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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #399052 it is the complementary color #C66FAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #399052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #399052 shade: #3E904D, #4FA260, #60B473, #71C686 and #82D899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #399052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #399052 shade: #399052, #287E3F, #176C2C, #065A19 and #004806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #399052 shade: #388E51, #388E3A, #4E8E38, #658E38 and #7C8E38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #399052 shade: #388E51, #388E68, #388E7F, #38858E and #386E8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #399052 shade matches the following richer shades: #388E51, #289E4A, #18AE43 and #08BE3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #399052 shade: #388E51, #487E58, #586E5E, #685D65 and #794D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #399052 shade: #4E8E38, #388E3A, #388E50, #388E67 and #388E7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #399052 shade: #21532F, #2C7040, #388E51, #44AB62 and #5BBD77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #399052 shade: #399052, #38648E and #8E3842

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #399052 shade: #399052, #50388E and #8E5038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #399052 shade: #399052, #38648E, #8E3875 and #8E6238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #399052 shade: #399052, #384B8E, #8E3875 and #8E7B38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 43 / 44

HEX #399052

RGB 57 144 82

HSL 137.24, 0.43%, 0.39%

LAB 53.41, -40.37, 25.35

 

Complementary color

CMYK 0 / 44 / 13 / 22

HEX #C66FAD

RGB 198 111 173

HSL 317.24, 0.43%, 0.61%

LAB 58.41, 42.76, -18.11

 

CMYK 57 / 0 / 47 / 44

HEX #3E904D

RGB 62 144 77

HSL 130.98, 0.4%, 0.4%

LAB 53.5, -39.99, 28.2

 

CMYK 51 / 0 / 41 / 36

HEX #4FA260

RGB 79 162 96

HSL 132.29, 0.34%, 0.47%

LAB 60.2, -39.97, 26.78

 

CMYK 47 / 0 / 36 / 29

HEX #60B473

RGB 96 180 115

HSL 133.57, 0.36%, 0.54%

LAB 66.8, -39.82, 25.47

 

CMYK 43 / 0 / 32 / 22

HEX #71C686

RGB 113 198 134

HSL 134.82, 0.43%, 0.61%

LAB 73.3, -39.6, 24.24

 

CMYK 40 / 0 / 29 / 15

HEX #82D899

RGB 130 216 153

HSL 136.05, 0.52%, 0.68%

LAB 79.7, -39.35, 23.1

 

CMYK 60 / 0 / 43 / 44

HEX #399052

RGB 57 144 82

HSL 137.24, 0.43%, 0.39%

LAB 53.41, -40.37, 25.35

 

CMYK 68 / 0 / 50 / 51

HEX #287E3F

RGB 40 126 63

HSL 136.05, 0.52%, 0.33%

LAB 46.62, -40.07, 26.89

 

CMYK 79 / 0 / 59 / 58

HEX #176C2C

RGB 23 108 44

HSL 134.82, 0.65%, 0.26%

LAB 39.73, -39.26, 28.52

 

CMYK 93 / 0 / 72 / 65

HEX #065A19

RGB 6 90 25

HSL 133.57, 0.88%, 0.19%

LAB 32.75, -37.56, 30.02

 

CMYK 100 / 0 / 92 / 72

HEX #004806

RGB 0 72 6

HSL 125, 1%, 0.14%

LAB 25.71, -34.1, 30.8

 

CMYK 61 / 0 / 43 / 44

HEX #388E51

RGB 56 142 81

HSL 137.44, 0.43%, 0.39%

LAB 52.71, -39.94, 24.97

 

CMYK 61 / 0 / 59 / 44

HEX #388E3A

RGB 56 142 58

HSL 121.4, 0.43%, 0.39%

LAB 52.39, -43.48, 36.58

 

CMYK 45 / 0 / 61 / 44

HEX #4E8E38

RGB 78 142 56

HSL 104.65, 0.43%, 0.39%

LAB 53.22, -37.32, 38.74

 

