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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397897 it is the complementary color #C68768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397897 shade: #3E7892, #4F8AA5, #609CB8, #71AECB and #82C0DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397897 shade: #397897, #286684, #175471, #06425E and #00304B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397897 shade: #397897, #395F97, #394597, #463997 and #5F3997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397897 shade: #397897, #395F97, #394597 and #393997

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397897 shade matches the following richer shades: #397897, #287EA8, #1784B9 and #0689CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397897 shade: #397897, #4A7286, #5B6D75, #6C6764 and #7D6153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397897 shade: #399783, #399297, #397997, #396097 and #394797

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397897 shade: #22485B, #2E6079, #397897, #4490B5 and #60A2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397897 shade: #397897, #6A3997 and #978F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397897 shade: #397897, #973979 and #799739

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397897 shade: #397897, #6A3997, #975739 and #669739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397897 shade: #397897, #863997, #975739 and #4A9739

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

Complementary color

CMYK 0 / 32 / 47 / 22

HEX #C68768

RGB 198 135 104

HSL 19.79, 0.45%, 0.59%

LAB 61.94, 20.55, 26.4

 

CMYK 58 / 18 / 0 / 43

HEX #3E7892

RGB 62 120 146

HSL 198.57, 0.4%, 0.41%

LAB 47.67, -11.05, -19.87

 

CMYK 52 / 16 / 0 / 35

HEX #4F8AA5

RGB 79 138 165

HSL 198.84, 0.35%, 0.48%

LAB 54.61, -11.47, -20.22

 

CMYK 48 / 15 / 0 / 28

HEX #609CB8

RGB 96 156 184

HSL 199.09, 0.38%, 0.55%

LAB 61.42, -11.78, -20.57

 

CMYK 44 / 14 / 0 / 20

HEX #71AECB

RGB 113 174 203

HSL 199.33, 0.46%, 0.62%

LAB 68.09, -12.01, -20.9

 

CMYK 41 / 14 / 0 / 13

HEX #82C0DE

RGB 130 192 222

HSL 199.57, 0.58%, 0.69%

LAB 74.65, -12.19, -21.23

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 70 / 23 / 0 / 48

HEX #286684

RGB 40 102 132

HSL 199.57, 0.53%, 0.34%

LAB 40.61, -9.6, -22.47

 

CMYK 80 / 26 / 0 / 56

HEX #175471

RGB 23 84 113

HSL 199.33, 0.66%, 0.27%

LAB 33.38, -8.34, -22.06

 

CMYK 94 / 30 / 0 / 63

HEX #06425E

RGB 6 66 94

HSL 199.09, 0.88%, 0.2%

LAB 25.99, -6.44, -21.57

 

CMYK 100 / 36 / 0 / 71

HEX #00304B

RGB 0 48 75

HSL 201.6, 1%, 0.15%

LAB 18.46, -3.36, -20.86

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 62 / 37 / 0 / 41

HEX #395F97

RGB 57 95 151

HSL 215.74, 0.45%, 0.41%

LAB 40.06, 4.68, -34.71

 

CMYK 62 / 54 / 0 / 41

HEX #394597

RGB 57 69 151

HSL 232.34, 0.45%, 0.41%

LAB 32.61, 21.69, -46.62

 

CMYK 54 / 62 / 0 / 41

HEX #463997

RGB 70 57 151

HSL 248.3, 0.45%, 0.41%

LAB 30.55, 32, -49.91

 

CMYK 37 / 62 / 0 / 41

HEX #5F3997

RGB 95 57 151

HSL 264.26, 0.45%, 0.41%

LAB 33.12, 37.48, -45.63

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 62 / 37 / 0 / 41

HEX #395F97

RGB 57 95 151

HSL 215.74, 0.45%, 0.41%

LAB 40.06, 4.68, -34.71

 

CMYK 62 / 54 / 0 / 41

HEX #394597

RGB 57 69 151

HSL 232.34, 0.45%, 0.41%

LAB 32.61, 21.69, -46.62

 

CMYK 62 / 62 / 0 / 41

HEX #393997

RGB 57 57 151

HSL 240, 0.45%, 0.41%

LAB 29.49, 29.58, -51.69

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 76 / 25 / 0 / 34

HEX #287EA8

RGB 40 126 168

HSL 199.69, 0.62%, 0.41%

LAB 49.74, -10.75, -29.6

 

CMYK 88 / 29 / 0 / 27

HEX #1784B9

RGB 23 132 185

HSL 199.63, 0.78%, 0.41%

LAB 52.05, -9.62, -35.81

 

CMYK 97 / 32 / 0 / 21

HEX #0689CA

RGB 6 137 202

HSL 199.9, 0.94%, 0.41%

LAB 54.23, -6.92, -42.08

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 45 / 15 / 0 / 47

HEX #4A7286

RGB 74 114 134

HSL 200, 0.29%, 0.41%

LAB 45.92, -8.34, -15.37

 

