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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #395B28 it is the complementary color #C6A4D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #395B28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #395B28 shade: #3E5B23, #4F6D36, #607F49, #71915C and #82A36F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #395B28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #395B28 shade: #395B28, #284915, #173702, #062500 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #395B28 shade: #395C28, #475C28, #555C28, #5C5428 and #5C4628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #395B28 shade: #395C28, #2B5C28, #285C33, #285C41 and #285C4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #395B28 shade matches the following richer shades: #395C28, #36661D, #327112 and #2E7C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #395B28 shade: #395C28, #3D5133, #40463D, #443B48 and #473153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #395B28 shade: #555C28, #475C28, #395C28, #2B5C28 and #285C32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #395B28 shade: #15220F, #273F1B, #395C28, #4B7835 and #5D9541

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #395B28 shade: #395B28, #285C55 and #5C284E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #395B28 shade: #395B28, #28395C and #5C2839

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #395B28 shade: #395B28, #285C55, #4A285C and #5C282F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #395B28 shade: #395B28, #28535C, #4A285C and #5C3128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 56 / 64

HEX #395B28

RGB 57 91 40

HSL 100, 0.39%, 0.26%

LAB 35.01, -22.91, 25.33

 

Complementary color

CMYK 8 / 24 / 0 / 16

HEX #C6A4D7

RGB 198 164 215

HSL 280, 0.39%, 0.74%

LAB 71.87, 21.71, -21.2

 

CMYK 32 / 0 / 62 / 64

HEX #3E5B23

RGB 62 91 35

HSL 91.07, 0.44%, 0.25%

LAB 35.26, -21.51, 28.39

 

CMYK 28 / 0 / 50 / 57

HEX #4F6D36

RGB 79 109 54

HSL 92.73, 0.34%, 0.32%

LAB 42.56, -21.53, 27.12

 

CMYK 24 / 0 / 43 / 50

HEX #607F49

RGB 96 127 73

HSL 94.44, 0.27%, 0.39%

LAB 49.67, -21.45, 25.82

 

CMYK 22 / 0 / 37 / 43

HEX #71915C

RGB 113 145 92

HSL 96.23, 0.22%, 0.46%

LAB 56.62, -21.34, 24.58

 

CMYK 20 / 0 / 32 / 36

HEX #82A36F

RGB 130 163 111

HSL 98.08, 0.22%, 0.54%

LAB 63.42, -21.21, 23.41

 

CMYK 37 / 0 / 56 / 64

HEX #395B28

RGB 57 91 40

HSL 100, 0.39%, 0.26%

LAB 35.01, -22.91, 25.33

 

CMYK 45 / 0 / 71 / 71

HEX #284915

RGB 40 73 21

HSL 98.08, 0.55%, 0.18%

LAB 27.49, -22.83, 26.54

 

CMYK 58 / 0 / 96 / 78

HEX #173702

RGB 23 55 2

HSL 96.23, 0.93%, 0.11%

LAB 19.72, -22.41, 26.42

 

CMYK 84 / 0 / 100 / 85

HEX #062500

RGB 6 37 0

HSL 110.27, 1%, 0.07%

LAB 11.7, -20.26, 16.97

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 38 / 0 / 57 / 64

HEX #395C28

RGB 57 92 40

HSL 100.38, 0.39%, 0.26%

LAB 35.36, -23.41, 25.74

 

CMYK 23 / 0 / 57 / 64

HEX #475C28

RGB 71 92 40

HSL 84.23, 0.39%, 0.26%

LAB 36.27, -17.63, 27.05

 

CMYK 8 / 0 / 57 / 64

HEX #555C28

RGB 85 92 40

HSL 68.08, 0.39%, 0.26%

LAB 37.37, -11.32, 28.62

 

CMYK 0 / 9 / 57 / 64

HEX #5C5428

RGB 92 84 40

HSL 50.77, 0.39%, 0.26%

LAB 35.54, -3.32, 26.62

 

