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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39FFEE it is the complementary color #C60011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39FFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39FFEE shade: #3EFFE9, #4FFFFC, #60FFFF, #71FFFF and #82FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39FFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39FFEE shade: #39FFEE, #28EDDB, #17DBC8, #06C9B5 and #00B7A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39FFEE shade: #38FFED, #38FFB8, #38FF82, #38FF4D and #58FF38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39FFEE shade: #38FFED, #38DAFF, #38A4FF, #386FFF and #3839FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39FFEE shade matches the following richer shades: #38FFED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39FFEE shade: #38FFED, #48EEE0, #58DED3, #68CEC5 and #78BEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39FFEE shade: #38FF81, #38FFB6, #38FFEB, #38DDFF and #38A8FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39FFEE shade: #00E4D0, #0EFFEA, #38FFED, #61FFF1 and #8AFFF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39FFEE shade: #39FFEE, #4B38FF and #FF9B38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39FFEE shade: #39FFEE, #EB38FF and #FFEB38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39FFEE shade: #39FFEE, #4B38FF, #FF384B and #EBFF38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39FFEE shade: #39FFEE, #8738FF, #FF384B and #AFFF38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 7 / 0

HEX #39FFEE

RGB 57 255 238

HSL 174.85, 1%, 0.61%

LAB 91.04, -50.13, -5.4

 

Complementary color

CMYK 0 / 100 / 91 / 22

HEX #C60011

RGB 198 0 17

HSL 354.85, 1%, 0.39%

LAB 41.29, 66.39, 49.56

 

CMYK 76 / 0 / 9 / 0

HEX #3EFFE9

RGB 62 255 233

HSL 173.16, 1%, 0.62%

LAB 90.97, -50.97, -2.88

 

CMYK 69 / 0 / 1 / 0

HEX #4FFFFC

RGB 79 255 252

HSL 178.98, 1%, 0.65%

LAB 91.78, -44.02, -11.51

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 78 / 0 / 7 / 0

HEX #39FFEE

RGB 57 255 238

HSL 174.85, 1%, 0.61%

LAB 91.04, -50.13, -5.4

 

CMYK 83 / 0 / 8 / 7

HEX #28EDDB

RGB 40 237 219

HSL 174.52, 0.85%, 0.54%

LAB 85.06, -48.99, -4.3

 

CMYK 89 / 0 / 9 / 14

HEX #17DBC8

RGB 23 219 200

HSL 174.18, 0.81%, 0.47%

LAB 79.05, -47.57, -3.09

 

CMYK 97 / 0 / 10 / 21

HEX #06C9B5

RGB 6 201 181

HSL 173.85, 0.94%, 0.41%

LAB 72.99, -45.8, -1.78

 

CMYK 100 / 0 / 11 / 28

HEX #00B7A2

RGB 0 183 162

HSL 173.11, 1%, 0.36%

LAB 66.88, -43.63, -0.32

 

CMYK 78 / 0 / 7 / 0

HEX #38FFED

RGB 56 255 237

HSL 174.57, 1%, 0.61%

LAB 91, -50.49, -4.94

 

CMYK 78 / 0 / 28 / 0

HEX #38FFB8

RGB 56 255 184

HSL 158.59, 1%, 0.61%

LAB 89.78, -63.25, 20.66

 

CMYK 78 / 0 / 49 / 0

HEX #38FF82

RGB 56 255 130

HSL 142.31, 1%, 0.61%

LAB 88.91, -73.12, 46.25

 

CMYK 78 / 0 / 70 / 0

HEX #38FF4D

RGB 56 255 77

HSL 126.33, 1%, 0.61%

LAB 88.4, -79.31, 68.14

 

CMYK 65 / 0 / 78 / 0

HEX #58FF38

RGB 88 255 56

HSL 110.35, 1%, 0.61%

LAB 88.87, -75.76, 75.56

 

CMYK 78 / 0 / 7 / 0

HEX #38FFED

RGB 56 255 237

HSL 174.57, 1%, 0.61%

LAB 91, -50.49, -4.94

 

CMYK 78 / 15 / 0 / 0

HEX #38DAFF

RGB 56 218 255

HSL 191.16, 1%, 0.61%

LAB 80.85, -28.48, -29.65

 

CMYK 78 / 36 / 0 / 0

HEX #38A4FF

RGB 56 164 255

HSL 207.44, 1%, 0.61%

LAB 65.45, 0.21, -53.69

 

CMYK 78 / 56 / 0 / 0

HEX #386FFF

RGB 56 111 255

HSL 223.42, 1%, 0.61%

LAB 51.19, 32.32, -76.62

 

CMYK 78 / 78 / 0 / 0

HEX #3839FF

RGB 56 57 255

HSL 239.7, 1%, 0.61%

LAB 39.56, 63.48, -95.73

 

CMYK 78 / 0 / 7 / 0

HEX #38FFED

RGB 56 255 237

HSL 174.57, 1%, 0.61%

LAB 91, -50.49, -4.94

 

CMYK 78 / 0 / 7 / 0

HEX #38FFED

RGB 56 255 237

HSL 174.57, 1%, 0.61%

LAB 91, -50.49, -4.94

 

CMYK 70 / 0 / 6 / 7

HEX #48EEE0

RGB 72 238 224

HSL 174.94, 0.83%, 0.61%

LAB 85.96, -44.94, -5.55

 

