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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CD1B3 it is the complementary color #C32E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CD1B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CD1B3 shade: #41D1AE, #52E3C1, #63F5D4, #74FFE7 and #85FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CD1B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CD1B3 shade: #3CD1B3, #2BBFA0, #1AAD8D, #099B7A and #008967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CD1B3 shade: #3CD1B3, #3CD18B, #3CD163, #3ED13C and #66D13C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CD1B3 shade: #3CD1B3, #3CC7D1, #3C9FD1, #3C77D1 and #3C4FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CD1B3 shade matches the following richer shades: #3CD1B3, #29E4BF and #16F8CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CD1B3 shade: #3CD1B3, #50BEA7, #63AA9C, #779790 and #8A8385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CD1B3 shade: #3CD161, #3CD189, #3CD1B1, #3CCAD1 and #3CA2D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CD1B3 shade: #239880, #2BB99C, #3CD1B3, #5ED9C0 and #7FE1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CD1B3 shade: #3CD1B3, #3C3FD1 and #D1753C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CD1B3 shade: #3CD1B3, #B13CD1 and #D1B13C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CD1B3 shade: #3CD1B3, #3C3FD1, #D13C5D and #D1CE3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CD1B3 shade: #3CD1B3, #663CD1, #D13C5D and #A7D13C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

Complementary color

CMYK 0 / 76 / 61 / 24

HEX #C32E4C

RGB 195 46 76

HSL 347.92, 0.62%, 0.47%

LAB 44.34, 59.34, 19.42

 

CMYK 69 / 0 / 17 / 18

HEX #41D1AE

RGB 65 209 174

HSL 165.42, 0.61%, 0.54%

LAB 75.93, -46.2, 6.36

 

CMYK 64 / 0 / 15 / 11

HEX #52E3C1

RGB 82 227 193

HSL 165.93, 0.72%, 0.61%

LAB 82.15, -46.6, 5.26

 

CMYK 60 / 0 / 13 / 4

HEX #63F5D4

RGB 99 245 212

HSL 166.44, 0.88%, 0.67%

LAB 88.31, -46.84, 4.24

 

CMYK 55 / 0 / 9 / 0

HEX #74FFE7

RGB 116 255 231

HSL 169.64, 1%, 0.73%

LAB 92.13, -43.49, -0.01

 

CMYK 48 / 0 / 2 / 0

HEX #85FFFA

RGB 133 255 250

HSL 177.54, 1%, 0.76%

LAB 93.19, -35.43, -8.22

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 77 / 0 / 16 / 25

HEX #2BBFA0

RGB 43 191 160

HSL 167.43, 0.63%, 0.46%

LAB 69.69, -44.9, 4.9

 

CMYK 85 / 0 / 18 / 32

HEX #1AAD8D

RGB 26 173 141

HSL 166.94, 0.74%, 0.39%

LAB 63.37, -43.83, 6.24

 

CMYK 94 / 0 / 21 / 39

HEX #099B7A

RGB 9 155 122

HSL 166.44, 0.89%, 0.32%

LAB 56.98, -42.32, 7.75

 

CMYK 100 / 0 / 25 / 46

HEX #008967

RGB 0 137 103

HSL 165.11, 1%, 0.27%

LAB 50.54, -40.25, 9.45

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 71 / 0 / 33 / 18

HEX #3CD18B

RGB 60 209 139

HSL 151.81, 0.62%, 0.53%

LAB 75.09, -54.78, 23.77

 

CMYK 71 / 0 / 53 / 18

HEX #3CD163

RGB 60 209 99

HSL 135.7, 0.62%, 0.53%

LAB 74.48, -61.68, 43.18

 

CMYK 70 / 0 / 71 / 18

HEX #3ED13C

RGB 62 209 60

HSL 119.19, 0.62%, 0.53%

LAB 74.16, -65.7, 59.59

 

CMYK 51 / 0 / 71 / 18

HEX #66D13C

RGB 102 209 60

HSL 103.09, 0.62%, 0.53%

LAB 75.3, -56.54, 61.12

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 71 / 5 / 0 / 18

HEX #3CC7D1

RGB 60 199 209

HSL 184.03, 0.62%, 0.53%

LAB 73.81, -32.89, -15.69

 

CMYK 71 / 24 / 0 / 18

HEX #3C9FD1

RGB 60 159 209

HSL 200.13, 0.62%, 0.53%

LAB 61.96, -12.44, -33.83

 

CMYK 71 / 43 / 0 / 18

HEX #3C77D1

RGB 60 119 209

HSL 216.24, 0.62%, 0.53%

LAB 50.4, 11.02, -52.07

 

CMYK 71 / 62 / 0 / 18

HEX #3C4FD1

RGB 60 79 209

HSL 232.35, 0.62%, 0.53%

LAB 39.84, 36.34, -69.15

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 82 / 0 / 16 / 11

HEX #29E4BF

RGB 41 228 191

HSL 168.13, 0.78%, 0.53%

LAB 81.69, -52.52, 5.55

 

