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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39FBF3 it is the complementary color #C6040C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39FBF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39FBF3 shade: #3EFBEE, #4FFFFF, #60FFFF, #71FFFF and #82FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39FBF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39FBF3 shade: #39FBF3, #28E9E0, #17D7CD, #06C5BA and #00B3A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39FBF3 shade: #37FAF2, #37FABE, #37FA89, #37FA54 and #4EFA37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39FBF3 shade: #37FAF2, #37CEFA, #3799FA, #3764FA and #3737FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39FBF3 shade matches the following richer shades: #37FAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39FBF3 shade: #37FAF2, #47EAE3, #58D9D4, #68C9C5 and #79B8B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39FBF3 shade: #37FA88, #37FABC, #37FAF1, #37D0FA and #379CFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39FBF3 shade: #04DBD2, #0EFAF0, #37FAF2, #5FFBF5 and #87FCF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39FBF3 shade: #39FBF3, #5437FA and #FAA237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39FBF3 shade: #39FBF3, #F137FA and #FAF137

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39FBF3 shade: #39FBF3, #5437FA, #FA3740 and #DDFA37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39FBF3 shade: #39FBF3, #8F37FA, #FA3740 and #A2FA37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 3 / 2

HEX #39FBF3

RGB 57 251 243

HSL 177.53, 0.96%, 0.6%

LAB 90.01, -47.07, -9.5

 

Complementary color

CMYK 0 / 98 / 94 / 22

HEX #C6040C

RGB 198 4 12

HSL 357.53, 0.96%, 0.4%

LAB 41.4, 65.93, 51.53

 

CMYK 75 / 0 / 5 / 2

HEX #3EFBEE

RGB 62 251 238

HSL 175.87, 0.96%, 0.61%

LAB 89.95, -47.95, -6.99

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 77 / 0 / 3 / 2

HEX #39FBF3

RGB 57 251 243

HSL 177.53, 0.96%, 0.6%

LAB 90.01, -47.07, -9.5

 

CMYK 83 / 0 / 4 / 9

HEX #28E9E0

RGB 40 233 224

HSL 177.2, 0.81%, 0.54%

LAB 84.02, -45.91, -8.47

 

CMYK 89 / 0 / 5 / 16

HEX #17D7CD

RGB 23 215 205

HSL 176.88, 0.81%, 0.47%

LAB 77.99, -44.45, -7.34

 

CMYK 97 / 0 / 6 / 23

HEX #06C5BA

RGB 6 197 186

HSL 176.54, 0.94%, 0.4%

LAB 71.9, -42.66, -6.09

 

CMYK 100 / 0 / 7 / 30

HEX #00B3A7

RGB 0 179 167

HSL 175.98, 1%, 0.35%

LAB 65.77, -40.46, -4.72

 

CMYK 78 / 0 / 3 / 2

HEX #37FAF2

RGB 55 250 242

HSL 177.54, 0.95%, 0.6%

LAB 89.67, -47.09, -9.5

 

CMYK 78 / 0 / 24 / 2

HEX #37FABE

RGB 55 250 190

HSL 161.54, 0.95%, 0.6%

LAB 88.4, -60.14, 15.66

 

CMYK 78 / 0 / 45 / 2

HEX #37FA89

RGB 55 250 137

HSL 145.23, 0.95%, 0.6%

LAB 87.48, -70.48, 41.09

 

CMYK 78 / 0 / 66 / 2

HEX #37FA54

RGB 55 250 84

HSL 128.92, 0.95%, 0.6%

LAB 86.91, -77.31, 63.94

 

CMYK 69 / 0 / 78 / 2

HEX #4EFA37

RGB 78 250 55

HSL 112.92, 0.95%, 0.6%

LAB 87.13, -76.12, 74.12

 

CMYK 78 / 0 / 3 / 2

HEX #37FAF2

RGB 55 250 242

HSL 177.54, 0.95%, 0.6%

LAB 89.67, -47.09, -9.5

 

CMYK 78 / 18 / 0 / 2

HEX #37CEFA

RGB 55 206 250

HSL 193.54, 0.95%, 0.6%

LAB 77.2, -24.21, -32.61

 

CMYK 78 / 39 / 0 / 2

HEX #3799FA

RGB 55 153 250

HSL 209.85, 0.95%, 0.6%

LAB 62.08, 4.72, -56.31

 

CMYK 78 / 60 / 0 / 2

HEX #3764FA

RGB 55 100 250

HSL 226.15, 0.95%, 0.6%

LAB 48.04, 37.27, -78.97

 

CMYK 78 / 78 / 0 / 2

HEX #3737FA

RGB 55 55 250

HSL 240, 0.95%, 0.6%

LAB 38.63, 62.88, -94.47

 

CMYK 78 / 0 / 3 / 2

HEX #37FAF2

RGB 55 250 242

HSL 177.54, 0.95%, 0.6%

LAB 89.67, -47.09, -9.5

 

CMYK 78 / 0 / 3 / 2

HEX #37FAF2

RGB 55 250 242

HSL 177.54, 0.95%, 0.6%

LAB 89.67, -47.09, -9.5

 

CMYK 70 / 0 / 3 / 8

HEX #47EAE3

RGB 71 234 227

HSL 177.42, 0.8%, 0.6%

LAB 84.86, -42.5, -8.76

 

