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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39E82F it is the complementary color #C617D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39E82F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39E82F shade: #3EE82A, #4FFA3D, #60FF50, #71FF63 and #82FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39E82F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39E82F shade: #39E82F, #28D61C, #17C409, #06B200 and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39E82F shade: #3AE830, #6BE830, #9DE830, #CEE830 and #E8CF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39E82F shade: #3AE830, #30E858, #30E889, #30E8BB and #30E3E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39E82F shade matches the following richer shades: #3AE830 and #29FA1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39E82F shade: #3AE830, #4AD543, #5BC255, #6CB068 and #7C9D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39E82F shade: #9EE830, #6DE830, #3CE830, #30E855 and #30E886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39E82F shade: #1CB213, #22D717, #3AE830, #5DEC55 and #81F07A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39E82F shade: #39E82F, #30CFE8 and #E83086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39E82F shade: #39E82F, #303CE8 and #E8303C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39E82F shade: #39E82F, #30CFE8, #DB30E8 and #E84830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39E82F shade: #39E82F, #3098E8, #DB30E8 and #E88030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 80 / 9

HEX #39E82F

RGB 57 232 47

HSL 116.76, 0.8%, 0.55%

LAB 81.18, -74.47, 70.6

 

Complementary color

CMYK 5 / 89 / 0 / 18

HEX #C617D0

RGB 198 23 208

HSL 296.76, 0.8%, 0.45%

LAB 48.48, 80.4, -53.84

 

CMYK 73 / 0 / 82 / 9

HEX #3EE82A

RGB 62 232 42

HSL 113.68, 0.81%, 0.54%

LAB 81.24, -74, 72

 

CMYK 68 / 0 / 76 / 2

HEX #4FFA3D

RGB 79 250 61

HSL 114.29, 0.95%, 0.61%

LAB 87.18, -75.58, 72.39

 

CMYK 62 / 0 / 69 / 0

HEX #60FF50

RGB 96 255 80

HSL 114.51, 1%, 0.66%

LAB 89.2, -72.51, 68.12

 

CMYK 56 / 0 / 61 / 0

HEX #71FF63

RGB 113 255 99

HSL 114.62, 1%, 0.69%

LAB 89.83, -66.97, 61.48

 

CMYK 49 / 0 / 54 / 0

HEX #82FF76

RGB 130 255 118

HSL 114.74, 1%, 0.73%

LAB 90.59, -60.59, 54.25

 

CMYK 75 / 0 / 80 / 9

HEX #39E82F

RGB 57 232 47

HSL 116.76, 0.8%, 0.55%

LAB 81.18, -74.47, 70.6

 

CMYK 81 / 0 / 87 / 16

HEX #28D61C

RGB 40 214 28

HSL 116.13, 0.77%, 0.47%

LAB 75.22, -72.27, 69.64

 

CMYK 88 / 0 / 95 / 23

HEX #17C409

RGB 23 196 9

HSL 115.51, 0.91%, 0.4%

LAB 69.24, -69.32, 67.4

 

CMYK 97 / 0 / 100 / 30

HEX #06B200

RGB 6 178 0

HSL 117.98, 1%, 0.35%

LAB 63.24, -65.51, 63.55

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 75 / 0 / 79 / 9

HEX #3AE830

RGB 58 232 48

HSL 116.74, 0.8%, 0.55%

LAB 81.2, -74.28, 70.35

 

CMYK 54 / 0 / 79 / 9

HEX #6BE830

RGB 107 232 48

HSL 100.76, 0.8%, 0.55%

LAB 82.41, -64.24, 71.92

 

CMYK 32 / 0 / 79 / 9

HEX #9DE830

RGB 157 232 48

HSL 84.46, 0.8%, 0.55%

LAB 84.53, -48.62, 74.65

 

CMYK 11 / 0 / 79 / 9

HEX #CEE830

RGB 206 232 48

HSL 68.48, 0.8%, 0.55%

LAB 87.51, -29.9, 78.44

 

CMYK 0 / 11 / 79 / 9

HEX #E8CF30

RGB 232 207 48

HSL 51.85, 0.8%, 0.55%

LAB 82.91, -6.86, 75.17

 

CMYK 75 / 0 / 79 / 9

HEX #3AE830

RGB 58 232 48

HSL 116.74, 0.8%, 0.55%

LAB 81.2, -74.28, 70.35

 

CMYK 79 / 0 / 62 / 9

HEX #30E858

RGB 48 232 88

HSL 133.04, 0.8%, 0.55%

LAB 81.32, -72.23, 56.12

 

CMYK 79 / 0 / 41 / 9

HEX #30E889

RGB 48 232 137

HSL 149.02, 0.8%, 0.55%

LAB 81.92, -65.08, 33.87

 

CMYK 79 / 0 / 19 / 9

HEX #30E8BB

RGB 48 232 187

HSL 165.33, 0.8%, 0.55%

LAB 82.88, -54.5, 9.37

 

CMYK 79 / 2 / 0 / 9

HEX #30E3E8

RGB 48 227 232

HSL 181.63, 0.8%, 0.55%

LAB 82.59, -40.36, -14.83

 

CMYK 75 / 0 / 79 / 9

HEX #3AE830

RGB 58 232 48

HSL 116.74, 0.8%, 0.55%

LAB 81.2, -74.28, 70.35

 

CMYK 84 / 0 / 88 / 2

HEX #29FA1D

RGB 41 250 29

HSL 116.74, 0.96%, 0.55%

LAB 86.47, -82.2, 79.2

 

CMYK 75 / 0 / 79 / 9

HEX #3AE830

RGB 58 232 48

HSL 116.74, 0.8%, 0.55%

LAB 81.2, -74.28, 70.35

 

