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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CB0D9 it is the complementary color #C34F26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CB0D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CB0D9 shade: #41B0D4, #52C2E7, #63D4FA, #74E6FF and #85F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CB0D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CB0D9 shade: #3CB0D9, #2B9EC6, #1A8CB3, #097AA0 and #00688D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CB0D9 shade: #3BAFD8, #3B84D8, #3B5AD8, #463BD8 and #703BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CB0D9 shade: #3BAFD8, #3B84D8, #3B5AD8 and #3B3BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CB0D9 shade matches the following richer shades: #3BAFD8, #28B8EB and #15C1FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CB0D9 shade: #3BAFD8, #4EA6C5, #619DB2, #74949F and #878A8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CB0D9 shade: #3BD8AB, #3BD8D5, #3BB0D8, #3B87D8 and #3B5DD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CB0D9 shade: #1F7FA1, #269AC3, #3BAFD8, #5DBDDF and #80CBE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CB0D9 shade: #3CB0D9, #813BD8 and #D8C03B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CB0D9 shade: #3CB0D9, #D83BB0 and #B0D83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CB0D9 shade: #3CB0D9, #813BD8, #D8623B and #91D83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CB0D9 shade: #3CB0D9, #B03BD8, #D8623B and #62D83B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 19 / 0 / 15

HEX #3CB0D9

RGB 60 176 217

HSL 195.67, 0.67%, 0.54%

LAB 67.29, -18.92, -30

 

Complementary color

CMYK 0 / 59 / 81 / 24

HEX #C34F26

RGB 195 79 38

HSL 15.67, 0.67%, 0.46%

LAB 48.68, 44.33, 46

 

CMYK 69 / 17 / 0 / 17

HEX #41B0D4

RGB 65 176 212

HSL 194.69, 0.63%, 0.54%

LAB 67.22, -19.85, -27.35

 

CMYK 65 / 16 / 0 / 9

HEX #52C2E7

RGB 82 194 231

HSL 194.9, 0.76%, 0.61%

LAB 73.64, -20.66, -27.81

 

CMYK 60 / 15 / 0 / 2

HEX #63D4FA

RGB 99 212 250

HSL 195.1, 0.94%, 0.68%

LAB 79.98, -21.29, -28.25

 

CMYK 55 / 10 / 0 / 0

HEX #74E6FF

RGB 116 230 255

HSL 190.79, 1%, 0.73%

LAB 85.77, -25.7, -22.02

 

CMYK 48 / 3 / 0 / 0

HEX #85F8FF

RGB 133 248 255

HSL 183.44, 1%, 0.76%

LAB 91.39, -30.91, -13.5

 

CMYK 72 / 19 / 0 / 15

HEX #3CB0D9

RGB 60 176 217

HSL 195.67, 0.67%, 0.54%

LAB 67.29, -18.92, -30

 

CMYK 78 / 20 / 0 / 22

HEX #2B9EC6

RGB 43 158 198

HSL 195.48, 0.64%, 0.47%

LAB 60.82, -17.68, -29.49

 

CMYK 85 / 22 / 0 / 30

HEX #1A8CB3

RGB 26 140 179

HSL 195.29, 0.75%, 0.4%

LAB 54.27, -16.07, -28.91

 

CMYK 94 / 24 / 0 / 37

HEX #097AA0

RGB 9 122 160

HSL 195.1, 0.89%, 0.33%

LAB 47.64, -13.98, -28.23

 

CMYK 100 / 26 / 0 / 45

HEX #00688D

RGB 0 104 141

HSL 195.74, 1%, 0.28%

LAB 40.93, -11.28, -27.44

 

CMYK 73 / 19 / 0 / 15

HEX #3BAFD8

RGB 59 175 216

HSL 195.67, 0.67%, 0.54%

LAB 66.94, -18.85, -30

 

CMYK 73 / 39 / 0 / 15

HEX #3B84D8

RGB 59 132 216

HSL 212.1, 0.67%, 0.54%

LAB 54.44, 5.46, -49.6

 

