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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #394137 it is the complementary color #C6BEC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #394137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #394137 shade: #3E4132, #4F5345, #606558, #71776B and #82897E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #394137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #394137 shade: #394137, #282F24, #171D11 and #060B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #394137 shade: #3A4238, #3C4238, #3F4238, #424238 and #423F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #394137 shade: #3A4238, #384238, #38423B, #38423E and #384240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #394137 shade matches the following richer shades: #3A4238, #344B2E, #2E5524, #285F1A and #226910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #394137 shade: #3A4238, #403842, #462E4C, #4C2456 and #521A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #394137 shade: #3F4238, #3C4238, #3A4238, #384238 and #38423B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #394137 shade: #121512, #262B25, #3A4238, #4D584B and #616E5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #394137 shade: #394137, #384242 and #42383E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #394137 shade: #394137, #383A42 and #42383A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #394137 shade: #394137, #384242, #403842 and #423838

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #394137 shade: #394137, #383F42, #403842 and #423B38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 15 / 75

HEX #394137

RGB 57 65 55

HSL 108, 0.08%, 0.24%

LAB 26.52, -5.58, 5

 

Complementary color

CMYK 1 / 5 / 0 / 22

HEX #C6BEC8

RGB 198 190 200

HSL 288, 0.08%, 0.76%

LAB 77.88, 4.63, -4.03

 

CMYK 5 / 0 / 23 / 75

HEX #3E4132

RGB 62 65 50

HSL 72, 0.13%, 0.23%

LAB 26.83, -4.39, 8.75

 

CMYK 5 / 0 / 17 / 67

HEX #4F5345

RGB 79 83 69

HSL 77.14, 0.09%, 0.3%

LAB 34.56, -4.49, 7.67

 

CMYK 5 / 0 / 13 / 60

HEX #606558

RGB 96 101 88

HSL 83.08, 0.07%, 0.37%

LAB 42, -4.58, 6.7

 

CMYK 5 / 0 / 10 / 53

HEX #71776B

RGB 113 119 107

HSL 90, 0.05%, 0.44%

LAB 49.21, -4.66, 5.82

 

CMYK 5 / 0 / 8 / 46

HEX #82897E

RGB 130 137 126

HSL 98.18, 0.04%, 0.52%

LAB 56.23, -4.73, 5.01

 

CMYK 12 / 0 / 15 / 75

HEX #394137

RGB 57 65 55

HSL 108, 0.08%, 0.24%

LAB 26.52, -5.58, 5

 

CMYK 15 / 0 / 23 / 82

HEX #282F24

RGB 40 47 36

HSL 98.18, 0.13%, 0.16%

LAB 18.42, -5.63, 6.07

 

CMYK 21 / 0 / 41 / 89

HEX #171D11

RGB 23 29 17

HSL 90, 0.26%, 0.09%

LAB 9.81, -5.7, 6.96

 

CMYK 45 / 0 / 100 / 96

HEX #060B00

RGB 6 11 0

HSL 87.27, 1%, 0.02%

LAB 2.51, -2.85, 3.71

 

CMYK 12 / 0 / 15 / 74

HEX #3A4238

RGB 58 66 56

HSL 108, 0.08%, 0.24%

LAB 26.97, -5.57, 4.98

 

CMYK 9 / 0 / 15 / 74

HEX #3C4238

RGB 60 66 56

HSL 96, 0.08%, 0.24%

LAB 27.14, -4.71, 5.25

 

CMYK 5 / 0 / 15 / 74

HEX #3F4238

RGB 63 66 56

HSL 78, 0.08%, 0.24%

LAB 27.4, -3.41, 5.67

 

CMYK 0 / 0 / 15 / 74

HEX #424238

RGB 66 66 56

HSL 60, 0.08%, 0.24%

LAB 27.68, -2.09, 6.1

 

CMYK 0 / 5 / 15 / 74

HEX #423F38

RGB 66 63 56

HSL 42, 0.08%, 0.24%

LAB 26.73, -0.17, 4.75

 

CMYK 12 / 0 / 15 / 74

HEX #3A4238

RGB 58 66 56

HSL 108, 0.08%, 0.24%

LAB 26.97, -5.57, 4.98

 

CMYK 15 / 0 / 15 / 74

HEX #384238

RGB 56 66 56

HSL 120, 0.08%, 0.24%

LAB 26.8, -6.42, 4.72

 

CMYK 15 / 0 / 11 / 74

HEX #38423B

RGB 56 66 59

HSL 138, 0.08%, 0.24%

LAB 26.89, -5.75, 2.88

 

CMYK 15 / 0 / 6 / 74

HEX #38423E

RGB 56 66 62

HSL 156, 0.08%, 0.24%

LAB 26.98, -5.05, 1.05

 

CMYK 15 / 0 / 3 / 74

HEX #384240

RGB 56 66 64

HSL 168, 0.08%, 0.24%

LAB 27.04, -4.57, -0.17

 

CMYK 12 / 0 / 15 / 74

HEX #3A4238

RGB 58 66 56

HSL 108, 0.08%, 0.24%

LAB 26.97, -5.57, 4.98

 

CMYK 31 / 0 / 39 / 71

HEX #344B2E

RGB 52 75 46

HSL 107.59, 0.24%, 0.24%

LAB 29.31, -15.43, 14.52

 

CMYK 46 / 0 / 58 / 67

HEX #2E5524

RGB 46 85 36

HSL 107.76, 0.4%, 0.24%

LAB 32.27, -24.62, 24.1

 

CMYK 58 / 0 / 73 / 63

HEX #285F1A

RGB 40 95 26

HSL 107.83, 0.57%, 0.24%

LAB 35.42, -32.39, 32.68

 