CMYK 29 / 0 / 61 / 44

HEX #658E38

RGB 101 142 56

HSL 88.6, 0.43%, 0.39%

LAB 54.45, -29, 40.46

 

CMYK 13 / 0 / 61 / 44

HEX #7C8E38

RGB 124 142 56

HSL 72.56, 0.43%, 0.39%

LAB 56, -19.56, 42.63

 

CMYK 61 / 0 / 43 / 44

HEX #388E51

RGB 56 142 81

HSL 137.44, 0.43%, 0.39%

LAB 52.71, -39.94, 24.97

 

CMYK 61 / 0 / 27 / 44

HEX #388E68

RGB 56 142 104

HSL 153.49, 0.43%, 0.39%

LAB 53.15, -35.26, 12.69

 

CMYK 61 / 0 / 11 / 44

HEX #388E7F

RGB 56 142 127

HSL 169.53, 0.43%, 0.39%

LAB 53.73, -29.54, 0.3

 

CMYK 61 / 6 / 0 / 44

HEX #38858E

RGB 56 133 142

HSL 186.28, 0.43%, 0.39%

LAB 51.35, -20.68, -11.95

 

CMYK 61 / 23 / 0 / 44

HEX #386E8E

RGB 56 110 142

HSL 202.33, 0.43%, 0.39%

LAB 44.15, -7.83, -22.93

 

CMYK 61 / 0 / 43 / 44

HEX #388E51

RGB 56 142 81

HSL 137.44, 0.43%, 0.39%

LAB 52.71, -39.94, 24.97

 

CMYK 75 / 0 / 53 / 38

HEX #289E4A

RGB 40 158 74

HSL 137.29, 0.6%, 0.39%

LAB 57.46, -50.48, 34.58

 

CMYK 86 / 0 / 61 / 32

HEX #18AE43

RGB 24 174 67

HSL 137.2, 0.76%, 0.39%

LAB 62.4, -58.86, 43.75

 

CMYK 96 / 0 / 68 / 25

HEX #08BE3C

RGB 8 190 60

HSL 137.14, 0.92%, 0.39%

LAB 67.43, -65.58, 52.31

 

CMYK 61 / 0 / 43 / 44

HEX #388E51

RGB 56 142 81

HSL 137.44, 0.43%, 0.39%

LAB 52.71, -39.94, 24.97

 

CMYK 43 / 0 / 30 / 51

HEX #487E58

RGB 72 126 88

HSL 137.78, 0.27%, 0.39%

LAB 48.27, -26.91, 15.21

 

CMYK 20 / 0 / 15 / 57

HEX #586E5E

RGB 88 110 94

HSL 136.36, 0.11%, 0.39%

LAB 44.28, -11.68, 6.25

 

CMYK 0 / 11 / 3 / 59

HEX #685D65

RGB 104 93 101

HSL 316.36, 0.06%, 0.39%

LAB 40.75, 6.01, -2.95

 

CMYK 0 / 36 / 11 / 53

HEX #794D6C

RGB 121 77 108

HSL 317.73, 0.22%, 0.39%

LAB 38.65, 23.68, -10.23

 

CMYK 45 / 0 / 61 / 44

HEX #4E8E38

RGB 78 142 56

HSL 104.65, 0.43%, 0.39%

LAB 53.22, -37.32, 38.74

 

CMYK 61 / 0 / 59 / 44

HEX #388E3A

RGB 56 142 58

HSL 121.4, 0.43%, 0.39%

LAB 52.39, -43.48, 36.58

 

CMYK 61 / 0 / 44 / 44

HEX #388E50

RGB 56 142 80

HSL 136.74, 0.43%, 0.39%

LAB 52.69, -40.12, 25.5

 

CMYK 61 / 0 / 27 / 44

HEX #388E67

RGB 56 142 103

HSL 152.79, 0.43%, 0.39%

LAB 53.13, -35.49, 13.23

 

