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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39BB7D it is the complementary color #C64482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39BB7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39BB7D shade: #3EBB78, #4FCD8B, #60DF9E, #71F1B1 and #82FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39BB7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39BB7D shade: #39BB7D, #28A96A, #179757, #068544 and #007331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39BB7D shade: #39BB7D, #39BB5A, #3BBB39, #5EBB39 and #81BB39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39BB7D shade: #39BB7D, #39BBA0, #39B3BB, #3990BB and #396DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39BB7D shade matches the following richer shades: #39BB7D, #25CF7E and #11E27F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39BB7D shade: #39BB7D, #4DA77C, #61937B, #747F7A and #886C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39BB7D shade: #3BBB39, #39BB59, #39BB7C, #39BB9F and #39B4BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39BB7D shade: #267C53, #2F9B68, #39BB7D, #53CA91 and #73D4A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39BB7D shade: #39BB7D, #395EBB and #BB4839

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39BB7D shade: #39BB7D, #7C39BB and #BB7C39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39BB7D shade: #39BB7D, #395EBB, #BB3978 and #BB9639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39BB7D shade: #39BB7D, #3B39BB, #BB3978 and #B9BB39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

Complementary color

CMYK 0 / 66 / 34 / 22

HEX #C64482

RGB 198 68 130

HSL 331.38, 0.53%, 0.52%

LAB 49.19, 57.08, -6.7

 

CMYK 67 / 0 / 36 / 27

HEX #3EBB78

RGB 62 187 120

HSL 147.84, 0.5%, 0.49%

LAB 67.96, -49.67, 24.17

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8B

RGB 79 205 139

HSL 148.57, 0.56%, 0.56%

LAB 74.31, -49.91, 22.78

 

CMYK 57 / 0 / 29 / 13

HEX #60DF9E

RGB 96 223 158

HSL 149.29, 0.66%, 0.63%

LAB 80.59, -49.99, 21.5

 

CMYK 53 / 0 / 27 / 5

HEX #71F1B1

RGB 113 241 177

HSL 150, 0.82%, 0.69%

LAB 86.8, -49.96, 20.32

 

CMYK 49 / 0 / 23 / 0

HEX #82FFC4

RGB 130 255 196

HSL 151.68, 1%, 0.75%

LAB 91.8, -48.17, 17.61

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 76 / 0 / 37 / 34

HEX #28A96A

RGB 40 169 106

HSL 150.7, 0.62%, 0.41%

LAB 61.54, -48.89, 22.98

 

CMYK 85 / 0 / 42 / 41

HEX #179757

RGB 23 151 87

HSL 150, 0.74%, 0.34%

LAB 55.08, -47.82, 24.66

 

CMYK 95 / 0 / 49 / 48

HEX #068544

RGB 6 133 68

HSL 149.29, 0.91%, 0.27%

LAB 48.55, -46.14, 26.51

 

CMYK 100 / 0 / 57 / 55

HEX #007331

RGB 0 115 49

HSL 145.57, 1%, 0.23%

LAB 41.97, -43.5, 28.51

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 70 / 0 / 52 / 27

HEX #39BB5A

RGB 57 187 90

HSL 135.23, 0.53%, 0.48%

LAB 67.39, -55.71, 38.85

 

CMYK 68 / 0 / 70 / 27

HEX #3BBB39

RGB 59 187 57

HSL 119.08, 0.53%, 0.48%

LAB 67.1, -59.26, 53.35

 

CMYK 50 / 0 / 70 / 27

HEX #5EBB39

RGB 94 187 57

HSL 102.92, 0.53%, 0.48%

LAB 68.18, -50.7, 54.82

 

CMYK 31 / 0 / 70 / 27

HEX #81BB39

RGB 129 187 57

HSL 86.77, 0.53%, 0.48%

LAB 69.83, -38.99, 57.04

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 70 / 0 / 14 / 27

HEX #39BBA0

RGB 57 187 160

HSL 167.54, 0.53%, 0.48%

LAB 68.71, -41.39, 3.52

 

CMYK 70 / 4 / 0 / 27

HEX #39B3BB

RGB 57 179 187

HSL 183.69, 0.53%, 0.48%

LAB 67.05, -30.2, -13.83

 

CMYK 70 / 23 / 0 / 27

HEX #3990BB

RGB 57 144 187

HSL 199.85, 0.53%, 0.48%

LAB 56.49, -11.97, -29.97

 

CMYK 70 / 42 / 0 / 27

HEX #396DBB

RGB 57 109 187

HSL 216, 0.53%, 0.48%

LAB 46.17, 8.82, -46.22

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 82 / 0 / 39 / 19

HEX #25CF7E

RGB 37 207 126

HSL 151.41, 0.7%, 0.48%

LAB 73.89, -59.4, 28.85

 

