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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39D540 it is the complementary color #C62ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39D540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39D540 shade: #3ED53B, #4FE74E, #60F961, #71FF74 and #82FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39D540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39D540 shade: #39D540, #28C32D, #17B11A, #069F07 and #008D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39D540 shade: #39D540, #5CD539, #86D539, #B0D539 and #D5CF39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39D540 shade: #39D540, #39D56A, #39D594, #39D5BE and #39C1D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39D540 shade matches the following richer shades: #39D540, #25E82E and #12FB1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39D540 shade: #39D540, #4CC151, #60AE63, #739A75 and #868786

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39D540 shade: #87D539, #5DD539, #39D53E, #39D567 and #39D591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39D540 shade: #209A26, #28BC2E, #39D540, #5BDC61 and #7DE381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39D540 shade: #39D540, #39B0D5 and #D53972

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39D540 shade: #39D540, #3E39D5 and #D53E39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39D540 shade: #39D540, #39B0D5, #D539CF and #D55D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39D540 shade: #39D540, #3981D5, #D539CF and #D58C39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

Complementary color

CMYK 0 / 79 / 4 / 22

HEX #C62ABF

RGB 198 42 191

HSL 302.69, 0.65%, 0.47%

LAB 48.79, 74, -43.5

 

CMYK 71 / 0 / 72 / 16

HEX #3ED53B

RGB 62 213 59

HSL 118.83, 0.65%, 0.53%

LAB 75.41, -67.06, 61.23

 

CMYK 66 / 0 / 66 / 9

HEX #4FE74E

RGB 79 231 78

HSL 119.61, 0.76%, 0.61%

LAB 81.49, -68.18, 60.57

 

CMYK 61 / 0 / 61 / 2

HEX #60F961

RGB 96 249 97

HSL 120.39, 0.93%, 0.68%

LAB 87.53, -68.92, 59.6

 

CMYK 56 / 0 / 55 / 0

HEX #71FF74

RGB 113 255 116

HSL 121.27, 1%, 0.72%

LAB 89.99, -65.1, 54.31

 

CMYK 49 / 0 / 47 / 0

HEX #82FF87

RGB 130 255 135

HSL 122.4, 1%, 0.75%

LAB 90.79, -58.45, 46.62

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 79 / 0 / 77 / 24

HEX #28C32D

RGB 40 195 45

HSL 121.94, 0.66%, 0.46%

LAB 69.23, -65.77, 59.71

 

CMYK 87 / 0 / 85 / 31

HEX #17B11A

RGB 23 177 26

HSL 121.17, 0.77%, 0.39%

LAB 63.1, -63.35, 59.27

 

CMYK 96 / 0 / 96 / 38

HEX #069F07

RGB 6 159 7

HSL 120.39, 0.93%, 0.32%

LAB 56.93, -60, 57.43

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 57 / 0 / 73 / 16

HEX #5CD539

RGB 92 213 57

HSL 106.54, 0.65%, 0.53%

LAB 76.17, -60.87, 62.95

 

CMYK 37 / 0 / 73 / 16

HEX #86D539

RGB 134 213 57

HSL 90.38, 0.65%, 0.53%

LAB 77.85, -48.31, 65.17

 

CMYK 17 / 0 / 73 / 16

HEX #B0D539

RGB 176 213 57

HSL 74.23, 0.65%, 0.53%

LAB 80.24, -32.69, 68.33

 

CMYK 0 / 3 / 73 / 16

HEX #D5CF39

RGB 213 207 57

HSL 57.69, 0.65%, 0.53%

LAB 81.33, -14.57, 70.32

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 73 / 0 / 50 / 16

HEX #39D56A

RGB 57 213 106

HSL 138.85, 0.65%, 0.53%

LAB 75.76, -62.5, 41.37

 

CMYK 73 / 0 / 31 / 16

HEX #39D594

RGB 57 213 148

HSL 155, 0.65%, 0.53%

LAB 76.43, -54.89, 20.87

 

CMYK 73 / 0 / 11 / 16

HEX #39D5BE

RGB 57 213 190

HSL 171.15, 0.65%, 0.53%

LAB 77.39, -44.91, -0.13

 

CMYK 73 / 9 / 0 / 16

HEX #39C1D5

RGB 57 193 213

HSL 187.69, 0.65%, 0.53%

LAB 72.1, -29.16, -20.45

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 84 / 0 / 80 / 9

HEX #25E82E

RGB 37 232 46

HSL 122.77, 0.81%, 0.53%

LAB 80.91, -76.85, 70.53

 

CMYK 93 / 0 / 89 / 2

HEX #12FB1C

RGB 18 251 28

HSL 122.58, 0.97%, 0.53%

LAB 86.61, -84.04, 79.41

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 61 / 0 / 58 / 24

HEX #4CC151

RGB 76 193 81

HSL 122.56, 0.49%, 0.53%

LAB 69.66, -55.25, 45.99

 

