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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397915 it is the complementary color #C686EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397915 shade: #3E7910, #4F8B23, #609D36, #71AF49 and #82C15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397915 shade: #397915, #286702, #175500, #064300 and #003100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397915 shade: #397915, #547915, #6F7915, #796815 and #794D15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397915 shade: #397915, #1E7915, #157927, #157942 and #15795D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397915 shade matches the following richer shades: #397915 and #368409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397915 shade: #397915, #3C6D20, #3F622C, #435638 and #464B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397915 shade: #6F7915, #547915, #3A7915, #1F7915 and #157926

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397915 shade: #183309, #28560F, #397915, #499C1B and #5ABF21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397915 shade: #397915, #157968 and #791562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397915 shade: #397915, #153A79 and #79153A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397915 shade: #397915, #157968, #541579 and #791526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397915 shade: #397915, #156C79, #541579 and #792215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

Complementary color

CMYK 15 / 43 / 0 / 8

HEX #C686EA

RGB 198 134 234

HSL 278.4, 0.7%, 0.72%

LAB 65.75, 42.09, -41.12

 

CMYK 49 / 0 / 87 / 53

HEX #3E7910

RGB 62 121 16

HSL 93.71, 0.77%, 0.27%

LAB 45.27, -36.9, 46.16

 

CMYK 43 / 0 / 75 / 45

HEX #4F8B23

RGB 79 139 35

HSL 94.62, 0.6%, 0.34%

LAB 52.12, -37.59, 46.66

 

CMYK 39 / 0 / 66 / 38

HEX #609D36

RGB 96 157 54

HSL 95.53, 0.49%, 0.41%

LAB 58.85, -37.93, 46.16

 

CMYK 35 / 0 / 58 / 31

HEX #71AF49

RGB 113 175 73

HSL 96.47, 0.41%, 0.49%

LAB 65.48, -38.07, 45.23

 

CMYK 33 / 0 / 52 / 24

HEX #82C15C

RGB 130 193 92

HSL 97.43, 0.45%, 0.56%

LAB 72, -38.09, 44.11

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 61 / 0 / 98 / 60

HEX #286702

RGB 40 103 2

HSL 97.43, 0.96%, 0.21%

LAB 38.12, -37.15, 43.17

 

CMYK 73 / 0 / 100 / 67

HEX #175500

RGB 23 85 0

HSL 103.76, 1%, 0.17%

LAB 31.07, -34.92, 37.92

 

CMYK 91 / 0 / 100 / 74

HEX #064300

RGB 6 67 0

HSL 114.63, 1%, 0.13%

LAB 23.85, -31.84, 31.49

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 31 / 0 / 83 / 53

HEX #547915

RGB 84 121 21

HSL 82.2, 0.7%, 0.28%

LAB 46.46, -28.35, 46.21

 

CMYK 8 / 0 / 83 / 53

HEX #6F7915

RGB 111 121 21

HSL 66, 0.7%, 0.28%

LAB 48.4, -16.51, 48.68

 

CMYK 0 / 14 / 83 / 53

HEX #796815

RGB 121 104 21

HSL 49.8, 0.7%, 0.28%

LAB 44.26, -2.32, 45.35

 

CMYK 0 / 36 / 83 / 53

HEX #794D15

RGB 121 77 21

HSL 33.6, 0.7%, 0.28%

LAB 36.79, 13.68, 38.55

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 75 / 0 / 83 / 53

HEX #1E7915

RGB 30 121 21

HSL 114.6, 0.7%, 0.28%

LAB 44.24, -45.12, 43.34

 

CMYK 83 / 0 / 68 / 53

HEX #157927

RGB 21 121 39

HSL 130.8, 0.7%, 0.28%

LAB 44.21, -44.92, 36.11

 

CMYK 83 / 0 / 45 / 53

HEX #157942

RGB 21 121 66

HSL 147, 0.7%, 0.28%

LAB 44.56, -40.72, 22.53

 

CMYK 83 / 0 / 23 / 53

HEX #15795D

RGB 21 121 93

HSL 163.2, 0.7%, 0.28%

LAB 45.12, -34.5, 7.66

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 59 / 0 / 93 / 48

HEX #368409

RGB 54 132 9

HSL 98.05, 0.87%, 0.28%

LAB 48.64, -44, 50.51

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 45 / 0 / 71 / 57

HEX #3C6D20

RGB 60 109 32

HSL 98.18, 0.55%, 0.28%

LAB 41.22, -31.3, 36.41

 

