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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3CA53F it is the complementary color #C35AC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3CA53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3CA53F shade: #41A53A, #52B74D, #63C960, #74DB73 and #85ED86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3CA53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3CA53F shade: #3CA53F, #2B932C, #1A8119, #096F06 and #005D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3CA53F shade: #3BA43E, #54A43B, #71A43B, #8DA43B and #A49F3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3CA53F shade: #3BA43E, #3BA45A, #3BA477, #3BA493 and #3B99A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3CA53F shade matches the following richer shades: #3BA43E, #29B72D, #17C91C and #05DB0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3CA53F shade: #3BA43E, #4D924F, #5F8060, #716E71 and #845C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3CA53F shade: #71A43B, #55A43B, #3BA43D, #3BA459 and #3BA475

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3CA53F shade: #256827, #308632, #3BA43E, #4BBE4E and #69C96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3CA53F shade: #3CA53F, #3B8EA4 and #A43B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3CA53F shade: #3CA53F, #3D3BA4 and #A43D3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3CA53F shade: #3CA53F, #3B8EA4, #A43BA3 and #A4523B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3CA53F shade: #3CA53F, #3B6EA4, #A43BA3 and #A4713B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 62 / 35

HEX #3CA53F

RGB 60 165 63

HSL 121.71, 0.47%, 0.44%

LAB 60.1, -50.69, 43.13

 

Complementary color

CMYK 0 / 54 / 2 / 24

HEX #C35AC0

RGB 195 90 192

HSL 301.71, 0.47%, 0.56%

LAB 54.78, 55.58, -34.67

 

CMYK 61 / 0 / 65 / 35

HEX #41A53A

RGB 65 165 58

HSL 116.07, 0.48%, 0.44%

LAB 60.19, -50.07, 45.53

 

CMYK 55 / 0 / 58 / 28

HEX #52B74D

RGB 82 183 77

HSL 117.17, 0.42%, 0.51%

LAB 66.67, -50.5, 44.4

 

CMYK 51 / 0 / 52 / 21

HEX #63C960

RGB 99 201 96

HSL 118.29, 0.49%, 0.58%

LAB 73.07, -50.66, 43.15

 

CMYK 47 / 0 / 47 / 14

HEX #74DB73

RGB 116 219 115

HSL 119.42, 0.59%, 0.65%

LAB 79.39, -50.66, 41.88

 

CMYK 44 / 0 / 43 / 7

HEX #85ED86

RGB 133 237 134

HSL 120.58, 0.74%, 0.73%

LAB 85.64, -50.57, 40.62

 

CMYK 64 / 0 / 62 / 35

HEX #3CA53F

RGB 60 165 63

HSL 121.71, 0.47%, 0.44%

LAB 60.1, -50.69, 43.13

 

CMYK 71 / 0 / 70 / 42

HEX #2B932C

RGB 43 147 44

HSL 120.58, 0.55%, 0.37%

LAB 53.56, -49.8, 44.17

 

CMYK 80 / 0 / 81 / 49

HEX #1A8119

RGB 26 129 25

HSL 119.42, 0.68%, 0.3%

LAB 46.96, -48.22, 44.6

 

CMYK 92 / 0 / 95 / 56

HEX #096F06

RGB 9 111 6

HSL 118.29, 0.9%, 0.23%

LAB 40.31, -45.54, 43.68

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 64 / 0 / 62 / 36

HEX #3BA43E

RGB 59 164 62

HSL 121.71, 0.47%, 0.44%

LAB 59.73, -50.66, 43.17

 

CMYK 49 / 0 / 64 / 36

HEX #54A43B

RGB 84 164 59

HSL 105.71, 0.47%, 0.44%

LAB 60.56, -44.37, 45.69

 

CMYK 31 / 0 / 64 / 36

HEX #71A43B

RGB 113 164 59

HSL 89.14, 0.47%, 0.44%

LAB 61.98, -34.44, 47.65

 