CMYK 68 / 0 / 85 / 59

HEX #226910

RGB 34 105 16

HSL 107.87, 0.74%, 0.24%

LAB 38.69, -38.84, 39.76

 

CMYK 12 / 0 / 15 / 74

HEX #3A4238

RGB 58 66 56

HSL 108, 0.08%, 0.24%

LAB 26.97, -5.57, 4.98

 

CMYK 3 / 15 / 0 / 74

HEX #403842

RGB 64 56 66

HSL 288, 0.08%, 0.24%

LAB 24.68, 5.71, -4.9

 

CMYK 8 / 39 / 0 / 70

HEX #462E4C

RGB 70 46 76

HSL 288, 0.25%, 0.24%

LAB 22.92, 17.14, -14.19

 

CMYK 12 / 58 / 0 / 66

HEX #4C2456

RGB 76 36 86

HSL 288, 0.41%, 0.24%

LAB 21.84, 27.83, -22.51

 

CMYK 14 / 73 / 0 / 63

HEX #521A5F

RGB 82 26 95

HSL 288.7, 0.57%, 0.24%

LAB 21.43, 36.81, -29.08

 

CMYK 5 / 0 / 15 / 74

HEX #3F4238

RGB 63 66 56

HSL 78, 0.08%, 0.24%

LAB 27.4, -3.41, 5.67

 

CMYK 9 / 0 / 15 / 74

HEX #3C4238

RGB 60 66 56

HSL 96, 0.08%, 0.24%

LAB 27.14, -4.71, 5.25

 

CMYK 12 / 0 / 15 / 74

HEX #3A4238

RGB 58 66 56

HSL 108, 0.08%, 0.24%

LAB 26.97, -5.57, 4.98

 

CMYK 15 / 0 / 15 / 74

HEX #384238

RGB 56 66 56

HSL 120, 0.08%, 0.24%

LAB 26.8, -6.42, 4.72

 

CMYK 15 / 0 / 11 / 74

HEX #38423B

RGB 56 66 59

HSL 138, 0.08%, 0.24%

LAB 26.89, -5.75, 2.88

 

CMYK 14 / 0 / 14 / 92

HEX #121512

RGB 18 21 18

HSL 120, 0.08%, 0.08%

LAB 6.4, -1.91, 1.37

 

CMYK 12 / 0 / 14 / 83

HEX #262B25

RGB 38 43 37

HSL 110, 0.08%, 0.16%

LAB 16.86, -3.67, 3.16

 

CMYK 12 / 0 / 15 / 74

HEX #3A4238

RGB 58 66 56

HSL 108, 0.08%, 0.24%

LAB 26.97, -5.57, 4.98

 

CMYK 13 / 0 / 15 / 65

HEX #4D584B

RGB 77 88 75

HSL 110.77, 0.08%, 0.32%

LAB 36.11, -7.14, 6.1

 

CMYK 12 / 0 / 15 / 57

HEX #616E5E

RGB 97 110 94

HSL 108.75, 0.08%, 0.4%

LAB 44.94, -8.24, 7.28

 

CMYK 12 / 0 / 15 / 75

HEX #394137

RGB 57 65 55

HSL 108, 0.08%, 0.24%

LAB 26.52, -5.58, 5

 

CMYK 15 / 0 / 0 / 74

HEX #384242

RGB 56 66 66

HSL 180, 0.08%, 0.24%

LAB 27.1, -4.08, -1.38

 

CMYK 0 / 15 / 6 / 74

HEX #42383E

RGB 66 56 62

HSL 324, 0.08%, 0.24%

LAB 24.75, 5.65, -2.1

 

CMYK 12 / 0 / 15 / 75

HEX #394137

RGB 57 65 55

HSL 108, 0.08%, 0.24%

LAB 26.52, -5.58, 5

 

CMYK 15 / 12 / 0 / 74

HEX #383A42

RGB 56 58 66

HSL 228, 0.08%, 0.24%

LAB 24.51, 1.12, -5.22

 

CMYK 0 / 15 / 12 / 74

HEX #42383A

RGB 66 56 58

HSL 348, 0.08%, 0.24%

LAB 24.61, 4.8, 0.38

 

CMYK 12 / 0 / 15 / 75

HEX #394137

RGB 57 65 55

HSL 108, 0.08%, 0.24%

LAB 26.52, -5.58, 5

 

CMYK 15 / 0 / 0 / 74

HEX #384242

RGB 56 66 66

HSL 180, 0.08%, 0.24%

LAB 27.1, -4.08, -1.38

 

CMYK 3 / 15 / 0 / 74

HEX #403842

RGB 64 56 66

HSL 288, 0.08%, 0.24%

LAB 24.68, 5.71, -4.9

 

CMYK 0 / 15 / 15 / 74

HEX #423838

RGB 66 56 56

HSL 0, 0.08%, 0.24%

LAB 24.55, 4.4, 1.62

 

CMYK 12 / 0 / 15 / 75

HEX #394137

RGB 57 65 55

HSL 108, 0.08%, 0.24%

LAB 26.52, -5.58, 5

 

CMYK 15 / 5 / 0 / 74

HEX #383F42

RGB 56 63 66

HSL 198, 0.08%, 0.24%

LAB 26.13, -2.15, -2.83

 

CMYK 3 / 15 / 0 / 74

HEX #403842

RGB 64 56 66

HSL 288, 0.08%, 0.24%

LAB 24.68, 5.71, -4.9

 

CMYK 0 / 11 / 15 / 74

HEX #423B38

RGB 66 59 56

HSL 18, 0.08%, 0.24%

LAB 25.48, 2.43, 2.96

 

Description

Color code: HEX #394137 | qconv.com Color code: HEX #394137 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 65 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 65 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 15 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 15% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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