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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CCF1A it is the complementary color #C330E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CCF1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CCF1A shade: #41CF15, #52E128, #63F33B, #74FF4E and #85FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CCF1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CCF1A shade: #3CCF1A, #2BBD07, #1AAB00, #099900 and #008700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CCF1A shade: #3CD019, #6DD019, #9ED019, #D0D019 and #D0A019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CCF1A shade: #3CD019, #19D028, #19D05A, #19D08B and #19D0BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CCF1A shade matches the following richer shades: #3CD019 and #30E306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CCF1A shade: #3CD019, #48BD2C, #53AA3F, #5F9752 and #6B8465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CCF1A shade: #9FD019, #6FD019, #3ED019, #19D026 and #19D056

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CCF1A shade: #278710, #31AC15, #3CD019, #50E52E and #6FE953

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CCF1A shade: #3CCF1A, #19D0D0 and #D01987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CCF1A shade: #3CCF1A, #193ED0 and #D0193E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CCF1A shade: #3CCF1A, #19D0D0, #AC19D0 and #D01919

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CCF1A shade: #3CCF1A, #1999D0, #AC19D0 and #D05019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 87 / 19

HEX #3CCF1A

RGB 60 207 26

HSL 108.73, 0.78%, 0.46%

LAB 73.32, -67.41, 68.51

 

Complementary color

CMYK 15 / 79 / 0 / 10

HEX #C330E5

RGB 195 48 229

HSL 288.73, 0.78%, 0.54%

LAB 51.12, 78.07, -61.59

 

CMYK 69 / 0 / 90 / 19

HEX #41CF15

RGB 65 207 21

HSL 105.81, 0.82%, 0.45%

LAB 73.42, -66.66, 69.53

 

CMYK 64 / 0 / 82 / 12

HEX #52E128

RGB 82 225 40

HSL 106.38, 0.76%, 0.52%

LAB 79.5, -68.24, 71.07

 

CMYK 59 / 0 / 76 / 5

HEX #63F33B

RGB 99 243 59

HSL 106.96, 0.88%, 0.59%

LAB 85.54, -69.37, 71.59

 

CMYK 55 / 0 / 69 / 0

HEX #74FF4E

RGB 116 255 78

HSL 107.12, 1%, 0.65%

LAB 89.76, -68.08, 69.61

 

CMYK 48 / 0 / 62 / 0

HEX #85FF61

RGB 133 255 97

HSL 106.33, 1%, 0.69%

LAB 90.49, -61.98, 63.24

 

CMYK 71 / 0 / 87 / 19

HEX #3CCF1A

RGB 60 207 26

HSL 108.73, 0.78%, 0.46%

LAB 73.32, -67.41, 68.51

 

CMYK 77 / 0 / 96 / 26

HEX #2BBD07

RGB 43 189 7

HSL 108.13, 0.93%, 0.38%

LAB 67.22, -65.17, 66.07

 

CMYK 85 / 0 / 100 / 33

HEX #1AAB00

RGB 26 171 0

HSL 110.88, 1%, 0.34%

LAB 61.09, -62.13, 61.89

 

CMYK 94 / 0 / 100 / 40

HEX #099900

RGB 9 153 0

HSL 116.47, 1%, 0.3%

LAB 54.91, -58.31, 56.88

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 71 / 0 / 88 / 18

HEX #3CD019

RGB 60 208 25

HSL 108.52, 0.79%, 0.46%

LAB 73.64, -67.75, 68.97

 

CMYK 48 / 0 / 88 / 18

HEX #6DD019

RGB 109 208 25

HSL 92.46, 0.79%, 0.46%

LAB 75.1, -55.91, 70.8

 

CMYK 24 / 0 / 88 / 18

HEX #9ED019

RGB 158 208 25

HSL 76.39, 0.79%, 0.46%

LAB 77.55, -38.7, 73.84

 

CMYK 0 / 0 / 88 / 18

HEX #D0D019

RGB 208 208 25

HSL 60, 0.79%, 0.46%

LAB 81.07, -18.17, 78.16

 

CMYK 0 / 23 / 88 / 18

HEX #D0A019

RGB 208 160 25

HSL 44.26, 0.79%, 0.46%

LAB 68.48, 6.66, 68.16

 

CMYK 71 / 0 / 88 / 18

HEX #3CD019

RGB 60 208 25

HSL 108.52, 0.79%, 0.46%

LAB 73.64, -67.75, 68.97

 

CMYK 88 / 0 / 81 / 18

HEX #19D028

RGB 25 208 40

HSL 124.92, 0.79%, 0.46%

LAB 73.2, -71.38, 64.92

 

CMYK 88 / 0 / 57 / 18

HEX #19D05A

RGB 25 208 90

HSL 141.31, 0.79%, 0.46%

LAB 73.58, -66.62, 46.22

 

CMYK 88 / 0 / 33 / 18

HEX #19D08B

RGB 25 208 139

HSL 157.38, 0.79%, 0.46%

LAB 74.31, -58.08, 22.62

 

CMYK 88 / 0 / 10 / 18

HEX #19D0BC

RGB 25 208 188

HSL 173.44, 0.79%, 0.46%

LAB 75.42, -46.09, -1.99

 

CMYK 71 / 0 / 88 / 18

HEX #3CD019

RGB 60 208 25

HSL 108.52, 0.79%, 0.46%

LAB 73.64, -67.75, 68.97

 

CMYK 79 / 0 / 97 / 11

HEX #30E306

RGB 48 227 6

HSL 108.6, 0.95%, 0.46%

LAB 79.37, -75.57, 76.09

 

CMYK 71 / 0 / 88 / 18

HEX #3CD019

RGB 60 208 25

HSL 108.52, 0.79%, 0.46%

LAB 73.64, -67.75, 68.97

 

