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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39DC5C it is the complementary color #C623A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39DC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39DC5C shade: #3EDC57, #4FEE6A, #60FF7D, #71FF90 and #82FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39DC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39DC5C shade: #39DC5C, #28CA49, #17B836, #06A623 and #009410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39DC5C shade: #37DB5A, #40DB37, #6CDB37, #99DB37 and #C5DB37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39DC5C shade: #37DB5A, #37DB87, #37DBB3, #37D7DB and #37ABDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39DC5C shade matches the following richer shades: #37DB5A and #24EE50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39DC5C shade: #37DB5A, #4AC865, #5DB570, #70A27B and #838F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39DC5C shade: #6EDB37, #42DB37, #37DB58, #37DB84 and #37DBB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39DC5C shade: #1CA339, #23C746, #37DB5A, #5AE177 and #7DE894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39DC5C shade: #39DC5C, #379ADB and #DB3758

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39DC5C shade: #39DC5C, #5837DB and #DB5837

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39DC5C shade: #39DC5C, #379ADB, #DB37BA and #DB7937

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39DC5C shade: #39DC5C, #3768DB, #DB37BA and #DBAA37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 58 / 14

HEX #39DC5C

RGB 57 220 92

HSL 132.88, 0.7%, 0.54%

LAB 77.77, -66.77, 50.35

 

Complementary color

CMYK 0 / 82 / 18 / 22

HEX #C623A3

RGB 198 35 163

HSL 312.88, 0.7%, 0.46%

LAB 46.78, 71.71, -30.19

 

CMYK 72 / 0 / 60 / 14

HEX #3EDC57

RGB 62 220 87

HSL 129.49, 0.69%, 0.55%

LAB 77.82, -66.61, 52.63

 

CMYK 67 / 0 / 55 / 7

HEX #4FEE6A

RGB 79 238 106

HSL 130.19, 0.82%, 0.62%

LAB 83.89, -67.45, 51.34

 

CMYK 62 / 0 / 51 / 0

HEX #60FF7D

RGB 96 255 125

HSL 130.94, 1%, 0.69%

LAB 89.62, -67.64, 49.64

 

CMYK 56 / 0 / 44 / 0

HEX #71FF90

RGB 113 255 144

HSL 133.1, 1%, 0.72%

LAB 90.34, -61.3, 41.62

 

CMYK 49 / 0 / 36 / 0

HEX #82FFA3

RGB 130 255 163

HSL 135.84, 1%, 0.75%

LAB 91.19, -54.22, 33.49

 

CMYK 74 / 0 / 58 / 14

HEX #39DC5C

RGB 57 220 92

HSL 132.88, 0.7%, 0.54%

LAB 77.77, -66.77, 50.35

 

CMYK 80 / 0 / 64 / 21

HEX #28CA49

RGB 40 202 73

HSL 132.22, 0.67%, 0.47%

LAB 71.67, -65.43, 51.64

 

CMYK 88 / 0 / 71 / 28

HEX #17B836

RGB 23 184 54

HSL 131.55, 0.78%, 0.41%

LAB 65.54, -63.48, 52.7

 

CMYK 96 / 0 / 79 / 35

HEX #06A623

RGB 6 166 35

HSL 130.88, 0.93%, 0.34%

LAB 59.37, -60.73, 53.23

 

CMYK 100 / 0 / 89 / 42

HEX #009410

RGB 0 148 16

HSL 126.49, 1%, 0.29%

LAB 53.19, -56.92, 52.68

 

CMYK 75 / 0 / 59 / 14

HEX #37DB5A

RGB 55 219 90

HSL 132.8, 0.69%, 0.54%

LAB 77.41, -66.98, 50.81

 

CMYK 71 / 0 / 75 / 14

HEX #40DB37

RGB 64 219 55

HSL 116.71, 0.69%, 0.54%

LAB 77.3, -68.92, 64.51

 

