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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #392C20 it is the complementary color #C6D3DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #392C20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #392C20 shade: #3E2C1B, #4F3E2E, #605041, #716254 and #827467

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #392C20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #392C20 shade: #392C20, #281A0D, #170800 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #392C20 shade: #372A1F, #37241F and #371F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #392C20 shade: #372A1F, #37311F, #37371F, #30371F and #29371F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #392C20 shade matches the following richer shades: #372A1F, #3E2A18, #452A11, #4C2A0A and #532903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #392C20 shade: #372A1F, #302B26, #292B2D, #222B34 and #1B2B3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #392C20 shade: #371F20, #37241F, #372A1F, #37311F and #37371F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #392C20 shade: #020201, #1D1610, #372A1F, #513F2E and #6C533C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #392C20 shade: #392C20, #27371F and #201F37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #392C20 shade: #392C20, #1F372A and #2A1F37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #392C20 shade: #392C20, #27371F, #1F2C37 and #2F1F37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #392C20 shade: #392C20, #20371F, #1F2C37 and #361F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 44 / 78

HEX #392C20

RGB 57 44 32

HSL 28.8, 0.28%, 0.17%

LAB 19.12, 3.93, 10.06

 

Complementary color

CMYK 11 / 5 / 0 / 13

HEX #C6D3DF

RGB 198 211 223

HSL 208.8, 0.28%, 0.83%

LAB 83.93, -2.03, -7.43

 

CMYK 0 / 29 / 56 / 76

HEX #3E2C1B

RGB 62 44 27

HSL 29.14, 0.39%, 0.17%

LAB 19.66, 5.8, 14.24

 

CMYK 0 / 22 / 42 / 69

HEX #4F3E2E

RGB 79 62 46

HSL 29.09, 0.26%, 0.25%

LAB 27.59, 4.82, 12.65

 

CMYK 0 / 17 / 32 / 62

HEX #605041

RGB 96 80 65

HSL 29.03, 0.19%, 0.32%

LAB 35.21, 4.12, 11.33

 

CMYK 0 / 13 / 26 / 56

HEX #716254

RGB 113 98 84

HSL 28.97, 0.15%, 0.39%

LAB 42.59, 3.59, 10.18

 

CMYK 0 / 11 / 21 / 49

HEX #827467

RGB 130 116 103

HSL 28.89, 0.12%, 0.46%

LAB 49.76, 3.16, 9.16

 

CMYK 0 / 23 / 44 / 78

HEX #392C20

RGB 57 44 32

HSL 28.8, 0.28%, 0.17%

LAB 19.12, 3.93, 10.06

 

CMYK 0 / 35 / 68 / 84

HEX #281A0D

RGB 40 26 13

HSL 28.89, 0.51%, 0.1%

LAB 10.7, 5.03, 10.62

 

CMYK 0 / 65 / 100 / 91

HEX #170800

RGB 23 8 0

HSL 20.87, 1%, 0.05%

LAB 3.21, 4.18, 4.89

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 24 / 44 / 78

HEX #372A1F

RGB 55 42 31

HSL 27.5, 0.28%, 0.17%

LAB 18.22, 4.13, 9.49

 

CMYK 0 / 35 / 44 / 78

HEX #37241F

RGB 55 36 31

HSL 12.5, 0.28%, 0.17%

LAB 16.37, 8.25, 6.96

 

CMYK 0 / 44 / 44 / 78

HEX #371F1F

RGB 55 31 31

HSL 0, 0.28%, 0.17%

LAB 14.91, 11.68, 4.92

 

CMYK 0 / 24 / 44 / 78

HEX #372A1F

RGB 55 42 31

HSL 27.5, 0.28%, 0.17%

LAB 18.22, 4.13, 9.49

 

CMYK 0 / 11 / 44 / 78

HEX #37311F

RGB 55 49 31

HSL 45, 0.28%, 0.17%

LAB 20.47, -0.58, 12.48

 

CMYK 0 / 0 / 44 / 78

HEX #37371F

RGB 55 55 31

HSL 60, 0.28%, 0.17%

LAB 22.46, -4.49, 15.06

 

CMYK 13 / 0 / 44 / 78

HEX #30371F

RGB 48 55 31

HSL 77.5, 0.28%, 0.17%

LAB 21.8, -7.91, 14.08

 

CMYK 25 / 0 / 44 / 78

HEX #29371F

RGB 41 55 31

HSL 95, 0.28%, 0.17%

LAB 21.22, -11.17, 13.21

 

CMYK 0 / 24 / 44 / 78

HEX #372A1F

RGB 55 42 31

HSL 27.5, 0.28%, 0.17%

LAB 18.22, 4.13, 9.49

 

CMYK 0 / 32 / 61 / 76

HEX #3E2A18

RGB 62 42 24

HSL 28.42, 0.44%, 0.17%

LAB 19, 6.81, 15.38

 

CMYK 0 / 39 / 75 / 73

HEX #452A11

RGB 69 42 17

HSL 28.85, 0.6%, 0.17%

LAB 19.89, 9.78, 21.08

 

CMYK 0 / 45 / 87 / 70

HEX #4C2A0A

RGB 76 42 10

HSL 29.09, 0.77%, 0.17%

LAB 20.88, 12.94, 25.94

 

CMYK 0 / 51 / 96 / 67

HEX #532903

RGB 83 41 3

HSL 28.5, 0.93%, 0.17%

LAB 21.7, 16.74, 30

 

