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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CACC3 it is the complementary color #C3533C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CACC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CACC3 shade: #41ACBE, #52BED1, #63D0E4, #74E2F7 and #85F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CACC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CACC3 shade: #3CACC3, #2B9AB0, #1A889D, #09768A and #006477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CACC3 shade: #3BACC3, #3B87C3, #3B63C3, #3B3EC3 and #5D3BC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CACC3 shade: #3BACC3, #3B87C3, #3B63C3, #3B3EC3 and #3B3BC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CACC3 shade matches the following richer shades: #3BACC3, #27B9D7 and #12C7EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CACC3 shade: #3BACC3, #509EAE, #659099, #798385 and #8E7570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CACC3 shade: #3BC391, #3BC3B5, #3BACC3, #3B88C3 and #3B64C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CACC3 shade: #287483, #3290A3, #3BACC3, #5BB9CC and #7BC6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CACC3 shade: #3CACC3, #6D3BC3 and #C3A33B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CACC3 shade: #3CACC3, #C33BAC and #ACC33B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CACC3 shade: #3CACC3, #6D3BC3, #C3523B and #91C33B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CACC3 shade: #3CACC3, #963BC3, #C3523B and #68C33B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 12 / 0 / 24

HEX #3CACC3

RGB 60 172 195

HSL 190.22, 0.53%, 0.5%

LAB 65.28, -23.86, -20.93

 

Complementary color

CMYK 0 / 57 / 69 / 24

HEX #C3533C

RGB 195 83 60

HSL 10.22, 0.53%, 0.5%

LAB 49.64, 43.38, 35.49

 

CMYK 66 / 9 / 0 / 25

HEX #41ACBE

RGB 65 172 190

HSL 188.64, 0.49%, 0.5%

LAB 65.24, -24.64, -18.21

 

CMYK 61 / 9 / 0 / 18

HEX #52BED1

RGB 82 190 209

HSL 188.98, 0.58%, 0.57%

LAB 71.71, -25.2, -18.81

 

CMYK 57 / 9 / 0 / 11

HEX #63D0E4

RGB 99 208 228

HSL 189.3, 0.7%, 0.64%

LAB 78.09, -25.62, -19.37

 

CMYK 53 / 9 / 0 / 3

HEX #74E2F7

RGB 116 226 247

HSL 189.62, 0.89%, 0.71%

LAB 84.39, -25.92, -19.89

 

CMYK 48 / 4 / 0 / 0

HEX #85F4FF

RGB 133 244 255

HSL 185.41, 1%, 0.76%

LAB 90.28, -29.01, -15.16

 

CMYK 69 / 12 / 0 / 24

HEX #3CACC3

RGB 60 172 195

HSL 190.22, 0.53%, 0.5%

LAB 65.28, -23.86, -20.93

 

CMYK 76 / 13 / 0 / 31

HEX #2B9AB0

RGB 43 154 176

HSL 189.92, 0.61%, 0.43%

LAB 58.75, -22.89, -20.28

 

CMYK 83 / 13 / 0 / 38

HEX #1A889D

RGB 26 136 157

HSL 189.62, 0.72%, 0.36%

LAB 52.13, -21.59, -19.54

 

CMYK 93 / 14 / 0 / 46

HEX #09768A

RGB 9 118 138

HSL 189.3, 0.88%, 0.29%

LAB 45.43, -19.8, -18.68

 

CMYK 100 / 16 / 0 / 53

HEX #006477

RGB 0 100 119

HSL 189.58, 1%, 0.23%

LAB 38.63, -17.4, -17.67

 

CMYK 70 / 12 / 0 / 24

HEX #3BACC3

RGB 59 172 195

HSL 190.15, 0.54%, 0.5%

LAB 65.26, -24, -20.97

 

CMYK 70 / 31 / 0 / 24

HEX #3B87C3

RGB 59 135 195

HSL 206.47, 0.54%, 0.5%

LAB 54.24, -3.78, -38.03

 

