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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CE6A7 it is the complementary color #C31958. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CE6A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CE6A7 shade: #41E6A2, #52F8B5, #63FFC8, #74FFDB and #85FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CE6A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CE6A7 shade: #3CE6A7, #2BD494, #1AC281, #09B06E and #009E5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CE6A7 shade: #3CE5A7, #3CE579, #3CE54C, #5BE53C and #88E53C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CE6A7 shade: #3CE5A7, #3CE5D4, #3CC9E5, #3C9BE5 and #3C6EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CE6A7 shade matches the following richer shades: #3CE5A7 and #2BF7AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CE6A7 shade: #3CE5A7, #4ED4A2, #60C29E, #72B099 and #839E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CE6A7 shade: #3CE54A, #3CE578, #3CE5A5, #3CE5D2 and #3CCCE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CE6A7 shade: #17B87C, #1CDC95, #3CE5A7, #61EAB7 and #85EFC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CE6A7 shade: #3CE6A7, #3C5BE5 and #E5613C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CE6A7 shade: #3CE6A7, #A53CE5 and #E5A53C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CE6A7 shade: #3CE6A7, #3C5BE5, #E53C7D and #E5C63C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CE6A7 shade: #3CE6A7, #503CE5, #E53C7D and #D2E53C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 27 / 10

HEX #3CE6A7

RGB 60 230 167

HSL 157.76, 0.77%, 0.57%

LAB 82.02, -56.99, 18.67

 

Complementary color

CMYK 0 / 87 / 55 / 24

HEX #C31958

RGB 195 25 88

HSL 337.76, 0.77%, 0.43%

LAB 42.77, 65.4, 9.77

 

CMYK 72 / 0 / 30 / 10

HEX #41E6A2

RGB 65 230 162

HSL 155.27, 0.77%, 0.58%

LAB 82.02, -57.4, 21.27

 

CMYK 67 / 0 / 27 / 3

HEX #52F8B5

RGB 82 248 181

HSL 155.78, 0.92%, 0.65%

LAB 88.1, -57.88, 19.93

 

CMYK 61 / 0 / 22 / 0

HEX #63FFC8

RGB 99 255 200

HSL 158.85, 1%, 0.69%

LAB 90.94, -53.75, 14.21

 

CMYK 55 / 0 / 14 / 0

HEX #74FFDB

RGB 116 255 219

HSL 164.46, 1%, 0.73%

LAB 91.84, -46.29, 5.77

 

CMYK 48 / 0 / 7 / 0

HEX #85FFEE

RGB 133 255 238

HSL 171.64, 1%, 0.76%

LAB 92.87, -38.31, -2.48

 

CMYK 74 / 0 / 27 / 10

HEX #3CE6A7

RGB 60 230 167

HSL 157.76, 0.77%, 0.57%

LAB 82.02, -56.99, 18.67

 

CMYK 80 / 0 / 30 / 17

HEX #2BD494

RGB 43 212 148

HSL 157.28, 0.66%, 0.5%

LAB 75.91, -56.16, 20.11

 

CMYK 87 / 0 / 34 / 24

HEX #1AC281

RGB 26 194 129

HSL 156.79, 0.76%, 0.43%

LAB 69.75, -54.97, 21.7

 

CMYK 95 / 0 / 38 / 31

HEX #09B06E

RGB 9 176 110

HSL 156.29, 0.9%, 0.36%

LAB 63.54, -53.31, 23.44

 

CMYK 100 / 0 / 42 / 38

HEX #009E5B

RGB 0 158 91

HSL 154.56, 1%, 0.31%

LAB 57.28, -51.08, 25.35

 

CMYK 74 / 0 / 27 / 10

HEX #3CE5A7

RGB 60 229 167

HSL 157.99, 0.76%, 0.57%

LAB 81.72, -56.61, 18.25

 

CMYK 74 / 0 / 47 / 10

HEX #3CE579

RGB 60 229 121

HSL 141.66, 0.76%, 0.57%

LAB 80.95, -65.28, 40.58

 