CMYK 73 / 58 / 0 / 15

HEX #3B5AD8

RGB 59 90 216

HSL 228.15, 0.67%, 0.54%

LAB 43.06, 31.77, -67.92

 

CMYK 68 / 73 / 0 / 15

HEX #463BD8

RGB 70 59 216

HSL 244.2, 0.67%, 0.54%

LAB 36.72, 51.59, -78.29

 

CMYK 48 / 73 / 0 / 15

HEX #703BD8

RGB 112 59 216

HSL 260.25, 0.67%, 0.54%

LAB 40.46, 57.18, -72

 

CMYK 73 / 19 / 0 / 15

HEX #3BAFD8

RGB 59 175 216

HSL 195.67, 0.67%, 0.54%

LAB 66.94, -18.85, -30

 

CMYK 73 / 39 / 0 / 15

HEX #3B84D8

RGB 59 132 216

HSL 212.1, 0.67%, 0.54%

LAB 54.44, 5.46, -49.6

 

CMYK 73 / 58 / 0 / 15

HEX #3B5AD8

RGB 59 90 216

HSL 228.15, 0.67%, 0.54%

LAB 43.06, 31.77, -67.92

 

CMYK 73 / 73 / 0 / 15

HEX #3B3BD8

RGB 59 59 216

HSL 240, 0.67%, 0.54%

LAB 36.01, 50.5, -79.47

 

CMYK 73 / 19 / 0 / 15

HEX #3BAFD8

RGB 59 175 216

HSL 195.67, 0.67%, 0.54%

LAB 66.94, -18.85, -30

 

CMYK 83 / 22 / 0 / 8

HEX #28B8EB

RGB 40 184 235

HSL 195.69, 0.83%, 0.54%

LAB 69.99, -19.17, -35.7

 

CMYK 92 / 24 / 0 / 0

HEX #15C1FE

RGB 21 193 254

HSL 195.71, 0.99%, 0.54%

LAB 73.19, -18.48, -41

 

CMYK 73 / 19 / 0 / 15

HEX #3BAFD8

RGB 59 175 216

HSL 195.67, 0.67%, 0.54%

LAB 66.94, -18.85, -30

 

CMYK 60 / 16 / 0 / 23

HEX #4EA6C5

RGB 78 166 197

HSL 195.63, 0.51%, 0.54%

LAB 64.1, -17.15, -23.8

 

CMYK 46 / 12 / 0 / 30

HEX #619DB2

RGB 97 157 178

HSL 195.56, 0.34%, 0.54%

LAB 61.54, -13.78, -16.99

 

CMYK 27 / 7 / 0 / 38

HEX #74949F

RGB 116 148 159

HSL 195.35, 0.18%, 0.54%

LAB 59.34, -8.49, -9.45

 

CMYK 4 / 1 / 0 / 45

HEX #878A8C

RGB 135 138 140

HSL 204, 0.02%, 0.54%

LAB 57.29, -0.7, -1.46

 

CMYK 73 / 0 / 21 / 15

HEX #3BD8AB

RGB 59 216 171

HSL 162.8, 0.67%, 0.54%

LAB 77.86, -50.66, 10.71

 

CMYK 73 / 0 / 1 / 15

HEX #3BD8D5

RGB 59 216 213

HSL 178.85, 0.67%, 0.54%

LAB 78.95, -39.74, -10.14

 

CMYK 73 / 19 / 0 / 15

HEX #3BB0D8

RGB 59 176 216

HSL 195.29, 0.67%, 0.54%

LAB 67.23, -19.37, -29.55

 

CMYK 73 / 38 / 0 / 15

HEX #3B87D8

RGB 59 135 216

HSL 210.96, 0.67%, 0.54%

LAB 55.29, 3.65, -48.24

 

CMYK 73 / 57 / 0 / 15

HEX #3B5DD8

RGB 59 93 216

HSL 227.01, 0.67%, 0.54%

LAB 43.82, 29.87, -66.68

 

