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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #390A61 it is the complementary color #C6F59E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #390A61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #390A61 shade: #3E0A5C, #4F1C6F, #602E82, #714095 and #8252A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #390A61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #390A61 shade: #390A61, #28004E, #17003B, #060028 and #000015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #390A61 shade: #390A60, #500A60, #600A5A, #600A42 and #600A2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #390A61 shade: #390A60, #210A60, #0A0A60 and #0A0A60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #390A61 shade matches the following richer shades: #390A60 and #390169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #390A61 shade: #390A60, #381258, #371B4F, #362446 and #362C3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #390A61 shade: #0A0A60, #210A60, #380A60, #4F0A60 and #600A5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #390A61 shade: #0D0216, #23063B, #390A60, #4F0E86 and #6412AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #390A61 shade: #390A61, #600A21 and #0A6015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #390A61 shade: #390A61, #60380A and #0A6038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #390A61 shade: #390A61, #600A21, #32600A and #0A6049

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #390A61 shade: #390A61, #600D0A, #32600A and #0A5E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 90 / 0 / 62

HEX #390A61

RGB 57 10 97

HSL 272.41, 0.81%, 0.21%

LAB 15.22, 38.66, -40.64

 

Complementary color

CMYK 19 / 0 / 36 / 4

HEX #C6F59E

RGB 198 245 158

HSL 92.41, 0.81%, 0.79%

LAB 91.59, -29.84, 37.1

 

CMYK 33 / 89 / 0 / 64

HEX #3E0A5C

RGB 62 10 92

HSL 278.05, 0.8%, 0.2%

LAB 15.56, 38.27, -36.72

 

CMYK 29 / 75 / 0 / 56

HEX #4F1C6F

RGB 79 28 111

HSL 276.87, 0.6%, 0.27%

LAB 22.45, 38.85, -37.92

 

CMYK 26 / 65 / 0 / 49

HEX #602E82

RGB 96 46 130

HSL 275.71, 0.48%, 0.35%

LAB 29.54, 38.39, -38.42

 

CMYK 24 / 57 / 0 / 42

HEX #714095

RGB 113 64 149

HSL 274.59, 0.4%, 0.42%

LAB 36.64, 37.57, -38.64

 

CMYK 23 / 51 / 0 / 34

HEX #8252A8

RGB 130 82 168

HSL 273.49, 0.34%, 0.49%

LAB 43.66, 36.66, -38.75

 

CMYK 41 / 90 / 0 / 62

HEX #390A61

RGB 57 10 97

HSL 272.41, 0.81%, 0.21%

LAB 15.22, 38.66, -40.64

 

CMYK 49 / 100 / 0 / 69

HEX #28004E

RGB 40 0 78

HSL 270.77, 1%, 0.15%

LAB 9, 35.81, -38.08

 

CMYK 61 / 100 / 0 / 77

HEX #17003B

RGB 23 0 59

HSL 263.39, 1%, 0.12%

LAB 4.5, 26.19, -32.09

 

CMYK 85 / 100 / 0 / 84

HEX #060028

RGB 6 0 40

HSL 249, 1%, 0.08%

LAB 1.73, 11.29, -22.37

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 41 / 90 / 0 / 62

HEX #390A60

RGB 57 10 96

HSL 272.79, 0.81%, 0.21%

LAB 15.12, 38.41, -40.14

 

CMYK 17 / 90 / 0 / 62

HEX #500A60

RGB 80 10 96

HSL 288.84, 0.81%, 0.21%

LAB 19.09, 42.49, -33.52

 

CMYK 0 / 90 / 6 / 62

HEX #600A5A

RGB 96 10 90

HSL 304.19, 0.81%, 0.21%

LAB 21.73, 44.7, -25.12

 

CMYK 0 / 90 / 31 / 62

HEX #600A42

RGB 96 10 66

HSL 320.93, 0.81%, 0.21%

LAB 20.43, 41.13, -10.85

 

CMYK 0 / 90 / 55 / 62

HEX #600A2B

RGB 96 10 43

HSL 336.98, 0.81%, 0.21%

LAB 19.55, 38.61, 4.01

 

CMYK 41 / 90 / 0 / 62

HEX #390A60

RGB 57 10 96

HSL 272.79, 0.81%, 0.21%

LAB 15.12, 38.41, -40.14

 

CMYK 66 / 90 / 0 / 62

HEX #210A60

RGB 33 10 96

HSL 256.05, 0.81%, 0.21%

LAB 11.86, 35.21, -45.63

 

CMYK 90 / 90 / 0 / 62

HEX #0A0A60

RGB 10 10 96

HSL 240, 0.81%, 0.21%

LAB 10, 33.49, -48.77

 

CMYK 90 / 90 / 0 / 62

HEX #0A0A60

RGB 10 10 96

HSL 240, 0.81%, 0.21%

LAB 10, 33.49, -48.77

 

CMYK 41 / 90 / 0 / 62

HEX #390A60

RGB 57 10 96

HSL 272.79, 0.81%, 0.21%

LAB 15.12, 38.41, -40.14

 

CMYK 46 / 99 / 0 / 59

HEX #390169

RGB 57 1 105

HSL 272.31, 0.98%, 0.21%

LAB 15.02, 43.75, -46.28

 

CMYK 41 / 90 / 0 / 62

HEX #390A60

RGB 57 10 96

HSL 272.79, 0.81%, 0.21%

LAB 15.12, 38.41, -40.14

 