CMYK 0 / 24 / 57 / 64

HEX #5C4628

RGB 92 70 40

HSL 34.62, 0.39%, 0.26%

LAB 31.37, 5.28, 21.58

 

CMYK 38 / 0 / 57 / 64

HEX #395C28

RGB 57 92 40

HSL 100.38, 0.39%, 0.26%

LAB 35.36, -23.41, 25.74

 

CMYK 53 / 0 / 57 / 64

HEX #2B5C28

RGB 43 92 40

HSL 116.54, 0.39%, 0.26%

LAB 34.64, -28.4, 24.71

 

CMYK 57 / 0 / 45 / 64

HEX #285C33

RGB 40 92 51

HSL 132.69, 0.39%, 0.26%

LAB 34.69, -27.47, 18.44

 

CMYK 57 / 0 / 29 / 64

HEX #285C41

RGB 40 92 65

HSL 148.85, 0.39%, 0.26%

LAB 34.98, -24.52, 10.37

 

CMYK 57 / 0 / 15 / 64

HEX #285C4E

RGB 40 92 78

HSL 163.85, 0.39%, 0.26%

LAB 35.31, -21.24, 2.8

 

CMYK 38 / 0 / 57 / 64

HEX #395C28

RGB 57 92 40

HSL 100.38, 0.39%, 0.26%

LAB 35.36, -23.41, 25.74

 

CMYK 47 / 0 / 72 / 60

HEX #36661D

RGB 54 102 29

HSL 99.45, 0.56%, 0.26%

LAB 38.51, -30.54, 34.79

 

CMYK 56 / 0 / 84 / 56

HEX #327112

RGB 50 113 18

HSL 99.79, 0.73%, 0.26%

LAB 42.05, -37.39, 42.46

 

CMYK 63 / 0 / 94 / 51

HEX #2E7C08

RGB 46 124 8

HSL 100.34, 0.88%, 0.26%

LAB 45.65, -43.22, 48.08

 

CMYK 38 / 0 / 57 / 64

HEX #395C28

RGB 57 92 40

HSL 100.38, 0.39%, 0.26%

LAB 35.36, -23.41, 25.74

 

CMYK 25 / 0 / 37 / 68

HEX #3D5133

RGB 61 81 51

HSL 100, 0.23%, 0.26%

LAB 32.07, -14.22, 15.21

 

CMYK 9 / 0 / 13 / 73

HEX #40463D

RGB 64 70 61

HSL 100, 0.07%, 0.26%

LAB 28.92, -4.46, 4.59

 

CMYK 6 / 18 / 0 / 72

HEX #443B48

RGB 68 59 72

HSL 281.54, 0.1%, 0.26%

LAB 26.23, 6.78, -6.51

 

CMYK 14 / 41 / 0 / 67

HEX #473153

RGB 71 49 83

HSL 278.82, 0.26%, 0.26%

LAB 24.2, 17.26, -16.87

 

CMYK 8 / 0 / 57 / 64

HEX #555C28

RGB 85 92 40

HSL 68.08, 0.39%, 0.26%

LAB 37.37, -11.32, 28.62

 

CMYK 23 / 0 / 57 / 64

HEX #475C28

RGB 71 92 40

HSL 84.23, 0.39%, 0.26%

LAB 36.27, -17.63, 27.05

 

CMYK 38 / 0 / 57 / 64

HEX #395C28

RGB 57 92 40

HSL 100.38, 0.39%, 0.26%

LAB 35.36, -23.41, 25.74

 

CMYK 53 / 0 / 57 / 64

HEX #2B5C28

RGB 43 92 40

HSL 116.54, 0.39%, 0.26%

LAB 34.64, -28.4, 24.71

 

CMYK 57 / 0 / 46 / 64

HEX #285C32

RGB 40 92 50

HSL 131.54, 0.39%, 0.26%

LAB 34.67, -27.66, 19

 

