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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39E429 it is the complementary color #C61BD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39E429. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39E429 shade: #3EE424, #4FF637, #60FF4A, #71FF5D and #82FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39E429. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39E429 shade: #39E429, #28D216, #17C003, #06AE00 and #009C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39E429 shade: #39E429, #6CE429, #9EE429, #D0E429 and #E4C529

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39E429 shade: #39E429, #29E44C, #29E47E, #29E4B0 and #29E4E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39E429 shade matches the following richer shades: #39E429 and #29F816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39E429 shade: #39E429, #49D13D, #59BD50, #69AA63 and #799777

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39E429 shade: #A0E429, #6EE429, #3CE429, #29E448 and #29E47A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39E429 shade: #21A714, #28CB19, #39E429, #5BE94E and #7DED73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39E429 shade: #39E429, #29D1E4 and #E42987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39E429 shade: #39E429, #293CE4 and #E4293C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39E429 shade: #39E429, #29D1E4, #D129E4 and #E43C29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39E429 shade: #39E429, #2999E4, #D129E4 and #E47429

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

Complementary color

CMYK 7 / 87 / 0 / 16

HEX #C61BD6

RGB 198 27 214

HSL 294.87, 0.78%, 0.47%

LAB 49.06, 80.71, -56.34

 

CMYK 73 / 0 / 84 / 11

HEX #3EE424

RGB 62 228 36

HSL 111.88, 0.78%, 0.52%

LAB 79.98, -73.07, 72.28

 

CMYK 68 / 0 / 78 / 4

HEX #4FF637

RGB 79 246 55

HSL 112.46, 0.91%, 0.59%

LAB 85.93, -74.7, 72.99

 

CMYK 62 / 0 / 71 / 0

HEX #60FF4A

RGB 96 255 74

HSL 112.71, 1%, 0.65%

LAB 89.16, -72.98, 70.23

 

CMYK 56 / 0 / 64 / 0

HEX #71FF5D

RGB 113 255 93

HSL 112.59, 1%, 0.68%

LAB 89.78, -67.55, 63.88

 

CMYK 49 / 0 / 56 / 0

HEX #82FF70

RGB 130 255 112

HSL 112.45, 1%, 0.72%

LAB 90.52, -61.28, 56.85

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 81 / 0 / 90 / 18

HEX #28D216

RGB 40 210 22

HSL 114.26, 0.81%, 0.45%

LAB 73.93, -71.33, 69.63

 

CMYK 88 / 0 / 98 / 25

HEX #17C003

RGB 23 192 3

HSL 113.65, 0.97%, 0.38%

LAB 67.94, -68.33, 67.01

 

CMYK 97 / 0 / 100 / 32

HEX #06AE00

RGB 6 174 0

HSL 117.93, 1%, 0.34%

LAB 61.92, -64.41, 62.49

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 53 / 0 / 82 / 11

HEX #6CE429

RGB 108 228 41

HSL 98.5, 0.78%, 0.53%

LAB 81.2, -62.9, 72.65

 

CMYK 31 / 0 / 82 / 11

HEX #9EE429

RGB 158 228 41

HSL 82.46, 0.78%, 0.53%

LAB 83.4, -46.87, 75.45

 

CMYK 9 / 0 / 82 / 11

HEX #D0E429

RGB 208 228 41

HSL 66.42, 0.78%, 0.53%

LAB 86.53, -27.43, 79.39

 

CMYK 0 / 14 / 82 / 11

HEX #E4C529

RGB 228 197 41

HSL 50.05, 0.78%, 0.53%

LAB 79.95, -3.68, 74.41

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 82 / 0 / 67 / 11

HEX #29E44C

RGB 41 228 76

HSL 131.23, 0.78%, 0.53%

LAB 79.89, -73.01, 59.43

 

CMYK 82 / 0 / 45 / 11

HEX #29E47E

RGB 41 228 126

HSL 147.27, 0.78%, 0.53%

LAB 80.44, -66.33, 37.42

 

CMYK 82 / 0 / 23 / 11

HEX #29E4B0

RGB 41 228 176

HSL 163.32, 0.78%, 0.53%

LAB 81.34, -56.17, 12.96

 

CMYK 82 / 0 / 0 / 11

HEX #29E4E3

RGB 41 228 227

HSL 179.68, 0.78%, 0.53%

LAB 82.65, -42.8, -12.1

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 83 / 0 / 91 / 3

HEX #29F816

RGB 41 248 22

HSL 114.96, 0.94%, 0.53%

LAB 85.84, -81.85, 79.71

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 65 / 0 / 71 / 18

HEX #49D13D

RGB 73 209 61

HSL 115.14, 0.62%, 0.53%

LAB 74.42, -63.53, 59.56

 

