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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39809C it is the complementary color #C67F63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39809C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39809C shade: #3E8097, #4F92AA, #60A4BD, #71B6D0 and #82C8E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39809C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39809C shade: #39809C, #286E89, #175C76, #064A63 and #003850

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39809C shade: #39809C, #39659C, #394B9C, #42399C and #5D399C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39809C shade: #39809C, #39659C, #394B9C and #39399C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39809C shade matches the following richer shades: #39809C, #2888AD, #178FBF and #0597D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39809C shade: #39809C, #4B788B, #5C7179, #6D6968 and #7F6257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39809C shade: #399C82, #399C9C, #39829C, #39679C and #394D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39809C shade: #234E60, #2E677E, #39809C, #4599BA and #63A9C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39809C shade: #39809C, #67399C and #9C8F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39809C shade: #39809C, #9C3982 and #829C39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39809C shade: #39809C, #67399C, #9C5439 and #6E9C39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39809C shade: #39809C, #85399C, #9C5439 and #509C39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

Complementary color

CMYK 0 / 36 / 50 / 22

HEX #C67F63

RGB 198 127 99

HSL 16.97, 0.46%, 0.58%

LAB 59.97, 24.44, 26.59

 

CMYK 59 / 15 / 0 / 41

HEX #3E8097

RGB 62 128 151

HSL 195.51, 0.42%, 0.42%

LAB 50.33, -13.97, -18.72

 

CMYK 54 / 14 / 0 / 33

HEX #4F92AA

RGB 79 146 170

HSL 195.82, 0.37%, 0.49%

LAB 57.19, -14.38, -19.14

 

CMYK 49 / 13 / 0 / 26

HEX #60A4BD

RGB 96 164 189

HSL 196.13, 0.41%, 0.56%

LAB 63.93, -14.68, -19.54

 

CMYK 46 / 13 / 0 / 18

HEX #71B6D0

RGB 113 182 208

HSL 196.42, 0.5%, 0.63%

LAB 70.54, -14.89, -19.93

 

CMYK 43 / 12 / 0 / 11

HEX #82C8E3

RGB 130 200 227

HSL 196.7, 0.63%, 0.7%

LAB 77.04, -15.06, -20.3

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 71 / 20 / 0 / 46

HEX #286E89

RGB 40 110 137

HSL 196.7, 0.55%, 0.35%

LAB 43.37, -12.51, -21.2

 

CMYK 81 / 22 / 0 / 54

HEX #175C76

RGB 23 92 118

HSL 196.42, 0.67%, 0.28%

LAB 36.26, -11.28, -20.69

 

CMYK 94 / 25 / 0 / 61

HEX #064A63

RGB 6 74 99

HSL 196.13, 0.89%, 0.21%

LAB 29, -9.45, -20.08

 

CMYK 100 / 30 / 0 / 69

HEX #003850

RGB 0 56 80

HSL 198, 1%, 0.16%

LAB 21.61, -6.54, -19.26

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 63 / 35 / 0 / 39

HEX #39659C

RGB 57 101 156

HSL 213.33, 0.46%, 0.42%

LAB 42.12, 2.68, -34.45

 

CMYK 63 / 52 / 0 / 39

HEX #394B9C

RGB 57 75 156

HSL 229.09, 0.46%, 0.42%

LAB 34.6, 19.51, -46.43

 

CMYK 58 / 63 / 0 / 39

HEX #42399C

RGB 66 57 156

HSL 245.45, 0.46%, 0.42%

LAB 30.6, 32.86, -52.89

 

CMYK 40 / 63 / 0 / 39

HEX #5D399C

RGB 93 57 156

HSL 261.82, 0.46%, 0.42%

LAB 33.25, 38.39, -48.47

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 63 / 35 / 0 / 39

HEX #39659C

RGB 57 101 156

HSL 213.33, 0.46%, 0.42%

LAB 42.12, 2.68, -34.45

 

CMYK 63 / 52 / 0 / 39

HEX #394B9C

RGB 57 75 156

HSL 229.09, 0.46%, 0.42%

LAB 34.6, 19.51, -46.43

 

CMYK 63 / 63 / 0 / 39

HEX #39399C

RGB 57 57 156

HSL 240, 0.46%, 0.42%

LAB 29.9, 31.31, -54.06

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 77 / 21 / 0 / 32

HEX #2888AD

RGB 40 136 173

HSL 196.69, 0.62%, 0.42%

LAB 53.03, -14.62, -27.36

 

CMYK 88 / 25 / 0 / 25

HEX #178FBF

RGB 23 143 191

HSL 197.14, 0.79%, 0.42%

LAB 55.67, -13.64, -33.56

 

