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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #394678 it is the complementary color #C6B987. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #394678. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #394678 shade: #3E4673, #4F5886, #606A99, #717CAC and #828EBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #394678. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #394678 shade: #394678, #283465, #172252, #06103F and #00002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #394678 shade: #394679, #3D3979, #4E3979, #5F3979 and #713979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #394678 shade: #394679 and #393979

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #394678 shade matches the following richer shades: #394679, #2A3D87, #1C3596 and #0D2CA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #394678 shade: #394679, #474E6A, #56575C, #645F4E and #72683F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #394678 shade: #396979, #395879, #394779, #3C3979 and #4D3979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #394678 shade: #1E2541, #2B365D, #394679, #465695 and #5568AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #394678 shade: #394678, #783979 and #607939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #394678 shade: #394678, #793947 and #477939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #394678 shade: #394678, #783979, #796B39 and #3A7939

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #394678 shade: #394678, #793967, #796B39 and #39794B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 42 / 0 / 53

HEX #394678

RGB 57 70 120

HSL 227.62, 0.36%, 0.35%

LAB 30.89, 10.1, -30.24

 

Complementary color

CMYK 0 / 7 / 32 / 22

HEX #C6B987

RGB 198 185 135

HSL 47.62, 0.36%, 0.65%

LAB 75.11, -2.99, 27.09

 

CMYK 46 / 39 / 0 / 55

HEX #3E4673

RGB 62 70 115

HSL 230.94, 0.3%, 0.35%

LAB 30.98, 9.76, -26.95

 

CMYK 41 / 34 / 0 / 47

HEX #4F5886

RGB 79 88 134

HSL 230.18, 0.26%, 0.42%

LAB 38.49, 8.94, -26.83

 

CMYK 37 / 31 / 0 / 40

HEX #606A99

RGB 96 106 153

HSL 229.47, 0.23%, 0.49%

LAB 45.76, 8.28, -26.79

 

CMYK 34 / 28 / 0 / 33

HEX #717CAC

RGB 113 124 172

HSL 228.81, 0.26%, 0.56%

LAB 52.84, 7.74, -26.81

 

CMYK 32 / 26 / 0 / 25

HEX #828EBF

RGB 130 142 191

HSL 228.2, 0.32%, 0.63%

LAB 59.76, 7.27, -26.89

 

CMYK 53 / 42 / 0 / 53

HEX #394678

RGB 57 70 120

HSL 227.62, 0.36%, 0.35%

LAB 30.89, 10.1, -30.24

 

CMYK 60 / 49 / 0 / 60

HEX #283465

RGB 40 52 101

HSL 228.2, 0.43%, 0.28%

LAB 23.16, 11.45, -30.51

 

CMYK 72 / 59 / 0 / 68

HEX #172252

RGB 23 34 82

HSL 228.81, 0.56%, 0.21%

LAB 15.14, 13.42, -30.86

 

CMYK 90 / 75 / 0 / 75

HEX #06103F

RGB 6 16 63

HSL 229.47, 0.83%, 0.14%

LAB 6.94, 16.16, -31.05

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 53 / 42 / 0 / 53

HEX #394679

RGB 57 70 121

HSL 227.81, 0.36%, 0.35%

LAB 30.95, 10.44, -30.78

 

CMYK 50 / 53 / 0 / 53

HEX #3D3979

RGB 61 57 121

HSL 243.75, 0.36%, 0.35%

LAB 27.57, 20.16, -36.15

 

CMYK 36 / 53 / 0 / 53

HEX #4E3979

RGB 78 57 121

HSL 259.69, 0.36%, 0.35%

LAB 29.23, 24.69, -33.41

 

CMYK 21 / 53 / 0 / 53

HEX #5F3979

RGB 95 57 121

HSL 275.63, 0.36%, 0.35%

LAB 31.21, 29.65, -30.14

 

CMYK 7 / 53 / 0 / 53

HEX #713979

RGB 113 57 121

HSL 292.5, 0.36%, 0.35%

LAB 33.6, 35.11, -26.21

 

CMYK 53 / 42 / 0 / 53

HEX #394679

RGB 57 70 121

HSL 227.81, 0.36%, 0.35%

LAB 30.95, 10.44, -30.78

 

CMYK 53 / 53 / 0 / 53

HEX #393979

RGB 57 57 121

HSL 240, 0.36%, 0.35%

LAB 27.23, 19.18, -36.71

 

CMYK 53 / 42 / 0 / 53

HEX #394679

RGB 57 70 121

HSL 227.81, 0.36%, 0.35%

LAB 30.95, 10.44, -30.78

 

CMYK 69 / 55 / 0 / 47

HEX #2A3D87

RGB 42 61 135

HSL 227.74, 0.53%, 0.35%

LAB 28.32, 18.5, -43.77

 

CMYK 81 / 65 / 0 / 41

HEX #1C3596

RGB 28 53 150

HSL 227.7, 0.69%, 0.35%

LAB 26.72, 27.98, -55.66

 

CMYK 92 / 73 / 0 / 36

HEX #0D2CA4

RGB 13 44 164

HSL 227.68, 0.85%, 0.35%

LAB 25.46, 38.25, -66.28

 

CMYK 53 / 42 / 0 / 53

HEX #394679

RGB 57 70 121

HSL 227.81, 0.36%, 0.35%

LAB 30.95, 10.44, -30.78

 