CMYK 0 / 24 / 44 / 78

HEX #372A1F

RGB 55 42 31

HSL 27.5, 0.28%, 0.17%

LAB 18.22, 4.13, 9.49

 

CMYK 0 / 10 / 21 / 81

HEX #302B26

RGB 48 43 38

HSL 30, 0.12%, 0.17%

LAB 17.9, 1.23, 4.08

 

CMYK 9 / 4 / 0 / 82

HEX #292B2D

RGB 41 43 45

HSL 210, 0.05%, 0.17%

LAB 17.41, -0.39, -1.61

 

CMYK 35 / 17 / 0 / 80

HEX #222B34

RGB 34 43 52

HSL 210, 0.21%, 0.17%

LAB 17.06, -1.26, -7.08

 

CMYK 54 / 27 / 0 / 77

HEX #1B2B3B

RGB 27 43 59

HSL 210, 0.37%, 0.17%

LAB 16.88, -1.29, -12.29

 

CMYK 0 / 44 / 42 / 78

HEX #371F20

RGB 55 31 32

HSL 357.5, 0.28%, 0.17%

LAB 14.93, 11.83, 4.25

 

CMYK 0 / 35 / 44 / 78

HEX #37241F

RGB 55 36 31

HSL 12.5, 0.28%, 0.17%

LAB 16.37, 8.25, 6.96

 

CMYK 0 / 24 / 44 / 78

HEX #372A1F

RGB 55 42 31

HSL 27.5, 0.28%, 0.17%

LAB 18.22, 4.13, 9.49

 

CMYK 0 / 11 / 44 / 78

HEX #37311F

RGB 55 49 31

HSL 45, 0.28%, 0.17%

LAB 20.47, -0.58, 12.48

 

CMYK 0 / 0 / 44 / 78

HEX #37371F

RGB 55 55 31

HSL 60, 0.28%, 0.17%

LAB 22.46, -4.49, 15.06

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 24 / 45 / 89

HEX #1D1610

RGB 29 22 16

HSL 27.69, 0.29%, 0.09%

LAB 7.88, 2.34, 4.84

 

CMYK 0 / 24 / 44 / 78

HEX #372A1F

RGB 55 42 31

HSL 27.5, 0.28%, 0.17%

LAB 18.22, 4.13, 9.49

 

CMYK 0 / 22 / 43 / 68

HEX #513F2E

RGB 81 63 46

HSL 29.14, 0.28%, 0.25%

LAB 28.12, 5.13, 13.41

 

CMYK 0 / 23 / 44 / 58

HEX #6C533C

RGB 108 83 60

HSL 28.75, 0.29%, 0.33%

LAB 37.3, 7.03, 17.45

 

CMYK 0 / 23 / 44 / 78

HEX #392C20

RGB 57 44 32

HSL 28.8, 0.28%, 0.17%

LAB 19.12, 3.93, 10.06

 

CMYK 29 / 0 / 44 / 78

HEX #27371F

RGB 39 55 31

HSL 100, 0.28%, 0.17%

LAB 21.07, -12.07, 12.99

 

CMYK 42 / 44 / 0 / 78

HEX #201F37

RGB 32 31 55

HSL 242.5, 0.28%, 0.17%

LAB 13, 7.65, -15.48

 

CMYK 0 / 23 / 44 / 78

HEX #392C20

RGB 57 44 32

HSL 28.8, 0.28%, 0.17%

LAB 19.12, 3.93, 10.06

 

CMYK 44 / 0 / 24 / 78

HEX #1F372A

RGB 31 55 42

HSL 147.5, 0.28%, 0.17%

LAB 20.79, -12.94, 5.24

 

CMYK 24 / 44 / 0 / 78

HEX #2A1F37

RGB 42 31 55

HSL 267.5, 0.28%, 0.17%

LAB 14.11, 11.3, -13.68

 

CMYK 0 / 23 / 44 / 78

HEX #392C20

RGB 57 44 32

HSL 28.8, 0.28%, 0.17%

LAB 19.12, 3.93, 10.06

 

CMYK 29 / 0 / 44 / 78

HEX #27371F

RGB 39 55 31

HSL 100, 0.28%, 0.17%

LAB 21.07, -12.07, 12.99

 

CMYK 44 / 20 / 0 / 78

HEX #1F2C37

RGB 31 44 55

HSL 207.5, 0.28%, 0.17%

LAB 17.31, -2.07, -8.82

 

CMYK 15 / 44 / 0 / 78

HEX #2F1F37

RGB 47 31 55

HSL 280, 0.28%, 0.17%

LAB 14.74, 13.22, -12.65

 

CMYK 0 / 23 / 44 / 78

HEX #392C20

RGB 57 44 32

HSL 28.8, 0.28%, 0.17%

LAB 19.12, 3.93, 10.06

 

CMYK 42 / 0 / 44 / 78

HEX #20371F

RGB 32 55 31

HSL 117.5, 0.28%, 0.17%

LAB 20.59, -15.02, 12.27

 

CMYK 44 / 20 / 0 / 78

HEX #1F2C37

RGB 31 44 55

HSL 207.5, 0.28%, 0.17%

LAB 17.31, -2.07, -8.82

 

CMYK 2 / 44 / 0 / 78

HEX #361F37

RGB 54 31 55

HSL 297.5, 0.28%, 0.17%

LAB 15.7, 15.96, -11.09

 

Description

Color code: HEX #392C20 | qconv.com Color code: HEX #392C20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 44 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 44 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 44 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 44% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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