CMYK 60 / 0 / 5 / 13

HEX #58DED3

RGB 88 222 211

HSL 175.07, 0.67%, 0.61%

LAB 81.3, -38.86, -5.52

 

CMYK 50 / 0 / 4 / 19

HEX #68CEC5

RGB 104 206 197

HSL 174.71, 0.51%, 0.61%

LAB 76.75, -31.9, -4.69

 

CMYK 37 / 0 / 3 / 25

HEX #78BEB8

RGB 120 190 184

HSL 174.86, 0.35%, 0.61%

LAB 72.42, -23.37, -3.95

 

CMYK 78 / 0 / 49 / 0

HEX #38FF81

RGB 56 255 129

HSL 142.01, 1%, 0.61%

LAB 88.9, -73.27, 46.7

 

CMYK 78 / 0 / 29 / 0

HEX #38FFB6

RGB 56 255 182

HSL 157.99, 1%, 0.61%

LAB 89.74, -63.67, 21.63

 

CMYK 78 / 0 / 8 / 0

HEX #38FFEB

RGB 56 255 235

HSL 173.97, 1%, 0.61%

LAB 90.94, -51.01, -3.98

 

CMYK 78 / 13 / 0 / 0

HEX #38DDFF

RGB 56 221 255

HSL 190.25, 1%, 0.61%

LAB 81.72, -29.94, -28.33

 

CMYK 78 / 34 / 0 / 0

HEX #38A8FF

RGB 56 168 255

HSL 206.23, 1%, 0.61%

LAB 66.57, -2.08, -51.91

 

CMYK 100 / 0 / 9 / 11

HEX #00E4D0

RGB 0 228 208

HSL 174.74, 1%, 0.45%

LAB 81.86, -49.86, -3.23

 

CMYK 95 / 0 / 8 / 0

HEX #0EFFEA

RGB 14 255 234

HSL 174.77, 1%, 0.53%

LAB 90.58, -53.63, -4.04

 

CMYK 78 / 0 / 7 / 0

HEX #38FFED

RGB 56 255 237

HSL 174.57, 1%, 0.61%

LAB 91, -50.49, -4.94

 

CMYK 62 / 0 / 5 / 0

HEX #61FFF1

RGB 97 255 241

HSL 174.68, 1%, 0.69%

LAB 91.87, -44.38, -5.64

 

CMYK 46 / 0 / 4 / 0

HEX #8AFFF5

RGB 138 255 245

HSL 174.87, 1%, 0.77%

LAB 93.24, -35.55, -5.54

 

CMYK 78 / 0 / 7 / 0

HEX #39FFEE

RGB 57 255 238

HSL 174.85, 1%, 0.61%

LAB 91.04, -50.13, -5.4

 

CMYK 71 / 78 / 0 / 0

HEX #4B38FF

RGB 75 56 255

HSL 245.73, 1%, 0.61%

LAB 40.48, 65.23, -94.17

 

CMYK 0 / 39 / 78 / 0

HEX #FF9B38

RGB 255 155 56

HSL 29.85, 1%, 0.61%

LAB 72.88, 30.16, 64.25

 

CMYK 78 / 0 / 7 / 0

HEX #39FFEE

RGB 57 255 238

HSL 174.85, 1%, 0.61%

LAB 91.04, -50.13, -5.4

 

CMYK 8 / 78 / 0 / 0

HEX #EB38FF

RGB 235 56 255

HSL 293.97, 1%, 0.61%

LAB 59.63, 87.44, -62.13

 

CMYK 0 / 8 / 78 / 0

HEX #FFEB38

RGB 255 235 56

HSL 53.97, 1%, 0.61%

LAB 92.11, -10.93, 81.77

 

CMYK 78 / 0 / 7 / 0

HEX #39FFEE

RGB 57 255 238

HSL 174.85, 1%, 0.61%

LAB 91.04, -50.13, -5.4

 

CMYK 71 / 78 / 0 / 0

HEX #4B38FF

RGB 75 56 255

HSL 245.73, 1%, 0.61%

LAB 40.48, 65.23, -94.17

 

CMYK 0 / 78 / 71 / 0

HEX #FF384B

RGB 255 56 75

HSL 354.27, 1%, 0.61%

LAB 56.68, 73.29, 37.9

 

CMYK 8 / 0 / 78 / 0

HEX #EBFF38

RGB 235 255 56

HSL 66.03, 1%, 0.61%

LAB 95.78, -28.68, 84.43

 

CMYK 78 / 0 / 7 / 0

HEX #39FFEE

RGB 57 255 238

HSL 174.85, 1%, 0.61%

LAB 91.04, -50.13, -5.4

 

CMYK 47 / 78 / 0 / 0

HEX #8738FF

RGB 135 56 255

HSL 263.82, 1%, 0.61%

LAB 45.91, 71.53, -85.04

 

CMYK 0 / 78 / 71 / 0

HEX #FF384B

RGB 255 56 75

HSL 354.27, 1%, 0.61%

LAB 56.68, 73.29, 37.9

 

CMYK 31 / 0 / 78 / 0

HEX #AFFF38

RGB 175 255 56

HSL 84.12, 1%, 0.61%

LAB 92.1, -51.42, 79.73

 

Description

Color code: HEX #39FFEE | qconv.com Color code: HEX #39FFEE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 255 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 255 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 7 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 7% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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