CMYK 62 / 0 / 77 / 26

HEX #48BD2C

RGB 72 189 44

HSL 108.41, 0.62%, 0.46%

LAB 67.99, -58.19, 59.04

 

CMYK 51 / 0 / 63 / 33

HEX #53AA3F

RGB 83 170 63

HSL 108.79, 0.46%, 0.46%

LAB 62.46, -46.68, 46.01

 

CMYK 37 / 0 / 46 / 41

HEX #5F9752

RGB 95 151 82

HSL 108.7, 0.3%, 0.46%

LAB 57.25, -32.31, 30.58

 

CMYK 19 / 0 / 23 / 48

HEX #6B8465

RGB 107 132 101

HSL 108.39, 0.13%, 0.46%

LAB 52.47, -15.3, 13.85

 

CMYK 24 / 0 / 88 / 18

HEX #9FD019

RGB 159 208 25

HSL 76.07, 0.79%, 0.46%

LAB 77.61, -38.31, 73.92

 

CMYK 47 / 0 / 88 / 18

HEX #6FD019

RGB 111 208 25

HSL 91.8, 0.79%, 0.46%

LAB 75.18, -55.29, 70.9

 

CMYK 70 / 0 / 88 / 18

HEX #3ED019

RGB 62 208 25

HSL 107.87, 0.79%, 0.46%

LAB 73.68, -67.4, 69.02

 

CMYK 88 / 0 / 82 / 18

HEX #19D026

RGB 25 208 38

HSL 124.26, 0.79%, 0.46%

LAB 73.19, -71.49, 65.45

 

CMYK 88 / 0 / 59 / 18

HEX #19D056

RGB 25 208 86

HSL 140, 0.79%, 0.46%

LAB 73.54, -67.15, 48

 

CMYK 71 / 0 / 88 / 47

HEX #278710

RGB 39 135 16

HSL 108.4, 0.79%, 0.3%

LAB 49.25, -48.44, 49.4

 

CMYK 72 / 0 / 88 / 33

HEX #31AC15

RGB 49 172 21

HSL 108.87, 0.78%, 0.38%

LAB 61.84, -58.54, 59.43

 

CMYK 71 / 0 / 88 / 18

HEX #3CD019

RGB 60 208 25

HSL 108.52, 0.79%, 0.46%

LAB 73.64, -67.75, 68.97

 

CMYK 65 / 0 / 80 / 10

HEX #50E52E

RGB 80 229 46

HSL 108.85, 0.78%, 0.54%

LAB 80.71, -69.65, 70.6

 

CMYK 52 / 0 / 64 / 9

HEX #6FE953

RGB 111 233 83

HSL 108.8, 0.77%, 0.62%

LAB 83.06, -61.07, 60.54

 

CMYK 71 / 0 / 87 / 19

HEX #3CCF1A

RGB 60 207 26

HSL 108.73, 0.78%, 0.46%

LAB 73.32, -67.41, 68.51

 

CMYK 88 / 0 / 0 / 18

HEX #19D0D0

RGB 25 208 208

HSL 180, 0.79%, 0.46%

LAB 75.99, -40.39, -11.92

 

CMYK 0 / 88 / 35 / 18

HEX #D01987

RGB 208 25 135

HSL 323.93, 0.79%, 0.46%

LAB 46.78, 72.57, -13.17

 

CMYK 71 / 0 / 87 / 19

HEX #3CCF1A

RGB 60 207 26

HSL 108.73, 0.78%, 0.46%

LAB 73.32, -67.41, 68.51

 

CMYK 88 / 70 / 0 / 18

HEX #193ED0

RGB 25 62 208

HSL 227.87, 0.79%, 0.46%

LAB 34.41, 43.66, -77.55

 

CMYK 0 / 88 / 70 / 18

HEX #D0193E

RGB 208 25 62

HSL 347.87, 0.79%, 0.46%

LAB 44.88, 67.22, 29.22

 

CMYK 71 / 0 / 87 / 19

HEX #3CCF1A

RGB 60 207 26

HSL 108.73, 0.78%, 0.46%

LAB 73.32, -67.41, 68.51

 

CMYK 88 / 0 / 0 / 18

HEX #19D0D0

RGB 25 208 208

HSL 180, 0.79%, 0.46%

LAB 75.99, -40.39, -11.92

 

CMYK 17 / 88 / 0 / 18

HEX #AC19D0

RGB 172 25 208

HSL 288.2, 0.79%, 0.46%

LAB 44.26, 75.87, -60.85

 

CMYK 0 / 88 / 88 / 18

HEX #D01919

RGB 208 25 25

HSL 0, 0.79%, 0.46%

LAB 44.48, 66.08, 49.34

 

CMYK 71 / 0 / 87 / 19

HEX #3CCF1A

RGB 60 207 26

HSL 108.73, 0.78%, 0.46%

LAB 73.32, -67.41, 68.51

 

CMYK 88 / 26 / 0 / 18

HEX #1999D0

RGB 25 153 208

HSL 198.03, 0.79%, 0.46%

LAB 59.47, -12.94, -37.21

 

CMYK 17 / 88 / 0 / 18

HEX #AC19D0

RGB 172 25 208

HSL 288.2, 0.79%, 0.46%

LAB 44.26, 75.87, -60.85

 

CMYK 0 / 62 / 88 / 18

HEX #D05019

RGB 208 80 25

HSL 18.03, 0.79%, 0.46%

LAB 50.94, 48.29, 54.36

 

Description

Color code: HEX #3CCF1A | qconv.com Color code: HEX #3CCF1A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 207 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 207 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 87 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 87% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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