CMYK 81 / 21 / 0 / 37

HEX #1F7FA1

RGB 31 127 161

HSL 195.69, 0.68%, 0.38%

LAB 49.55, -14.84, -25.83

 

CMYK 81 / 21 / 0 / 24

HEX #269AC3

RGB 38 154 195

HSL 195.67, 0.67%, 0.46%

LAB 59.4, -17.06, -30.01

 

CMYK 73 / 19 / 0 / 15

HEX #3BAFD8

RGB 59 175 216

HSL 195.67, 0.67%, 0.54%

LAB 66.94, -18.85, -30

 

CMYK 58 / 15 / 0 / 13

HEX #5DBDDF

RGB 93 189 223

HSL 195.69, 0.67%, 0.62%

LAB 72.26, -18.57, -25.56

 

CMYK 44 / 11 / 0 / 10

HEX #80CBE5

RGB 128 203 229

HSL 195.45, 0.66%, 0.7%

LAB 77.85, -16.57, -20.16

 

CMYK 72 / 19 / 0 / 15

HEX #3CB0D9

RGB 60 176 217

HSL 195.67, 0.67%, 0.54%

LAB 67.29, -18.92, -30

 

CMYK 40 / 73 / 0 / 15

HEX #813BD8

RGB 129 59 216

HSL 266.75, 0.67%, 0.54%

LAB 42.39, 59.96, -68.77

 

CMYK 0 / 11 / 73 / 15

HEX #D8C03B

RGB 216 192 59

HSL 50.83, 0.67%, 0.54%

LAB 77.65, -5.59, 66.2

 

CMYK 72 / 19 / 0 / 15

HEX #3CB0D9

RGB 60 176 217

HSL 195.67, 0.67%, 0.54%

LAB 67.29, -18.92, -30

 

CMYK 0 / 73 / 19 / 15

HEX #D83BB0

RGB 216 59 176

HSL 315.29, 0.67%, 0.54%

LAB 52.8, 70.89, -28.25

 

CMYK 19 / 0 / 73 / 15

HEX #B0D83B

RGB 176 216 59

HSL 75.29, 0.67%, 0.54%

LAB 81.1, -33.97, 68.48

 

CMYK 72 / 19 / 0 / 15

HEX #3CB0D9

RGB 60 176 217

HSL 195.67, 0.67%, 0.54%

LAB 67.29, -18.92, -30

 

CMYK 40 / 73 / 0 / 15

HEX #813BD8

RGB 129 59 216

HSL 266.75, 0.67%, 0.54%

LAB 42.39, 59.96, -68.77

 

CMYK 0 / 55 / 73 / 15

HEX #D8623B

RGB 216 98 59

HSL 14.9, 0.67%, 0.54%

LAB 55.74, 43.9, 43.8

 

CMYK 33 / 0 / 73 / 15

HEX #91D83B

RGB 145 216 59

HSL 87.13, 0.67%, 0.54%

LAB 79.3, -45.61, 66.11

 

CMYK 72 / 19 / 0 / 15

HEX #3CB0D9

RGB 60 176 217

HSL 195.67, 0.67%, 0.54%

LAB 67.29, -18.92, -30

 

CMYK 19 / 73 / 0 / 15

HEX #B03BD8

RGB 176 59 216

HSL 284.71, 0.67%, 0.54%

LAB 48.66, 68.65, -58.32

 

CMYK 0 / 55 / 73 / 15

HEX #D8623B

RGB 216 98 59

HSL 14.9, 0.67%, 0.54%

LAB 55.74, 43.9, 43.8

 

CMYK 55 / 0 / 73 / 15

HEX #62D83B

RGB 98 216 59

HSL 105.1, 0.67%, 0.54%

LAB 77.3, -60.26, 63.45

 

Description

Color code: HEX #3CB0D9 | qconv.com Color code: HEX #3CB0D9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 176 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 176 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 19 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 19% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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