CMYK 91 / 0 / 19 / 3

HEX #16F8CA

RGB 22 248 202

HSL 167.79, 0.94%, 0.53%

LAB 87.76, -58.83, 8.5

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 58 / 0 / 12 / 25

HEX #50BEA7

RGB 80 190 167

HSL 167.45, 0.46%, 0.53%

LAB 70.4, -36.99, 2.21

 

CMYK 42 / 0 / 8 / 33

HEX #63AA9C

RGB 99 170 156

HSL 168.17, 0.29%, 0.53%

LAB 64.81, -25.73, 0.22

 

CMYK 21 / 0 / 5 / 41

HEX #779790

RGB 119 151 144

HSL 166.88, 0.13%, 0.53%

LAB 59.95, -12.63, 0.01

 

CMYK 0 / 5 / 4 / 46

HEX #8A8385

RGB 138 131 133

HSL 342.86, 0.03%, 0.53%

LAB 55.41, 3.01, -0.14

 

CMYK 71 / 0 / 54 / 18

HEX #3CD161

RGB 60 209 97

HSL 134.9, 0.62%, 0.53%

LAB 74.46, -61.96, 44.11

 

CMYK 71 / 0 / 34 / 18

HEX #3CD189

RGB 60 209 137

HSL 151.01, 0.62%, 0.53%

LAB 75.06, -55.18, 24.77

 

CMYK 71 / 0 / 15 / 18

HEX #3CD1B1

RGB 60 209 177

HSL 167.11, 0.62%, 0.53%

LAB 75.91, -46.16, 4.7

 

CMYK 71 / 3 / 0 / 18

HEX #3CCAD1

RGB 60 202 209

HSL 182.82, 0.62%, 0.53%

LAB 74.7, -34.31, -14.35

 

CMYK 71 / 22 / 0 / 18

HEX #3CA2D1

RGB 60 162 209

HSL 198.93, 0.62%, 0.53%

LAB 62.85, -14.07, -32.46

 

CMYK 77 / 0 / 16 / 40

HEX #239880

RGB 35 152 128

HSL 167.69, 0.63%, 0.37%

LAB 56.46, -37.3, 3.63

 

CMYK 77 / 0 / 16 / 27

HEX #2BB99C

RGB 43 185 156

HSL 167.75, 0.62%, 0.45%

LAB 67.73, -43.38, 4.27

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 57 / 0 / 12 / 15

HEX #5ED9C0

RGB 94 217 192

HSL 167.8, 0.62%, 0.61%

LAB 79.51, -40.3, 1.99

 

CMYK 44 / 0 / 9 / 12

HEX #7FE1CD

RGB 127 225 205

HSL 167.76, 0.62%, 0.69%

LAB 83.32, -33.57, 0.78

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 71 / 70 / 0 / 18

HEX #3C3FD1

RGB 60 63 209

HSL 238.79, 0.62%, 0.53%

LAB 36.21, 46.04, -75.11

 

CMYK 0 / 44 / 71 / 18

HEX #D1753C

RGB 209 117 60

HSL 22.95, 0.62%, 0.53%

LAB 58.61, 31.51, 46.12

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 15 / 71 / 0 / 18

HEX #B13CD1

RGB 177 60 209

HSL 287.11, 0.62%, 0.53%

LAB 48.49, 67.15, -54.57

 

CMYK 0 / 15 / 71 / 18

HEX #D1B13C

RGB 209 177 60

HSL 47.11, 0.62%, 0.53%

LAB 73.11, -0.74, 61.15

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 71 / 70 / 0 / 18

HEX #3C3FD1

RGB 60 63 209

HSL 238.79, 0.62%, 0.53%

LAB 36.21, 46.04, -75.11

 

CMYK 0 / 71 / 56 / 18

HEX #D13C5D

RGB 209 60 93

HSL 346.71, 0.62%, 0.53%

LAB 48.98, 59.92, 15.68

 

CMYK 0 / 1 / 71 / 18

HEX #D1CE3C

RGB 209 206 60

HSL 58.79, 0.62%, 0.53%

LAB 80.75, -15.62, 68.63

 

CMYK 71 / 0 / 14 / 18

HEX #3CD1B3

RGB 60 209 179

HSL 167.92, 0.62%, 0.53%

LAB 75.96, -45.65, 3.7

 

CMYK 51 / 71 / 0 / 18

HEX #663CD1

RGB 102 60 209

HSL 256.91, 0.62%, 0.53%

LAB 39, 53.23, -70.4

 

CMYK 0 / 71 / 56 / 18

HEX #D13C5D

RGB 209 60 93

HSL 346.71, 0.62%, 0.53%

LAB 48.98, 59.92, 15.68

 

CMYK 20 / 0 / 71 / 18

HEX #A7D13C

RGB 167 209 60

HSL 76.91, 0.62%, 0.53%

LAB 78.54, -34.23, 65.44

 

Description

Color code: HEX #3CD1B3 | qconv.com Color code: HEX #3CD1B3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 209 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 209 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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