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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39E3AB it is the complementary color #C61C54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39E3AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39E3AB shade: #3EE3A6, #4FF5B9, #60FFCC, #71FFDF and #82FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39E3AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39E3AB shade: #39E3AB, #28D198, #17BF85, #06AD72 and #009B5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39E3AB shade: #3AE2AB, #3AE27E, #3AE250, #51E23A and #7FE23A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39E3AB shade: #3AE2AB, #3AE2D8, #3ABFE2, #3A92E2 and #3A64E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39E3AB shade matches the following richer shades: #3AE2AB and #28F5B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39E3AB shade: #3AE2AB, #4CD0A5, #5EBE9F, #71AC98 and #839A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39E3AB shade: #3AE251, #3AE27D, #3AE2AA, #3AE2D7 and #3AC1E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39E3AB shade: #19B17F, #1ED599, #3AE2AB, #5EE8BA and #82EDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39E3AB shade: #39E3AB, #3A51E2 and #E2673A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39E3AB shade: #39E3AB, #AA3AE2 and #E2AA3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39E3AB shade: #39E3AB, #3A51E2, #E23A72 and #E2CC3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39E3AB shade: #39E3AB, #563AE2, #E23A72 and #C6E23A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 25 / 11

HEX #39E3AB

RGB 57 227 171

HSL 160.24, 0.75%, 0.56%

LAB 81.15, -55.31, 15.35

 

Complementary color

CMYK 0 / 86 / 58 / 22

HEX #C61C54

RGB 198 28 84

HSL 340.24, 0.75%, 0.44%

LAB 43.47, 65.31, 13.35

 

CMYK 73 / 0 / 27 / 11

HEX #3EE3A6

RGB 62 227 166

HSL 157.82, 0.75%, 0.57%

LAB 81.13, -55.79, 17.96

 

CMYK 68 / 0 / 24 / 4

HEX #4FF5B9

RGB 79 245 185

HSL 158.31, 0.89%, 0.64%

LAB 87.23, -56.31, 16.65

 

CMYK 62 / 0 / 20 / 0

HEX #60FFCC

RGB 96 255 204

HSL 160.75, 1%, 0.69%

LAB 90.95, -53.4, 12.16

 

CMYK 56 / 0 / 13 / 0

HEX #71FFDF

RGB 113 255 223

HSL 166.48, 1%, 0.72%

LAB 91.85, -45.96, 3.7

 

CMYK 49 / 0 / 5 / 0

HEX #82FFF2

RGB 130 255 242

HSL 173.76, 1%, 0.75%

LAB 92.87, -38.01, -4.56

 

CMYK 75 / 0 / 25 / 11

HEX #39E3AB

RGB 57 227 171

HSL 160.24, 0.75%, 0.56%

LAB 81.15, -55.31, 15.35

 

CMYK 81 / 0 / 27 / 18

HEX #28D198

RGB 40 209 152

HSL 159.76, 0.68%, 0.49%

LAB 75.03, -54.42, 16.77

 

CMYK 88 / 0 / 30 / 25

HEX #17BF85

RGB 23 191 133

HSL 159.29, 0.79%, 0.42%

LAB 68.85, -53.18, 18.33

 

CMYK 97 / 0 / 34 / 32

HEX #06AD72

RGB 6 173 114

HSL 158.8, 0.93%, 0.35%

LAB 62.63, -51.48, 20.05

 

CMYK 100 / 0 / 39 / 39

HEX #009B5F

RGB 0 155 95

HSL 156.77, 1%, 0.3%

LAB 56.36, -49.17, 21.96

 

CMYK 74 / 0 / 24 / 11

HEX #3AE2AB

RGB 58 226 171

HSL 160.36, 0.74%, 0.56%

LAB 80.87, -54.8, 14.95

 

CMYK 74 / 0 / 44 / 11

HEX #3AE27E

RGB 58 226 126

HSL 144.29, 0.74%, 0.56%

LAB 80.07, -63.7, 36.98

 

