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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CE089 it is the complementary color #C31F76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CE089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CE089 shade: #41E084, #52F297, #63FFAA, #74FFBD and #85FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CE089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CE089 shade: #3CE089, #2BCE76, #1ABC63, #09AA50 and #00983D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CE089 shade: #3CE089, #3CE05D, #48E03C, #74E03C and #A0E03C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CE089 shade: #3CE089, #3CE0B5, #3CDFE0, #3CB3E0 and #3C86E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CE089 shade matches the following richer shades: #3CE089 and #2AF288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CE089 shade: #3CE089, #4FCE8A, #61BC8C, #73AA8D and #85988E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CE089 shade: #47E03C, #3CE05D, #3CE089, #3CE0B5 and #3CE0E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CE089 shade: #1BAF61, #20D374, #3CE089, #60E69F and #84EBB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CE089 shade: #3CE089, #3C73E0 and #E0473C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CE089 shade: #3CE089, #893CE0 and #E0893C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CE089 shade: #3CE089, #3C73E0, #E03C94 and #E0AA3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CE089 shade: #3CE089, #3C42E0, #E03C94 and #E0DB3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

Complementary color

CMYK 0 / 84 / 39 / 24

HEX #C31F76

RGB 195 31 118

HSL 328.17, 0.73%, 0.44%

LAB 44.07, 66.73, -7.07

 

CMYK 71 / 0 / 41 / 12

HEX #41E084

RGB 65 224 132

HSL 145.28, 0.72%, 0.57%

LAB 79.67, -60.95, 33.49

 

CMYK 66 / 0 / 38 / 5

HEX #52F297

RGB 82 242 151

HSL 145.88, 0.86%, 0.64%

LAB 85.77, -61.44, 32.04

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAA

RGB 99 255 170

HSL 147.31, 1%, 0.69%

LAB 90.36, -59.81, 28.69

 

CMYK 55 / 0 / 26 / 0

HEX #74FFBD

RGB 116 255 189

HSL 151.51, 1%, 0.73%

LAB 91.19, -52.71, 20.28

 

CMYK 48 / 0 / 18 / 0

HEX #85FFD0

RGB 133 255 208

HSL 156.89, 1%, 0.76%

LAB 92.16, -45, 11.98

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 79 / 0 / 43 / 19

HEX #2BCE76

RGB 43 206 118

HSL 147.61, 0.65%, 0.49%

LAB 73.52, -59.9, 32.5

 

CMYK 86 / 0 / 47 / 26

HEX #1ABC63

RGB 26 188 99

HSL 147.04, 0.76%, 0.42%

LAB 67.34, -58.6, 34.18

 

CMYK 95 / 0 / 53 / 33

HEX #09AA50

RGB 9 170 80

HSL 146.46, 0.9%, 0.35%

LAB 61.12, -56.72, 35.97

 

CMYK 100 / 0 / 60 / 40

HEX #00983D

RGB 0 152 61

HSL 144.08, 1%, 0.3%

LAB 54.86, -54.1, 37.79

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 73 / 0 / 58 / 12

HEX #3CE05D

RGB 60 224 93

HSL 132.07, 0.73%, 0.56%

LAB 79.08, -67.52, 51.43

 

CMYK 68 / 0 / 73 / 12

HEX #48E03C

RGB 72 224 60

HSL 115.61, 0.73%, 0.56%

LAB 79.05, -68.72, 64.63

 

CMYK 48 / 0 / 73 / 12

HEX #74E03C

RGB 116 224 60

HSL 99.51, 0.73%, 0.56%

LAB 80.38, -58.15, 66.39

 

CMYK 29 / 0 / 73 / 12

HEX #A0E03C

RGB 160 224 60

HSL 83.41, 0.73%, 0.56%

LAB 82.44, -43.56, 69.12

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 73 / 0 / 19 / 12

HEX #3CE0B5

RGB 60 224 181

HSL 164.27, 0.73%, 0.56%

LAB 80.52, -51.42, 9.19

 

CMYK 73 / 0 / 0 / 12

HEX #3CDFE0

RGB 60 223 224

HSL 180.37, 0.73%, 0.56%

LAB 81.36, -39.69, -12.41

 

CMYK 73 / 20 / 0 / 12

HEX #3CB3E0

RGB 60 179 224

HSL 196.46, 0.73%, 0.56%

LAB 68.45, -18.21, -32.05

 

CMYK 73 / 40 / 0 / 12

HEX #3C86E0

RGB 60 134 224

HSL 212.93, 0.73%, 0.56%

LAB 55.47, 7.26, -52.43

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 83 / 0 / 44 / 5

HEX #2AF288

RGB 42 242 136

HSL 148.2, 0.88%, 0.56%

LAB 84.88, -69.25, 38.21

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 62 / 0 / 33 / 19

HEX #4FCE8A

RGB 79 206 138

HSL 147.87, 0.56%, 0.56%

LAB 74.6, -50.52, 23.7

 

