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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B2C5 it is the complementary color #C64D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B2C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B2C5 shade: #3EB2C0, #4FC4D3, #60D6E6, #71E8F9 and #82FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B2C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B2C5 shade: #39B2C5, #28A0B2, #178E9F, #067C8C and #006A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B2C5 shade: #39B2C5, #398CC5, #3966C5, #3941C5 and #5739C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B2C5 shade: #39B2C5, #398CC5, #3966C5, #3941C5 and #3939C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B2C5 shade matches the following richer shades: #39B2C5, #24C1DA and #10D0EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B2C5 shade: #39B2C5, #4EA3B0, #62949C, #778587 and #8B7673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B2C5 shade: #39C58D, #39C5B2, #39B2C5, #398DC5 and #3968C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B2C5 shade: #267885, #3095A5, #39B2C5, #59BECE and #79CBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B2C5 shade: #39B2C5, #6839C5 and #C5A039

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B2C5 shade: #39B2C5, #C539B2 and #B2C539

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B2C5 shade: #39B2C5, #6839C5, #C54C39 and #96C539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B2C5 shade: #39B2C5, #9239C5, #C54C39 and #6CC539

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

Complementary color

CMYK 0 / 61 / 71 / 22

HEX #C64D3A

RGB 198 77 58

HSL 8.14, 0.55%, 0.5%

LAB 49.03, 47.18, 36.03

 

CMYK 68 / 7 / 0 / 25

HEX #3EB2C0

RGB 62 178 192

HSL 186.46, 0.51%, 0.5%

LAB 67.03, -27.5, -16.61

 

CMYK 63 / 7 / 0 / 17

HEX #4FC4D3

RGB 79 196 211

HSL 186.82, 0.6%, 0.57%

LAB 73.45, -28.11, -17.28

 

CMYK 58 / 7 / 0 / 10

HEX #60D6E6

RGB 96 214 230

HSL 187.16, 0.73%, 0.64%

LAB 79.78, -28.55, -17.89

 

CMYK 55 / 7 / 0 / 2

HEX #71E8F9

RGB 113 232 249

HSL 187.5, 0.92%, 0.71%

LAB 86.04, -28.88, -18.46

 

CMYK 49 / 2 / 0 / 0

HEX #82FAFF

RGB 130 250 255

HSL 182.4, 1%, 0.75%

LAB 91.84, -32.48, -12.84

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 78 / 10 / 0 / 30

HEX #28A0B2

RGB 40 160 178

HSL 187.83, 0.63%, 0.43%

LAB 60.61, -25.65, -18.58

 

CMYK 86 / 11 / 0 / 38

HEX #178E9F

RGB 23 142 159

HSL 187.5, 0.75%, 0.36%

LAB 54.06, -24.28, -17.75

 

CMYK 96 / 11 / 0 / 45

HEX #067C8C

RGB 6 124 140

HSL 187.16, 0.92%, 0.29%

LAB 47.43, -22.45, -16.81

 

CMYK 100 / 12 / 0 / 53

HEX #006A79

RGB 0 106 121

HSL 187.44, 1%, 0.24%

LAB 40.72, -19.95, -15.7

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 71 / 29 / 0 / 23

HEX #398CC5

RGB 57 140 197

HSL 204.43, 0.55%, 0.5%

LAB 55.74, -6.28, -36.81

 

CMYK 71 / 48 / 0 / 23

HEX #3966C5

RGB 57 102 197

HSL 220.71, 0.55%, 0.5%

LAB 44.81, 16.92, -54.18

 

CMYK 71 / 67 / 0 / 23

HEX #3941C5

RGB 57 65 197

HSL 236.57, 0.55%, 0.5%

LAB 35.36, 40.48, -69.54

 

CMYK 56 / 71 / 0 / 23

HEX #5739C5

RGB 87 57 197

HSL 252.86, 0.55%, 0.5%

LAB 35.95, 49.07, -68.48

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 71 / 29 / 0 / 23

HEX #398CC5

RGB 57 140 197

HSL 204.43, 0.55%, 0.5%

LAB 55.74, -6.28, -36.81

 

CMYK 71 / 48 / 0 / 23

HEX #3966C5

RGB 57 102 197

HSL 220.71, 0.55%, 0.5%

LAB 44.81, 16.92, -54.18

 

CMYK 71 / 67 / 0 / 23

HEX #3941C5

RGB 57 65 197

HSL 236.57, 0.55%, 0.5%

LAB 35.36, 40.48, -69.54

 

CMYK 71 / 71 / 0 / 23

HEX #3939C5

RGB 57 57 197

HSL 240, 0.55%, 0.5%

LAB 33.62, 45.23, -72.4

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 83 / 11 / 0 / 15

HEX #24C1DA

RGB 36 193 218

HSL 188.24, 0.72%, 0.5%

LAB 71.94, -29.61, -23.44

 