CMYK 36 / 0 / 55 / 62

HEX #3F622C

RGB 63 98 44

HSL 98.89, 0.38%, 0.28%

LAB 37.8, -23.58, 26.57

 

CMYK 22 / 0 / 35 / 66

HEX #435638

RGB 67 86 56

HSL 98, 0.21%, 0.28%

LAB 34.26, -13.69, 15.15

 

CMYK 7 / 0 / 11 / 71

HEX #464B43

RGB 70 75 67

HSL 97.5, 0.06%, 0.28%

LAB 31.21, -3.78, 4.07

 

CMYK 8 / 0 / 83 / 53

HEX #6F7915

RGB 111 121 21

HSL 66, 0.7%, 0.28%

LAB 48.4, -16.51, 48.68

 

CMYK 31 / 0 / 83 / 53

HEX #547915

RGB 84 121 21

HSL 82.2, 0.7%, 0.28%

LAB 46.46, -28.35, 46.21

 

CMYK 52 / 0 / 83 / 53

HEX #3A7915

RGB 58 121 21

HSL 97.8, 0.7%, 0.28%

LAB 45.12, -37.96, 44.48

 

CMYK 74 / 0 / 83 / 53

HEX #1F7915

RGB 31 121 21

HSL 114, 0.7%, 0.28%

LAB 44.26, -44.93, 43.37

 

CMYK 83 / 0 / 69 / 53

HEX #157926

RGB 21 121 38

HSL 130.2, 0.7%, 0.28%

LAB 44.2, -45.04, 36.56

 

CMYK 53 / 0 / 82 / 80

HEX #183309

RGB 24 51 9

HSL 98.57, 0.7%, 0.12%

LAB 18.28, -19.37, 21.91

 

CMYK 53 / 0 / 83 / 66

HEX #28560F

RGB 40 86 15

HSL 98.87, 0.7%, 0.2%

LAB 32.13, -29.43, 33.95

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 53 / 0 / 83 / 39

HEX #499C1B

RGB 73 156 27

HSL 98.6, 0.7%, 0.36%

LAB 57.34, -46.92, 54.2

 

CMYK 53 / 0 / 83 / 25

HEX #5ABF21

RGB 90 191 33

HSL 98.35, 0.71%, 0.44%

LAB 69.14, -54.87, 63.55

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 83 / 0 / 14 / 53

HEX #157968

RGB 21 121 104

HSL 169.8, 0.7%, 0.28%

LAB 45.41, -31.46, 1.55

 

CMYK 0 / 83 / 19 / 53

HEX #791562

RGB 121 21 98

HSL 313.8, 0.7%, 0.28%

LAB 28.07, 48.87, -20.09

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 83 / 52 / 0 / 53

HEX #153A79

RGB 21 58 121

HSL 217.8, 0.7%, 0.28%

LAB 25.46, 11.99, -39.67

 

CMYK 0 / 83 / 52 / 53

HEX #79153A

RGB 121 21 58

HSL 337.8, 0.7%, 0.28%

LAB 26.47, 44.14, 4.17

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 83 / 0 / 14 / 53

HEX #157968

RGB 21 121 104

HSL 169.8, 0.7%, 0.28%

LAB 45.41, -31.46, 1.55

 

CMYK 31 / 83 / 0 / 53

HEX #541579

RGB 84 21 121

HSL 277.8, 0.7%, 0.28%

LAB 23, 45.14, -43.39

 

CMYK 0 / 83 / 69 / 53

HEX #791526

RGB 121 21 38

HSL 349.8, 0.7%, 0.28%

LAB 25.98, 42.66, 17.09

 

CMYK 53 / 0 / 83 / 53

HEX #397915

RGB 57 121 21

HSL 98.4, 0.7%, 0.28%

LAB 45.08, -38.28, 44.43

 

CMYK 83 / 11 / 0 / 53

HEX #156C79

RGB 21 108 121

HSL 187.8, 0.7%, 0.28%

LAB 41.63, -19.49, -14.27

 

CMYK 31 / 83 / 0 / 53

HEX #541579

RGB 84 21 121

HSL 277.8, 0.7%, 0.28%

LAB 23, 45.14, -43.39

 

CMYK 0 / 72 / 83 / 53

HEX #792215

RGB 121 34 21

HSL 7.8, 0.7%, 0.28%

LAB 27.47, 37.03, 29.56

 

Description

Color code: HEX #397915 | qconv.com Color code: HEX #397915 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 121 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 121 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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