CMYK 45 / 0 / 43 / 32

HEX #60AE63

RGB 96 174 99

HSL 122.31, 0.33%, 0.53%

LAB 64.69, -39.83, 31.15

 

CMYK 25 / 0 / 24 / 40

HEX #739A75

RGB 115 154 117

HSL 123.08, 0.16%, 0.53%

LAB 59.93, -21.03, 15.19

 

CMYK 1 / 0 / 1 / 47

HEX #868786

RGB 134 135 134

HSL 120, 0%, 0.53%

LAB 56.21, -0.56, 0.4

 

CMYK 37 / 0 / 73 / 16

HEX #87D539

RGB 135 213 57

HSL 90, 0.65%, 0.53%

LAB 77.9, -47.97, 65.24

 

CMYK 56 / 0 / 73 / 16

HEX #5DD539

RGB 93 213 57

HSL 106.15, 0.65%, 0.53%

LAB 76.2, -60.62, 62.99

 

CMYK 73 / 0 / 71 / 16

HEX #39D53E

RGB 57 213 62

HSL 121.92, 0.65%, 0.53%

LAB 75.33, -67.64, 60.03

 

CMYK 73 / 0 / 52 / 16

HEX #39D567

RGB 57 213 103

HSL 137.69, 0.65%, 0.53%

LAB 75.72, -62.94, 42.77

 

CMYK 73 / 0 / 32 / 16

HEX #39D591

RGB 57 213 145

HSL 153.85, 0.65%, 0.53%

LAB 76.38, -55.52, 22.37

 

CMYK 79 / 0 / 75 / 40

HEX #209A26

RGB 32 154 38

HSL 122.95, 0.66%, 0.36%

LAB 55.64, -54.53, 48.61

 

CMYK 79 / 0 / 76 / 26

HEX #28BC2E

RGB 40 188 46

HSL 122.43, 0.65%, 0.45%

LAB 66.99, -63.56, 57.16

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 59 / 0 / 56 / 14

HEX #5BDC61

RGB 91 220 97

HSL 122.79, 0.65%, 0.61%

LAB 78.62, -59.78, 49.27

 

CMYK 45 / 0 / 43 / 11

HEX #7DE381

RGB 125 227 129

HSL 122.35, 0.65%, 0.69%

LAB 82.32, -49.43, 38.77

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 73 / 17 / 0 / 16

HEX #39B0D5

RGB 57 176 213

HSL 194.23, 0.65%, 0.53%

LAB 67.07, -20.59, -28.15

 

CMYK 0 / 73 / 46 / 16

HEX #D53972

RGB 213 57 114

HSL 338.08, 0.65%, 0.53%

LAB 49.84, 63.82, 4.23

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 71 / 73 / 0 / 16

HEX #3E39D5

RGB 62 57 213

HSL 241.92, 0.65%, 0.53%

LAB 35.51, 50.92, -78.58

 

CMYK 0 / 71 / 73 / 16

HEX #D53E39

RGB 213 62 57

HSL 1.92, 0.65%, 0.53%

LAB 49.36, 58.34, 37.66

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 73 / 17 / 0 / 16

HEX #39B0D5

RGB 57 176 213

HSL 194.23, 0.65%, 0.53%

LAB 67.07, -20.59, -28.15

 

CMYK 0 / 73 / 3 / 16

HEX #D539CF

RGB 213 57 207

HSL 302.31, 0.65%, 0.53%

LAB 53.58, 75.32, -44.99

 

CMYK 0 / 56 / 73 / 16

HEX #D55D39

RGB 213 93 57

HSL 13.85, 0.65%, 0.53%

LAB 54.31, 45.1, 43.15

 

CMYK 73 / 0 / 70 / 16

HEX #39D540

RGB 57 213 64

HSL 122.69, 0.65%, 0.53%

LAB 75.34, -67.47, 59.3

 

CMYK 73 / 39 / 0 / 16

HEX #3981D5

RGB 57 129 213

HSL 212.31, 0.65%, 0.53%

LAB 53.36, 5.93, -49.63

 

CMYK 0 / 73 / 3 / 16

HEX #D539CF

RGB 213 57 207

HSL 302.31, 0.65%, 0.53%

LAB 53.58, 75.32, -44.99

 

CMYK 0 / 34 / 73 / 16

HEX #D58C39

RGB 213 140 57

HSL 31.92, 0.65%, 0.53%

LAB 64.32, 20.7, 53.69

 

Description

Color code: HEX #39D540 | qconv.com Color code: HEX #39D540 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 213 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 213 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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