CMYK 14 / 0 / 64 / 36

HEX #8DA43B

RGB 141 164 59

HSL 73.14, 0.47%, 0.44%

LAB 63.78, -23.3, 50.12

 

CMYK 0 / 3 / 64 / 36

HEX #A49F3B

RGB 164 159 59

HSL 57.14, 0.47%, 0.44%

LAB 64.16, -10.89, 51.07

 

CMYK 64 / 0 / 62 / 36

HEX #3BA43E

RGB 59 164 62

HSL 121.71, 0.47%, 0.44%

LAB 59.73, -50.66, 43.17

 

CMYK 64 / 0 / 45 / 36

HEX #3BA45A

RGB 59 164 90

HSL 137.71, 0.47%, 0.44%

LAB 60.09, -46.66, 29.69

 

CMYK 64 / 0 / 27 / 36

HEX #3BA477

RGB 59 164 119

HSL 154.29, 0.47%, 0.44%

LAB 60.62, -40.95, 14.66

 

CMYK 64 / 0 / 10 / 36

HEX #3BA493

RGB 59 164 147

HSL 170.29, 0.47%, 0.44%

LAB 61.3, -34.08, -0.04

 

CMYK 64 / 7 / 0 / 36

HEX #3B99A4

RGB 59 153 164

HSL 186.29, 0.47%, 0.44%

LAB 58.41, -23.85, -13.95

 

CMYK 64 / 0 / 62 / 36

HEX #3BA43E

RGB 59 164 62

HSL 121.71, 0.47%, 0.44%

LAB 59.73, -50.66, 43.17

 

CMYK 78 / 0 / 75 / 28

HEX #29B72D

RGB 41 183 45

HSL 121.69, 0.63%, 0.44%

LAB 65.38, -61.94, 55.91

 

CMYK 89 / 0 / 86 / 21

HEX #17C91C

RGB 23 201 28

HSL 121.69, 0.79%, 0.44%

LAB 70.9, -70.15, 65.77

 

CMYK 98 / 0 / 95 / 14

HEX #05DB0B

RGB 5 219 11

HSL 121.68, 0.96%, 0.44%

LAB 76.51, -76.46, 73.14

 

CMYK 64 / 0 / 62 / 36

HEX #3BA43E

RGB 59 164 62

HSL 121.71, 0.47%, 0.44%

LAB 59.73, -50.66, 43.17

 

CMYK 47 / 0 / 46 / 43

HEX #4D924F

RGB 77 146 79

HSL 121.74, 0.31%, 0.44%

LAB 54.76, -36.31, 28.85

 

CMYK 26 / 0 / 25 / 50

HEX #5F8060

RGB 95 128 96

HSL 121.82, 0.15%, 0.44%

LAB 50.35, -18.53, 13.67

 

CMYK 0 / 3 / 0 / 56

HEX #716E71

RGB 113 110 113

HSL 300, 0.01%, 0.44%

LAB 46.78, 1.77, -1.26

 

CMYK 0 / 30 / 2 / 48

HEX #845C82

RGB 132 92 130

HSL 303, 0.18%, 0.44%

LAB 44.48, 23.07, -14.73

 

CMYK 31 / 0 / 64 / 36

HEX #71A43B

RGB 113 164 59

HSL 89.14, 0.47%, 0.44%

LAB 61.98, -34.44, 47.65

 

CMYK 48 / 0 / 64 / 36

HEX #55A43B

RGB 85 164 59

HSL 105.14, 0.47%, 0.44%

LAB 60.6, -44.06, 45.74

 

CMYK 64 / 0 / 63 / 36

HEX #3BA43D

RGB 59 164 61

HSL 121.14, 0.47%, 0.44%

LAB 59.72, -50.77, 43.61

 

CMYK 64 / 0 / 46 / 36

HEX #3BA459

RGB 59 164 89

HSL 137.14, 0.47%, 0.44%

LAB 60.07, -46.83, 30.2

 

CMYK 64 / 0 / 29 / 36

HEX #3BA475

RGB 59 164 117

HSL 153.14, 0.47%, 0.44%

LAB 60.57, -41.39, 15.71

 