CMYK 70 / 49 / 0 / 24

HEX #3B63C3

RGB 59 99 195

HSL 222.35, 0.54%, 0.5%

LAB 43.94, 18.4, -54.43

 

CMYK 70 / 68 / 0 / 24

HEX #3B3EC3

RGB 59 62 195

HSL 238.68, 0.54%, 0.5%

LAB 34.63, 41.84, -69.57

 

CMYK 52 / 70 / 0 / 24

HEX #5D3BC3

RGB 93 59 195

HSL 255, 0.54%, 0.5%

LAB 36.73, 48.36, -66.01

 

CMYK 70 / 12 / 0 / 24

HEX #3BACC3

RGB 59 172 195

HSL 190.15, 0.54%, 0.5%

LAB 65.26, -24, -20.97

 

CMYK 70 / 31 / 0 / 24

HEX #3B87C3

RGB 59 135 195

HSL 206.47, 0.54%, 0.5%

LAB 54.24, -3.78, -38.03

 

CMYK 70 / 49 / 0 / 24

HEX #3B63C3

RGB 59 99 195

HSL 222.35, 0.54%, 0.5%

LAB 43.94, 18.4, -54.43

 

CMYK 70 / 68 / 0 / 24

HEX #3B3EC3

RGB 59 62 195

HSL 238.68, 0.54%, 0.5%

LAB 34.63, 41.84, -69.57

 

CMYK 70 / 70 / 0 / 24

HEX #3B3BC3

RGB 59 59 195

HSL 240, 0.54%, 0.5%

LAB 33.98, 43.62, -70.64

 

CMYK 70 / 12 / 0 / 24

HEX #3BACC3

RGB 59 172 195

HSL 190.15, 0.54%, 0.5%

LAB 65.26, -24, -20.97

 

CMYK 82 / 14 / 0 / 16

HEX #27B9D7

RGB 39 185 215

HSL 190.23, 0.69%, 0.5%

LAB 69.49, -26.38, -25.55

 

CMYK 92 / 16 / 0 / 7

HEX #12C7EC

RGB 18 199 236

HSL 190.18, 0.86%, 0.5%

LAB 74.21, -27.7, -29.73

 

CMYK 70 / 12 / 0 / 24

HEX #3BACC3

RGB 59 172 195

HSL 190.15, 0.54%, 0.5%

LAB 65.26, -24, -20.97

 

CMYK 54 / 9 / 0 / 32

HEX #509EAE

RGB 80 158 174

HSL 190.21, 0.37%, 0.5%

LAB 60.97, -19.41, -15.67

 

CMYK 34 / 6 / 0 / 40

HEX #659099

RGB 101 144 153

HSL 190.38, 0.2%, 0.5%

LAB 57.09, -12.33, -9.48

 

CMYK 9 / 2 / 0 / 48

HEX #798385

RGB 121 131 133

HSL 190, 0.05%, 0.5%

LAB 54.02, -3.24, -2.35

 

CMYK 0 / 18 / 21 / 44

HEX #8E7570

RGB 142 117 112

HSL 10, 0.12%, 0.5%

LAB 51.43, 8.91, 6.41

 

CMYK 70 / 0 / 26 / 24

HEX #3BC391

RGB 59 195 145

HSL 157.94, 0.54%, 0.5%

LAB 70.87, -48.1, 14.76

 

CMYK 70 / 0 / 7 / 24

HEX #3BC3B5

RGB 59 195 181

HSL 173.82, 0.54%, 0.5%

LAB 71.76, -39.12, -3.52

 

CMYK 70 / 12 / 0 / 24

HEX #3BACC3

RGB 59 172 195

HSL 190.15, 0.54%, 0.5%

LAB 65.26, -24, -20.97

 

CMYK 70 / 30 / 0 / 24

HEX #3B88C3

RGB 59 136 195

HSL 206.03, 0.54%, 0.5%

LAB 54.53, -4.36, -37.57

 

CMYK 70 / 49 / 0 / 24

HEX #3B64C3

RGB 59 100 195

HSL 221.91, 0.54%, 0.5%

LAB 44.21, 17.76, -53.98

 

