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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39749D it is the complementary color #C68B62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39749D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39749D shade: #3E7498, #4F86AB, #6098BE, #71AAD1 and #82BCE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39749D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39749D shade: #39749D, #28628A, #175077, #063E64 and #002C51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39749D shade: #38749D, #38599D, #383D9D, #4E389D and #69389D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39749D shade: #38749D, #38599D, #383D9D and #38389D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39749D shade matches the following richer shades: #38749D, #2777AE, #167AC0 and #047DD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39749D shade: #38749D, #4A718C, #5B6D7A, #6C6A69 and #7E6758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39749D shade: #389D90, #38909D, #38759D, #385A9D and #383F9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39749D shade: #224760, #2D5D7F, #38749D, #438ABB and #629DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39749D shade: #39749D, #75389D and #9D9D38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39749D shade: #39749D, #9D3875 and #759D38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39749D shade: #39749D, #75389D, #9D6138 and #619D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39749D shade: #39749D, #93389D, #9D6138 and #429D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 26 / 0 / 38

HEX #39749D

RGB 57 116 157

HSL 204.6, 0.47%, 0.42%

LAB 46.7, -6.1, -27.85

 

Complementary color

CMYK 0 / 30 / 51 / 22

HEX #C68B62

RGB 198 139 98

HSL 24.6, 0.47%, 0.58%

LAB 62.8, 17.77, 30.82

 

CMYK 59 / 24 / 0 / 40

HEX #3E7498

RGB 62 116 152

HSL 204, 0.42%, 0.42%

LAB 46.69, -6.78, -24.92

 

CMYK 54 / 22 / 0 / 33

HEX #4F86AB

RGB 79 134 171

HSL 204.13, 0.37%, 0.49%

LAB 53.66, -7.38, -25.14

 

CMYK 49 / 20 / 0 / 25

HEX #6098BE

RGB 96 152 190

HSL 204.26, 0.42%, 0.56%

LAB 60.48, -7.83, -25.37

 

CMYK 46 / 19 / 0 / 18

HEX #71AAD1

RGB 113 170 209

HSL 204.38, 0.51%, 0.63%

LAB 67.17, -8.18, -25.61

 

CMYK 43 / 18 / 0 / 11

HEX #82BCE4

RGB 130 188 228

HSL 204.49, 0.64%, 0.7%

LAB 73.75, -8.47, -25.86

 

CMYK 64 / 26 / 0 / 38

HEX #39749D

RGB 57 116 157

HSL 204.6, 0.47%, 0.42%

LAB 46.7, -6.1, -27.85

 

CMYK 71 / 29 / 0 / 46

HEX #28628A

RGB 40 98 138

HSL 204.49, 0.55%, 0.35%

LAB 39.62, -5.03, -27.64

 

CMYK 81 / 33 / 0 / 53

HEX #175077

RGB 23 80 119

HSL 204.38, 0.68%, 0.28%

LAB 32.37, -3.49, -27.39

 

CMYK 94 / 38 / 0 / 61

HEX #063E64

RGB 6 62 100

HSL 204.26, 0.89%, 0.21%

LAB 24.96, -1.25, -27.07

 

CMYK 100 / 46 / 0 / 68

HEX #002C51

RGB 0 44 81

HSL 207.41, 1%, 0.16%

LAB 17.44, 2.27, -26.53

 

CMYK 64 / 26 / 0 / 38

HEX #38749D

RGB 56 116 157

HSL 204.36, 0.47%, 0.42%

LAB 46.67, -6.29, -27.91

 

CMYK 64 / 43 / 0 / 38

HEX #38599D

RGB 56 89 157

HSL 220.4, 0.47%, 0.42%

LAB 38.59, 10.5, -40.66

 

CMYK 64 / 61 / 0 / 38

HEX #383D9D

RGB 56 61 157

HSL 237.03, 0.47%, 0.42%

LAB 30.91, 28.91, -53.03

 

CMYK 50 / 64 / 0 / 38

HEX #4E389D

RGB 78 56 157

HSL 253.07, 0.47%, 0.42%

LAB 31.54, 36.09, -51.93

 

CMYK 33 / 64 / 0 / 38

HEX #69389D

RGB 105 56 157

HSL 269.11, 0.47%, 0.42%

LAB 34.53, 41.94, -46.94

 

CMYK 64 / 26 / 0 / 38

HEX #38749D

RGB 56 116 157

HSL 204.36, 0.47%, 0.42%

LAB 46.67, -6.29, -27.91

 

CMYK 64 / 43 / 0 / 38

HEX #38599D

RGB 56 89 157

HSL 220.4, 0.47%, 0.42%

LAB 38.59, 10.5, -40.66

 

CMYK 64 / 61 / 0 / 38

HEX #383D9D

RGB 56 61 157

HSL 237.03, 0.47%, 0.42%

LAB 30.91, 28.91, -53.03

 

CMYK 64 / 64 / 0 / 38

HEX #38389D

RGB 56 56 157

HSL 240, 0.47%, 0.42%

LAB 29.67, 32.13, -55.05

 

CMYK 64 / 26 / 0 / 38

HEX #38749D

RGB 56 116 157

HSL 204.36, 0.47%, 0.42%

LAB 46.67, -6.29, -27.91

 

CMYK 78 / 32 / 0 / 32

HEX #2777AE

RGB 39 119 174

HSL 204.44, 0.63%, 0.42%

LAB 47.86, -4.6, -36.03

 

CMYK 89 / 36 / 0 / 25

HEX #167AC0

RGB 22 122 192

HSL 204.71, 0.79%, 0.42%

LAB 49.37, -1.13, -44.06

 