CMYK 65 / 0 / 69 / 16

HEX #4AD543

RGB 74 213 67

HSL 117.12, 0.63%, 0.55%

LAB 75.73, -64.16, 58.68

 

CMYK 53 / 0 / 56 / 24

HEX #5BC255

RGB 91 194 85

HSL 116.7, 0.47%, 0.55%

LAB 70.5, -51.44, 45.23

 

CMYK 39 / 0 / 41 / 31

HEX #6CB068

RGB 108 176 104

HSL 116.67, 0.31%, 0.55%

LAB 65.93, -36.22, 30.25

 

CMYK 21 / 0 / 22 / 38

HEX #7C9D7A

RGB 124 157 122

HSL 116.57, 0.15%, 0.55%

LAB 61.48, -18.48, 14.65

 

CMYK 32 / 0 / 79 / 9

HEX #9EE830

RGB 158 232 48

HSL 84.13, 0.8%, 0.55%

LAB 84.58, -48.26, 74.72

 

CMYK 53 / 0 / 79 / 9

HEX #6DE830

RGB 109 232 48

HSL 100.11, 0.8%, 0.55%

LAB 82.47, -63.71, 72

 

CMYK 74 / 0 / 79 / 9

HEX #3CE830

RGB 60 232 48

HSL 116.09, 0.8%, 0.55%

LAB 81.23, -73.98, 70.39

 

CMYK 79 / 0 / 63 / 9

HEX #30E855

RGB 48 232 85

HSL 132.07, 0.8%, 0.55%

LAB 81.29, -72.55, 57.35

 

CMYK 79 / 0 / 42 / 9

HEX #30E886

RGB 48 232 134

HSL 148.04, 0.8%, 0.55%

LAB 81.87, -65.61, 35.31

 

CMYK 84 / 0 / 89 / 30

HEX #1CB213

RGB 28 178 19

HSL 116.6, 0.81%, 0.39%

LAB 63.45, -63.46, 61.1

 

CMYK 84 / 0 / 89 / 16

HEX #22D717

RGB 34 215 23

HSL 116.56, 0.81%, 0.47%

LAB 75.45, -73.35, 70.73

 

CMYK 75 / 0 / 79 / 9

HEX #3AE830

RGB 58 232 48

HSL 116.74, 0.8%, 0.55%

LAB 81.2, -74.28, 70.35

 

CMYK 61 / 0 / 64 / 7

HEX #5DEC55

RGB 93 236 85

HSL 116.82, 0.8%, 0.63%

LAB 83.43, -66.31, 59.97

 

CMYK 46 / 0 / 49 / 6

HEX #81F07A

RGB 129 240 122

HSL 116.44, 0.8%, 0.71%

LAB 86.2, -54.54, 47.08

 

CMYK 75 / 0 / 80 / 9

HEX #39E82F

RGB 57 232 47

HSL 116.76, 0.8%, 0.55%

LAB 81.18, -74.47, 70.6

 

CMYK 79 / 11 / 0 / 9

HEX #30CFE8

RGB 48 207 232

HSL 188.15, 0.8%, 0.55%

LAB 76.73, -31.03, -23.7

 

CMYK 0 / 79 / 42 / 9

HEX #E83086

RGB 232 48 134

HSL 331.96, 0.8%, 0.55%

LAB 52.94, 73.24, -2.9

 

CMYK 75 / 0 / 80 / 9

HEX #39E82F

RGB 57 232 47

HSL 116.76, 0.8%, 0.55%

LAB 81.18, -74.47, 70.6

 

CMYK 79 / 74 / 0 / 9

HEX #303CE8

RGB 48 60 232

HSL 236.09, 0.8%, 0.55%

LAB 37.27, 54.28, -86.56

 

CMYK 0 / 79 / 74 / 9

HEX #E8303C

RGB 232 48 60

HSL 356.09, 0.8%, 0.55%

LAB 51.38, 68.48, 39.2

 

CMYK 75 / 0 / 80 / 9

HEX #39E82F

RGB 57 232 47

HSL 116.76, 0.8%, 0.55%

LAB 81.18, -74.47, 70.6

 

CMYK 79 / 11 / 0 / 9

HEX #30CFE8

RGB 48 207 232

HSL 188.15, 0.8%, 0.55%

LAB 76.73, -31.03, -23.7

 

CMYK 6 / 79 / 0 / 9

HEX #DB30E8

RGB 219 48 232

HSL 295.76, 0.8%, 0.55%

LAB 55.07, 82.88, -56.74

 

CMYK 0 / 69 / 79 / 9

HEX #E84830

RGB 232 72 48

HSL 7.83, 0.8%, 0.55%

LAB 54.03, 60.34, 48.46

 

CMYK 75 / 0 / 80 / 9

HEX #39E82F

RGB 57 232 47

HSL 116.76, 0.8%, 0.55%

LAB 81.18, -74.47, 70.6

 

CMYK 79 / 34 / 0 / 9

HEX #3098E8

RGB 48 152 232

HSL 206.09, 0.8%, 0.55%

LAB 60.7, -1.88, -48.6

 

CMYK 6 / 79 / 0 / 9

HEX #DB30E8

RGB 219 48 232

HSL 295.76, 0.8%, 0.55%

LAB 55.07, 82.88, -56.74

 

CMYK 0 / 45 / 79 / 9

HEX #E88030

RGB 232 128 48

HSL 26.09, 0.8%, 0.55%

LAB 64, 34.57, 58.05

 

Description

Color code: HEX #39E82F | qconv.com Color code: HEX #39E82F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 232 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 232 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 80 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 80% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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