CMYK 74 / 0 / 65 / 11

HEX #3AE250

RGB 58 226 80

HSL 127.86, 0.74%, 0.56%

LAB 79.54, -69.91, 57.51

 

CMYK 64 / 0 / 74 / 11

HEX #51E23A

RGB 81 226 58

HSL 111.79, 0.74%, 0.56%

LAB 79.87, -67.75, 66.19

 

CMYK 44 / 0 / 74 / 11

HEX #7FE23A

RGB 127 226 58

HSL 95.36, 0.74%, 0.56%

LAB 81.41, -55.72, 68.22

 

CMYK 74 / 0 / 24 / 11

HEX #3AE2AB

RGB 58 226 171

HSL 160.36, 0.74%, 0.56%

LAB 80.87, -54.8, 14.95

 

CMYK 74 / 0 / 4 / 11

HEX #3AE2D8

RGB 58 226 216

HSL 176.43, 0.74%, 0.56%

LAB 81.97, -43.48, -7.25

 

CMYK 74 / 15 / 0 / 11

HEX #3ABFE2

RGB 58 191 226

HSL 192.5, 0.74%, 0.56%

LAB 72, -24, -27.68

 

CMYK 74 / 35 / 0 / 11

HEX #3A92E2

RGB 58 146 226

HSL 208.57, 0.74%, 0.56%

LAB 58.93, 0.58, -48.07

 

CMYK 74 / 56 / 0 / 11

HEX #3A64E2

RGB 58 100 226

HSL 225, 0.74%, 0.56%

LAB 46.32, 28.93, -68.31

 

CMYK 74 / 0 / 24 / 11

HEX #3AE2AB

RGB 58 226 171

HSL 160.36, 0.74%, 0.56%

LAB 80.87, -54.8, 14.95

 

CMYK 84 / 0 / 28 / 4

HEX #28F5B1

RGB 40 245 177

HSL 160.1, 0.91%, 0.56%

LAB 86.47, -62.47, 19.63

 

CMYK 74 / 0 / 24 / 11

HEX #3AE2AB

RGB 58 226 171

HSL 160.36, 0.74%, 0.56%

LAB 80.87, -54.8, 14.95

 

CMYK 63 / 0 / 21 / 18

HEX #4CD0A5

RGB 76 208 165

HSL 160.45, 0.58%, 0.56%

LAB 75.68, -46.14, 10.85

 

CMYK 51 / 0 / 16 / 25

HEX #5EBE9F

RGB 94 190 159

HSL 160.63, 0.42%, 0.56%

LAB 70.67, -35.86, 7.02

 

CMYK 34 / 0 / 12 / 33

HEX #71AC98

RGB 113 172 152

HSL 159.66, 0.26%, 0.56%

LAB 65.97, -23.7, 4.22

 

CMYK 15 / 0 / 5 / 40

HEX #839A92

RGB 131 154 146

HSL 159.13, 0.1%, 0.56%

LAB 61.66, -9.75, 1.47

 

CMYK 74 / 0 / 64 / 11

HEX #3AE251

RGB 58 226 81

HSL 128.21, 0.74%, 0.56%

LAB 79.55, -69.81, 57.11

 

CMYK 74 / 0 / 45 / 11

HEX #3AE27D

RGB 58 226 125

HSL 143.93, 0.74%, 0.56%

LAB 80.05, -63.87, 37.46

 

CMYK 74 / 0 / 25 / 11

HEX #3AE2AA

RGB 58 226 170

HSL 160, 0.74%, 0.56%

LAB 80.85, -55.02, 15.45

 

CMYK 74 / 0 / 5 / 11

HEX #3AE2D7

RGB 58 226 215

HSL 176.07, 0.74%, 0.56%

LAB 81.95, -43.76, -6.76

 

CMYK 74 / 15 / 0 / 11

HEX #3AC1E2

RGB 58 193 226

HSL 191.79, 0.74%, 0.56%

LAB 72.58, -25, -26.78

 