CMYK 69 / 11 / 0 / 49

HEX #287483

RGB 40 116 131

HSL 189.89, 0.53%, 0.34%

LAB 45.05, -17.91, -15.03

 

CMYK 69 / 12 / 0 / 36

HEX #3290A3

RGB 50 144 163

HSL 190.09, 0.53%, 0.42%

LAB 55.35, -20.94, -18.04

 

CMYK 70 / 12 / 0 / 24

HEX #3BACC3

RGB 59 172 195

HSL 190.15, 0.54%, 0.5%

LAB 65.26, -24, -20.97

 

CMYK 55 / 9 / 0 / 20

HEX #5BB9CC

RGB 91 185 204

HSL 190.09, 0.53%, 0.58%

LAB 70.37, -22.44, -18.07

 

CMYK 43 / 7 / 0 / 16

HEX #7BC6D6

RGB 123 198 214

HSL 190.55, 0.53%, 0.66%

LAB 75.73, -19.15, -15.3

 

CMYK 69 / 12 / 0 / 24

HEX #3CACC3

RGB 60 172 195

HSL 190.22, 0.53%, 0.5%

LAB 65.28, -23.86, -20.93

 

CMYK 44 / 70 / 0 / 24

HEX #6D3BC3

RGB 109 59 195

HSL 262.06, 0.54%, 0.5%

LAB 38.41, 51.12, -63.21

 

CMYK 0 / 16 / 70 / 24

HEX #C3A33B

RGB 195 163 59

HSL 45.88, 0.54%, 0.5%

LAB 68.1, 0.56, 56.06

 

CMYK 69 / 12 / 0 / 24

HEX #3CACC3

RGB 60 172 195

HSL 190.22, 0.53%, 0.5%

LAB 65.28, -23.86, -20.93

 

CMYK 0 / 70 / 12 / 24

HEX #C33BAC

RGB 195 59 172

HSL 310.15, 0.54%, 0.5%

LAB 49.14, 65.29, -31.86

 

CMYK 12 / 0 / 70 / 24

HEX #ACC33B

RGB 172 195 59

HSL 70.15, 0.54%, 0.5%

LAB 74.9, -25.68, 62.3

 

CMYK 69 / 12 / 0 / 24

HEX #3CACC3

RGB 60 172 195

HSL 190.22, 0.53%, 0.5%

LAB 65.28, -23.86, -20.93

 

CMYK 44 / 70 / 0 / 24

HEX #6D3BC3

RGB 109 59 195

HSL 262.06, 0.54%, 0.5%

LAB 38.41, 51.12, -63.21

 

CMYK 0 / 58 / 70 / 24

HEX #C3523B

RGB 195 82 59

HSL 10.15, 0.54%, 0.5%

LAB 49.44, 43.81, 35.81

 

CMYK 26 / 0 / 70 / 24

HEX #91C33B

RGB 145 195 59

HSL 82.06, 0.54%, 0.5%

LAB 73.13, -36.42, 59.94

 

CMYK 69 / 12 / 0 / 24

HEX #3CACC3

RGB 60 172 195

HSL 190.22, 0.53%, 0.5%

LAB 65.28, -23.86, -20.93

 

CMYK 23 / 70 / 0 / 24

HEX #963BC3

RGB 150 59 195

HSL 280.15, 0.54%, 0.5%

LAB 43.58, 59.17, -54.58

 

CMYK 0 / 58 / 70 / 24

HEX #C3523B

RGB 195 82 59

HSL 10.15, 0.54%, 0.5%

LAB 49.44, 43.81, 35.81

 

CMYK 47 / 0 / 70 / 24

HEX #68C33B

RGB 104 195 59

HSL 100.15, 0.54%, 0.5%

LAB 71.07, -50.67, 57.17

 

Description

Color code: HEX #3CACC3 | qconv.com Color code: HEX #3CACC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 172 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 172 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 12 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 12% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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