CMYK 53 / 0 / 58 / 26

HEX #59BD50

RGB 89 189 80

HSL 115.05, 0.45%, 0.53%

LAB 68.82, -50.62, 45.58

 

CMYK 38 / 0 / 42 / 33

HEX #69AA63

RGB 105 170 99

HSL 114.93, 0.29%, 0.53%

LAB 63.88, -35.22, 30.19

 

CMYK 20 / 0 / 21 / 41

HEX #799777

RGB 121 151 119

HSL 116.25, 0.13%, 0.53%

LAB 59.46, -16.97, 13.48

 

CMYK 30 / 0 / 82 / 11

HEX #A0E429

RGB 160 228 41

HSL 81.82, 0.78%, 0.53%

LAB 83.51, -46.14, 75.58

 

CMYK 52 / 0 / 82 / 11

HEX #6EE429

RGB 110 228 41

HSL 97.86, 0.78%, 0.53%

LAB 81.27, -62.35, 72.74

 

CMYK 74 / 0 / 82 / 11

HEX #3CE429

RGB 60 228 41

HSL 113.9, 0.78%, 0.53%

LAB 79.96, -73.15, 71.06

 

CMYK 82 / 0 / 68 / 11

HEX #29E448

RGB 41 228 72

HSL 129.95, 0.78%, 0.53%

LAB 79.86, -73.39, 60.95

 

CMYK 82 / 0 / 46 / 11

HEX #29E47A

RGB 41 228 122

HSL 145.99, 0.78%, 0.53%

LAB 80.38, -66.99, 39.32

 

CMYK 80 / 0 / 88 / 35

HEX #21A714

RGB 33 167 20

HSL 114.69, 0.79%, 0.37%

LAB 59.9, -59.54, 57.83

 

CMYK 80 / 0 / 88 / 20

HEX #28CB19

RGB 40 203 25

HSL 114.94, 0.78%, 0.45%

LAB 71.71, -69.2, 67.17

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 61 / 0 / 67 / 9

HEX #5BE94E

RGB 91 233 78

HSL 114.97, 0.78%, 0.61%

LAB 82.41, -66.37, 61.64

 

CMYK 47 / 0 / 51 / 7

HEX #7DED73

RGB 125 237 115

HSL 115.08, 0.77%, 0.69%

LAB 85.08, -55.35, 48.96

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 82 / 8 / 0 / 11

HEX #29D1E4

RGB 41 209 228

HSL 186.1, 0.78%, 0.53%

LAB 77.09, -33.8, -21.01

 

CMYK 0 / 82 / 41 / 11

HEX #E42987

RGB 228 41 135

HSL 329.84, 0.78%, 0.53%

LAB 51.64, 74.04, -5.5

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 82 / 74 / 0 / 11

HEX #293CE4

RGB 41 60 228

HSL 233.9, 0.78%, 0.53%

LAB 36.56, 52.54, -85.47

 

CMYK 0 / 82 / 74 / 11

HEX #E4293C

RGB 228 41 60

HSL 353.9, 0.78%, 0.53%

LAB 49.99, 69.13, 37.42

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 82 / 8 / 0 / 11

HEX #29D1E4

RGB 41 209 228

HSL 186.1, 0.78%, 0.53%

LAB 77.09, -33.8, -21.01

 

CMYK 8 / 82 / 0 / 11

HEX #D129E4

RGB 209 41 228

HSL 293.9, 0.78%, 0.53%

LAB 52.67, 82.09, -58.42

 

CMYK 0 / 74 / 82 / 11

HEX #E43C29

RGB 228 60 41

HSL 6.1, 0.78%, 0.53%

LAB 51.71, 63.13, 49.47

 

CMYK 75 / 0 / 82 / 11

HEX #39E429

RGB 57 228 41

HSL 114.87, 0.78%, 0.53%

LAB 79.91, -73.6, 71

 

CMYK 82 / 33 / 0 / 11

HEX #2999E4

RGB 41 153 228

HSL 204.06, 0.78%, 0.53%

LAB 60.65, -4.55, -46.47

 

CMYK 8 / 82 / 0 / 11

HEX #D129E4

RGB 209 41 228

HSL 293.9, 0.78%, 0.53%

LAB 52.67, 82.09, -58.42

 

CMYK 0 / 49 / 82 / 11

HEX #E47429

RGB 228 116 41

HSL 24.06, 0.78%, 0.53%

LAB 60.91, 38.9, 57.84

 

Description

Color code: HEX #39E429 | qconv.com Color code: HEX #39E429 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 228 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 228 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 82 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 82% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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