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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #395368 it is the complementary color #C6AC97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #395368. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #395368 shade: #3E5363, #4F6576, #607789, #71899C and #829BAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #395368. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #395368 shade: #395368, #284155, #172F42, #061D2F and #000B1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #395368 shade: #395469, #394769, #393A69, #463969 and #523969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #395368 shade: #395469, #394769, #393A69 and #393969

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #395368 shade matches the following richer shades: #395469, #2C5576, #1F5683, #125890 and #05599E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #395368 shade: #395469, #47525C, #54514E, #614F41 and #6E4E34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #395368 shade: #396964, #396169, #395469, #394869 and #393B69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #395368 shade: #1C2934, #2B3E4E, #395469, #486983 and #577E9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #395368 shade: #395368, #573969 and #676939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #395368 shade: #395368, #693954 and #546939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #395368 shade: #395368, #573969, #694E39 and #4B6939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #395368 shade: #395368, #663969, #694E39 and #3D6939

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

Complementary color

CMYK 0 / 13 / 24 / 22

HEX #C6AC97

RGB 198 172 151

HSL 26.81, 0.29%, 0.68%

LAB 72.06, 6.13, 14.27

 

CMYK 37 / 16 / 0 / 61

HEX #3E5363

RGB 62 83 99

HSL 205.95, 0.23%, 0.32%

LAB 34.21, -3.59, -11.86

 

CMYK 33 / 14 / 0 / 54

HEX #4F6576

RGB 79 101 118

HSL 206.15, 0.2%, 0.39%

LAB 41.65, -3.76, -12.21

 

CMYK 30 / 13 / 0 / 46

HEX #607789

RGB 96 119 137

HSL 206.34, 0.18%, 0.46%

LAB 48.87, -3.89, -12.56

 

CMYK 28 / 12 / 0 / 39

HEX #71899C

RGB 113 137 156

HSL 206.51, 0.18%, 0.53%

LAB 55.89, -4.01, -12.93

 

CMYK 26 / 11 / 0 / 31

HEX #829BAF

RGB 130 155 175

HSL 206.67, 0.22%, 0.6%

LAB 62.75, -4.12, -13.3

 

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

CMYK 53 / 24 / 0 / 67

HEX #284155

RGB 40 65 85

HSL 206.67, 0.36%, 0.25%

LAB 26.41, -3.21, -14.97

 

CMYK 65 / 29 / 0 / 74

HEX #172F42

RGB 23 47 66

HSL 206.51, 0.48%, 0.17%

LAB 18.4, -2.56, -14.77

 

CMYK 87 / 38 / 0 / 82

HEX #061D2F

RGB 6 29 47

HSL 206.34, 0.77%, 0.1%

LAB 9.97, -1.4, -14.61

 

CMYK 100 / 61 / 0 / 89

HEX #000B1C

RGB 0 11 28

HSL 216.43, 1%, 0.05%

LAB 2.92, 0.91, -11.18

 

CMYK 46 / 20 / 0 / 59

HEX #395469

RGB 57 84 105

HSL 206.25, 0.3%, 0.32%

LAB 34.46, -3.92, -15.28

 

CMYK 46 / 32 / 0 / 59

HEX #394769

RGB 57 71 105

HSL 222.5, 0.3%, 0.32%

LAB 30.39, 4.41, -21.58

 

CMYK 46 / 45 / 0 / 59

HEX #393A69

RGB 57 58 105

HSL 238.75, 0.3%, 0.32%

LAB 26.49, 13.12, -27.71

 

CMYK 33 / 46 / 0 / 59

HEX #463969

RGB 70 57 105

HSL 256.25, 0.3%, 0.32%

LAB 27.43, 17.67, -26.14

 

CMYK 22 / 46 / 0 / 59

HEX #523969

RGB 82 57 105

HSL 271.25, 0.3%, 0.32%

LAB 28.75, 21.51, -23.98

 

CMYK 46 / 20 / 0 / 59

HEX #395469

RGB 57 84 105

HSL 206.25, 0.3%, 0.32%

LAB 34.46, -3.92, -15.28

 

CMYK 46 / 32 / 0 / 59

HEX #394769

RGB 57 71 105

HSL 222.5, 0.3%, 0.32%

LAB 30.39, 4.41, -21.58

 

CMYK 46 / 45 / 0 / 59

HEX #393A69

RGB 57 58 105

HSL 238.75, 0.3%, 0.32%

LAB 26.49, 13.12, -27.71

 

CMYK 46 / 46 / 0 / 59

HEX #393969

RGB 57 57 105

HSL 240, 0.3%, 0.32%

LAB 26.2, 13.8, -28.16

 

CMYK 46 / 20 / 0 / 59

HEX #395469

RGB 57 84 105

HSL 206.25, 0.3%, 0.32%

LAB 34.46, -3.92, -15.28

 

CMYK 63 / 28 / 0 / 54

HEX #2C5576

RGB 44 85 118

HSL 206.76, 0.46%, 0.32%

LAB 34.68, -3.45, -23.09

 

CMYK 76 / 34 / 0 / 49

HEX #1F5683

RGB 31 86 131

HSL 207, 0.62%, 0.32%

LAB 35.17, -1.55, -30.38

 

