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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39215D it is the complementary color #C6DEA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39215D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39215D shade: #3E2158, #4F336B, #60457E, #715791 and #8269A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39215D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39215D shade: #39215D, #280F4A, #170037, #060024 and #000011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39215D shade: #39215E, #4A215E, #5A215E, #5E2151 and #5E2141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39215D shade: #39215E, #29215E and #21215E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39215D shade matches the following richer shades: #39215E, #371668, #350C72 and #33027D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39215D shade: #39215E, #3B2B54, #3D3549, #3F403F and #414A35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39215D shade: #21295E, #29215E, #39215E, #49215E and #5A215E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39215D shade: #140B21, #26163F, #39215E, #4C2B7C and #5E369B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39215D shade: #39215D, #5E2139 and #215E21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39215D shade: #39215D, #5E3921 and #215E39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39215D shade: #39215D, #5E2139, #455E21 and #215E45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39215D shade: #39215D, #5E2127, #455E21 and #215E58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 65 / 0 / 64

HEX #39215D

RGB 57 33 93

HSL 264, 0.48%, 0.25%

LAB 19, 25.99, -31.84

 

Complementary color

CMYK 11 / 0 / 27 / 13

HEX #C6DEA2

RGB 198 222 162

HSL 84, 0.48%, 0.75%

LAB 85.43, -18.21, 26.86

 

CMYK 30 / 63 / 0 / 65

HEX #3E2158

RGB 62 33 88

HSL 271.64, 0.45%, 0.24%

LAB 19.29, 25.92, -28.01

 

CMYK 26 / 52 / 0 / 58

HEX #4F336B

RGB 79 51 107

HSL 270, 0.35%, 0.31%

LAB 26.99, 24.88, -28.05

 

CMYK 24 / 45 / 0 / 51

HEX #60457E

RGB 96 69 126

HSL 268.42, 0.29%, 0.38%

LAB 34.5, 23.9, -28.06

 

CMYK 22 / 40 / 0 / 43

HEX #715791

RGB 113 87 145

HSL 266.9, 0.25%, 0.45%

LAB 41.8, 23.02, -28.08

 

CMYK 21 / 36 / 0 / 36

HEX #8269A4

RGB 130 105 164

HSL 265.42, 0.24%, 0.53%

LAB 48.92, 22.24, -28.14

 

CMYK 39 / 65 / 0 / 64

HEX #39215D

RGB 57 33 93

HSL 264, 0.48%, 0.25%

LAB 19, 25.99, -31.84

 

CMYK 46 / 80 / 0 / 71

HEX #280F4A

RGB 40 15 74

HSL 265.42, 0.66%, 0.17%

LAB 11.19, 27.06, -31.72

 

CMYK 58 / 100 / 0 / 78

HEX #170037

RGB 23 0 55

HSL 265.09, 1%, 0.11%

LAB 4.14, 24.31, -29.76

 

CMYK 83 / 100 / 0 / 86

HEX #060024

RGB 6 0 36

HSL 250, 1%, 0.07%

LAB 1.5, 9.65, -19.62

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 39 / 65 / 0 / 63

HEX #39215E

RGB 57 33 94

HSL 263.61, 0.48%, 0.25%

LAB 19.08, 26.28, -32.38

 

CMYK 21 / 65 / 0 / 63

HEX #4A215E

RGB 74 33 94

HSL 280.33, 0.48%, 0.25%

LAB 21.4, 30.87, -28.53

 

CMYK 4 / 65 / 0 / 63

HEX #5A215E

RGB 90 33 94

HSL 296.07, 0.48%, 0.25%

LAB 23.9, 35.39, -24.41

 

CMYK 0 / 65 / 14 / 63

HEX #5E2151

RGB 94 33 81

HSL 312.79, 0.48%, 0.25%

LAB 23.87, 34.11, -15.77

 

CMYK 0 / 65 / 31 / 63

HEX #5E2141

RGB 94 33 65

HSL 328.52, 0.48%, 0.25%

LAB 23.17, 31.52, -6.05

 

CMYK 39 / 65 / 0 / 63

HEX #39215E

RGB 57 33 94

HSL 263.61, 0.48%, 0.25%

LAB 19.08, 26.28, -32.38

 

CMYK 56 / 65 / 0 / 63

HEX #29215E

RGB 41 33 94

HSL 247.87, 0.48%, 0.25%

LAB 17.31, 22.44, -35.33

 

CMYK 65 / 65 / 0 / 63

HEX #21215E

RGB 33 33 94

HSL 240, 0.48%, 0.25%

LAB 16.6, 20.8, -36.52

 

CMYK 39 / 65 / 0 / 63

HEX #39215E

RGB 57 33 94

HSL 263.61, 0.48%, 0.25%

LAB 19.08, 26.28, -32.38

 

CMYK 47 / 79 / 0 / 59

HEX #371668

RGB 55 22 104

HSL 264.15, 0.65%, 0.25%

LAB 17.39, 35.07, -41.73

 

CMYK 54 / 89 / 0 / 55

HEX #350C72

RGB 53 12 114

HSL 264.12, 0.81%, 0.25%

LAB 16.67, 41.86, -49.44

 

CMYK 59 / 98 / 0 / 51

HEX #33027D

RGB 51 2 125

HSL 263.9, 0.97%, 0.25%

LAB 16.64, 47.76, -56.58

 

CMYK 39 / 65 / 0 / 63

HEX #39215E

RGB 57 33 94

HSL 263.61, 0.48%, 0.25%

LAB 19.08, 26.28, -32.38

 

