%

LAB 86.09, -67.68, 71.58

 

CMYK 36 / 0 / 75 / 4

HEX #9DF43D

RGB 157 244 61

HSL 88.52, 0.89%, 0.6%

LAB 88.07, -52.91, 74.17

 

CMYK 75 / 0 / 33 / 4

HEX #3DF4A3

RGB 61 244 163

HSL 153.44, 0.89%, 0.6%

LAB 86.18, -62.97, 26.44

 

CMYK 75 / 0 / 13 / 4

HEX #3DF4D4

RGB 61 244 212

HSL 169.51, 0.89%, 0.6%

LAB 87.22, -51.88, 2.55

 

CMYK 75 / 7 / 0 / 4

HEX #3DE3F4

RGB 61 227 244

HSL 185.57, 0.89%, 0.6%

LAB 83.16, -35.63, -20.3

 

CMYK 75 / 27 / 0 / 4

HEX #3DB1F4

RGB 61 177 244

HSL 201.97, 0.89%, 0.6%

LAB 68.73, -10.36, -42.53

 

CMYK 75 / 48 / 0 / 4

HEX #3D80F4

RGB 61 128 244

HSL 218.03, 0.89%, 0.6%

LAB 55.03, 18.28, -64.28

 

CMYK 75 / 0 / 33 / 4

HEX #3DF4A3

RGB 61 244 163

HSL 153.44, 0.89%, 0.6%

LAB 86.18, -62.97, 26.44

 

CMYK 75 / 0 / 33 / 4

HEX #3DF4A3

RGB 61 244 163

HSL 153.44, 0.89%, 0.6%

LAB 86.18, -62.97, 26.44

 

CMYK 66 / 0 / 29 / 11

HEX #4DE4A1

RGB 77 228 161

HSL 153.38, 0.74%, 0.6%

LAB 81.64, -55.01, 21.31

 

CMYK 55 / 0 / 25 / 17

HEX #5ED39F

RGB 94 211 159

HSL 153.33, 0.57%, 0.6%

LAB 76.96, -45.18, 15.94

 

CMYK 44 / 0 / 19 / 24

HEX #6EC39D

RGB 110 195 157

HSL 153.18, 0.41%, 0.6%

LAB 72.75, -34.58, 11.15

 

CMYK 29 / 0 / 13 / 30

HEX #7FB29B

RGB 127 178 155

HSL 152.94, 0.25%, 0.6%

LAB 68.55, -21.78, 6.37

 

CMYK 75 / 0 / 74 / 4

HEX #3DF440

RGB 61 244 64

HSL 120.98, 0.89%, 0.6%

LAB 85.03, -76.4, 69.21

 

CMYK 75 / 0 / 54 / 4

HEX #3DF471

RGB 61 244 113

HSL 137.05, 0.89%, 0.6%

LAB 85.45, -71.35, 49.93

 

CMYK 75 / 0 / 34 / 4

HEX #3DF4A2

RGB 61 244 162

HSL 153.11, 0.89%, 0.6%

LAB 86.16, -63.17, 26.92

 

CMYK 75 / 0 / 14 / 4

HEX #3DF4D3

RGB 61 244 211

HSL 169.18, 0.89%, 0.6%

LAB 87.19, -52.13, 3.04

 

CMYK 75 / 6 / 0 / 4

HEX #3DE5F4

RGB 61 229 244

HSL 184.92, 0.89%, 0.6%

LAB 83.74, -36.56, -19.43

 

CMYK 95 / 0 / 42 / 17

HEX #0BD47B

RGB 11 212 123

HSL 153.43, 0.9%, 0.44%

LAB 75.19, -63.36, 32.08

 

CMYK 91 / 0 / 40 / 5

HEX #16F290

RGB 22 242 144

HSL 153.27, 0.89%, 0.52%

LAB 84.84, -69.18, 34.16

 

CMYK 75 / 0 / 33 / 4

HEX #3DF4A3

RGB 61 244 163

HSL 153.44, 0.89%, 0.6%

LAB 86.18, -62.97, 26.44

 

CMYK 59 / 0 / 26 / 4

HEX #64F6B5

RGB 100 246 181

HSL 153.29, 0.89%, 0.68%

LAB 87.95, -53.92, 19.79

 

CMYK 44 / 0 / 19 / 3

HEX #8BF8C8

RGB 139 248 200

HSL 153.58, 0.89%, 0.76%

LAB 90.23, -42.13, 13.39

 

CMYK 76 / 0 / 33 / 4

HEX #3CF5A3

RGB 60 245 163

HSL 153.41, 0.9%, 0.6%

LAB 86.46, -63.46, 26.82

 

CMYK 75 / 56 / 0 / 4

HEX #3D6BF4

RGB 61 107 244

HSL 224.92, 0.89%, 0.6%

LAB 49.54, 31.35, -73.17

 

CMYK 0 / 64 / 75 / 4

HEX #F4583D

RGB 244 88 61

HSL 8.85, 0.89%, 0.6%

LAB 58.55, 58.39, 47.13

 

CMYK 76 / 0 / 33 / 4

HEX #3CF5A3

RGB 60 245 163

HSL 153.41, 0.9%, 0.6%

LAB 86.46, -63.46, 26.82

 

CMYK 34 / 75 / 0 / 4

HEX #A23DF4

RGB 162 61 244

HSL 273.11, 0.89%, 0.6%

LAB 48.95, 71.12, -73.78

 

CMYK 0 / 34 / 75 / 4

HEX #F4A23D

RGB 244 162 61

HSL 33.11, 0.89%, 0.6%

LAB 73.16, 22.17, 62.05

 

CMYK 76 / 0 / 33 / 4

HEX #3CF5A3

RGB 60 245 163

HSL 153.41, 0.9%, 0.6%

LAB 86.46, -63.46, 26.82

 

CMYK 75 / 56 / 0 / 4

HEX #3D6BF4

RGB 61 107 244

HSL 224.92, 0.89%, 0.6%

LAB 49.54, 31.35, -73.17

 

CMYK 0 / 75 / 41 / 4

HEX #F43D8F

RGB 244 61 143

HSL 333.11, 0.89%, 0.6%

LAB 56.64, 73.5, -2.56

 

CMYK 0 / 19 / 75 / 4

HEX #F4C63D

RGB 244 198 61

HSL 44.92, 0.89%, 0.6%

LAB 81.82, 3.32, 70.39

 

CMYK 76 / 0 / 33 / 4

HEX #3CF5A3

RGB 60 245 163

HSL 153.41, 0.9%, 0.6%

LAB 86.46, -63.46, 26.82

 

CMYK 71 / 75 / 0 / 4

HEX #463DF4

RGB 70 61 244

HSL 242.95, 0.89%, 0.6%

LAB 39.87, 59.16, -89.02

 

CMYK 0 / 75 / 41 / 4

HEX #F43D8F

RGB 244 61 143

HSL 333.11, 0.89%, 0.6%

LAB 56.64, 73.5, -2.56

 

CMYK 4 / 0 / 75 / 4

HEX #EBF43D

RGB 235 244 61

HSL 62.95, 0.89%, 0.6%

LAB 92.88, -23.33, 80.41

 

Description

Color code: HEX #3CF5A3 | qconv.com Color code: HEX #3CF5A3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 245 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 245 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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