CMYK 88 / 39 / 0 / 44

HEX #125890

RGB 18 88 144

HSL 206.67, 0.78%, 0.32%

LAB 36.22, 0.89, -36.67

 

CMYK 97 / 44 / 0 / 38

HEX #05599E

RGB 5 89 158

HSL 207.06, 0.94%, 0.32%

LAB 37.2, 5.21, -43.55

 

CMYK 46 / 20 / 0 / 59

HEX #395469

RGB 57 84 105

HSL 206.25, 0.3%, 0.32%

LAB 34.46, -3.92, -15.28

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 0 / 4 / 7 / 67

HEX #54514E

RGB 84 81 78

HSL 30, 0.04%, 0.32%

LAB 34.64, 0.61, 2.19

 

CMYK 0 / 19 / 33 / 62

HEX #614F41

RGB 97 79 65

HSL 26.25, 0.2%, 0.32%

LAB 35.03, 5.19, 11.1

 

CMYK 0 / 29 / 53 / 57

HEX #6E4E34

RGB 110 78 52

HSL 26.9, 0.36%, 0.32%

LAB 36.01, 10.09, 20.66

 

CMYK 46 / 0 / 5 / 59

HEX #396964

RGB 57 105 100

HSL 173.75, 0.3%, 0.32%

LAB 41.05, -17.66, -2.29

 

CMYK 46 / 8 / 0 / 59

HEX #396169

RGB 57 97 105

HSL 190, 0.3%, 0.32%

LAB 38.62, -11.73, -8.96

 

CMYK 46 / 20 / 0 / 59

HEX #395469

RGB 57 84 105

HSL 206.25, 0.3%, 0.32%

LAB 34.46, -3.92, -15.28

 

CMYK 46 / 31 / 0 / 59

HEX #394869

RGB 57 72 105

HSL 221.25, 0.3%, 0.32%

LAB 30.7, 3.75, -21.09

 

CMYK 46 / 44 / 0 / 59

HEX #393B69

RGB 57 59 105

HSL 237.5, 0.3%, 0.32%

LAB 26.79, 12.44, -27.24

 

CMYK 46 / 21 / 0 / 80

HEX #1C2934

RGB 28 41 52

HSL 207.5, 0.3%, 0.16%

LAB 15.91, -2.02, -8.89

 

CMYK 45 / 21 / 0 / 69

HEX #2B3E4E

RGB 43 62 78

HSL 207.43, 0.29%, 0.24%

LAB 25.29, -2.69, -12.1

 

CMYK 46 / 20 / 0 / 59

HEX #395469

RGB 57 84 105

HSL 206.25, 0.3%, 0.32%

LAB 34.46, -3.92, -15.28

 

CMYK 45 / 20 / 0 / 49

HEX #486983

RGB 72 105 131

HSL 206.44, 0.29%, 0.4%

LAB 42.94, -4.49, -18.14

 

CMYK 45 / 20 / 0 / 38

HEX #577E9E

RGB 87 126 158

HSL 207.04, 0.29%, 0.48%

LAB 51.17, -4.74, -21.41

 

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

CMYK 17 / 46 / 0 / 59

HEX #573969

RGB 87 57 105

HSL 277.5, 0.3%, 0.32%

LAB 29.34, 23.16, -23

 

CMYK 2 / 0 / 46 / 59

HEX #676939

RGB 103 105 57

HSL 62.5, 0.3%, 0.32%

LAB 43.19, -8.65, 26.64

 

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

CMYK 0 / 46 / 20 / 59

HEX #693954

RGB 105 57 84

HSL 326.25, 0.3%, 0.32%

LAB 30.81, 25.21, -7.02

 

CMYK 20 / 0 / 46 / 59

HEX #546939

RGB 84 105 57

HSL 86.25, 0.3%, 0.32%

LAB 41.66, -16.94, 24.41

 

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

CMYK 17 / 46 / 0 / 59

HEX #573969

RGB 87 57 105

HSL 277.5, 0.3%, 0.32%

LAB 29.34, 23.16, -23

 

CMYK 0 / 26 / 46 / 59

HEX #694E39

RGB 105 78 57

HSL 26.25, 0.3%, 0.32%

LAB 35.49, 8.35, 16.83

 

CMYK 29 / 0 / 46 / 59

HEX #4B6939

RGB 75 105 57

HSL 97.5, 0.3%, 0.32%

LAB 41.05, -20.63, 23.5

 

CMYK 45 / 20 / 0 / 59

HEX #395368

RGB 57 83 104

HSL 206.81, 0.29%, 0.32%

LAB 34.1, -3.61, -15.21

 

CMYK 3 / 46 / 0 / 59

HEX #663969

RGB 102 57 105

HSL 296.25, 0.3%, 0.32%

LAB 31.28, 28.19, -19.84

 

CMYK 0 / 26 / 46 / 59

HEX #694E39

RGB 105 78 57

HSL 26.25, 0.3%, 0.32%

LAB 35.49, 8.35, 16.83

 

CMYK 42 / 0 / 46 / 59

HEX #3D6939

RGB 61 105 57

HSL 115, 0.3%, 0.32%

LAB 40.23, -25.89, 22.3

 

Description

Color code: HEX #395368 | qconv.com Color code: HEX #395368 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 83 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 83 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 20 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 20% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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