CMYK 98 / 40 / 0 / 18

HEX #047DD1

RGB 4 125 209

HSL 204.59, 0.96%, 0.42%

LAB 51.03, 2.87, -51.13

 

CMYK 64 / 26 / 0 / 38

HEX #38749D

RGB 56 116 157

HSL 204.36, 0.47%, 0.42%

LAB 46.67, -6.29, -27.91

 

CMYK 47 / 19 / 0 / 45

HEX #4A718C

RGB 74 113 140

HSL 204.55, 0.31%, 0.42%

LAB 45.85, -5.97, -19.05

 

CMYK 25 / 11 / 0 / 52

HEX #5B6D7A

RGB 91 109 122

HSL 205.16, 0.15%, 0.42%

LAB 45.03, -3.53, -9.44

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 0 / 18 / 30 / 51

HEX #7E6758

RGB 126 103 88

HSL 23.68, 0.18%, 0.42%

LAB 45.42, 6.77, 11.91

 

CMYK 64 / 0 / 8 / 38

HEX #389D90

RGB 56 157 144

HSL 172.28, 0.47%, 0.42%

LAB 58.94, -32.12, -1.79

 

CMYK 64 / 8 / 0 / 38

HEX #38909D

RGB 56 144 157

HSL 187.72, 0.47%, 0.42%

LAB 55.3, -21.85, -14.66

 

CMYK 64 / 25 / 0 / 38

HEX #38759D

RGB 56 117 157

HSL 203.76, 0.47%, 0.42%

LAB 46.97, -6.88, -27.44

 

CMYK 64 / 43 / 0 / 38

HEX #385A9D

RGB 56 90 157

HSL 219.8, 0.47%, 0.42%

LAB 38.88, 9.85, -40.19

 

CMYK 64 / 60 / 0 / 38

HEX #383F9D

RGB 56 63 157

HSL 235.84, 0.47%, 0.42%

LAB 31.42, 27.61, -52.2

 

CMYK 65 / 26 / 0 / 62

HEX #224760

RGB 34 71 96

HSL 204.19, 0.48%, 0.25%

LAB 28.62, -4.68, -18.69

 

CMYK 65 / 27 / 0 / 50

HEX #2D5D7F

RGB 45 93 127

HSL 204.88, 0.48%, 0.34%

LAB 37.7, -5.02, -23.93

 

CMYK 64 / 26 / 0 / 38

HEX #38749D

RGB 56 116 157

HSL 204.36, 0.47%, 0.42%

LAB 46.67, -6.29, -27.91

 

CMYK 64 / 26 / 0 / 27

HEX #438ABB

RGB 67 138 187

HSL 204.5, 0.47%, 0.5%

LAB 55.03, -6.93, -32.22

 

CMYK 51 / 21 / 0 / 22

HEX #629DC6

RGB 98 157 198

HSL 204.6, 0.47%, 0.58%

LAB 62.33, -7.78, -27.01

 

CMYK 64 / 26 / 0 / 38

HEX #39749D

RGB 57 116 157

HSL 204.6, 0.47%, 0.42%

LAB 46.7, -6.1, -27.85

 

CMYK 25 / 64 / 0 / 38

HEX #75389D

RGB 117 56 157

HSL 276.24, 0.47%, 0.42%

LAB 36.07, 44.77, -44.38

 

CMYK 0 / 0 / 64 / 38

HEX #9D9D38

RGB 157 157 56

HSL 60, 0.47%, 0.42%

LAB 62.98, -13.09, 50.94

 

CMYK 64 / 26 / 0 / 38

HEX #39749D

RGB 57 116 157

HSL 204.6, 0.47%, 0.42%

LAB 46.7, -6.1, -27.85

 

CMYK 0 / 64 / 25 / 38

HEX #9D3875

RGB 157 56 117

HSL 323.76, 0.47%, 0.42%

LAB 40.05, 48.33, -13.19

 

CMYK 25 / 0 / 64 / 38

HEX #759D38

RGB 117 157 56

HSL 83.76, 0.47%, 0.42%

LAB 60.05, -29.89, 46.94

 

CMYK 64 / 26 / 0 / 38

HEX #39749D

RGB 57 116 157

HSL 204.6, 0.47%, 0.42%

LAB 46.7, -6.1, -27.85

 

CMYK 25 / 64 / 0 / 38

HEX #75389D

RGB 117 56 157

HSL 276.24, 0.47%, 0.42%

LAB 36.07, 44.77, -44.38

 

CMYK 0 / 38 / 64 / 38

HEX #9D6138

RGB 157 97 56

HSL 24.36, 0.47%, 0.42%

LAB 46.98, 20.35, 33.18

 

CMYK 38 / 0 / 64 / 38

HEX #619D38

RGB 97 157 56

HSL 95.64, 0.47%, 0.42%

LAB 58.92, -37.4, 45.37

 

CMYK 64 / 26 / 0 / 38

HEX #39749D

RGB 57 116 157

HSL 204.6, 0.47%, 0.42%

LAB 46.7, -6.1, -27.85

 

CMYK 6 / 64 / 0 / 38

HEX #93389D

RGB 147 56 157

HSL 294.06, 0.47%, 0.42%

LAB 40.35, 52.15, -37.29

 

CMYK 0 / 38 / 64 / 38

HEX #9D6138

RGB 157 97 56

HSL 24.36, 0.47%, 0.42%

LAB 46.98, 20.35, 33.18

 

CMYK 58 / 0 / 64 / 38

HEX #429D38

RGB 66 157 56

HSL 114.06, 0.47%, 0.42%

LAB 57.61, -47, 43.57

 

Description

Color code: HEX #39749D | qconv.com Color code: HEX #39749D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 116 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 116 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 26 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 26% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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