CMYK 92 / 0 / 44 / 11

HEX #11E27F

RGB 17 226 127

HSL 151.58, 0.86%, 0.48%

LAB 79.64, -67.11, 35.85

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 54 / 0 / 26 / 35

HEX #4DA77C

RGB 77 167 124

HSL 151.33, 0.37%, 0.48%

LAB 62.23, -37.25, 14.22

 

CMYK 34 / 0 / 16 / 42

HEX #61937B

RGB 97 147 123

HSL 151.2, 0.2%, 0.48%

LAB 56.92, -22.26, 7.42

 

CMYK 9 / 0 / 4 / 50

HEX #747F7A

RGB 116 127 122

HSL 152.73, 0.05%, 0.48%

LAB 52.17, -5.1, 1.32

 

CMYK 0 / 21 / 11 / 47

HEX #886C79

RGB 136 108 121

HSL 332.14, 0.11%, 0.48%

LAB 48.69, 13.37, -2.98

 

CMYK 68 / 0 / 70 / 27

HEX #3BBB39

RGB 59 187 57

HSL 119.08, 0.53%, 0.48%

LAB 67.1, -59.26, 53.35

 

CMYK 70 / 0 / 52 / 27

HEX #39BB59

RGB 57 187 89

HSL 134.77, 0.53%, 0.48%

LAB 67.38, -55.86, 39.33

 

CMYK 70 / 0 / 34 / 27

HEX #39BB7C

RGB 57 187 124

HSL 150.92, 0.53%, 0.48%

LAB 67.92, -49.72, 21.96

 

CMYK 70 / 0 / 15 / 27

HEX #39BB9F

RGB 57 187 159

HSL 167.08, 0.53%, 0.48%

LAB 68.69, -41.65, 4.03

 

CMYK 70 / 4 / 0 / 27

HEX #39B4BB

RGB 57 180 187

HSL 183.23, 0.53%, 0.48%

LAB 67.35, -30.68, -13.37

 

CMYK 69 / 0 / 33 / 51

HEX #267C53

RGB 38 124 83

HSL 151.4, 0.53%, 0.32%

LAB 46.25, -35.71, 15.14

 

CMYK 70 / 0 / 33 / 39

HEX #2F9B68

RGB 47 155 104

HSL 151.67, 0.53%, 0.4%

LAB 57.12, -42.64, 18.12

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 59 / 0 / 28 / 21

HEX #53CA91

RGB 83 202 145

HSL 151.26, 0.53%, 0.56%

LAB 73.63, -46.65, 18.68

 

CMYK 46 / 0 / 22 / 17

HEX #73D4A5

RGB 115 212 165

HSL 150.93, 0.53%, 0.64%

LAB 78.14, -39.36, 14.51

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 70 / 50 / 0 / 27

HEX #395EBB

RGB 57 94 187

HSL 222.92, 0.53%, 0.48%

LAB 41.94, 18.39, -52.99

 

CMYK 0 / 61 / 70 / 27

HEX #BB4839

RGB 187 72 57

HSL 6.92, 0.53%, 0.48%

LAB 46.3, 45.48, 32.95

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 34 / 70 / 0 / 27

HEX #7C39BB

RGB 124 57 187

HSL 270.92, 0.53%, 0.48%

LAB 39.24, 52.94, -57.09

 

CMYK 0 / 34 / 70 / 27

HEX #BB7C39

RGB 187 124 57

HSL 30.92, 0.53%, 0.48%

LAB 57.34, 18.29, 45.39

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 70 / 50 / 0 / 27

HEX #395EBB

RGB 57 94 187

HSL 222.92, 0.53%, 0.48%

LAB 41.94, 18.39, -52.99

 

CMYK 0 / 70 / 36 / 27

HEX #BB3978

RGB 187 57 120

HSL 330.92, 0.53%, 0.48%

LAB 45.42, 57.07, -6.44

 

CMYK 0 / 20 / 70 / 27

HEX #BB9639

RGB 187 150 57

HSL 42.92, 0.53%, 0.48%

LAB 63.9, 3.96, 52.33

 

CMYK 70 / 0 / 33 / 27

HEX #39BB7D

RGB 57 187 125

HSL 151.38, 0.53%, 0.48%

LAB 67.94, -49.52, 21.45

 

CMYK 68 / 70 / 0 / 27

HEX #3B39BB

RGB 59 57 187

HSL 240.92, 0.53%, 0.48%

LAB 32.8, 42.14, -67.88

 

CMYK 0 / 70 / 36 / 27

HEX #BB3978

RGB 187 57 120

HSL 330.92, 0.53%, 0.48%

LAB 45.42, 57.07, -6.44

 

CMYK 1 / 0 / 70 / 27

HEX #B9BB39

RGB 185 187 57

HSL 60.92, 0.53%, 0.48%

LAB 73.64, -16.39, 62.12

 

Description

Color code: HEX #39BB7D | qconv.com Color code: HEX #39BB7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 187 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 187 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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