CMYK 86 / 0 / 28 / 31

HEX #19B17F

RGB 25 177 127

HSL 160.26, 0.75%, 0.4%

LAB 64.31, -48.99, 15.29

 

CMYK 86 / 0 / 28 / 16

HEX #1ED599

RGB 30 213 153

HSL 160.33, 0.75%, 0.48%

LAB 76.17, -56.55, 17.81

 

CMYK 74 / 0 / 24 / 11

HEX #3AE2AB

RGB 58 226 171

HSL 160.36, 0.74%, 0.56%

LAB 80.87, -54.8, 14.95

 

CMYK 59 / 0 / 20 / 9

HEX #5EE8BA

RGB 94 232 186

HSL 160, 0.75%, 0.64%

LAB 83.78, -48.22, 11.31

 

CMYK 45 / 0 / 15 / 7

HEX #82EDCA

RGB 130 237 202

HSL 160.37, 0.75%, 0.72%

LAB 86.79, -39.03, 7.4

 

CMYK 75 / 0 / 25 / 11

HEX #39E3AB

RGB 57 227 171

HSL 160.24, 0.75%, 0.56%

LAB 81.15, -55.31, 15.35

 

CMYK 74 / 64 / 0 / 11

HEX #3A51E2

RGB 58 81 226

HSL 231.79, 0.74%, 0.56%

LAB 41.65, 40.83, -75.93

 

CMYK 0 / 54 / 74 / 11

HEX #E2673A

RGB 226 103 58

HSL 16.07, 0.74%, 0.56%

LAB 58.2, 45.17, 47.41

 

CMYK 75 / 0 / 25 / 11

HEX #39E3AB

RGB 57 227 171

HSL 160.24, 0.75%, 0.56%

LAB 81.15, -55.31, 15.35

 

CMYK 25 / 74 / 0 / 11

HEX #AA3AE2

RGB 170 58 226

HSL 280, 0.74%, 0.56%

LAB 48.34, 69.85, -64.57

 

CMYK 0 / 25 / 74 / 11

HEX #E2AA3A

RGB 226 170 58

HSL 40, 0.74%, 0.56%

LAB 73.04, 10.2, 62.44

 

CMYK 75 / 0 / 25 / 11

HEX #39E3AB

RGB 57 227 171

HSL 160.24, 0.75%, 0.56%

LAB 81.15, -55.31, 15.35

 

CMYK 74 / 64 / 0 / 11

HEX #3A51E2

RGB 58 81 226

HSL 231.79, 0.74%, 0.56%

LAB 41.65, 40.83, -75.93

 

CMYK 0 / 74 / 50 / 11

HEX #E23A72

RGB 226 58 114

HSL 340, 0.74%, 0.56%

LAB 52.3, 67.09, 8.06

 

CMYK 0 / 10 / 74 / 11

HEX #E2CC3A

RGB 226 204 58

HSL 52.14, 0.74%, 0.56%

LAB 81.65, -7.52, 70.68

 

CMYK 75 / 0 / 25 / 11

HEX #39E3AB

RGB 57 227 171

HSL 160.24, 0.75%, 0.56%

LAB 81.15, -55.31, 15.35

 

CMYK 62 / 74 / 0 / 11

HEX #563AE2

RGB 86 58 226

HSL 250, 0.74%, 0.56%

LAB 38.72, 56.9, -80.68

 

CMYK 0 / 74 / 50 / 11

HEX #E23A72

RGB 226 58 114

HSL 340, 0.74%, 0.56%

LAB 52.3, 67.09, 8.06

 

CMYK 12 / 0 / 74 / 11

HEX #C6E23A

RGB 198 226 58

HSL 70, 0.74%, 0.56%

LAB 85.35, -29.91, 73.38

 

Description

Color code: HEX #39E3AB | qconv.com Color code: HEX #39E3AB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 227 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 227 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 25 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 25% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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