CMYK 33 / 26 / 0 / 58

HEX #474E6A

RGB 71 78 106

HSL 228, 0.2%, 0.35%

LAB 33.62, 4.53, -17.11

 

CMYK 7 / 5 / 0 / 64

HEX #56575C

RGB 86 87 92

HSL 230, 0.03%, 0.35%

LAB 37.05, 0.7, -3.03

 

CMYK 0 / 5 / 22 / 61

HEX #645F4E

RGB 100 95 78

HSL 46.36, 0.12%, 0.35%

LAB 40.32, -1.15, 10.46

 

CMYK 0 / 9 / 45 / 55

HEX #72683F

RGB 114 104 63

HSL 48.24, 0.29%, 0.35%

LAB 44, -2.41, 24.49

 

CMYK 53 / 13 / 0 / 53

HEX #396979

RGB 57 105 121

HSL 195, 0.36%, 0.35%

LAB 41.77, -11.49, -13.96

 

CMYK 53 / 27 / 0 / 53

HEX #395879

RGB 57 88 121

HSL 210.94, 0.36%, 0.35%

LAB 36.42, -1.25, -22.19

 

CMYK 53 / 41 / 0 / 53

HEX #394779

RGB 57 71 121

HSL 226.88, 0.36%, 0.35%

LAB 31.25, 9.77, -30.31

 

CMYK 50 / 53 / 0 / 53

HEX #3C3979

RGB 60 57 121

HSL 242.81, 0.36%, 0.35%

LAB 27.48, 19.91, -36.3

 

CMYK 36 / 53 / 0 / 53

HEX #4D3979

RGB 77 57 121

HSL 258.75, 0.36%, 0.35%

LAB 29.12, 24.41, -33.59

 

CMYK 54 / 43 / 0 / 75

HEX #1E2541

RGB 30 37 65

HSL 228, 0.37%, 0.19%

LAB 15.39, 6.15, -18.77

 

CMYK 54 / 42 / 0 / 64

HEX #2B365D

RGB 43 54 93

HSL 226.8, 0.37%, 0.27%

LAB 23.48, 7.87, -24.77

 

CMYK 53 / 42 / 0 / 53

HEX #394679

RGB 57 70 121

HSL 227.81, 0.36%, 0.35%

LAB 30.95, 10.44, -30.78

 

CMYK 53 / 42 / 0 / 42

HEX #465695

RGB 70 86 149

HSL 227.85, 0.36%, 0.43%

LAB 38.07, 12.64, -36.62

 

CMYK 51 / 41 / 0 / 31

HEX #5568AF

RGB 85 104 175

HSL 227.33, 0.36%, 0.51%

LAB 45.53, 13.32, -40.15

 

CMYK 53 / 42 / 0 / 53

HEX #394678

RGB 57 70 120

HSL 227.62, 0.36%, 0.35%

LAB 30.89, 10.1, -30.24

 

CMYK 1 / 53 / 0 / 53

HEX #783979

RGB 120 57 121

HSL 299.06, 0.36%, 0.35%

LAB 34.6, 37.25, -24.57

 

CMYK 21 / 0 / 53 / 53

HEX #607939

RGB 96 121 57

HSL 83.44, 0.36%, 0.35%

LAB 47.57, -20.41, 31.86

 

CMYK 53 / 42 / 0 / 53

HEX #394678

RGB 57 70 120

HSL 227.62, 0.36%, 0.35%

LAB 30.89, 10.1, -30.24

 

CMYK 0 / 53 / 41 / 53

HEX #793947

RGB 121 57 71

HSL 346.88, 0.36%, 0.35%

LAB 32.8, 29.45, 4.61

 

CMYK 41 / 0 / 53 / 53

HEX #477939

RGB 71 121 57

HSL 106.88, 0.36%, 0.35%

LAB 46.06, -30.07, 29.68

 

CMYK 53 / 42 / 0 / 53

HEX #394678

RGB 57 70 120

HSL 227.62, 0.36%, 0.35%

LAB 30.89, 10.1, -30.24

 

CMYK 1 / 53 / 0 / 53

HEX #783979

RGB 120 57 121

HSL 299.06, 0.36%, 0.35%

LAB 34.6, 37.25, -24.57

 

CMYK 0 / 12 / 53 / 53

HEX #796B39

RGB 121 107 57

HSL 46.88, 0.36%, 0.35%

LAB 45.46, -1.62, 29.82

 

CMYK 52 / 0 / 53 / 53

HEX #3A7939

RGB 58 121 57

HSL 119.06, 0.36%, 0.35%

LAB 45.46, -34.32, 28.81

 

CMYK 53 / 42 / 0 / 53

HEX #394678

RGB 57 70 120

HSL 227.62, 0.36%, 0.35%

LAB 30.89, 10.1, -30.24

 

CMYK 0 / 53 / 15 / 53

HEX #793967

RGB 121 57 103

HSL 316.88, 0.36%, 0.35%

LAB 33.92, 34.23, -14.27

 

CMYK 0 / 12 / 53 / 53

HEX #796B39

RGB 121 107 57

HSL 46.88, 0.36%, 0.35%

LAB 45.46, -1.62, 29.82

 

CMYK 53 / 0 / 38 / 53

HEX #39794B

RGB 57 121 75

HSL 136.88, 0.36%, 0.35%

LAB 45.71, -31.56, 19.12

 

Description

Color code: HEX #394678 | qconv.com Color code: HEX #394678 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 70 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 70 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 42 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 42% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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