CMYK 38 / 0 / 56 / 87

HEX #15220F

RGB 21 34 15

HSL 101.05, 0.39%, 0.1%

LAB 11.54, -10.34, 10.47

 

CMYK 38 / 0 / 57 / 75

HEX #273F1B

RGB 39 63 27

HSL 100, 0.4%, 0.18%

LAB 23.89, -17.28, 19.04

 

CMYK 38 / 0 / 57 / 64

HEX #395C28

RGB 57 92 40

HSL 100.38, 0.39%, 0.26%

LAB 35.36, -23.41, 25.74

 

CMYK 38 / 0 / 56 / 53

HEX #4B7835

RGB 75 120 53

HSL 100.3, 0.39%, 0.34%

LAB 45.89, -28.68, 31.63

 

CMYK 38 / 0 / 56 / 42

HEX #5D9541

RGB 93 149 65

HSL 100, 0.39%, 0.42%

LAB 56.29, -34.29, 38.11

 

CMYK 37 / 0 / 56 / 64

HEX #395B28

RGB 57 91 40

HSL 100, 0.39%, 0.26%

LAB 35.01, -22.91, 25.33

 

CMYK 57 / 0 / 8 / 64

HEX #285C55

RGB 40 92 85

HSL 171.92, 0.39%, 0.26%

LAB 35.52, -19.27, -1.26

 

CMYK 0 / 57 / 15 / 64

HEX #5C284E

RGB 92 40 78

HSL 316.15, 0.39%, 0.26%

LAB 24.77, 29.22, -12.41

 

CMYK 37 / 0 / 56 / 64

HEX #395B28

RGB 57 91 40

HSL 100, 0.39%, 0.26%

LAB 35.01, -22.91, 25.33

 

CMYK 57 / 38 / 0 / 64

HEX #28395C

RGB 40 57 92

HSL 220.38, 0.39%, 0.26%

LAB 24.16, 4.64, -23.05

 

CMYK 0 / 57 / 38 / 64

HEX #5C2839

RGB 92 40 57

HSL 340.38, 0.39%, 0.26%

LAB 23.96, 25.85, 0.54

 

CMYK 37 / 0 / 56 / 64

HEX #395B28

RGB 57 91 40

HSL 100, 0.39%, 0.26%

LAB 35.01, -22.91, 25.33

 

CMYK 57 / 0 / 8 / 64

HEX #285C55

RGB 40 92 85

HSL 171.92, 0.39%, 0.26%

LAB 35.52, -19.27, -1.26

 

CMYK 20 / 57 / 0 / 64

HEX #4A285C

RGB 74 40 92

HSL 279.23, 0.39%, 0.26%

LAB 22.81, 26.27, -24.96

 

CMYK 0 / 57 / 49 / 64

HEX #5C282F

RGB 92 40 47

HSL 351.92, 0.39%, 0.26%

LAB 23.67, 24.57, 6.92

 

CMYK 37 / 0 / 56 / 64

HEX #395B28

RGB 57 91 40

HSL 100, 0.39%, 0.26%

LAB 35.01, -22.91, 25.33

 

CMYK 57 / 10 / 0 / 64

HEX #28535C

RGB 40 83 92

HSL 190.38, 0.39%, 0.26%

LAB 32.72, -12.04, -9.83

 

CMYK 20 / 57 / 0 / 64

HEX #4A285C

RGB 74 40 92

HSL 279.23, 0.39%, 0.26%

LAB 22.81, 26.27, -24.96

 

CMYK 0 / 47 / 57 / 64

HEX #5C3128

RGB 92 49 40

HSL 10.38, 0.39%, 0.26%

LAB 25.64, 18.44, 14.28

 

Description

Color code: HEX #395B28 | qconv.com Color code: HEX #395B28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 91 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 91 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 56 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 56% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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