CMYK 64 / 0 / 63 / 59

HEX #256827

RGB 37 104 39

HSL 121.79, 0.48%, 0.28%

LAB 38.62, -35.48, 29.9

 

CMYK 64 / 0 / 63 / 47

HEX #308632

RGB 48 134 50

HSL 121.4, 0.47%, 0.36%

LAB 49.39, -43.3, 36.92

 

CMYK 64 / 0 / 62 / 36

HEX #3BA43E

RGB 59 164 62

HSL 121.71, 0.47%, 0.44%

LAB 59.73, -50.66, 43.17

 

CMYK 61 / 0 / 59 / 25

HEX #4BBE4E

RGB 75 190 78

HSL 121.57, 0.47%, 0.52%

LAB 68.66, -54.74, 46.2

 

CMYK 48 / 0 / 46 / 21

HEX #69C96C

RGB 105 201 108

HSL 121.88, 0.47%, 0.6%

LAB 73.45, -47.36, 37.79

 

CMYK 64 / 0 / 62 / 35

HEX #3CA53F

RGB 60 165 63

HSL 121.71, 0.47%, 0.44%

LAB 60.1, -50.69, 43.13

 

CMYK 64 / 13 / 0 / 36

HEX #3B8EA4

RGB 59 142 164

HSL 192.57, 0.47%, 0.44%

LAB 55.03, -18.08, -19.08

 

CMYK 0 / 64 / 40 / 36

HEX #A43B63

RGB 164 59 99

HSL 337.14, 0.47%, 0.44%

LAB 41.09, 46.92, -0.3

 

CMYK 64 / 0 / 62 / 35

HEX #3CA53F

RGB 60 165 63

HSL 121.71, 0.47%, 0.44%

LAB 60.1, -50.69, 43.13

 

CMYK 63 / 64 / 0 / 36

HEX #3D3BA4

RGB 61 59 164

HSL 241.14, 0.47%, 0.44%

LAB 31.35, 33.44, -56.53

 

CMYK 0 / 63 / 64 / 36

HEX #A43D3B

RGB 164 61 59

HSL 1.14, 0.47%, 0.44%

LAB 40.48, 42.42, 23.77

 

CMYK 64 / 0 / 62 / 35

HEX #3CA53F

RGB 60 165 63

HSL 121.71, 0.47%, 0.44%

LAB 60.1, -50.69, 43.13

 

CMYK 64 / 13 / 0 / 36

HEX #3B8EA4

RGB 59 142 164

HSL 192.57, 0.47%, 0.44%

LAB 55.03, -18.08, -19.08

 

CMYK 0 / 64 / 1 / 36

HEX #A43BA3

RGB 164 59 163

HSL 300.57, 0.47%, 0.44%

LAB 43.75, 56.22, -35.35

 

CMYK 0 / 50 / 64 / 36

HEX #A4523B

RGB 164 82 59

HSL 13.14, 0.47%, 0.44%

LAB 44.58, 31.83, 28.85

 

CMYK 64 / 0 / 62 / 35

HEX #3CA53F

RGB 60 165 63

HSL 121.71, 0.47%, 0.44%

LAB 60.1, -50.69, 43.13

 

CMYK 64 / 33 / 0 / 36

HEX #3B6EA4

RGB 59 110 164

HSL 210.86, 0.47%, 0.44%

LAB 45.31, 0.31, -34.15

 

CMYK 0 / 64 / 1 / 36

HEX #A43BA3

RGB 164 59 163

HSL 300.57, 0.47%, 0.44%

LAB 43.75, 56.22, -35.35

 

CMYK 0 / 31 / 64 / 36

HEX #A4713B

RGB 164 113 59

HSL 30.86, 0.47%, 0.44%

LAB 51.86, 14.52, 37.48

 

Description

Color code: HEX #3CA53F | qconv.com Color code: HEX #3CA53F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 165 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 165 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 62 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 62% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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