CMYK 51 / 0 / 75 / 14

HEX #6CDB37

RGB 108 219 55

HSL 100.61, 0.69%, 0.54%

LAB 78.54, -58.9, 66.14

 

CMYK 30 / 0 / 75 / 14

HEX #99DB37

RGB 153 219 55

HSL 84.15, 0.69%, 0.54%

LAB 80.58, -44.24, 68.82

 

CMYK 10 / 0 / 75 / 14

HEX #C5DB37

RGB 197 219 55

HSL 68.05, 0.69%, 0.54%

LAB 83.34, -27.15, 72.41

 

CMYK 75 / 0 / 59 / 14

HEX #37DB5A

RGB 55 219 90

HSL 132.8, 0.69%, 0.54%

LAB 77.41, -66.98, 50.81

 

CMYK 75 / 0 / 38 / 14

HEX #37DB87

RGB 55 219 135

HSL 149.27, 0.69%, 0.54%

LAB 78.01, -60, 29.74

 

CMYK 75 / 0 / 18 / 14

HEX #37DBB3

RGB 55 219 179

HSL 165.37, 0.69%, 0.54%

LAB 78.89, -50.46, 7.9

 

CMYK 75 / 2 / 0 / 14

HEX #37D7DB

RGB 55 215 219

HSL 181.46, 0.69%, 0.54%

LAB 78.77, -38.01, -13.63

 

CMYK 75 / 22 / 0 / 14

HEX #37ABDB

RGB 55 171 219

HSL 197.56, 0.69%, 0.54%

LAB 65.79, -16.23, -33.43

 

CMYK 75 / 0 / 59 / 14

HEX #37DB5A

RGB 55 219 90

HSL 132.8, 0.69%, 0.54%

LAB 77.41, -66.98, 50.81

 

CMYK 85 / 0 / 66 / 7

HEX #24EE50

RGB 36 238 80

HSL 133.07, 0.86%, 0.54%

LAB 82.97, -76.06, 61.17

 

CMYK 75 / 0 / 59 / 14

HEX #37DB5A

RGB 55 219 90

HSL 132.8, 0.69%, 0.54%

LAB 77.41, -66.98, 50.81

 

CMYK 63 / 0 / 50 / 22

HEX #4AC865

RGB 74 200 101

HSL 132.86, 0.53%, 0.54%

LAB 72.03, -55.59, 39.26

 

CMYK 49 / 0 / 38 / 29

HEX #5DB570

RGB 93 181 112

HSL 132.95, 0.37%, 0.54%

LAB 66.93, -41.61, 27.22

 

CMYK 31 / 0 / 24 / 36

HEX #70A27B

RGB 112 162 123

HSL 133.2, 0.21%, 0.54%

LAB 62.27, -24.98, 15.07

 

CMYK 8 / 0 / 6 / 44

HEX #838F86

RGB 131 143 134

HSL 135, 0.05%, 0.54%

LAB 58.22, -6.15, 3.29

 

CMYK 50 / 0 / 75 / 14

HEX #6EDB37

RGB 110 219 55

HSL 99.88, 0.69%, 0.54%

LAB 78.61, -58.34, 66.24

 

CMYK 70 / 0 / 75 / 14

HEX #42DB37

RGB 66 219 55

HSL 115.98, 0.69%, 0.54%

LAB 77.34, -68.57, 64.56

 

CMYK 75 / 0 / 60 / 14

HEX #37DB58

RGB 55 219 88

HSL 132.07, 0.69%, 0.54%

LAB 77.39, -67.22, 51.67

 

CMYK 75 / 0 / 40 / 14

HEX #37DB84

RGB 55 219 132

HSL 148.17, 0.69%, 0.54%

LAB 77.96, -60.55, 31.21

 

CMYK 75 / 0 / 20 / 14

HEX #37DBB0

RGB 55 219 176

HSL 164.27, 0.69%, 0.54%

LAB 78.82, -51.18, 9.4

 