CMYK 93 / 13 / 0 / 7

HEX #10D0EE

RGB 16 208 238

HSL 188.11, 0.87%, 0.5%

LAB 76.92, -31.51, -26.65

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 56 / 7 / 0 / 31

HEX #4EA3B0

RGB 78 163 176

HSL 187.96, 0.39%, 0.5%

LAB 62.46, -21.85, -14.55

 

CMYK 37 / 5 / 0 / 39

HEX #62949C

RGB 98 148 156

HSL 188.28, 0.23%, 0.5%

LAB 58.2, -14.59, -9.54

 

CMYK 12 / 1 / 0 / 47

HEX #778587

RGB 119 133 135

HSL 187.5, 0.06%, 0.5%

LAB 54.5, -4.66, -2.82

 

CMYK 0 / 15 / 17 / 45

HEX #8B7673

RGB 139 118 115

HSL 7.5, 0.09%, 0.5%

LAB 51.48, 7.63, 4.67

 

CMYK 71 / 0 / 28 / 23

HEX #39C58D

RGB 57 197 141

HSL 156, 0.55%, 0.5%

LAB 71.37, -50.1, 17.59

 

CMYK 71 / 0 / 10 / 23

HEX #39C5B2

RGB 57 197 178

HSL 171.86, 0.55%, 0.5%

LAB 72.24, -41.09, -1.18

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 71 / 28 / 0 / 23

HEX #398DC5

RGB 57 141 197

HSL 204, 0.55%, 0.5%

LAB 56.04, -6.85, -36.34

 

CMYK 71 / 47 / 0 / 23

HEX #3968C5

RGB 57 104 197

HSL 219.86, 0.55%, 0.5%

LAB 45.36, 15.64, -53.29

 

CMYK 71 / 10 / 0 / 48

HEX #267885

RGB 38 120 133

HSL 188.21, 0.56%, 0.34%

LAB 46.36, -19.73, -14.24

 

CMYK 71 / 10 / 0 / 35

HEX #3095A5

RGB 48 149 165

HSL 188.21, 0.55%, 0.42%

LAB 56.92, -23.2, -16.8

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 57 / 8 / 0 / 19

HEX #59BECE

RGB 89 190 206

HSL 188.21, 0.54%, 0.58%

LAB 71.83, -24.78, -16.97

 

CMYK 44 / 6 / 0 / 15

HEX #79CBD8

RGB 121 203 216

HSL 188.21, 0.55%, 0.66%

LAB 77.12, -21.65, -14.3

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 47 / 71 / 0 / 23

HEX #6839C5

RGB 104 57 197

HSL 260.14, 0.55%, 0.5%

LAB 37.66, 51.78, -65.62

 

CMYK 0 / 19 / 71 / 23

HEX #C5A039

RGB 197 160 57

HSL 44.14, 0.55%, 0.5%

LAB 67.51, 2.94, 56.35

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 0 / 71 / 10 / 23

HEX #C539B2

RGB 197 57 178

HSL 308.14, 0.55%, 0.5%

LAB 49.51, 67.36, -34.78

 

CMYK 10 / 0 / 71 / 23

HEX #B2C539

RGB 178 197 57

HSL 68.14, 0.55%, 0.5%

LAB 75.88, -24.28, 64.14

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 47 / 71 / 0 / 23

HEX #6839C5

RGB 104 57 197

HSL 260.14, 0.55%, 0.5%

LAB 37.66, 51.78, -65.62

 

CMYK 0 / 61 / 71 / 23

HEX #C54C39

RGB 197 76 57

HSL 8.14, 0.55%, 0.5%

LAB 48.68, 47.23, 36.14

 

CMYK 24 / 0 / 71 / 23

HEX #96C539

RGB 150 197 57

HSL 80.14, 0.55%, 0.5%

LAB 74.01, -35.53, 61.66

 

CMYK 71 / 10 / 0 / 23

HEX #39B2C5

RGB 57 178 197

HSL 188.14, 0.55%, 0.5%

LAB 67.08, -26.67, -19.3

 

CMYK 26 / 71 / 0 / 23

HEX #9239C5

RGB 146 57 197

HSL 278.14, 0.55%, 0.5%

LAB 42.87, 59.62, -56.93

 

CMYK 0 / 61 / 71 / 23

HEX #C54C39

RGB 197 76 57

HSL 8.14, 0.55%, 0.5%

LAB 48.68, 47.23, 36.14

 

CMYK 45 / 0 / 71 / 23

HEX #6CC539

RGB 108 197 57

HSL 98.14, 0.55%, 0.5%

LAB 71.84, -50.37, 58.77

 

Description

Color code: HEX #39B2C5 | qconv.com Color code: HEX #39B2C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 178 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 178 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 10 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 10% 0% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - noteCloud
Link: http://ncloud.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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