CMYK 74 / 0 / 67 / 10

HEX #3CE54C

RGB 60 229 76

HSL 125.68, 0.76%, 0.57%

LAB 80.47, -70.96, 60.14

 

CMYK 60 / 0 / 74 / 10

HEX #5BE53C

RGB 91 229 60

HSL 108.99, 0.76%, 0.57%

LAB 81.07, -66.43, 66.8

 

CMYK 41 / 0 / 74 / 10

HEX #88E53C

RGB 136 229 60

HSL 93.02, 0.76%, 0.57%

LAB 82.7, -53.92, 68.96

 

CMYK 74 / 0 / 27 / 10

HEX #3CE5A7

RGB 60 229 167

HSL 157.99, 0.76%, 0.57%

LAB 81.72, -56.61, 18.25

 

CMYK 74 / 0 / 7 / 10

HEX #3CE5D4

RGB 60 229 212

HSL 173.96, 0.76%, 0.57%

LAB 82.78, -45.65, -3.93

 

CMYK 74 / 12 / 0 / 10

HEX #3CC9E5

RGB 60 201 229

HSL 189.94, 0.76%, 0.57%

LAB 75.07, -27.82, -24.59

 

CMYK 74 / 32 / 0 / 10

HEX #3C9BE5

RGB 60 155 229

HSL 206.27, 0.76%, 0.57%

LAB 61.71, -3.33, -45.34

 

CMYK 74 / 52 / 0 / 10

HEX #3C6EE5

RGB 60 110 229

HSL 222.25, 0.76%, 0.57%

LAB 49.22, 23.94, -65.3

 

CMYK 74 / 0 / 27 / 10

HEX #3CE5A7

RGB 60 229 167

HSL 157.99, 0.76%, 0.57%

LAB 81.72, -56.61, 18.25

 

CMYK 83 / 0 / 31 / 3

HEX #2BF7AB

RGB 43 247 171

HSL 157.65, 0.93%, 0.57%

LAB 86.98, -64.25, 23.42

 

CMYK 74 / 0 / 27 / 10

HEX #3CE5A7

RGB 60 229 167

HSL 157.99, 0.76%, 0.57%

LAB 81.72, -56.61, 18.25

 

CMYK 63 / 0 / 24 / 17

HEX #4ED4A2

RGB 78 212 162

HSL 157.61, 0.61%, 0.57%

LAB 76.87, -48.15, 14.14

 

CMYK 51 / 0 / 19 / 24

HEX #60C29E

RGB 96 194 158

HSL 157.96, 0.45%, 0.57%

LAB 71.92, -37.45, 9.36

 

CMYK 35 / 0 / 13 / 31

HEX #72B099

RGB 114 176 153

HSL 157.74, 0.28%, 0.57%

LAB 67.22, -25.18, 5.48

 

CMYK 17 / 0 / 6 / 38

HEX #839E94

RGB 131 158 148

HSL 157.78, 0.12%, 0.57%

LAB 62.86, -11.5, 2.08

 

CMYK 74 / 0 / 68 / 10

HEX #3CE54A

RGB 60 229 74

HSL 124.97, 0.76%, 0.57%

LAB 80.46, -71.15, 60.91

 

CMYK 74 / 0 / 48 / 10

HEX #3CE578

RGB 60 229 120

HSL 141.3, 0.76%, 0.57%

LAB 80.94, -65.44, 41.05

 

CMYK 74 / 0 / 28 / 10

HEX #3CE5A5

RGB 60 229 165

HSL 157.28, 0.76%, 0.57%

LAB 81.68, -57.04, 19.23

 

CMYK 74 / 0 / 8 / 10

HEX #3CE5D2

RGB 60 229 210

HSL 173.25, 0.76%, 0.57%

LAB 82.73, -46.18, -2.95

 

CMYK 74 / 11 / 0 / 10

HEX #3CCCE5

RGB 60 204 229

HSL 188.88, 0.76%, 0.57%

LAB 75.95, -29.29, -23.25

 