CMYK 59 / 0 / 2 / 15

HEX #58D9D4

RGB 88 217 212

HSL 177.67, 0.63%, 0.6%

LAB 79.87, -36.31, -8.17

 

CMYK 48 / 0 / 2 / 21

HEX #68C9C5

RGB 104 201 197

HSL 177.53, 0.47%, 0.6%

LAB 75.29, -29.5, -6.84

 

CMYK 34 / 0 / 1 / 28

HEX #79B8B6

RGB 121 184 182

HSL 178.1, 0.31%, 0.6%

LAB 70.68, -20.54, -5.41

 

CMYK 78 / 0 / 46 / 2

HEX #37FA88

RGB 55 250 136

HSL 144.92, 0.95%, 0.6%

LAB 87.47, -70.64, 41.56

 

CMYK 78 / 0 / 25 / 2

HEX #37FABC

RGB 55 250 188

HSL 160.92, 0.95%, 0.6%

LAB 88.36, -60.59, 16.63

 

CMYK 78 / 0 / 4 / 2

HEX #37FAF1

RGB 55 250 241

HSL 177.23, 0.95%, 0.6%

LAB 89.64, -47.37, -9.02

 

CMYK 78 / 17 / 0 / 2

HEX #37D0FA

RGB 55 208 250

HSL 192.92, 0.95%, 0.6%

LAB 77.77, -25.22, -31.73

 

CMYK 78 / 38 / 0 / 2

HEX #379CFA

RGB 55 156 250

HSL 208.92, 0.95%, 0.6%

LAB 62.92, 2.96, -54.98

 

CMYK 98 / 0 / 4 / 14

HEX #04DBD2

RGB 4 219 210

HSL 177.49, 0.96%, 0.44%

LAB 79.24, -45.38, -8.17

 

CMYK 94 / 0 / 4 / 2

HEX #0EFAF0

RGB 14 250 240

HSL 177.46, 0.96%, 0.52%

LAB 89.28, -49.9, -9.08

 

CMYK 78 / 0 / 3 / 2

HEX #37FAF2

RGB 55 250 242

HSL 177.54, 0.95%, 0.6%

LAB 89.67, -47.09, -9.5

 

CMYK 62 / 0 / 2 / 2

HEX #5FFBF5

RGB 95 251 245

HSL 177.69, 0.95%, 0.68%

LAB 90.79, -41.89, -9.32

 

CMYK 46 / 0 / 2 / 1

HEX #87FCF7

RGB 135 252 247

HSL 177.44, 0.95%, 0.76%

LAB 92.35, -34.34, -7.91

 

CMYK 77 / 0 / 3 / 2

HEX #39FBF3

RGB 57 251 243

HSL 177.53, 0.96%, 0.6%

LAB 90.01, -47.07, -9.5

 

CMYK 66 / 78 / 0 / 2

HEX #5437FA

RGB 84 55 250

HSL 248.92, 0.95%, 0.6%

LAB 40.44, 65, -91.42

 

CMYK 0 / 35 / 78 / 2

HEX #FAA237

RGB 250 162 55

HSL 32.92, 0.95%, 0.6%

LAB 73.83, 24.43, 65.3

 

CMYK 77 / 0 / 3 / 2

HEX #39FBF3

RGB 57 251 243

HSL 177.53, 0.96%, 0.6%

LAB 90.01, -47.07, -9.5

 

CMYK 4 / 78 / 0 / 2

HEX #F137FA

RGB 241 55 250

HSL 297.23, 0.95%, 0.6%

LAB 60.19, 87.99, -58.41

 

CMYK 0 / 4 / 78 / 2

HEX #FAF137

RGB 250 241 55

HSL 57.23, 0.95%, 0.6%

LAB 93.24, -15.97, 82.89

 

CMYK 77 / 0 / 3 / 2

HEX #39FBF3

RGB 57 251 243

HSL 177.53, 0.96%, 0.6%

LAB 90.01, -47.07, -9.5

 

CMYK 66 / 78 / 0 / 2

HEX #5437FA

RGB 84 55 250

HSL 248.92, 0.95%, 0.6%

LAB 40.44, 65, -91.42

 

CMYK 0 / 78 / 74 / 2

HEX #FA3740

RGB 250 55 64

HSL 357.23, 0.95%, 0.6%

LAB 55.51, 71.75, 42.51

 

CMYK 12 / 0 / 78 / 2

HEX #DDFA37

RGB 221 250 55

HSL 68.92, 0.95%, 0.6%

LAB 93.46, -31.98, 82.26

 

CMYK 77 / 0 / 3 / 2

HEX #39FBF3

RGB 57 251 243

HSL 177.53, 0.96%, 0.6%

LAB 90.01, -47.07, -9.5

 

CMYK 43 / 78 / 0 / 2

HEX #8F37FA

RGB 143 55 250

HSL 267.08, 0.95%, 0.6%

LAB 46.28, 71.81, -81.6

 

CMYK 0 / 78 / 74 / 2

HEX #FA3740

RGB 250 55 64

HSL 357.23, 0.95%, 0.6%

LAB 55.51, 71.75, 42.51

 

CMYK 35 / 0 / 78 / 2

HEX #A2FA37

RGB 162 250 55

HSL 87.08, 0.95%, 0.6%

LAB 90.01, -53.92, 77.85

 

Description

Color code: HEX #39FBF3 | qconv.com Color code: HEX #39FBF3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 251 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 251 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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