CMYK 61 / 0 / 11 / 44

HEX #388E7E

RGB 56 142 126

HSL 168.84, 0.43%, 0.39%

LAB 53.7, -29.81, 0.83

 

CMYK 60 / 0 / 43 / 67

HEX #21532F

RGB 33 83 47

HSL 136.8, 0.43%, 0.23%

LAB 31.15, -25.99, 16.15

 

CMYK 61 / 0 / 43 / 56

HEX #2C7040

RGB 44 112 64

HSL 137.65, 0.44%, 0.31%

LAB 41.99, -33.07, 20.43

 

CMYK 61 / 0 / 43 / 44

HEX #388E51

RGB 56 142 81

HSL 137.44, 0.43%, 0.39%

LAB 52.71, -39.94, 24.97

 

CMYK 60 / 0 / 43 / 33

HEX #44AB62

RGB 68 171 98

HSL 137.48, 0.43%, 0.47%

LAB 62.71, -46.13, 28.91

 

CMYK 52 / 0 / 37 / 26

HEX #5BBD77

RGB 91 189 119

HSL 137.14, 0.43%, 0.55%

LAB 69.43, -44.34, 26.82

 

CMYK 60 / 0 / 43 / 44

HEX #399052

RGB 57 144 82

HSL 137.24, 0.43%, 0.39%

LAB 53.41, -40.37, 25.35

 

CMYK 61 / 30 / 0 / 44

HEX #38648E

RGB 56 100 142

HSL 209.3, 0.43%, 0.39%

LAB 41.07, -1.81, -27.73

 

CMYK 0 / 61 / 54 / 44

HEX #8E3842

RGB 142 56 66

HSL 353.02, 0.43%, 0.39%

LAB 35.93, 37.38, 12.71

 

CMYK 60 / 0 / 43 / 44

HEX #399052

RGB 57 144 82

HSL 137.24, 0.43%, 0.39%

LAB 53.41, -40.37, 25.35

 

CMYK 44 / 61 / 0 / 44

HEX #50388E

RGB 80 56 142

HSL 256.74, 0.43%, 0.39%

LAB 30.61, 31.99, -44.25

 

CMYK 0 / 44 / 61 / 44

HEX #8E5038

RGB 142 80 56

HSL 16.74, 0.43%, 0.39%

LAB 40.85, 23.56, 25.29

 

CMYK 60 / 0 / 43 / 44

HEX #399052

RGB 57 144 82

HSL 137.24, 0.43%, 0.39%

LAB 53.41, -40.37, 25.35

 

CMYK 61 / 30 / 0 / 44

HEX #38648E

RGB 56 100 142

HSL 209.3, 0.43%, 0.39%

LAB 41.07, -1.81, -27.73

 

CMYK 0 / 61 / 18 / 44

HEX #8E3875

RGB 142 56 117

HSL 317.44, 0.43%, 0.39%

LAB 37.6, 43.79, -17.16

 

CMYK 0 / 31 / 61 / 44

HEX #8E6238

RGB 142 98 56

HSL 29.3, 0.43%, 0.39%

LAB 45.32, 13.12, 30.75

 

CMYK 60 / 0 / 43 / 44

HEX #399052

RGB 57 144 82

HSL 137.24, 0.43%, 0.39%

LAB 53.41, -40.37, 25.35

 

CMYK 61 / 47 / 0 / 44

HEX #384B8E

RGB 56 75 142

HSL 226.74, 0.43%, 0.39%

LAB 33.62, 14.28, -39.52

 

CMYK 0 / 61 / 18 / 44

HEX #8E3875

RGB 142 56 117

HSL 317.44, 0.43%, 0.39%

LAB 37.6, 43.79, -17.16

 

CMYK 0 / 13 / 61 / 44

HEX #8E7B38

RGB 142 123 56

HSL 46.74, 0.43%, 0.39%

LAB 52.07, -1.28, 38.62

 

Description

Color code: HEX #399052 | qconv.com Color code: HEX #399052 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 144 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 144 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 43 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 43% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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