CMYK 48 / 0 / 26 / 26

HEX #61BC8C

RGB 97 188 140

HSL 148.35, 0.4%, 0.56%

LAB 69.75, -38.34, 16.07

 

CMYK 32 / 0 / 17 / 33

HEX #73AA8D

RGB 115 170 141

HSL 148.36, 0.24%, 0.56%

LAB 65.21, -24.44, 9.25

 

CMYK 13 / 0 / 7 / 40

HEX #85988E

RGB 133 152 142

HSL 148.42, 0.08%, 0.56%

LAB 61.13, -8.78, 2.98

 

CMYK 68 / 0 / 73 / 12

HEX #47E03C

RGB 71 224 60

HSL 115.98, 0.73%, 0.56%

LAB 79.03, -68.91, 64.6

 

CMYK 73 / 0 / 58 / 12

HEX #3CE05D

RGB 60 224 93

HSL 132.07, 0.73%, 0.56%

LAB 79.08, -67.52, 51.43

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 73 / 0 / 19 / 12

HEX #3CE0B5

RGB 60 224 181

HSL 164.27, 0.73%, 0.56%

LAB 80.52, -51.42, 9.19

 

CMYK 73 / 0 / 0 / 12

HEX #3CE0E0

RGB 60 224 224

HSL 180, 0.73%, 0.56%

LAB 81.65, -40.15, -11.98

 

CMYK 85 / 0 / 45 / 31

HEX #1BAF61

RGB 27 175 97

HSL 148.38, 0.73%, 0.4%

LAB 63.14, -54.31, 29.84

 

CMYK 85 / 0 / 45 / 17

HEX #20D374

RGB 32 211 116

HSL 148.16, 0.74%, 0.48%

LAB 74.92, -63.06, 35.3

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 58 / 0 / 31 / 10

HEX #60E69F

RGB 96 230 159

HSL 148.21, 0.73%, 0.64%

LAB 82.69, -52.65, 23.87

 

CMYK 44 / 0 / 23 / 8

HEX #84EBB4

RGB 132 235 180

HSL 147.96, 0.72%, 0.72%

LAB 85.81, -42.18, 17.5

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 73 / 49 / 0 / 12

HEX #3C73E0

RGB 60 115 224

HSL 219.88, 0.73%, 0.56%

LAB 50.22, 18.98, -60.86

 

CMYK 0 / 68 / 73 / 12

HEX #E0473C

RGB 224 71 60

HSL 4.02, 0.73%, 0.56%

LAB 52.6, 58.59, 40.17

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 39 / 73 / 0 / 12

HEX #893CE0

RGB 137 60 224

HSL 268.17, 0.73%, 0.56%

LAB 44.14, 62.8, -70.46

 

CMYK 0 / 39 / 73 / 12

HEX #E0893C

RGB 224 137 60

HSL 28.17, 0.73%, 0.56%

LAB 65.01, 27.06, 53.49

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 73 / 49 / 0 / 12

HEX #3C73E0

RGB 60 115 224

HSL 219.88, 0.73%, 0.56%

LAB 50.22, 18.98, -60.86

 

CMYK 0 / 73 / 34 / 12

HEX #E03C94

RGB 224 60 148

HSL 327.8, 0.73%, 0.56%

LAB 53.19, 69.16, -11.04

 

CMYK 0 / 24 / 73 / 12

HEX #E0AA3C

RGB 224 170 60

HSL 40.24, 0.73%, 0.56%

LAB 72.84, 9.43, 61.39

 

CMYK 73 / 0 / 39 / 12

HEX #3CE089

RGB 60 224 137

HSL 148.17, 0.73%, 0.56%

LAB 79.66, -60.78, 30.93

 

CMYK 73 / 71 / 0 / 12

HEX #3C42E0

RGB 60 66 224

HSL 237.8, 0.73%, 0.56%

LAB 38.27, 49.26, -80.34

 

CMYK 0 / 73 / 34 / 12

HEX #E03C94

RGB 224 60 148

HSL 327.8, 0.73%, 0.56%

LAB 53.19, 69.16, -11.04

 

CMYK 0 / 2 / 73 / 12

HEX #E0DB3C

RGB 224 219 60

HSL 58.17, 0.73%, 0.56%

LAB 85.42, -15.79, 73.49

 

Description

Color code: HEX #3CE089 | qconv.com Color code: HEX #3CE089 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 224 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 224 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 39% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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