CMYK 88 / 0 / 33 / 28

HEX #17B87C

RGB 23 184 124

HSL 157.64, 0.78%, 0.41%

LAB 66.46, -52.52, 19.88

 

CMYK 87 / 0 / 32 / 14

HEX #1CDC95

RGB 28 220 149

HSL 157.81, 0.77%, 0.49%

LAB 78.23, -60.16, 22.75

 

CMYK 74 / 0 / 27 / 10

HEX #3CE5A7

RGB 60 229 167

HSL 157.99, 0.76%, 0.57%

LAB 81.72, -56.61, 18.25

 

CMYK 59 / 0 / 22 / 8

HEX #61EAB7

RGB 97 234 183

HSL 157.66, 0.77%, 0.65%

LAB 84.38, -49.15, 13.75

 

CMYK 44 / 0 / 16 / 6

HEX #85EFC8

RGB 133 239 200

HSL 157.92, 0.77%, 0.73%

LAB 87.43, -39.62, 9.38

 

CMYK 74 / 0 / 27 / 10

HEX #3CE6A7

RGB 60 230 167

HSL 157.76, 0.77%, 0.57%

LAB 82.02, -56.99, 18.67

 

CMYK 74 / 60 / 0 / 10

HEX #3C5BE5

RGB 60 91 229

HSL 228.99, 0.76%, 0.57%

LAB 44.38, 35.9, -73.17

 

CMYK 0 / 58 / 74 / 10

HEX #E5613C

RGB 229 97 60

HSL 13.14, 0.76%, 0.57%

LAB 57.59, 49.2, 45.89

 

CMYK 74 / 0 / 27 / 10

HEX #3CE6A7

RGB 60 230 167

HSL 157.76, 0.77%, 0.57%

LAB 82.02, -56.99, 18.67

 

CMYK 28 / 74 / 0 / 10

HEX #A53CE5

RGB 165 60 229

HSL 277.28, 0.76%, 0.57%

LAB 48.12, 68.82, -66.66

 

CMYK 0 / 28 / 74 / 10

HEX #E5A53C

RGB 229 165 60

HSL 37.28, 0.76%, 0.57%

LAB 72.16, 14.23, 60.89

 

CMYK 74 / 0 / 27 / 10

HEX #3CE6A7

RGB 60 230 167

HSL 157.76, 0.77%, 0.57%

LAB 82.02, -56.99, 18.67

 

CMYK 74 / 60 / 0 / 10

HEX #3C5BE5

RGB 60 91 229

HSL 228.99, 0.76%, 0.57%

LAB 44.38, 35.9, -73.17

 

CMYK 0 / 74 / 45 / 10

HEX #E53C7D

RGB 229 60 125

HSL 336.92, 0.76%, 0.57%

LAB 53.35, 68.21, 3.03

 

CMYK 0 / 14 / 74 / 10

HEX #E5C63C

RGB 229 198 60

HSL 48.99, 0.76%, 0.57%

LAB 80.39, -3.09, 68.88

 

CMYK 74 / 0 / 27 / 10

HEX #3CE6A7

RGB 60 230 167

HSL 157.76, 0.77%, 0.57%

LAB 82.02, -56.99, 18.67

 

CMYK 65 / 74 / 0 / 10

HEX #503CE5

RGB 80 60 229

HSL 247.1, 0.76%, 0.57%

LAB 38.89, 56.11, -82.13

 

CMYK 0 / 74 / 45 / 10

HEX #E53C7D

RGB 229 60 125

HSL 336.92, 0.76%, 0.57%

LAB 53.35, 68.21, 3.03

 

CMYK 8 / 0 / 74 / 10

HEX #D2E53C

RGB 210 229 60

HSL 66.75, 0.76%, 0.57%

LAB 87.03, -26.4, 74.62

 

Description

Color code: HEX #3CE6A7 | qconv.com Color code: HEX #3CE6A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 230 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 230 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 27% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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