CMYK 30 / 49 / 0 / 67

HEX #3B2B54

RGB 59 43 84

HSL 263.41, 0.32%, 0.25%

LAB 21.2, 17.38, -22.33

 

CMYK 16 / 27 / 0 / 71

HEX #3D3549

RGB 61 53 73

HSL 264, 0.16%, 0.25%

LAB 23.74, 8.26, -11.02

 

CMYK 2 / 0 / 2 / 75

HEX #3F403F

RGB 63 64 63

HSL 120, 0.01%, 0.25%

LAB 26.97, -0.64, 0.46

 

CMYK 12 / 0 / 28 / 71

HEX #414A35

RGB 65 74 53

HSL 85.71, 0.17%, 0.25%

LAB 30.1, -8.05, 11.37

 

CMYK 65 / 56 / 0 / 63

HEX #21295E

RGB 33 41 94

HSL 232.13, 0.48%, 0.25%

LAB 18.87, 15.08, -32.83

 

CMYK 56 / 65 / 0 / 63

HEX #29215E

RGB 41 33 94

HSL 247.87, 0.48%, 0.25%

LAB 17.31, 22.44, -35.33

 

CMYK 39 / 65 / 0 / 63

HEX #39215E

RGB 57 33 94

HSL 263.61, 0.48%, 0.25%

LAB 19.08, 26.28, -32.38

 

CMYK 22 / 65 / 0 / 63

HEX #49215E

RGB 73 33 94

HSL 279.34, 0.48%, 0.25%

LAB 21.25, 30.59, -28.77

 

CMYK 4 / 65 / 0 / 63

HEX #5A215E

RGB 90 33 94

HSL 296.07, 0.48%, 0.25%

LAB 23.9, 35.39, -24.41

 

CMYK 39 / 67 / 0 / 87

HEX #140B21

RGB 20 11 33

HSL 264.55, 0.5%, 0.09%

LAB 4.5, 8.58, -12.59

 

CMYK 40 / 65 / 0 / 75

HEX #26163F

RGB 38 22 63

HSL 263.41, 0.48%, 0.17%

LAB 11.59, 18.76, -23.37

 

CMYK 39 / 65 / 0 / 63

HEX #39215E

RGB 57 33 94

HSL 263.61, 0.48%, 0.25%

LAB 19.08, 26.28, -32.38

 

CMYK 39 / 65 / 0 / 51

HEX #4C2B7C

RGB 76 43 124

HSL 264.44, 0.49%, 0.33%

LAB 25.92, 33.6, -40.62

 

CMYK 39 / 65 / 0 / 39

HEX #5E369B

RGB 94 54 155

HSL 263.76, 0.48%, 0.41%

LAB 32.67, 40.02, -48.8

 

CMYK 39 / 65 / 0 / 64

HEX #39215D

RGB 57 33 93

HSL 264, 0.48%, 0.25%

LAB 19, 25.99, -31.84

 

CMYK 0 / 65 / 39 / 63

HEX #5E2139

RGB 94 33 57

HSL 336.39, 0.48%, 0.25%

LAB 22.87, 30.41, -1.02

 

CMYK 65 / 0 / 65 / 63

HEX #215E21

RGB 33 94 33

HSL 120, 0.48%, 0.25%

LAB 34.88, -33.16, 28.63

 

CMYK 39 / 65 / 0 / 64

HEX #39215D

RGB 57 33 93

HSL 264, 0.48%, 0.25%

LAB 19, 25.99, -31.84

 

CMYK 0 / 39 / 65 / 63

HEX #5E3921

RGB 94 57 33

HSL 23.61, 0.48%, 0.25%

LAB 27.89, 13.75, 21.62

 

CMYK 65 / 0 / 39 / 63

HEX #215E39

RGB 33 94 57

HSL 143.61, 0.48%, 0.25%

LAB 35.25, -29.07, 15.56

 

CMYK 39 / 65 / 0 / 64

HEX #39215D

RGB 57 33 93

HSL 264, 0.48%, 0.25%

LAB 19, 25.99, -31.84

 

CMYK 0 / 65 / 39 / 63

HEX #5E2139

RGB 94 33 57

HSL 336.39, 0.48%, 0.25%

LAB 22.87, 30.41, -1.02

 

CMYK 27 / 0 / 65 / 63

HEX #455E21

RGB 69 94 33

HSL 84.59, 0.48%, 0.25%

LAB 36.71, -20.32, 31.18

 

CMYK 65 / 0 / 27 / 63

HEX #215E45

RGB 33 94 69

HSL 155.41, 0.48%, 0.25%

LAB 35.51, -26.29, 8.62

 

CMYK 39 / 65 / 0 / 64

HEX #39215D

RGB 57 33 93

HSL 264, 0.48%, 0.25%

LAB 19, 25.99, -31.84

 

CMYK 0 / 65 / 59 / 63

HEX #5E2127

RGB 94 33 39

HSL 354.1, 0.48%, 0.25%

LAB 22.35, 28.39, 10.63

 

CMYK 27 / 0 / 65 / 63

HEX #455E21

RGB 69 94 33

HSL 84.59, 0.48%, 0.25%

LAB 36.71, -20.32, 31.18

 

CMYK 65 / 0 / 6 / 63

HEX #215E58

RGB 33 94 88

HSL 174.1, 0.48%, 0.25%

LAB 36.05, -21.02, -2.38

 

Description

Color code: HEX #39215D | qconv.com Color code: HEX #39215D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 33 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 33 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 65 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 65% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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