CMYK 22 / 7 / 0 / 54

HEX #5B6D75

RGB 91 109 117

HSL 198.46, 0.13%, 0.41%

LAB 44.87, -4.78, -6.69

 

CMYK 0 / 5 / 7 / 58

HEX #6C6764

RGB 108 103 100

HSL 22.5, 0.04%, 0.41%

LAB 43.96, 1.37, 2.38

 

CMYK 0 / 22 / 34 / 51

HEX #7D6153

RGB 125 97 83

HSL 20, 0.2%, 0.41%

LAB 43.56, 9.18, 12.32

 

CMYK 62 / 0 / 13 / 41

HEX #399783

RGB 57 151 131

HSL 167.23, 0.45%, 0.41%

LAB 56.72, -32.58, 2.37

 

CMYK 62 / 3 / 0 / 41

HEX #399297

RGB 57 146 151

HSL 183.19, 0.45%, 0.41%

LAB 55.75, -24.53, -10.53

 

CMYK 62 / 20 / 0 / 41

HEX #397997

RGB 57 121 151

HSL 199.15, 0.45%, 0.41%

LAB 47.98, -11.03, -22.35

 

CMYK 62 / 36 / 0 / 41

HEX #396097

RGB 57 96 151

HSL 215.11, 0.45%, 0.41%

LAB 40.36, 4.05, -34.24

 

CMYK 62 / 53 / 0 / 41

HEX #394797

RGB 57 71 151

HSL 231.06, 0.45%, 0.41%

LAB 33.16, 20.37, -45.74

 

CMYK 63 / 21 / 0 / 64

HEX #22485B

RGB 34 72 91

HSL 200, 0.46%, 0.25%

LAB 28.72, -7.11, -15.32

 

CMYK 62 / 21 / 0 / 53

HEX #2E6079

RGB 46 96 121

HSL 200, 0.45%, 0.33%

LAB 38.42, -8.72, -19.13

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 62 / 20 / 0 / 29

HEX #4490B5

RGB 68 144 181

HSL 199.65, 0.45%, 0.49%

LAB 56.6, -12.1, -26.37

 

CMYK 51 / 16 / 0 / 24

HEX #60A2C2

RGB 96 162 194

HSL 199.59, 0.45%, 0.57%

LAB 63.53, -12.16, -22.94

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 30 / 62 / 0 / 41

HEX #6A3997

RGB 106 57 151

HSL 271.28, 0.45%, 0.41%

LAB 34.45, 40.13, -43.43

 

CMYK 0 / 5 / 62 / 41

HEX #978F39

RGB 151 143 57

HSL 54.89, 0.45%, 0.41%

LAB 58.53, -8.21, 45.57

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 0 / 62 / 20 / 41

HEX #973979

RGB 151 57 121

HSL 319.15, 0.45%, 0.41%

LAB 39.39, 46.66, -16.77

 

CMYK 20 / 0 / 62 / 41

HEX #799739

RGB 121 151 57

HSL 79.15, 0.45%, 0.41%

LAB 58.5, -25.28, 44.87

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 30 / 62 / 0 / 41

HEX #6A3997

RGB 106 57 151

HSL 271.28, 0.45%, 0.41%

LAB 34.45, 40.13, -43.43

 

CMYK 0 / 42 / 62 / 41

HEX #975739

RGB 151 87 57

HSL 19.15, 0.45%, 0.41%

LAB 43.79, 23.51, 28.6

 

CMYK 32 / 0 / 62 / 41

HEX #669739

RGB 102 151 57

HSL 91.28, 0.45%, 0.41%

LAB 57.32, -32.76, 43.23

 

CMYK 62 / 21 / 0 / 41

HEX #397897

RGB 57 120 151

HSL 199.79, 0.45%, 0.41%

LAB 47.67, -10.45, -22.82

 

CMYK 11 / 62 / 0 / 41

HEX #863997

RGB 134 57 151

HSL 289.15, 0.45%, 0.41%

LAB 38.25, 47.21, -37.13

 

CMYK 0 / 42 / 62 / 41

HEX #975739

RGB 151 87 57

HSL 19.15, 0.45%, 0.41%

LAB 43.79, 23.51, 28.6

 

CMYK 51 / 0 / 62 / 41

HEX #4A9739

RGB 74 151 57

HSL 109.15, 0.45%, 0.41%

LAB 55.97, -42.27, 41.35

 

Description

Color code: HEX #397897 | qconv.com Color code: HEX #397897 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 120 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 120 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 21 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 21% 0% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - FASA - Federación Ar...
Link: http://fasa.org.ar

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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