CMYK 98 / 27 / 0 / 18

HEX #0597D0

RGB 5 151 208

HSL 196.85, 0.95%, 0.42%

LAB 58.71, -12.67, -38.41

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 46 / 14 / 0 / 45

HEX #4B788B

RGB 75 120 139

HSL 197.81, 0.3%, 0.42%

LAB 48, -10.06, -15.18

 

CMYK 24 / 7 / 0 / 53

HEX #5C7179

RGB 92 113 121

HSL 196.55, 0.14%, 0.42%

LAB 46.27, -5.78, -6.99

 

CMYK 0 / 4 / 5 / 57

HEX #6D6968

RGB 109 105 104

HSL 12, 0.02%, 0.42%

LAB 44.74, 1.36, 1.11

 

CMYK 0 / 23 / 31 / 50

HEX #7F6257

RGB 127 98 87

HSL 16.5, 0.19%, 0.42%

LAB 44.14, 10.01, 10.76

 

CMYK 63 / 0 / 17 / 39

HEX #399C82

RGB 57 156 130

HSL 164.24, 0.46%, 0.42%

LAB 58.28, -35.16, 5.18

 

CMYK 63 / 0 / 0 / 39

HEX #399C9C

RGB 57 156 156

HSL 180, 0.46%, 0.42%

LAB 59.02, -28.07, -8.49

 

CMYK 63 / 17 / 0 / 39

HEX #39829C

RGB 57 130 156

HSL 195.76, 0.46%, 0.42%

LAB 50.96, -14.46, -20.69

 

CMYK 63 / 34 / 0 / 39

HEX #39679C

RGB 57 103 156

HSL 212.12, 0.46%, 0.42%

LAB 42.72, 1.43, -33.5

 

CMYK 63 / 51 / 0 / 39

HEX #394D9C

RGB 57 77 156

HSL 227.88, 0.46%, 0.42%

LAB 35.16, 18.19, -45.54

 

CMYK 64 / 19 / 0 / 62

HEX #234E60

RGB 35 78 96

HSL 197.7, 0.47%, 0.26%

LAB 31, -8.85, -15.01

 

CMYK 63 / 18 / 0 / 51

HEX #2E677E

RGB 46 103 126

HSL 197.25, 0.47%, 0.34%

LAB 40.88, -11.16, -18.4

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 63 / 18 / 0 / 27

HEX #4599BA

RGB 69 153 186

HSL 196.92, 0.46%, 0.5%

LAB 59.52, -15.26, -24.69

 

CMYK 50 / 14 / 0 / 23

HEX #63A9C5

RGB 99 169 197

HSL 197.14, 0.46%, 0.58%

LAB 65.8, -14.37, -21.14

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 34 / 63 / 0 / 39

HEX #67399C

RGB 103 57 156

HSL 267.88, 0.46%, 0.42%

LAB 34.42, 40.68, -46.53

 

CMYK 0 / 8 / 63 / 39

HEX #9C8F39

RGB 156 143 57

HSL 52.12, 0.46%, 0.42%

LAB 58.98, -5.98, 46.2

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 0 / 63 / 17 / 39

HEX #9C3982

RGB 156 57 130

HSL 315.76, 0.46%, 0.42%

LAB 40.58, 49.5, -20.42

 

CMYK 17 / 0 / 63 / 39

HEX #829C39

RGB 130 156 57

HSL 75.76, 0.46%, 0.42%

LAB 60.62, -24.05, 47.36

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 34 / 63 / 0 / 39

HEX #67399C

RGB 103 57 156

HSL 267.88, 0.46%, 0.42%

LAB 34.42, 40.68, -46.53

 

CMYK 0 / 46 / 63 / 39

HEX #9C5439

RGB 156 84 57

HSL 16.36, 0.46%, 0.42%

LAB 43.81, 27.31, 28.79

 

CMYK 29 / 0 / 63 / 39

HEX #6E9C39

RGB 110 156 57

HSL 87.88, 0.46%, 0.42%

LAB 59.33, -32.06, 45.58

 

CMYK 63 / 18 / 0 / 39

HEX #39809C

RGB 57 128 156

HSL 196.97, 0.46%, 0.42%

LAB 50.34, -13.34, -21.63

 

CMYK 15 / 63 / 0 / 39

HEX #85399C

RGB 133 57 156

HSL 286.06, 0.46%, 0.42%

LAB 38.4, 47.99, -39.92

 

CMYK 0 / 46 / 63 / 39

HEX #9C5439

RGB 156 84 57

HSL 16.36, 0.46%, 0.42%

LAB 43.81, 27.31, 28.79

 

CMYK 49 / 0 / 63 / 39

HEX #509C39

RGB 80 156 57

HSL 106.06, 0.46%, 0.42%

LAB 57.83, -42.51, 43.5

 

Description

Color code: HEX #39809C | qconv.com Color code: HEX #39809C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 128 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 128 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 18 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 18% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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