CMYK 83 / 0 / 65 / 36

HEX #1CA339

RGB 28 163 57

HSL 132.89, 0.71%, 0.37%

LAB 58.73, -56.09, 44.12

 

CMYK 82 / 0 / 65 / 22

HEX #23C746

RGB 35 199 70

HSL 132.8, 0.7%, 0.46%

LAB 70.63, -65.37, 51.74

 

CMYK 75 / 0 / 59 / 14

HEX #37DB5A

RGB 55 219 90

HSL 132.8, 0.69%, 0.54%

LAB 77.41, -66.98, 50.81

 

CMYK 60 / 0 / 47 / 12

HEX #5AE177

RGB 90 225 119

HSL 132.89, 0.69%, 0.62%

LAB 80.38, -58.86, 40.98

 

CMYK 46 / 0 / 36 / 9

HEX #7DE894

RGB 125 232 148

HSL 132.9, 0.7%, 0.7%

LAB 84.08, -48.54, 31.53

 

CMYK 74 / 0 / 58 / 14

HEX #39DC5C

RGB 57 220 92

HSL 132.88, 0.7%, 0.54%

LAB 77.77, -66.77, 50.35

 

CMYK 75 / 30 / 0 / 14

HEX #379ADB

RGB 55 154 219

HSL 203.78, 0.69%, 0.54%

LAB 60.82, -6.87, -41.2

 

CMYK 0 / 75 / 60 / 14

HEX #DB3758

RGB 219 55 88

HSL 347.93, 0.69%, 0.54%

LAB 50.09, 64.18, 20.53

 

CMYK 74 / 0 / 58 / 14

HEX #39DC5C

RGB 57 220 92

HSL 132.88, 0.7%, 0.54%

LAB 77.77, -66.77, 50.35

 

CMYK 60 / 75 / 0 / 14

HEX #5837DB

RGB 88 55 219

HSL 252.07, 0.69%, 0.54%

LAB 37.7, 56.6, -78.34

 

CMYK 0 / 60 / 75 / 14

HEX #DB5837

RGB 219 88 55

HSL 12.07, 0.69%, 0.54%

LAB 54.36, 49.53, 44.53

 

CMYK 74 / 0 / 58 / 14

HEX #39DC5C

RGB 57 220 92

HSL 132.88, 0.7%, 0.54%

LAB 77.77, -66.77, 50.35

 

CMYK 75 / 30 / 0 / 14

HEX #379ADB

RGB 55 154 219

HSL 203.78, 0.69%, 0.54%

LAB 60.82, -6.87, -41.2

 

CMYK 0 / 75 / 15 / 14

HEX #DB37BA

RGB 219 55 186

HSL 312.07, 0.69%, 0.54%

LAB 53.32, 74.17, -33.22

 

CMYK 0 / 45 / 75 / 14

HEX #DB7937

RGB 219 121 55

HSL 24.15, 0.69%, 0.54%

LAB 60.79, 33.23, 51.23

 

CMYK 74 / 0 / 58 / 14

HEX #39DC5C

RGB 57 220 92

HSL 132.88, 0.7%, 0.54%

LAB 77.77, -66.77, 50.35

 

CMYK 75 / 53 / 0 / 14

HEX #3768DB

RGB 55 104 219

HSL 222.07, 0.69%, 0.54%

LAB 46.75, 23.48, -63.65

 

CMYK 0 / 75 / 15 / 14

HEX #DB37BA

RGB 219 55 186

HSL 312.07, 0.69%, 0.54%

LAB 53.32, 74.17, -33.22

 

CMYK 0 / 22 / 75 / 14

HEX #DBAA37

RGB 219 170 55

HSL 42.07, 0.69%, 0.54%

LAB 72.29, 7.06, 62.62

 

Description

Color code: HEX #39DC5C | qconv.com Color code: HEX #39DC5C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 220 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 220 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 58 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 58% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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