CMYK 36 / 80 / 0 / 65

HEX #381258

RGB 56 18 88

HSL 272.57, 0.66%, 0.21%

LAB 15.37, 32.83, -34.38

 

CMYK 30 / 66 / 0 / 69

HEX #371B4F

RGB 55 27 79

HSL 272.31, 0.49%, 0.21%

LAB 16.31, 25.14, -26.77

 

CMYK 23 / 49 / 0 / 73

HEX #362446

RGB 54 36 70

HSL 271.76, 0.32%, 0.21%

LAB 17.87, 16.44, -18.15

 

CMYK 13 / 29 / 0 / 76

HEX #362C3E

RGB 54 44 62

HSL 273.33, 0.17%, 0.21%

LAB 19.78, 8.77, -9.7

 

CMYK 90 / 90 / 0 / 62

HEX #0A0A60

RGB 10 10 96

HSL 240, 0.81%, 0.21%

LAB 10, 33.49, -48.77

 

CMYK 66 / 90 / 0 / 62

HEX #210A60

RGB 33 10 96

HSL 256.05, 0.81%, 0.21%

LAB 11.86, 35.21, -45.63

 

CMYK 42 / 90 / 0 / 62

HEX #380A60

RGB 56 10 96

HSL 272.09, 0.81%, 0.21%

LAB 14.97, 38.25, -40.4

 

CMYK 18 / 90 / 0 / 62

HEX #4F0A60

RGB 79 10 96

HSL 288.14, 0.81%, 0.21%

LAB 18.9, 42.3, -33.83

 

CMYK 0 / 90 / 5 / 62

HEX #600A5B

RGB 96 10 91

HSL 303.49, 0.81%, 0.21%

LAB 21.8, 44.86, -25.68

 

CMYK 41 / 91 / 0 / 91

HEX #0D0216

RGB 13 2 22

HSL 273, 0.83%, 0.05%

LAB 1.69, 6.34, -8.21

 

CMYK 41 / 90 / 0 / 77

HEX #23063B

RGB 35 6 59

HSL 272.83, 0.82%, 0.13%

LAB 7.26, 26.49, -27.54

 

CMYK 41 / 90 / 0 / 62

HEX #390A60

RGB 57 10 96

HSL 272.79, 0.81%, 0.21%

LAB 15.12, 38.41, -40.14

 

CMYK 41 / 90 / 0 / 47

HEX #4F0E86

RGB 79 14 134

HSL 272.5, 0.81%, 0.29%

LAB 22.65, 49.63, -52.24

 

CMYK 42 / 89 / 0 / 33

HEX #6412AB

RGB 100 18 171

HSL 272.16, 0.81%, 0.37%

LAB 29.62, 59.8, -63.41

 

CMYK 41 / 90 / 0 / 62

HEX #390A61

RGB 57 10 97

HSL 272.41, 0.81%, 0.21%

LAB 15.22, 38.66, -40.64

 

CMYK 0 / 90 / 66 / 62

HEX #600A21

RGB 96 10 33

HSL 343.95, 0.81%, 0.21%

LAB 19.28, 37.82, 10.77

 

CMYK 90 / 0 / 78 / 62

HEX #0A6015

RGB 10 96 21

HSL 127.67, 0.81%, 0.21%

LAB 34.97, -39.59, 34.14

 

CMYK 41 / 90 / 0 / 62

HEX #390A61

RGB 57 10 97

HSL 272.41, 0.81%, 0.21%

LAB 15.22, 38.66, -40.64

 

CMYK 0 / 42 / 90 / 62

HEX #60380A

RGB 96 56 10

HSL 32.09, 0.81%, 0.21%

LAB 27.67, 14.02, 33.62

 

CMYK 90 / 0 / 42 / 62

HEX #0A6038

RGB 10 96 56

HSL 152.09, 0.81%, 0.21%

LAB 35.43, -34.07, 16.3

 

CMYK 41 / 90 / 0 / 62

HEX #390A61

RGB 57 10 97

HSL 272.41, 0.81%, 0.21%

LAB 15.22, 38.66, -40.64

 

CMYK 0 / 90 / 66 / 62

HEX #600A21

RGB 96 10 33

HSL 343.95, 0.81%, 0.21%

LAB 19.28, 37.82, 10.77

 

CMYK 48 / 0 / 90 / 62

HEX #32600A

RGB 50 96 10

HSL 92.09, 0.81%, 0.21%

LAB 36.11, -30.6, 39.43

 

CMYK 90 / 0 / 24 / 62

HEX #0A6049

RGB 10 96 73

HSL 163.95, 0.81%, 0.21%

LAB 35.81, -29.81, 6.51

 

CMYK 41 / 90 / 0 / 62

HEX #390A61

RGB 57 10 97

HSL 272.41, 0.81%, 0.21%

LAB 15.22, 38.66, -40.64

 

CMYK 0 / 86 / 90 / 62

HEX #600D0A

RGB 96 13 10

HSL 2.09, 0.81%, 0.21%

LAB 19.21, 35.86, 25.08

 

CMYK 48 / 0 / 90 / 62

HEX #32600A

RGB 50 96 10

HSL 92.09, 0.81%, 0.21%

LAB 36.11, -30.6, 39.43

 

CMYK 90 / 2 / 0 / 62

HEX #0A5E60

RGB 10 94 96

HSL 181.4, 0.81%, 0.21%

LAB 35.82, -21.66, -7.75

 

Description

Color code: HEX #390A61 | qconv.com Color code: HEX #390A61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 10 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 10 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 90 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 90% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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